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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09657D it is the complementary color #F69A82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09657D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09657D shade: #0E6578, #1F778B, #30899E, #419BB1 and #52ADC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09657D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09657D shade: #09657D, #00536A, #004157, #002F44 and #001D31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09657D shade: #09647C, #09457C, #09267C, #0A097C and #2A097C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09657D shade: #09647C, #09457C, #09267C and #09097C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09657D shade matches the following richer shades: #09647C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09657D shade: #09647C, #135E71, #1E5867, #29515C and #344B51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09657D shade: #097C56, #097C74, #09657C, #09467C and #09277C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09657D shade: #03262F, #064555, #09647C, #0B83A3 and #0EA2C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09657D shade: #09657D, #37097C and #7C6509

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09657D shade: #09657D, #7C0965 and #657C09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09657D shade: #09657D, #37097C, #7C2009 and #4E7C09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09657D shade: #09657D, #59097C, #7C2009 and #2B7C09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 19 / 0 / 51

HEX #09657D

RGB 9 101 125

HSL 192.41, 0.87%, 0.26%

LAB 39.32, -15.13, -20.26

 

Complementary color

CMYK 0 / 37 / 47 / 4

HEX #F69A82

RGB 246 154 130

HSL 12.41, 0.87%, 0.74%

LAB 72.44, 31.86, 27.07

 

CMYK 88 / 16 / 0 / 53

HEX #0E6578

RGB 14 101 120

HSL 190.75, 0.79%, 0.26%

LAB 39.17, -16.63, -17.45

 

CMYK 78 / 14 / 0 / 45

HEX #1F778B

RGB 31 119 139

HSL 191.11, 0.64%, 0.33%

LAB 46.11, -18.12, -18.2

 

CMYK 70 / 13 / 0 / 38

HEX #30899E

RGB 48 137 158

HSL 191.45, 0.53%, 0.4%

LAB 52.94, -19.14, -18.85

 

CMYK 63 / 12 / 0 / 31

HEX #419BB1

RGB 65 155 177

HSL 191.79, 0.46%, 0.47%

LAB 59.65, -19.86, -19.41

 

CMYK 58 / 12 / 0 / 23

HEX #52ADC4

RGB 82 173 196

HSL 192.11, 0.49%, 0.55%

LAB 66.26, -20.37, -19.93

 

CMYK 93 / 19 / 0 / 51

HEX #09657D

RGB 9 101 125

HSL 192.41, 0.87%, 0.26%

LAB 39.32, -15.13, -20.26

 

CMYK 100 / 22 / 0 / 58

HEX #00536A

RGB 0 83 106

HSL 193.02, 1%, 0.21%

LAB 32.32, -12.62, -19.36

 

CMYK 100 / 25 / 0 / 66

HEX #004157

RGB 0 65 87

HSL 195.17, 1%, 0.17%

LAB 25.16, -9.35, -18.32

 

CMYK 100 / 31 / 0 / 73

HEX #002F44

RGB 0 47 68

HSL 198.53, 1%, 0.13%

LAB 17.69, -5.82, -17.3

 

CMYK 100 / 41 / 0 / 81

HEX #001D31

RGB 0 29 49

HSL 204.49, 1%, 0.1%

LAB 9.8, -1.88, -16.36

 

CMYK 93 / 19 / 0 / 51

HEX #09647C

RGB 9 100 124

HSL 192.52, 0.86%, 0.26%

LAB 38.95, -14.94, -20.23

 

CMYK 93 / 44 / 0 / 51

HEX #09457C

RGB 9 69 124

HSL 208.7, 0.86%, 0.26%

LAB 28.82, 4.53, -36.17

 

CMYK 93 / 69 / 0 / 51

HEX #09267C

RGB 9 38 124

HSL 224.87, 0.86%, 0.26%

LAB 19.64, 26.52, -51.09

 

CMYK 92 / 93 / 0 / 51

HEX #0A097C

RGB 10 9 124

HSL 240.52, 0.86%, 0.26%

LAB 13.92, 42.93, -60.57

 

CMYK 66 / 93 / 0 / 51

HEX #2A097C

RGB 42 9 124

HSL 257.22, 0.86%, 0.26%

LAB 16.22, 44.52, -56.67

 

CMYK 93 / 19 / 0 / 51

HEX #09647C

RGB 9 100 124

HSL 192.52, 0.86%, 0.26%

LAB 38.95, -14.94, -20.23

 

CMYK 93 / 44 / 0 / 51

HEX #09457C

RGB 9 69 124

HSL 208.7, 0.86%, 0.26%

LAB 28.82, 4.53, -36.17

 

CMYK 93 / 69 / 0 / 51

HEX #09267C

RGB 9 38 124

HSL 224.87, 0.86%, 0.26%

LAB 19.64, 26.52, -51.09

 

CMYK 93 / 93 / 0 / 51

HEX #09097C

RGB 9 9 124

HSL 240, 0.86%, 0.26%

LAB 13.88, 42.91, -60.63

 

CMYK 93 / 19 / 0 / 51

HEX #09647C

RGB 9 100 124

HSL 192.52, 0.86%, 0.26%

LAB 38.95, -14.94, -20.23

 

CMYK 93 / 19 / 0 / 51

HEX #09647C

RGB 9 100 124

HSL 192.52, 0.86%, 0.26%

LAB 38.95, -14.94, -20.23

 

