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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #095E80 it is the complementary color #F6A17F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #095E80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #095E80 shade: #0E5E7B, #1F708E, #3082A1, #4194B4 and #52A6C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #095E80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #095E80 shade: #095E80, #004C6D, #003A5A, #002847 and #001634

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #095E80 shade: #095F81, #093E81, #091E81, #140981 and #350981

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #095E80 shade: #095F81, #093E81, #091E81 and #090981

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #095E80 shade matches the following richer shades: #095F81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #095E80 shade: #095F81, #145A76, #1F556A, #2A505F and #364B54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #095E80 shade: #098163, #097F81, #095F81, #093F81 and #091F81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #095E80 shade: #042634, #06425A, #095F81, #0C7BA7 and #0E97CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #095E80 shade: #095E80, #430981 and #817309

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #095E80 shade: #095E80, #81095F and #5F8109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #095E80 shade: #095E80, #430981, #812B09 and #478109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #095E80 shade: #095E80, #670981, #812B09 and #238109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 27 / 0 / 50

HEX #095E80

RGB 9 94 128

HSL 197.14, 0.87%, 0.27%

LAB 37.16, -9.89, -25.46

 

Complementary color

CMYK 0 / 35 / 48 / 4

HEX #F6A17F

RGB 246 161 127

HSL 17.14, 0.87%, 0.73%

LAB 73.94, 27.91, 30.68

 

CMYK 89 / 24 / 0 / 52

HEX #0E5E7B

RGB 14 94 123

HSL 195.96, 0.8%, 0.27%

LAB 36.98, -11.48, -22.66

 

CMYK 78 / 21 / 0 / 44

HEX #1F708E

RGB 31 112 142

HSL 196.22, 0.64%, 0.34%

LAB 43.99, -13.15, -23.24

 

CMYK 70 / 19 / 0 / 37

HEX #3082A1

RGB 48 130 161

HSL 196.46, 0.54%, 0.41%

LAB 50.88, -14.32, -23.74

 

CMYK 64 / 18 / 0 / 29

HEX #4194B4

RGB 65 148 180

HSL 196.7, 0.47%, 0.48%

LAB 57.65, -15.17, -24.17

 

CMYK 59 / 17 / 0 / 22

HEX #52A6C7

RGB 82 166 199

HSL 196.92, 0.51%, 0.55%

LAB 64.31, -15.78, -24.57

 

CMYK 93 / 27 / 0 / 50

HEX #095E80

RGB 9 94 128

HSL 197.14, 0.87%, 0.27%

LAB 37.16, -9.89, -25.46

 

CMYK 100 / 30 / 0 / 57

HEX #004C6D

RGB 0 76 109

HSL 198.17, 1%, 0.21%

LAB 30.09, -7.11, -24.73

 

CMYK 100 / 36 / 0 / 65

HEX #003A5A

RGB 0 58 90

HSL 201.33, 1%, 0.18%

LAB 22.88, -3.5, -23.87

 

CMYK 100 / 44 / 0 / 72

HEX #002847

RGB 0 40 71

HSL 206.2, 1%, 0.14%

LAB 15.34, 0.51, -23.08

 

CMYK 100 / 58 / 0 / 80

HEX #001634

RGB 0 22 52

HSL 214.62, 1%, 0.1%

LAB 7.42, 5.08, -22.35

 

CMYK 93 / 26 / 0 / 49

HEX #095F81

RGB 9 95 129

HSL 197, 0.87%, 0.27%

LAB 37.53, -10.1, -25.48

 

CMYK 93 / 52 / 0 / 49

HEX #093E81

RGB 9 62 129

HSL 213.5, 0.87%, 0.27%

LAB 26.98, 11.54, -42.25

 

CMYK 93 / 77 / 0 / 49

HEX #091E81

RGB 9 30 129

HSL 229.5, 0.87%, 0.27%

LAB 18.24, 33.82, -56.57

 

CMYK 84 / 93 / 0 / 49

HEX #140981

RGB 20 9 129

HSL 245.5, 0.87%, 0.27%

LAB 15.11, 44.73, -61.75

 

CMYK 59 / 93 / 0 / 49

HEX #350981

RGB 53 9 129

HSL 262, 0.87%, 0.27%

LAB 18.09, 46.8, -56.72

 

CMYK 93 / 26 / 0 / 49

HEX #095F81

RGB 9 95 129

HSL 197, 0.87%, 0.27%

LAB 37.53, -10.1, -25.48

 

CMYK 93 / 52 / 0 / 49

HEX #093E81

RGB 9 62 129

HSL 213.5, 0.87%, 0.27%

LAB 26.98, 11.54, -42.25

 

CMYK 93 / 77 / 0 / 49

HEX #091E81

RGB 9 30 129

HSL 229.5, 0.87%, 0.27%

LAB 18.24, 33.82, -56.57

 

CMYK 93 / 93 / 0 / 49

HEX #090981

RGB 9 9 129

HSL 240, 0.87%, 0.27%

LAB 14.62, 44.42, -62.59

 

CMYK 93 / 26 / 0 / 49

HEX #095F81

RGB 9 95 129

HSL 197, 0.87%, 0.27%

LAB 37.53, -10.1, -25.48

 

CMYK 93 / 26 / 0 / 49

HEX #095F81

RGB 9 95 129

HSL 197, 0.87%, 0.27%

LAB 37.53, -10.1, -25.48

 

