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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #099A58 it is the complementary color #F665A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #099A58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #099A58 shade: #0E9A53, #1FAC66, #30BE79, #41D08C and #52E29F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #099A58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #099A58 shade: #099A58, #008845, #007632, #00641F and #00520C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #099A58 shade: #099A58, #099A31, #099A0A, #2F9A09 and #579A09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #099A58 shade: #099A58, #099A7F, #098E9A, #09679A and #09409A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #099A58 shade matches the following richer shades: #099A58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #099A58 shade: #099A58, #168D57, #238056, #317355 and #3E6553

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #099A58 shade: #099A09, #099A30, #099A56, #099A7D and #09919A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #099A58 shade: #044C2C, #077342, #099A58, #0BC16E and #0EE885

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #099A58 shade: #099A58, #09309A and #9A1C09

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #099A58 shade: #099A58, #56099A and #9A5609

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #099A58 shade: #099A58, #09309A, #9A094D and #9A7309

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #099A58 shade: #099A58, #0E099A, #9A094D and #959A09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 43 / 40

HEX #099A58

RGB 9 154 88

HSL 152.69, 0.89%, 0.32%

LAB 55.96, -49.75, 25.25

 

Complementary color

CMYK 0 / 59 / 32 / 4

HEX #F665A7

RGB 246 101 167

HSL 332.69, 0.89%, 0.68%

LAB 63.09, 61.75, -6.96

 

CMYK 91 / 0 / 46 / 40

HEX #0E9A53

RGB 14 154 83

HSL 149.57, 0.83%, 0.33%

LAB 55.92, -50.41, 27.89

 

CMYK 82 / 0 / 41 / 33

HEX #1FAC66

RGB 31 172 102

HSL 150.21, 0.69%, 0.4%

LAB 62.3, -51.89, 26.11

 

CMYK 75 / 0 / 36 / 25

HEX #30BE79

RGB 48 190 121

HSL 150.85, 0.6%, 0.47%

LAB 68.63, -52.84, 24.49

 

CMYK 69 / 0 / 33 / 18

HEX #41D08C

RGB 65 208 140

HSL 151.47, 0.6%, 0.54%

LAB 74.91, -53.42, 23.01

 

CMYK 64 / 0 / 30 / 11

HEX #52E29F

RGB 82 226 159

HSL 152.08, 0.71%, 0.6%

LAB 81.12, -53.76, 21.65

 

CMYK 94 / 0 / 43 / 40

HEX #099A58

RGB 9 154 88

HSL 152.69, 0.89%, 0.32%

LAB 55.96, -49.75, 25.25

 

CMYK 100 / 0 / 49 / 47

HEX #008845

RGB 0 136 69

HSL 150.44, 1%, 0.27%

LAB 49.54, -47.43, 27.22

 

CMYK 100 / 0 / 58 / 54

HEX #007632

RGB 0 118 50

HSL 145.42, 1%, 0.23%

LAB 43.04, -44.38, 29.28

 

CMYK 100 / 0 / 69 / 61

HEX #00641F

RGB 0 100 31

HSL 138.6, 1%, 0.2%

LAB 36.39, -40.95, 31.15

 

CMYK 100 / 0 / 85 / 68

HEX #00520C

RGB 0 82 12

HSL 128.78, 1%, 0.16%

LAB 29.57, -36.94, 32.21

 

CMYK 94 / 0 / 43 / 40

HEX #099A58

RGB 9 154 88

HSL 152.69, 0.89%, 0.32%

LAB 55.96, -49.75, 25.25

 

CMYK 94 / 0 / 68 / 40

HEX #099A31

RGB 9 154 49

HSL 136.55, 0.89%, 0.32%

LAB 55.47, -55.7, 43.97

 

CMYK 94 / 0 / 94 / 40

HEX #099A0A

RGB 9 154 10

HSL 120.41, 0.89%, 0.32%

LAB 55.27, -58.3, 55.59

 

CMYK 69 / 0 / 94 / 40

HEX #2F9A09

RGB 47 154 9

HSL 104.28, 0.89%, 0.32%

LAB 55.82, -53.44, 56.44

 

CMYK 44 / 0 / 94 / 40

HEX #579A09

RGB 87 154 9

HSL 87.72, 0.89%, 0.32%

LAB 57.23, -42.26, 58.17

 

CMYK 94 / 0 / 43 / 40

HEX #099A58

RGB 9 154 88

HSL 152.69, 0.89%, 0.32%

LAB 55.96, -49.75, 25.25

 

CMYK 94 / 0 / 18 / 40

HEX #099A7F

RGB 9 154 127

HSL 168.83, 0.89%, 0.32%

LAB 56.78, -40.56, 4.63

 

CMYK 94 / 8 / 0 / 40

HEX #098E9A

RGB 9 142 154

HSL 184.97, 0.89%, 0.32%

LAB 53.75, -26.77, -15.36

 

CMYK 94 / 33 / 0 / 40

HEX #09679A

RGB 9 103 154

HSL 201.1, 0.89%, 0.32%

LAB 41.36, -5.1, -34.54

 

CMYK 94 / 58 / 0 / 40

HEX #09409A

RGB 9 64 154

HSL 217.24, 0.89%, 0.32%

LAB 29.56, 20.71, -53.49

 

CMYK 94 / 0 / 43 / 40

HEX #099A58

RGB 9 154 88

HSL 152.69, 0.89%, 0.32%

LAB 55.96, -49.75, 25.25

 

CMYK 94 / 0 / 43 / 40

HEX #099A58

RGB 9 154 88

HSL 152.69, 0.89%, 0.32%

LAB 55.96, -49.75, 25.25

 