CMYK 83 / 17 / 0 / 56

HEX #135E71

RGB 19 94 113

HSL 192.13, 0.71%, 0.26%

LAB 36.62, -14.76, -17.05

 

CMYK 71 / 15 / 0 / 60

HEX #1E5867

RGB 30 88 103

HSL 192.33, 0.55%, 0.26%

LAB 34.47, -13.34, -14.13

 

CMYK 55 / 12 / 0 / 64

HEX #29515C

RGB 41 81 92

HSL 192.94, 0.38%, 0.26%

LAB 32.1, -10.6, -10.77

 

CMYK 36 / 7 / 0 / 68

HEX #344B51

RGB 52 75 81

HSL 192.41, 0.22%, 0.26%

LAB 30.29, -7.12, -6.41

 

CMYK 93 / 0 / 31 / 51

HEX #097C56

RGB 9 124 86

HSL 160.17, 0.86%, 0.26%

LAB 45.83, -38.62, 12.75

 

CMYK 93 / 0 / 6 / 51

HEX #097C74

RGB 9 124 116

HSL 175.83, 0.86%, 0.26%

LAB 46.62, -30.23, -3.81

 

CMYK 93 / 19 / 0 / 51

HEX #09657C

RGB 9 101 124

HSL 192, 0.86%, 0.26%

LAB 39.28, -15.51, -19.72

 

CMYK 93 / 44 / 0 / 51

HEX #09467C

RGB 9 70 124

HSL 208.17, 0.86%, 0.26%

LAB 29.14, 3.85, -35.65

 

CMYK 93 / 69 / 0 / 51

HEX #09277C

RGB 9 39 124

HSL 224.35, 0.86%, 0.26%

LAB 19.9, 25.82, -50.65

 

CMYK 94 / 19 / 0 / 82

HEX #03262F

RGB 3 38 47

HSL 192.27, 0.88%, 0.1%

LAB 13.3, -8.45, -9.45

 

CMYK 93 / 19 / 0 / 67

HEX #064555

RGB 6 69 85

HSL 192.15, 0.87%, 0.18%

LAB 26.59, -11.99, -14.79

 

CMYK 93 / 19 / 0 / 51

HEX #09647C

RGB 9 100 124

HSL 192.52, 0.86%, 0.26%

LAB 38.95, -14.94, -20.23

 

CMYK 93 / 20 / 0 / 36

HEX #0B83A3

RGB 11 131 163

HSL 192.63, 0.87%, 0.34%

LAB 50.63, -17.79, -25.35

 

CMYK 93 / 19 / 0 / 21

HEX #0EA2C9

RGB 14 162 201

HSL 192.51, 0.87%, 0.42%

LAB 61.78, -20.82, -29.7

 

CMYK 93 / 19 / 0 / 51

HEX #09657D

RGB 9 101 125

HSL 192.41, 0.87%, 0.26%

LAB 39.32, -15.13, -20.26

 

CMYK 56 / 93 / 0 / 51

HEX #37097C

RGB 55 9 124

HSL 264, 0.86%, 0.26%

LAB 17.75, 45.68, -54.09

 

CMYK 0 / 19 / 93 / 51

HEX #7C6509

RGB 124 101 9

HSL 48, 0.86%, 0.26%

LAB 43.67, 0.51, 48.41

 

CMYK 93 / 19 / 0 / 51

HEX #09657D

RGB 9 101 125

HSL 192.41, 0.87%, 0.26%

LAB 39.32, -15.13, -20.26

 

CMYK 0 / 93 / 19 / 51

HEX #7C0965

RGB 124 9 101

HSL 312, 0.86%, 0.26%

LAB 27.9, 52.65, -22.26

 

CMYK 19 / 0 / 93 / 51

HEX #657C09

RGB 101 124 9

HSL 72, 0.86%, 0.26%

LAB 48.51, -22.97, 51.41

 

CMYK 93 / 19 / 0 / 51

HEX #09657D

RGB 9 101 125

HSL 192.41, 0.87%, 0.26%

LAB 39.32, -15.13, -20.26

 

CMYK 56 / 93 / 0 / 51

HEX #37097C

RGB 55 9 124

HSL 264, 0.86%, 0.26%

LAB 17.75, 45.68, -54.09

 

CMYK 0 / 74 / 93 / 51

HEX #7C2009

RGB 124 32 9

HSL 12, 0.86%, 0.26%

LAB 27.68, 38.6, 35.98

 

CMYK 37 / 0 / 93 / 51

HEX #4E7C09

RGB 78 124 9

HSL 84, 0.86%, 0.26%

LAB 47.05, -32.61, 49.6

 

CMYK 93 / 19 / 0 / 51

HEX #09657D

RGB 9 101 125

HSL 192.41, 0.87%, 0.26%

LAB 39.32, -15.13, -20.26

 

CMYK 28 / 93 / 0 / 51

HEX #59097C

RGB 89 9 124

HSL 281.74, 0.86%, 0.26%

LAB 22.91, 50.07, -45.42

 

CMYK 0 / 74 / 93 / 51

HEX #7C2009

RGB 124 32 9

HSL 12, 0.86%, 0.26%

LAB 27.68, 38.6, 35.98

 

CMYK 65 / 0 / 93 / 51

HEX #2B7C09

RGB 43 124 9

HSL 102.26, 0.86%, 0.26%

LAB 45.56, -43.95, 47.76

 

Description

Color code: HEX #09657D | qconv.com Color code: HEX #09657D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 101 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 101 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 19 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 19% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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