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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09992C it is the complementary color #F666D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09992C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09992C shade: #0E9927, #1FAB3A, #30BD4D, #41CF60 and #52E173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09992C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09992C shade: #09992C, #008719, #007506, #006300 and #005100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09992C shade: #099A2C, #0D9A09, #349A09, #5B9A09 and #829A09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09992C shade: #099A2C, #099A53, #099A7B, #09939A and #096C9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09992C shade matches the following richer shades: #099A2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09992C shade: #099A2C, #168D33, #23803A, #317341 and #3E6547

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09992C shade: #359A09, #0E9A09, #099A2B, #099A52 and #099A78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09992C shade: #044C16, #077321, #099A2C, #0BC137 and #0EE843

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09992C shade: #09992C, #095B9A and #9A0921

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09992C shade: #09992C, #2B099A and #9A2B09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09992C shade: #09992C, #095B9A, #9A0978 and #9A4809

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09992C shade: #09992C, #09309A, #9A0978 and #9A7309

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 71 / 40

HEX #09992C

RGB 9 153 44

HSL 134.58, 0.89%, 0.32%

LAB 55.1, -55.9, 45.65

 

Complementary color

CMYK 0 / 59 / 14 / 4

HEX #F666D3

RGB 246 102 211

HSL 314.58, 0.89%, 0.68%

LAB 64.8, 67.14, -29.33

 

CMYK 91 / 0 / 75 / 40

HEX #0E9927

RGB 14 153 39

HSL 130.79, 0.83%, 0.33%

LAB 55.1, -56.04, 47.61

 

CMYK 82 / 0 / 66 / 33

HEX #1FAB3A

RGB 31 171 58

HSL 131.57, 0.69%, 0.4%

LAB 61.41, -58.23, 46.67

 

CMYK 75 / 0 / 59 / 26

HEX #30BD4D

RGB 48 189 77

HSL 132.34, 0.59%, 0.46%

LAB 67.69, -59.66, 45.37

 

CMYK 69 / 0 / 54 / 19

HEX #41CF60

RGB 65 207 96

HSL 133.1, 0.6%, 0.53%

LAB 73.93, -60.56, 43.96

 

CMYK 64 / 0 / 49 / 12

HEX #52E173

RGB 82 225 115

HSL 133.85, 0.7%, 0.6%

LAB 80.11, -61.1, 42.54

 

CMYK 94 / 0 / 71 / 40

HEX #09992C

RGB 9 153 44

HSL 134.58, 0.89%, 0.32%

LAB 55.1, -55.9, 45.65

 

CMYK 100 / 0 / 81 / 47

HEX #008719

RGB 0 135 25

HSL 131.11, 1%, 0.26%

LAB 48.76, -52.6, 46.22

 

CMYK 100 / 0 / 95 / 54

HEX #007506

RGB 0 117 6

HSL 123.08, 1%, 0.23%

LAB 42.36, -48.21, 45.39

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 94 / 0 / 71 / 40

HEX #099A2C

RGB 9 154 44

HSL 134.48, 0.89%, 0.32%

LAB 55.43, -56.21, 46

 

CMYK 92 / 0 / 94 / 40

HEX #0D9A09

RGB 13 154 9

HSL 118.34, 0.89%, 0.32%

LAB 55.29, -58.08, 55.78

 

CMYK 66 / 0 / 94 / 40

HEX #349A09

RGB 52 154 9

HSL 102.21, 0.89%, 0.32%

LAB 55.95, -52.37, 56.59

 

CMYK 41 / 0 / 94 / 40

HEX #5B9A09

RGB 91 154 9

HSL 86.07, 0.89%, 0.32%

LAB 57.42, -40.85, 58.41

 

CMYK 16 / 0 / 94 / 40

HEX #829A09

RGB 130 154 9

HSL 69.93, 0.89%, 0.32%

LAB 59.78, -25.27, 61.29

 

CMYK 94 / 0 / 71 / 40

HEX #099A2C

RGB 9 154 44

HSL 134.48, 0.89%, 0.32%

LAB 55.43, -56.21, 46

 

CMYK 94 / 0 / 46 / 40

HEX #099A53

RGB 9 154 83

HSL 150.62, 0.89%, 0.32%

LAB 55.88, -50.71, 27.83

 

CMYK 94 / 0 / 20 / 40

HEX #099A7B

RGB 9 154 123

HSL 167.17, 0.89%, 0.32%

LAB 56.68, -41.63, 6.75

 

CMYK 94 / 5 / 0 / 40

HEX #09939A

RGB 9 147 154

HSL 182.9, 0.89%, 0.32%

LAB 55.34, -29.25, -12.95

 

CMYK 94 / 30 / 0 / 40

HEX #096C9A

RGB 9 108 154

HSL 199.03, 0.89%, 0.32%

LAB 42.94, -8.13, -32.05

 

CMYK 94 / 0 / 71 / 40

HEX #099A2C

RGB 9 154 44

HSL 134.48, 0.89%, 0.32%

LAB 55.43, -56.21, 46

 

CMYK 94 / 0 / 71 / 40

HEX #099A2C

RGB 9 154 44

HSL 134.48, 0.89%, 0.32%

LAB 55.43, -56.21, 46

 

CMYK 84 / 0 / 64 / 45

HEX #168D33

RGB 22 141 51

HSL 134.62, 0.73%, 0.32%

LAB 51.22, -50.19, 38.39

 