CMYK 84 / 0 / 38 / 45

HEX #168D57

RGB 22 141 87

HSL 152.77, 0.73%, 0.32%

LAB 51.73, -44.11, 20.23

 

CMYK 73 / 0 / 33 / 50

HEX #238056

RGB 35 128 86

HSL 152.9, 0.57%, 0.32%

LAB 47.58, -37.3, 15.22

 

CMYK 57 / 0 / 26 / 55

HEX #317355

RGB 49 115 85

HSL 152.73, 0.4%, 0.32%

LAB 43.61, -28.73, 10.38

 

CMYK 39 / 0 / 18 / 60

HEX #3E6553

RGB 62 101 83

HSL 152.31, 0.24%, 0.32%

LAB 39.51, -18.3, 5.87

 

CMYK 94 / 0 / 94 / 40

HEX #099A09

RGB 9 154 9

HSL 120, 0.89%, 0.32%

LAB 55.27, -58.33, 55.75

 

CMYK 94 / 0 / 69 / 40

HEX #099A30

RGB 9 154 48

HSL 136.14, 0.89%, 0.32%

LAB 55.46, -55.81, 44.39

 

CMYK 94 / 0 / 44 / 40

HEX #099A56

RGB 9 154 86

HSL 151.86, 0.89%, 0.32%

LAB 55.93, -50.14, 26.29

 

CMYK 94 / 0 / 19 / 40

HEX #099A7D

RGB 9 154 125

HSL 168, 0.89%, 0.32%

LAB 56.73, -41.1, 5.69

 

CMYK 94 / 6 / 0 / 40

HEX #09919A

RGB 9 145 154

HSL 183.72, 0.89%, 0.32%

LAB 54.7, -28.26, -13.91

 

CMYK 95 / 0 / 42 / 70

HEX #044C2C

RGB 4 76 44

HSL 153.33, 0.9%, 0.16%

LAB 27.78, -29.15, 13.4

 

CMYK 94 / 0 / 43 / 55

HEX #077342

RGB 7 115 66

HSL 152.78, 0.89%, 0.24%

LAB 42.31, -39.75, 19.56

 

CMYK 94 / 0 / 43 / 40

HEX #099A58

RGB 9 154 88

HSL 152.69, 0.89%, 0.32%

LAB 55.96, -49.75, 25.25

 

CMYK 94 / 0 / 43 / 24

HEX #0BC16E

RGB 11 193 110

HSL 152.64, 0.89%, 0.4%

LAB 68.99, -59.26, 30.65

 

CMYK 94 / 0 / 43 / 9

HEX #0EE885

RGB 14 232 133

HSL 152.75, 0.89%, 0.48%

LAB 81.57, -68.16, 35.35

 

CMYK 94 / 0 / 43 / 40

HEX #099A58

RGB 9 154 88

HSL 152.69, 0.89%, 0.32%

LAB 55.96, -49.75, 25.25

 

CMYK 94 / 69 / 0 / 40

HEX #09309A

RGB 9 48 154

HSL 223.86, 0.89%, 0.32%

LAB 25.28, 31.7, -60.51

 

CMYK 0 / 82 / 94 / 40

HEX #9A1C09

RGB 154 28 9

HSL 7.86, 0.89%, 0.32%

LAB 33.39, 49.84, 42.98

 

CMYK 94 / 0 / 43 / 40

HEX #099A58

RGB 9 154 88

HSL 152.69, 0.89%, 0.32%

LAB 55.96, -49.75, 25.25

 

CMYK 44 / 94 / 0 / 40

HEX #56099A

RGB 86 9 154

HSL 271.86, 0.89%, 0.32%

LAB 25.28, 56.27, -60.29

 

CMYK 0 / 44 / 94 / 40

HEX #9A5609

RGB 154 86 9

HSL 31.86, 0.89%, 0.32%

LAB 43.57, 23.28, 50.01

 

CMYK 94 / 0 / 43 / 40

HEX #099A58

RGB 9 154 88

HSL 152.69, 0.89%, 0.32%

LAB 55.96, -49.75, 25.25

 

CMYK 94 / 69 / 0 / 40

HEX #09309A

RGB 9 48 154

HSL 223.86, 0.89%, 0.32%

LAB 25.28, 31.7, -60.51

 

CMYK 0 / 94 / 50 / 40

HEX #9A094D

RGB 154 9 77

HSL 331.86, 0.89%, 0.32%

LAB 33.14, 56.97, 1.98

 

CMYK 0 / 25 / 94 / 40

HEX #9A7309

RGB 154 115 9

HSL 43.86, 0.89%, 0.32%

LAB 50.86, 6.72, 55.37

 

CMYK 94 / 0 / 43 / 40

HEX #099A58

RGB 9 154 88

HSL 152.69, 0.89%, 0.32%

LAB 55.96, -49.75, 25.25

 

CMYK 91 / 94 / 0 / 40

HEX #0E099A

RGB 14 9 154

HSL 242.07, 0.89%, 0.32%

LAB 18.46, 51.77, -71.81

 

CMYK 0 / 94 / 50 / 40

HEX #9A094D

RGB 154 9 77

HSL 331.86, 0.89%, 0.32%

LAB 33.14, 56.97, 1.98

 

CMYK 3 / 0 / 94 / 40

HEX #959A09

RGB 149 154 9

HSL 62.07, 0.89%, 0.32%

LAB 61.24, -16.9, 63.05

 

Description

Color code: HEX #099A58 | qconv.com Color code: HEX #099A58 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 154 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 154 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 43 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 43% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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