CMYK 83 / 24 / 0 / 54

HEX #145A76

RGB 20 90 118

HSL 197.14, 0.71%, 0.27%

LAB 35.54, -10.43, -21.82

 

CMYK 71 / 20 / 0 / 58

HEX #1F556A

RGB 31 85 106

HSL 196.8, 0.55%, 0.27%

LAB 33.62, -10.32, -17.29

 

CMYK 56 / 16 / 0 / 63

HEX #2A505F

RGB 42 80 95

HSL 196.98, 0.39%, 0.27%

LAB 31.93, -8.76, -12.92

 

CMYK 36 / 11 / 0 / 67

HEX #364B54

RGB 54 75 84

HSL 198, 0.22%, 0.27%

LAB 30.54, -5.59, -7.96

 

CMYK 93 / 0 / 23 / 49

HEX #098163

RGB 9 129 99

HSL 165, 0.87%, 0.27%

LAB 47.83, -37.4, 7.96

 

CMYK 93 / 2 / 0 / 49

HEX #097F81

RGB 9 127 129

HSL 181, 0.87%, 0.27%

LAB 48.03, -27.54, -9.39

 

CMYK 93 / 26 / 0 / 49

HEX #095F81

RGB 9 95 129

HSL 197, 0.87%, 0.27%

LAB 37.53, -10.1, -25.48

 

CMYK 93 / 51 / 0 / 49

HEX #093F81

RGB 9 63 129

HSL 213, 0.87%, 0.27%

LAB 27.29, 10.84, -41.76

 

CMYK 93 / 76 / 0 / 49

HEX #091F81

RGB 9 31 129

HSL 229, 0.87%, 0.27%

LAB 18.47, 33.19, -56.19

 

CMYK 92 / 27 / 0 / 80

HEX #042634

RGB 4 38 52

HSL 197.5, 0.86%, 0.11%

LAB 13.59, -6.07, -12.56

 

CMYK 93 / 27 / 0 / 65

HEX #06425A

RGB 6 66 90

HSL 197.14, 0.88%, 0.19%

LAB 25.78, -8.1, -19.3

 

CMYK 93 / 26 / 0 / 49

HEX #095F81

RGB 9 95 129

HSL 197, 0.87%, 0.27%

LAB 37.53, -10.1, -25.48

 

CMYK 93 / 26 / 0 / 35

HEX #0C7BA7

RGB 12 123 167

HSL 197.03, 0.87%, 0.35%

LAB 48.3, -11.8, -31.29

 

CMYK 93 / 27 / 0 / 19

HEX #0E97CE

RGB 14 151 206

HSL 197.19, 0.87%, 0.43%

LAB 58.68, -13.1, -37.34

 

CMYK 93 / 27 / 0 / 50

HEX #095E80

RGB 9 94 128

HSL 197.14, 0.87%, 0.27%

LAB 37.16, -9.89, -25.46

 

CMYK 48 / 93 / 0 / 49

HEX #430981

RGB 67 9 129

HSL 269, 0.87%, 0.27%

LAB 19.94, 48.24, -53.6

 

CMYK 0 / 11 / 93 / 49

HEX #817309

RGB 129 115 9

HSL 53, 0.87%, 0.27%

LAB 48.19, -5.11, 52.17

 

CMYK 93 / 27 / 0 / 50

HEX #095E80

RGB 9 94 128

HSL 197.14, 0.87%, 0.27%

LAB 37.16, -9.89, -25.46

 

CMYK 0 / 93 / 26 / 49

HEX #81095F

RGB 129 9 95

HSL 317, 0.87%, 0.27%

LAB 28.61, 52.95, -17.16

 

CMYK 26 / 0 / 93 / 49

HEX #5F8109

RGB 95 129 9

HSL 77, 0.87%, 0.27%

LAB 49.68, -28.04, 52.19

 

CMYK 93 / 27 / 0 / 50

HEX #095E80

RGB 9 94 128

HSL 197.14, 0.87%, 0.27%

LAB 37.16, -9.89, -25.46

 

CMYK 48 / 93 / 0 / 49

HEX #430981

RGB 67 9 129

HSL 269, 0.87%, 0.27%

LAB 19.94, 48.24, -53.6

 

CMYK 0 / 67 / 93 / 49

HEX #812B09

RGB 129 43 9

HSL 17, 0.87%, 0.27%

LAB 30.44, 35.63, 38.58

 

CMYK 45 / 0 / 93 / 49

HEX #478109

RGB 71 129 9

HSL 89, 0.87%, 0.27%

LAB 48.34, -37.41, 50.53

 

CMYK 93 / 27 / 0 / 50

HEX #095E80

RGB 9 94 128

HSL 197.14, 0.87%, 0.27%

LAB 37.16, -9.89, -25.46

 

CMYK 20 / 93 / 0 / 49

HEX #670981

RGB 103 9 129

HSL 287, 0.87%, 0.27%

LAB 25.75, 53.31, -43.86

 

CMYK 0 / 67 / 93 / 49

HEX #812B09

RGB 129 43 9

HSL 17, 0.87%, 0.27%

LAB 30.44, 35.63, 38.58

 

CMYK 73 / 0 / 93 / 49

HEX #238109

RGB 35 129 9

HSL 107, 0.87%, 0.27%

LAB 47.08, -47.47, 48.96

 

Description

Color code: HEX #095E80 | qconv.com Color code: HEX #095E80 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 94 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 94 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 27 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 27% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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