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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09985F it is the complementary color #F667A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09985F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09985F shade: #0E985A, #1FAA6D, #30BC80, #41CE93 and #52E0A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09985F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09985F shade: #09985F, #00864C, #007439, #006226 and #005013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09985F shade: #099A60, #099A39, #099A12, #279A09 and #4E9A09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09985F shade: #099A60, #099A87, #09869A, #095F9A and #09379A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09985F shade matches the following richer shades: #099A60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09985F shade: #099A60, #168D5E, #23805B, #317358 and #3E6556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09985F shade: #099A13, #099A39, #099A60, #099A87 and #09879A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09985F shade: #044C30, #077348, #099A60, #0BC179 and #0EE891

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09985F shade: #09985F, #09269A and #9A2609

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09985F shade: #09985F, #60099A and #9A6009

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09985F shade: #09985F, #09269A, #9A0943 and #9A7D09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09985F shade: #09985F, #18099A, #9A0943 and #8C9A09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 38 / 40

HEX #09985F

RGB 9 152 95

HSL 156.08, 0.89%, 0.32%

LAB 55.42, -47.58, 20.71

 

Complementary color

CMYK 0 / 58 / 35 / 4

HEX #F667A0

RGB 246 103 160

HSL 336.08, 0.89%, 0.68%

LAB 63.2, 60.07, -2.77

 

CMYK 91 / 0 / 41 / 40

HEX #0E985A

RGB 14 152 90

HSL 153.04, 0.83%, 0.33%

LAB 55.37, -48.33, 23.39

 

CMYK 82 / 0 / 36 / 33

HEX #1FAA6D

RGB 31 170 109

HSL 153.67, 0.69%, 0.39%

LAB 61.78, -49.73, 21.65

 

CMYK 74 / 0 / 32 / 26

HEX #30BC80

RGB 48 188 128

HSL 154.29, 0.59%, 0.46%

LAB 68.13, -50.62, 20.08

 

CMYK 68 / 0 / 29 / 19

HEX #41CE93

RGB 65 206 147

HSL 154.89, 0.59%, 0.53%

LAB 74.43, -51.18, 18.66

 

CMYK 63 / 0 / 26 / 12

HEX #52E0A6

RGB 82 224 166

HSL 155.49, 0.7%, 0.6%

LAB 80.66, -51.5, 17.36

 

CMYK 94 / 0 / 38 / 40

HEX #09985F

RGB 9 152 95

HSL 156.08, 0.89%, 0.32%

LAB 55.42, -47.58, 20.71

 

CMYK 100 / 0 / 43 / 47

HEX #00864C

RGB 0 134 76

HSL 154.03, 1%, 0.26%

LAB 48.97, -45.36, 22.66

 

CMYK 100 / 0 / 51 / 55

HEX #007439

RGB 0 116 57

HSL 149.48, 1%, 0.23%

LAB 42.44, -42.47, 24.77

 

CMYK 100 / 0 / 61 / 62

HEX #006226

RGB 0 98 38

HSL 143.27, 1%, 0.19%

LAB 35.74, -39.28, 26.87

 

CMYK 100 / 0 / 76 / 69

HEX #005013

RGB 0 80 19

HSL 134.25, 1%, 0.16%

LAB 28.86, -35.6, 28.61

 

CMYK 94 / 0 / 38 / 40

HEX #099A60

RGB 9 154 96

HSL 156, 0.89%, 0.32%

LAB 56.1, -48.12, 21.08

 

CMYK 94 / 0 / 63 / 40

HEX #099A39

RGB 9 154 57

HSL 139.86, 0.89%, 0.32%

LAB 55.55, -54.76, 40.49

 

CMYK 94 / 0 / 88 / 40

HEX #099A12

RGB 9 154 18

HSL 123.72, 0.89%, 0.32%

LAB 55.29, -58.02, 54.12

 

CMYK 75 / 0 / 94 / 40

HEX #279A09

RGB 39 154 9

HSL 107.59, 0.89%, 0.32%

LAB 55.65, -54.95, 56.22

 

CMYK 49 / 0 / 94 / 40

HEX #4E9A09

RGB 78 154 9

HSL 91.45, 0.89%, 0.32%

LAB 56.83, -45.26, 57.68

 

CMYK 94 / 0 / 38 / 40

HEX #099A60

RGB 9 154 96

HSL 156, 0.89%, 0.32%

LAB 56.1, -48.12, 21.08

 

CMYK 94 / 0 / 12 / 40

HEX #099A87

RGB 9 154 135

HSL 172.14, 0.89%, 0.32%

LAB 57, -38.32, 0.38

 

CMYK 94 / 13 / 0 / 40

HEX #09869A

RGB 9 134 154

HSL 188.28, 0.89%, 0.32%

LAB 51.2, -22.67, -19.24

 

CMYK 94 / 38 / 0 / 40

HEX #095F9A

RGB 9 95 154

HSL 204.41, 0.89%, 0.32%

LAB 38.86, -0.11, -38.51

 

CMYK 94 / 64 / 0 / 40

HEX #09379A

RGB 9 55 154

HSL 220.97, 0.89%, 0.32%

LAB 27.08, 26.94, -57.54

 

CMYK 94 / 0 / 38 / 40

HEX #099A60

RGB 9 154 96

HSL 156, 0.89%, 0.32%

LAB 56.1, -48.12, 21.08

 

CMYK 94 / 0 / 38 / 40

HEX #099A60

RGB 9 154 96

HSL 156, 0.89%, 0.32%

LAB 56.1, -48.12, 21.08

 

