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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09940C it is the complementary color #F66BF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09940C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09940C shade: #0E9407, #1FA61A, #30B82D, #41CA40 and #52DC53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09940C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09940C shade: #09940C, #008200, #007000, #005E00 and #004C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09940C shade: #09950C, #2C9509, #529509, #789509 and #958D09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09940C shade: #09950C, #099532, #099558, #09957E and #098795

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09940C shade matches the following richer shades: #09950C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09940C shade: #09950C, #158918, #227C24, #2F6F30 and #3C623D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09940C shade: #519509, #2C9509, #09950B, #099531 and #099556

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09940C shade: #044706, #066E09, #09950C, #0BBC0F and #0DE312

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09940C shade: #09940C, #097795 and #95093F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09940C shade: #09940C, #0B0995 and #950B09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09940C shade: #09940C, #097795, #950993 and #952709

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09940C shade: #09940C, #094D95, #950993 and #955109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 92 / 42

HEX #09940C

RGB 9 148 12

HSL 121.29, 0.89%, 0.31%

LAB 53.24, -56.49, 53.53

 

Complementary color

CMYK 0 / 57 / 1 / 4

HEX #F66BF3

RGB 246 107 243

HSL 301.29, 0.89%, 0.69%

LAB 66.96, 70, -43.77

 

CMYK 91 / 0 / 95 / 42

HEX #0E9407

RGB 14 148 7

HSL 117.02, 0.91%, 0.3%

LAB 53.26, -56.3, 54.41

 

CMYK 81 / 0 / 84 / 35

HEX #1FA61A

RGB 31 166 26

HSL 117.86, 0.73%, 0.38%

LAB 59.56, -59.22, 56.11

 

CMYK 74 / 0 / 76 / 28

HEX #30B82D

RGB 48 184 45

HSL 118.71, 0.61%, 0.45%

LAB 65.83, -61.2, 56.4

 

CMYK 68 / 0 / 68 / 21

HEX #41CA40

RGB 65 202 64

HSL 119.57, 0.57%, 0.52%

LAB 72.05, -62.51, 55.88

 

CMYK 63 / 0 / 62 / 14

HEX #52DC53

RGB 82 220 83

HSL 120.43, 0.66%, 0.59%

LAB 78.23, -63.35, 54.95

 

CMYK 94 / 0 / 92 / 42

HEX #09940C

RGB 9 148 12

HSL 121.29, 0.89%, 0.31%

LAB 53.24, -56.49, 53.53

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 100 / 0 / 100 / 63

HEX #005E00

RGB 0 94 0

HSL 120, 1%, 0.18%

LAB 33.99, -41.54, 40.09

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 94 / 0 / 92 / 42

HEX #09950C

RGB 9 149 12

HSL 121.29, 0.89%, 0.31%

LAB 53.58, -56.79, 53.83

 

CMYK 70 / 0 / 94 / 42

HEX #2C9509

RGB 44 149 9

HSL 105, 0.89%, 0.31%

LAB 54.08, -52.39, 54.95

 

CMYK 45 / 0 / 94 / 42

HEX #529509

RGB 82 149 9

HSL 88.71, 0.89%, 0.31%

LAB 55.39, -41.92, 56.57

 

CMYK 19 / 0 / 94 / 42

HEX #789509

RGB 120 149 9

HSL 72.43, 0.89%, 0.31%

LAB 57.57, -27.11, 59.24

 

CMYK 0 / 5 / 94 / 42

HEX #958D09

RGB 149 141 9

HSL 56.57, 0.89%, 0.31%

LAB 57.52, -10.05, 60.19

 

CMYK 94 / 0 / 92 / 42

HEX #09950C

RGB 9 149 12

HSL 121.29, 0.89%, 0.31%

LAB 53.58, -56.79, 53.83

 

CMYK 94 / 0 / 66 / 42

HEX #099532

RGB 9 149 50

HSL 137.57, 0.89%, 0.31%

LAB 53.8, -54.01, 41.7

 

CMYK 94 / 0 / 41 / 42

HEX #099558

RGB 9 149 88

HSL 153.86, 0.89%, 0.31%

LAB 54.3, -47.92, 23.07

 

CMYK 94 / 0 / 15 / 42

HEX #09957E

RGB 9 149 126

HSL 170.14, 0.89%, 0.31%

LAB 55.13, -38.67, 2.81

 

CMYK 94 / 9 / 0 / 42

HEX #098795

RGB 9 135 149

HSL 186, 0.89%, 0.31%

LAB 51.33, -24.9, -16.13

 

CMYK 94 / 0 / 92 / 42

HEX #09950C

RGB 9 149 12

HSL 121.29, 0.89%, 0.31%

LAB 53.58, -56.79, 53.83

 

CMYK 94 / 0 / 92 / 42

HEX #09950C

RGB 9 149 12

HSL 121.29, 0.89%, 0.31%

LAB 53.58, -56.79, 53.83

 

CMYK 85 / 0 / 82 / 46

HEX #158918

RGB 21 137 24

HSL 121.55, 0.73%, 0.31%

LAB 49.64, -51.53, 47.44

 

CMYK 73 / 0 / 71 / 51

HEX #227C24

RGB 34 124 36

HSL 121.33, 0.57%, 0.31%

LAB 45.47, -44.16, 38.9

 

