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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #095B4F it is the complementary color #F6A4B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #095B4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #095B4F shade: #0E5B4A, #1F6D5D, #307F70, #419183 and #52A396

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #095B4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #095B4F shade: #095B4F, #00493C, #003729, #002516 and #001303

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #095B4F shade: #095D51, #095D3A, #095D23, #095D0D and #1C5D09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #095B4F shade: #095D51, #09535D, #093C5D, #09255D and #090F5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #095B4F shade matches the following richer shades: #095D51 and #016556

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #095B4F shade: #095D51, #11554B, #1A4C45, #22443F and #2A3C39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #095B4F shade: #095D24, #095D3A, #095D50, #09535D and #093D5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #095B4F shade: #02120F, #053730, #095D51, #0D8271 and #11A892

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #095B4F shade: #095B4F, #0D095D and #5D2F09

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #095B4F shade: #095B4F, #50095D and #5D5009

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #095B4F shade: #095B4F, #0D095D, #5D0916 and #595D09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #095B4F shade: #095B4F, #26095D, #5D0916 and #405D09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 13 / 64

HEX #095B4F

RGB 9 91 79

HSL 171.22, 0.82%, 0.2%

LAB 34.2, -25.78, 0.46

 

Complementary color

CMYK 0 / 33 / 28 / 4

HEX #F6A4B0

RGB 246 164 176

HSL 351.22, 0.82%, 0.8%

LAB 75.62, 31.87, 6.32

 

CMYK 85 / 0 / 19 / 64

HEX #0E5B4A

RGB 14 91 74

HSL 166.75, 0.73%, 0.21%

LAB 34.13, -26.77, 3.49

 

CMYK 72 / 0 / 15 / 57

HEX #1F6D5D

RGB 31 109 93

HSL 167.69, 0.56%, 0.27%

LAB 41.25, -27.54, 2.14

 

CMYK 62 / 0 / 12 / 50

HEX #307F70

RGB 48 127 112

HSL 168.61, 0.45%, 0.34%

LAB 48.23, -27.9, 1

 

CMYK 55 / 0 / 10 / 43

HEX #419183

RGB 65 145 131

HSL 169.5, 0.38%, 0.41%

LAB 55.09, -28.03, 0.01

 

CMYK 50 / 0 / 8 / 36

HEX #52A396

RGB 82 163 150

HSL 170.37, 0.33%, 0.48%

LAB 61.82, -28.05, -0.87

 

CMYK 90 / 0 / 13 / 64

HEX #095B4F

RGB 9 91 79

HSL 171.22, 0.82%, 0.2%

LAB 34.2, -25.78, 0.46

 

CMYK 100 / 0 / 18 / 71

HEX #00493C

RGB 0 73 60

HSL 169.32, 1%, 0.14%

LAB 26.99, -23.9, 2.08

 

CMYK 100 / 0 / 25 / 78

HEX #003729

RGB 0 55 41

HSL 164.73, 1%, 0.11%

LAB 19.61, -21.04, 4.07

 

CMYK 100 / 0 / 41 / 85

HEX #002516

RGB 0 37 22

HSL 155.68, 1%, 0.07%

LAB 11.83, -17.96, 6.34

 

CMYK 100 / 0 / 84 / 93

HEX #001303

RGB 0 19 3

HSL 129.47, 1%, 0.04%

LAB 4.27, -8.18, 5.01

 

CMYK 90 / 0 / 13 / 64

HEX #095D51

RGB 9 93 81

HSL 171.43, 0.82%, 0.2%

LAB 34.96, -26.14, 0.33

 

CMYK 90 / 0 / 38 / 64

HEX #095D3A

RGB 9 93 58

HSL 155, 0.82%, 0.2%

LAB 34.38, -32.46, 13.69

 

CMYK 90 / 0 / 62 / 64

HEX #095D23

RGB 9 93 35

HSL 138.57, 0.82%, 0.2%

LAB 34, -36.94, 26.43

 

CMYK 90 / 0 / 86 / 64

HEX #095D0D

RGB 9 93 13

HSL 122.86, 0.82%, 0.2%

LAB 33.81, -39.34, 35.96

 

CMYK 70 / 0 / 90 / 64

HEX #1C5D09

RGB 28 93 9

HSL 106.43, 0.82%, 0.2%

LAB 34.18, -36.19, 37.67

 

CMYK 90 / 0 / 13 / 64

HEX #095D51

RGB 9 93 81

HSL 171.43, 0.82%, 0.2%

LAB 34.96, -26.14, 0.33

 

CMYK 90 / 11 / 0 / 64

HEX #09535D

RGB 9 83 93

HSL 187.14, 0.82%, 0.2%

LAB 31.89, -16.82, -11.81

 

CMYK 90 / 35 / 0 / 64

HEX #093C5D

RGB 9 60 93

HSL 203.57, 0.82%, 0.2%

LAB 23.93, -2.61, -24.15

 

CMYK 90 / 60 / 0 / 64

HEX #09255D

RGB 9 37 93

HSL 220, 0.82%, 0.2%

LAB 16.36, 14, -36.29

 

CMYK 90 / 84 / 0 / 64

HEX #090F5D

RGB 9 15 93

HSL 235.71, 0.82%, 0.2%

LAB 10.48, 29.61, -45.96

 

CMYK 90 / 0 / 13 / 64

HEX #095D51

RGB 9 93 81

HSL 171.43, 0.82%, 0.2%

LAB 34.96, -26.14, 0.33

 

CMYK 99 / 0 / 15 / 60

HEX #016556

RGB 1 101 86

HSL 171, 0.98%, 0.2%

LAB 37.82, -29.13, 1.37

 