CMYK 84 / 0 / 33 / 45

HEX #168D5E

RGB 22 141 94

HSL 156.3, 0.73%, 0.32%

LAB 51.87, -42.57, 16.48

 

CMYK 73 / 0 / 29 / 50

HEX #23805B

RGB 35 128 91

HSL 156.13, 0.57%, 0.32%

LAB 47.69, -36.14, 12.48

 

CMYK 57 / 0 / 23 / 55

HEX #317358

RGB 49 115 88

HSL 155.45, 0.4%, 0.32%

LAB 43.68, -28.02, 8.69

 

CMYK 39 / 0 / 15 / 60

HEX #3E6556

RGB 62 101 86

HSL 156.92, 0.24%, 0.32%

LAB 39.59, -17.59, 4.15

 

CMYK 94 / 0 / 88 / 40

HEX #099A13

RGB 9 154 19

HSL 124.14, 0.89%, 0.32%

LAB 55.29, -57.97, 53.9

 

CMYK 94 / 0 / 63 / 40

HEX #099A39

RGB 9 154 57

HSL 139.86, 0.89%, 0.32%

LAB 55.55, -54.76, 40.49

 

CMYK 94 / 0 / 38 / 40

HEX #099A60

RGB 9 154 96

HSL 156, 0.89%, 0.32%

LAB 56.1, -48.12, 21.08

 

CMYK 94 / 0 / 12 / 40

HEX #099A87

RGB 9 154 135

HSL 172.14, 0.89%, 0.32%

LAB 57, -38.32, 0.38

 

CMYK 94 / 12 / 0 / 40

HEX #09879A

RGB 9 135 154

HSL 187.86, 0.89%, 0.32%

LAB 51.52, -23.19, -18.75

 

CMYK 95 / 0 / 37 / 70

HEX #044C30

RGB 4 76 48

HSL 156.67, 0.9%, 0.16%

LAB 27.87, -28.17, 11.01

 

CMYK 94 / 0 / 37 / 55

HEX #077348

RGB 7 115 72

HSL 156.11, 0.89%, 0.24%

LAB 42.42, -38.43, 16.24

 

CMYK 94 / 0 / 38 / 40

HEX #099A60

RGB 9 154 96

HSL 156, 0.89%, 0.32%

LAB 56.1, -48.12, 21.08

 

CMYK 94 / 0 / 37 / 24

HEX #0BC179

RGB 11 193 121

HSL 156.26, 0.89%, 0.4%

LAB 69.18, -57.11, 25.15

 

CMYK 94 / 0 / 38 / 9

HEX #0EE891

RGB 14 232 145

HSL 156.06, 0.89%, 0.48%

LAB 81.76, -65.91, 29.56

 

CMYK 94 / 0 / 38 / 40

HEX #09985F

RGB 9 152 95

HSL 156.08, 0.89%, 0.32%

LAB 55.42, -47.58, 20.71

 

CMYK 94 / 75 / 0 / 40

HEX #09269A

RGB 9 38 154

HSL 228, 0.89%, 0.32%

LAB 22.92, 38.15, -64.4

 

CMYK 0 / 75 / 94 / 40

HEX #9A2609

RGB 154 38 9

HSL 12, 0.89%, 0.32%

LAB 34.55, 46.6, 43.73

 

CMYK 94 / 0 / 38 / 40

HEX #09985F

RGB 9 152 95

HSL 156.08, 0.89%, 0.32%

LAB 55.42, -47.58, 20.71

 

CMYK 38 / 94 / 0 / 40

HEX #60099A

RGB 96 9 154

HSL 276, 0.89%, 0.32%

LAB 26.78, 57.45, -57.78

 

CMYK 0 / 38 / 94 / 40

HEX #9A6009

RGB 154 96 9

HSL 36, 0.89%, 0.32%

LAB 45.98, 17.6, 51.76

 

CMYK 94 / 0 / 38 / 40

HEX #09985F

RGB 9 152 95

HSL 156.08, 0.89%, 0.32%

LAB 55.42, -47.58, 20.71

 

CMYK 94 / 75 / 0 / 40

HEX #09269A

RGB 9 38 154

HSL 228, 0.89%, 0.32%

LAB 22.92, 38.15, -64.4

 

CMYK 0 / 94 / 56 / 40

HEX #9A0943

RGB 154 9 67

HSL 336, 0.89%, 0.32%

LAB 32.86, 56.2, 8.16

 

CMYK 0 / 19 / 94 / 40

HEX #9A7D09

RGB 154 125 9

HSL 48, 0.89%, 0.32%

LAB 53.55, 1.07, 57.39

 

CMYK 94 / 0 / 38 / 40

HEX #09985F

RGB 9 152 95

HSL 156.08, 0.89%, 0.32%

LAB 55.42, -47.58, 20.71

 

CMYK 84 / 94 / 0 / 40

HEX #18099A

RGB 24 9 154

HSL 246.21, 0.89%, 0.32%

LAB 18.9, 52.01, -71.07

 

CMYK 0 / 94 / 56 / 40

HEX #9A0943

RGB 154 9 67

HSL 336, 0.89%, 0.32%

LAB 32.86, 56.2, 8.16

 

CMYK 9 / 0 / 94 / 40

HEX #8C9A09

RGB 140 154 9

HSL 65.79, 0.89%, 0.32%

LAB 60.52, -20.9, 62.19

 

Description

Color code: HEX #09985F | qconv.com Color code: HEX #09985F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 152 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 152 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 38 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 38% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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