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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #094DD800 it is the complementary color #F6B22700. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #094DD800. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #094DD800 shade: #0E4DD300, #1F5FE600, #3071F900, #4183FF00 and #5295FF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #094DD800. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #094DD800 shade: #094DD800, #003BC500, #0029B200, #00179F00 and #00058C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #094DD800 shade: #094DD7, #0915D7, #3509D7, #6C09D7 and #A409D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #094DD800 shade: #094DD7, #0915D7 and #0909D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #094DD800 shade matches the following richer shades: #094DD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #094DD800 shade: #094DD7, #1B53C5, #2D59B3, #3F5FA1 and #52668F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #094DD800 shade: #09BCD7, #0985D7, #094ED7, #0917D7 and #3209D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #094DD800 shade: #063188, #073FB0, #094DD7, #145EF5 and #3C79F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #094DD800 shade: #094DD8, #BC09D7 and #A0D709

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #094DD800 shade: #094DD8, #D7094E and #4ED709

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #094DD800 shade: #094DD8, #BC09D7, #D79309 and #25D709

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #094DD800 shade: #094DD8, #D709B5, #D79309 and #09D72B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #094DD800

RGBA 9 77 216 0

HSLA 220.29, 0.92%, 0.44%, 0

LABA 38.42, 36.61, -75.57, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #F6B22700

RGBA 246 178 39 0

HSLA 40.29, 0.92%, 0.56%, 0

LABA 77.03, 13.88, 73.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0E4DD300

RGBA 14 77 211 0

HSLA 220.81, 0.88%, 0.44%, 0

LABA 38.03, 34.85, -73.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1F5FE600

RGBA 31 95 230 0

HSLA 220.7, 0.8%, 0.51%, 0

LABA 44.5, 31.26, -73.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3071F900

RGBA 48 113 249 0

HSLA 220.6, 0.94%, 0.58%, 0

LABA 51.01, 28.16, -73.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4183FF00

RGBA 65 131 255 0

HSLA 219.16, 1%, 0.63%, 0

LABA 56.66, 20.87, -67.73, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5295FF00

RGBA 82 149 255 0

HSLA 216.76, 1%, 0.66%, 0

LABA 62.09, 12.24, -58.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #094DD800

RGBA 9 77 216 0

HSLA 220.29, 0.92%, 0.44%, 0

LABA 38.42, 36.61, -75.57, 0

 

CMYK 0 / 0 / 0 / 0

HEX #003BC500

RGBA 0 59 197 0

HSLA 222.03, 1%, 0.39%, 0

LABA 32.17, 40.7, -74.86, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0029B200

RGBA 0 41 178 0

HSLA 226.18, 1%, 0.35%, 0

LABA 26.16, 44.73, -73.57, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00179F00

RGBA 0 23 159 0

HSLA 231.32, 1%, 0.31%, 0

LABA 20.5, 47.8, -71.48, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00058C00

RGBA 0 5 140 0

HSLA 237.86, 1%, 0.27%, 0

LABA 15.5, 48.89, -68.07, 0

 

CMYK 96 / 64 / 0 / 16

HEX #094DD7

RGB 9 77 215

HSL 220.19, 0.92%, 0.44%

LAB 38.33, 36.23, -75.15

 

CMYK 96 / 90 / 0 / 16

HEX #0915D7

RGB 9 21 215

HSL 236.5, 0.92%, 0.44%

LAB 28.12, 65.1, -92.07

 

CMYK 75 / 96 / 0 / 16

HEX #3509D7

RGB 53 9 215

HSL 252.82, 0.92%, 0.44%

LAB 29.05, 68.8, -90.46

 

CMYK 50 / 96 / 0 / 16

HEX #6C09D7

RGB 108 9 215

HSL 268.83, 0.92%, 0.44%

LAB 34.58, 72, -81.12

 

CMYK 24 / 96 / 0 / 16

HEX #A409D7

RGB 164 9 215

HSL 285.15, 0.92%, 0.44%

LAB 42.75, 78.14, -67.39

 

CMYK 96 / 64 / 0 / 16

HEX #094DD7

RGB 9 77 215

HSL 220.19, 0.92%, 0.44%

LAB 38.33, 36.23, -75.15

 

CMYK 96 / 90 / 0 / 16

HEX #0915D7

RGB 9 21 215

HSL 236.5, 0.92%, 0.44%

LAB 28.12, 65.1, -92.07

 

CMYK 96 / 96 / 0 / 16

HEX #0909D7

RGB 9 9 215

HSL 240, 0.92%, 0.44%

LAB 27.19, 67.96, -93.62

 

CMYK 96 / 64 / 0 / 16

HEX #094DD7

RGB 9 77 215

HSL 220.19, 0.92%, 0.44%

LAB 38.33, 36.23, -75.15

 

CMYK 96 / 64 / 0 / 16

HEX #094DD7

RGB 9 77 215

HSL 220.19, 0.92%, 0.44%

LAB 38.33, 36.23, -75.15

 

CMYK 86 / 58 / 0 / 23

HEX #1B53C5

RGB 27 83 197

HSL 220.24, 0.76%, 0.44%

LAB 38.64, 26.15, -64.22

 

CMYK 75 / 50 / 0 / 30

HEX #2D59B3

RGB 45 89 179

HSL 220.3, 0.6%, 0.44%

LAB 39.51, 16.97, -52.26

 