CMYK 90 / 0 / 13 / 64

HEX #095D51

RGB 9 93 81

HSL 171.43, 0.82%, 0.2%

LAB 34.96, -26.14, 0.33

 

CMYK 80 / 0 / 12 / 67

HEX #11554B

RGB 17 85 75

HSL 171.18, 0.67%, 0.2%

LAB 32.09, -23.11, -0.09

 

CMYK 66 / 0 / 9 / 70

HEX #1A4C45

RGB 26 76 69

HSL 171.6, 0.49%, 0.2%

LAB 28.95, -18.61, -0.82

 

CMYK 50 / 0 / 7 / 73

HEX #22443F

RGB 34 68 63

HSL 171.18, 0.33%, 0.2%

LAB 26.25, -13.84, -0.83

 

CMYK 30 / 0 / 5 / 76

HEX #2A3C39

RGB 42 60 57

HSL 170, 0.18%, 0.2%

LAB 23.74, -8.01, -0.5

 

CMYK 90 / 0 / 61 / 64

HEX #095D24

RGB 9 93 36

HSL 139.29, 0.82%, 0.2%

LAB 34.01, -36.78, 25.91

 

CMYK 90 / 0 / 38 / 64

HEX #095D3A

RGB 9 93 58

HSL 155, 0.82%, 0.2%

LAB 34.38, -32.46, 13.69

 

CMYK 90 / 0 / 14 / 64

HEX #095D50

RGB 9 93 80

HSL 170.71, 0.82%, 0.2%

LAB 34.94, -26.45, 0.91

 

CMYK 90 / 11 / 0 / 64

HEX #09535D

RGB 9 83 93

HSL 187.14, 0.82%, 0.2%

LAB 31.89, -16.82, -11.81

 

CMYK 90 / 34 / 0 / 64

HEX #093D5D

RGB 9 61 93

HSL 202.86, 0.82%, 0.2%

LAB 24.28, -3.28, -23.61

 

CMYK 89 / 0 / 17 / 93

HEX #02120F

RGB 2 18 15

HSL 168.75, 0.8%, 0.04%

LAB 4.34, -5.27, -0.07

 

CMYK 91 / 0 / 13 / 78

HEX #053730

RGB 5 55 48

HSL 171.6, 0.83%, 0.12%

LAB 19.96, -17.82, -0.16

 

CMYK 90 / 0 / 13 / 64

HEX #095D51

RGB 9 93 81

HSL 171.43, 0.82%, 0.2%

LAB 34.96, -26.14, 0.33

 

CMYK 90 / 0 / 13 / 49

HEX #0D8271

RGB 13 130 113

HSL 171.28, 0.82%, 0.28%

LAB 48.56, -33.68, 0.82

 

CMYK 90 / 0 / 13 / 34

HEX #11A892

RGB 17 168 146

HSL 171.26, 0.82%, 0.36%

LAB 61.83, -40.96, 1.21

 

CMYK 90 / 0 / 13 / 64

HEX #095B4F

RGB 9 91 79

HSL 171.22, 0.82%, 0.2%

LAB 34.2, -25.78, 0.46

 

CMYK 86 / 90 / 0 / 64

HEX #0D095D

RGB 13 9 93

HSL 242.86, 0.82%, 0.2%

LAB 9.57, 33.12, -47.46

 

CMYK 0 / 49 / 90 / 64

HEX #5D2F09

RGB 93 47 9

HSL 27.14, 0.82%, 0.2%

LAB 24.89, 18.08, 31.33

 

CMYK 90 / 0 / 13 / 64

HEX #095B4F

RGB 9 91 79

HSL 171.22, 0.82%, 0.2%

LAB 34.2, -25.78, 0.46

 

CMYK 14 / 90 / 0 / 64

HEX #50095D

RGB 80 9 93

HSL 290.71, 0.82%, 0.2%

LAB 18.76, 42.16, -32.05

 

CMYK 0 / 14 / 90 / 64

HEX #5D5009

RGB 93 80 9

HSL 50.71, 0.82%, 0.2%

LAB 34.16, -2.39, 39.32

 

CMYK 90 / 0 / 13 / 64

HEX #095B4F

RGB 9 91 79

HSL 171.22, 0.82%, 0.2%

LAB 34.2, -25.78, 0.46

 

CMYK 86 / 90 / 0 / 64

HEX #0D095D

RGB 13 9 93

HSL 242.86, 0.82%, 0.2%

LAB 9.57, 33.12, -47.46

 

CMYK 0 / 90 / 76 / 64

HEX #5D0916

RGB 93 9 22

HSL 350.71, 0.82%, 0.2%

LAB 18.28, 36.51, 17.13

 

CMYK 4 / 0 / 90 / 64

HEX #595D09

RGB 89 93 9

HSL 62.86, 0.82%, 0.2%

LAB 37.79, -11.98, 42.2

 

CMYK 90 / 0 / 13 / 64

HEX #095B4F

RGB 9 91 79

HSL 171.22, 0.82%, 0.2%

LAB 34.2, -25.78, 0.46

 

CMYK 59 / 90 / 0 / 64

HEX #26095D

RGB 38 9 93

HSL 260.71, 0.82%, 0.2%

LAB 11.94, 35.31, -43.46

 

CMYK 0 / 90 / 76 / 64

HEX #5D0916

RGB 93 9 22

HSL 350.71, 0.82%, 0.2%

LAB 18.28, 36.51, 17.13

 

CMYK 31 / 0 / 90 / 64

HEX #405D09

RGB 64 93 9

HSL 80.71, 0.82%, 0.2%

LAB 35.87, -23.61, 39.8

 

Description

Color code: HEX #095B4F | qconv.com Color code: HEX #095B4F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 91 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 91 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 13 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 13% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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