CMYK 73 / 0 / 55 / 50

HEX #23803A

RGB 35 128 58

HSL 134.84, 0.57%, 0.32%

LAB 47.11, -42.64, 30.13

 

CMYK 57 / 0 / 43 / 55

HEX #317341

RGB 49 115 65

HSL 134.55, 0.4%, 0.32%

LAB 43.21, -32.91, 21.48

 

CMYK 39 / 0 / 30 / 60

HEX #3E6547

RGB 62 101 71

HSL 133.85, 0.24%, 0.32%

LAB 39.22, -20.94, 12.74

 

CMYK 66 / 0 / 94 / 40

HEX #359A09

RGB 53 154 9

HSL 101.79, 0.89%, 0.32%

LAB 55.98, -52.14, 56.63

 

CMYK 91 / 0 / 94 / 40

HEX #0E9A09

RGB 14 154 9

HSL 117.93, 0.89%, 0.32%

LAB 55.3, -58.01, 55.79

 

CMYK 94 / 0 / 72 / 40

HEX #099A2B

RGB 9 154 43

HSL 134.07, 0.89%, 0.32%

LAB 55.42, -56.31, 46.4

 

CMYK 94 / 0 / 47 / 40

HEX #099A52

RGB 9 154 82

HSL 150.21, 0.89%, 0.32%

LAB 55.87, -50.89, 28.34

 

CMYK 94 / 0 / 22 / 40

HEX #099A78

RGB 9 154 120

HSL 165.93, 0.89%, 0.32%

LAB 56.61, -42.42, 8.35

 

CMYK 95 / 0 / 71 / 70

HEX #044C16

RGB 4 76 22

HSL 135, 0.9%, 0.16%

LAB 27.44, -33.21, 25.65

 

CMYK 94 / 0 / 71 / 55

HEX #077321

RGB 7 115 33

HSL 134.44, 0.89%, 0.24%

LAB 41.87, -45.05, 36.23

 

CMYK 94 / 0 / 71 / 40

HEX #099A2C

RGB 9 154 44

HSL 134.48, 0.89%, 0.32%

LAB 55.43, -56.21, 46

 

CMYK 94 / 0 / 72 / 24

HEX #0BC137

RGB 11 193 55

HSL 134.51, 0.89%, 0.4%

LAB 68.38, -66.81, 55.26

 

CMYK 94 / 0 / 71 / 9

HEX #0EE843

RGB 14 232 67

HSL 134.59, 0.89%, 0.48%

LAB 80.86, -76.86, 63.79

 

CMYK 94 / 0 / 71 / 40

HEX #09992C

RGB 9 153 44

HSL 134.58, 0.89%, 0.32%

LAB 55.1, -55.9, 45.65

 

CMYK 94 / 41 / 0 / 40

HEX #095B9A

RGB 9 91 154

HSL 206.07, 0.89%, 0.32%

LAB 37.61, 2.45, -40.49

 

CMYK 0 / 94 / 79 / 40

HEX #9A0921

RGB 154 9 33

HSL 350.07, 0.89%, 0.32%

LAB 32.2, 54.38, 29.46

 

CMYK 94 / 0 / 71 / 40

HEX #09992C

RGB 9 153 44

HSL 134.58, 0.89%, 0.32%

LAB 55.1, -55.9, 45.65

 

CMYK 72 / 94 / 0 / 40

HEX #2B099A

RGB 43 9 154

HSL 254.07, 0.89%, 0.32%

LAB 20.21, 52.76, -68.85

 

CMYK 0 / 72 / 94 / 40

HEX #9A2B09

RGB 154 43 9

HSL 14.07, 0.89%, 0.32%

LAB 35.24, 44.71, 44.19

 

CMYK 94 / 0 / 71 / 40

HEX #09992C

RGB 9 153 44

HSL 134.58, 0.89%, 0.32%

LAB 55.1, -55.9, 45.65

 

CMYK 94 / 41 / 0 / 40

HEX #095B9A

RGB 9 91 154

HSL 206.07, 0.89%, 0.32%

LAB 37.61, 2.45, -40.49

 

CMYK 0 / 94 / 22 / 40

HEX #9A0978

RGB 154 9 120

HSL 314.07, 0.89%, 0.32%

LAB 34.85, 61.52, -23.13

 

CMYK 0 / 53 / 94 / 40

HEX #9A4809

RGB 154 72 9

HSL 26.07, 0.89%, 0.32%

LAB 40.45, 30.98, 47.78

 

CMYK 94 / 0 / 71 / 40

HEX #09992C

RGB 9 153 44

HSL 134.58, 0.89%, 0.32%

LAB 55.1, -55.9, 45.65

 

CMYK 94 / 69 / 0 / 40

HEX #09309A

RGB 9 48 154

HSL 223.86, 0.89%, 0.32%

LAB 25.28, 31.7, -60.51

 

CMYK 0 / 94 / 22 / 40

HEX #9A0978

RGB 154 9 120

HSL 314.07, 0.89%, 0.32%

LAB 34.85, 61.52, -23.13

 

CMYK 0 / 25 / 94 / 40

HEX #9A7309

RGB 154 115 9

HSL 43.86, 0.89%, 0.32%

LAB 50.86, 6.72, 55.37

 

Description

Color code: HEX #09992C | qconv.com Color code: HEX #09992C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 153 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 153 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 71 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 71% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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