CMYK 58 / 0 / 57 / 56

HEX #2F6F30

RGB 47 111 48

HSL 120.94, 0.41%, 0.31%

LAB 41.51, -34.49, 28.71

 

CMYK 39 / 0 / 38 / 62

HEX #3C623D

RGB 60 98 61

HSL 121.58, 0.24%, 0.31%

LAB 37.9, -22.02, 16.92

 

CMYK 46 / 0 / 94 / 42

HEX #519509

RGB 81 149 9

HSL 89.14, 0.89%, 0.31%

LAB 55.34, -42.27, 56.51

 

CMYK 70 / 0 / 94 / 42

HEX #2C9509

RGB 44 149 9

HSL 105, 0.89%, 0.31%

LAB 54.08, -52.39, 54.95

 

CMYK 94 / 0 / 93 / 42

HEX #09950B

RGB 9 149 11

HSL 120.86, 0.89%, 0.31%

LAB 53.58, -56.82, 54

 

CMYK 94 / 0 / 67 / 42

HEX #099531

RGB 9 149 49

HSL 137.14, 0.89%, 0.31%

LAB 53.79, -54.12, 42.13

 

CMYK 94 / 0 / 42 / 42

HEX #099556

RGB 9 149 86

HSL 153, 0.89%, 0.31%

LAB 54.26, -48.33, 24.12

 

CMYK 94 / 0 / 92 / 72

HEX #044706

RGB 4 71 6

HSL 121.79, 0.89%, 0.15%

LAB 25.4, -33.07, 30.54

 

CMYK 95 / 0 / 92 / 57

HEX #066E09

RGB 6 110 9

HSL 121.73, 0.9%, 0.23%

LAB 39.93, -45.37, 42.62

 

CMYK 94 / 0 / 92 / 42

HEX #09950C

RGB 9 149 12

HSL 121.29, 0.89%, 0.31%

LAB 53.58, -56.79, 53.83

 

CMYK 94 / 0 / 92 / 26

HEX #0BBC0F

RGB 11 188 15

HSL 121.36, 0.89%, 0.39%

LAB 66.57, -67.7, 64.39

 

CMYK 94 / 0 / 92 / 11

HEX #0DE312

RGB 13 227 18

HSL 121.4, 0.89%, 0.47%

LAB 79.08, -78.15, 74.49

 

CMYK 94 / 0 / 92 / 42

HEX #09940C

RGB 9 148 12

HSL 121.29, 0.89%, 0.31%

LAB 53.24, -56.49, 53.53

 

CMYK 94 / 20 / 0 / 42

HEX #097795

RGB 9 119 149

HSL 192.86, 0.89%, 0.31%

LAB 46.21, -16.37, -23.99

 

CMYK 0 / 94 / 58 / 42

HEX #95093F

RGB 149 9 63

HSL 336.86, 0.89%, 0.31%

LAB 31.68, 54.65, 9.01

 

CMYK 94 / 0 / 92 / 42

HEX #09940C

RGB 9 148 12

HSL 121.29, 0.89%, 0.31%

LAB 53.24, -56.49, 53.53

 

CMYK 93 / 94 / 0 / 42

HEX #0B0995

RGB 11 9 149

HSL 240.86, 0.89%, 0.31%

LAB 17.63, 50.31, -70.11

 

CMYK 0 / 93 / 94 / 42

HEX #950B09

RGB 149 11 9

HSL 0.86, 0.89%, 0.31%

LAB 30.99, 52.14, 40.86

 

CMYK 94 / 0 / 92 / 42

HEX #09940C

RGB 9 148 12

HSL 121.29, 0.89%, 0.31%

LAB 53.24, -56.49, 53.53

 

CMYK 94 / 20 / 0 / 42

HEX #097795

RGB 9 119 149

HSL 192.86, 0.89%, 0.31%

LAB 46.21, -16.37, -23.99

 

CMYK 0 / 94 / 1 / 42

HEX #950993

RGB 149 9 147

HSL 300.86, 0.89%, 0.31%

LAB 35.38, 64.36, -39.11

 

CMYK 0 / 74 / 94 / 42

HEX #952709

RGB 149 39 9

HSL 12.86, 0.89%, 0.31%

LAB 33.69, 44.55, 42.68

 

CMYK 94 / 0 / 92 / 42

HEX #09940C

RGB 9 148 12

HSL 121.29, 0.89%, 0.31%

LAB 53.24, -56.49, 53.53

 

CMYK 94 / 48 / 0 / 42

HEX #094D95

RGB 9 77 149

HSL 210.86, 0.89%, 0.31%

LAB 33, 9.66, -44.87

 

CMYK 0 / 94 / 1 / 42

HEX #950993

RGB 149 9 147

HSL 300.86, 0.89%, 0.31%

LAB 35.38, 64.36, -39.11

 

CMYK 0 / 46 / 94 / 42

HEX #955109

RGB 149 81 9

HSL 30.86, 0.89%, 0.31%

LAB 41.68, 23.88, 48.31

 

Description

Color code: HEX #09940C | qconv.com Color code: HEX #09940C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 148 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 148 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 92 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 92% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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