CMYK 61 / 41 / 0 / 37

HEX #3F5FA1

RGB 63 95 161

HSL 220.41, 0.44%, 0.44%

LAB 40.92, 9.43, -39.3

 

CMYK 43 / 29 / 0 / 44

HEX #52668F

RGB 82 102 143

HSL 220.33, 0.27%, 0.44%

LAB 43.18, 3.76, -24.93

 

CMYK 96 / 13 / 0 / 16

HEX #09BCD7

RGB 9 188 215

HSL 187.86, 0.92%, 0.44%

LAB 70.13, -29.44, -24.6

 

CMYK 96 / 38 / 0 / 16

HEX #0985D7

RGB 9 133 215

HSL 203.88, 0.92%, 0.44%

LAB 53.75, 0.5, -50.19

 

CMYK 96 / 64 / 0 / 16

HEX #094ED7

RGB 9 78 215

HSL 219.9, 0.92%, 0.44%

LAB 38.57, 35.58, -74.74

 

CMYK 96 / 89 / 0 / 16

HEX #0917D7

RGB 9 23 215

HSL 235.92, 0.92%, 0.44%

LAB 28.32, 64.48, -91.73

 

CMYK 77 / 96 / 0 / 16

HEX #3209D7

RGB 50 9 215

HSL 251.94, 0.92%, 0.44%

LAB 28.85, 68.7, -90.8

 

CMYK 96 / 64 / 0 / 47

HEX #063188

RGB 6 49 136

HSL 220.15, 0.92%, 0.28%

LAB 23.71, 23.58, -51.96

 

CMYK 96 / 64 / 0 / 31

HEX #073FB0

RGB 7 63 176

HSL 220.12, 0.92%, 0.36%

LAB 31.2, 30.24, -64.06

 

CMYK 96 / 64 / 0 / 16

HEX #094DD7

RGB 9 77 215

HSL 220.19, 0.92%, 0.44%

LAB 38.33, 36.23, -75.15

 

CMYK 92 / 62 / 0 / 4

HEX #145EF5

RGB 20 94 245

HSL 220.27, 0.92%, 0.52%

LAB 45.29, 37.02, -80.73

 

CMYK 76 / 51 / 0 / 3

HEX #3C79F7

RGB 60 121 247

HSL 220.43, 0.92%, 0.6%

LAB 53.33, 23.59, -68.7

 

CMYK 96 / 64 / 0 / 15

HEX #094DD8

RGB 9 77 216

HSL 220.29, 0.92%, 0.44%

LAB 38.42, 36.61, -75.57

 

CMYK 13 / 96 / 0 / 16

HEX #BC09D7

RGB 188 9 215

HSL 292.14, 0.92%, 0.44%

LAB 46.7, 81.52, -60.81

 

CMYK 26 / 0 / 96 / 16

HEX #A0D709

RGB 160 215 9

HSL 76.02, 0.92%, 0.44%

LAB 79.67, -41.3, 77.7

 

CMYK 96 / 64 / 0 / 15

HEX #094DD8

RGB 9 77 216

HSL 220.29, 0.92%, 0.44%

LAB 38.42, 36.61, -75.57

 

CMYK 0 / 96 / 64 / 16

HEX #D7094E

RGB 215 9 78

HSL 339.9, 0.92%, 0.44%

LAB 45.9, 71.72, 20.96

 

CMYK 64 / 0 / 96 / 16

HEX #4ED709

RGB 78 215 9

HSL 99.9, 0.92%, 0.44%

LAB 76.22, -66.82, 73.49

 

CMYK 96 / 64 / 0 / 15

HEX #094DD8

RGB 9 77 216

HSL 220.29, 0.92%, 0.44%

LAB 38.42, 36.61, -75.57

 

CMYK 13 / 96 / 0 / 16

HEX #BC09D7

RGB 188 9 215

HSL 292.14, 0.92%, 0.44%

LAB 46.7, 81.52, -60.81

 

CMYK 0 / 32 / 96 / 16

HEX #D79309

RGB 215 147 9

HSL 40.19, 0.92%, 0.44%

LAB 66.01, 16.49, 69.54

 

CMYK 83 / 0 / 96 / 16

HEX #25D709

RGB 37 215 9

HSL 111.84, 0.92%, 0.44%

LAB 75.46, -73.38, 72.56

 

CMYK 96 / 64 / 0 / 15

HEX #094DD8

RGB 9 77 216

HSL 220.29, 0.92%, 0.44%

LAB 38.42, 36.61, -75.57

 

CMYK 0 / 96 / 16 / 16

HEX #D709B5

RGB 215 9 181

HSL 309.9, 0.92%, 0.44%

LAB 49.47, 81.11, -36.39

 

CMYK 0 / 32 / 96 / 16

HEX #D79309

RGB 215 147 9

HSL 40.19, 0.92%, 0.44%

LAB 66.01, 16.49, 69.54

 

CMYK 96 / 0 / 80 / 16

HEX #09D72B

RGB 9 215 43

HSL 129.9, 0.92%, 0.44%

LAB 75.35, -74.03, 66.07

 

Description

Color code: HEX #094DD800 | qconv.com Color code: HEX #094DD800 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 77 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 77 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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