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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #093C9A it is the complementary color #F6C365. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #093C9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #093C9A shade: #0E3C95, #1F4EA8, #3060BB, #4172CE and #5284E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #093C9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #093C9A shade: #093C9A, #002A87, #001874, #000661 and #00004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #093C9A shade: #093C9A, #09159A, #24099A, #4B099A and #73099A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #093C9A shade: #093C9A, #09159A and #09099A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #093C9A shade matches the following richer shades: #093C9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #093C9A shade: #093C9A, #16408D, #234480, #314873 and #3E4C65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #093C9A shade: #098C9A, #09659A, #093E9A, #09189A and #21099A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #093C9A shade: #041E4C, #072D73, #093C9A, #0B4BC1 and #0E5AE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #093C9A shade: #093C9A, #82099A and #789A09

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #093C9A shade: #093C9A, #9A093E and #3E9A09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #093C9A shade: #093C9A, #82099A, #9A6509 and #219A09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #093C9A shade: #093C9A, #9A0987, #9A6509 and #099A1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 61 / 0 / 40

HEX #093C9A

RGB 9 60 154

HSL 218.9, 0.89%, 0.32%

LAB 28.44, 23.49, -55.32

 

Complementary color

CMYK 0 / 21 / 59 / 4

HEX #F6C365

RGB 246 195 101

HSL 38.9, 0.89%, 0.68%

LAB 81.6, 7.92, 53.36

 

CMYK 91 / 60 / 0 / 42

HEX #0E3C95

RGB 14 60 149

HSL 219.56, 0.83%, 0.32%

LAB 28.1, 21.68, -52.81

 

CMYK 82 / 54 / 0 / 34

HEX #1F4EA8

RGB 31 78 168

HSL 219.42, 0.69%, 0.39%

LAB 35.14, 18.4, -52.83

 

CMYK 74 / 49 / 0 / 27

HEX #3060BB

RGB 48 96 187

HSL 219.28, 0.59%, 0.46%

LAB 42.13, 15.83, -52.72

 

CMYK 68 / 45 / 0 / 19

HEX #4172CE

RGB 65 114 206

HSL 219.15, 0.59%, 0.53%

LAB 49.03, 13.79, -52.56

 

CMYK 64 / 41 / 0 / 12

HEX #5284E1

RGB 82 132 225

HSL 219.02, 0.7%, 0.6%

LAB 55.82, 12.16, -52.39

 

CMYK 94 / 61 / 0 / 40

HEX #093C9A

RGB 9 60 154

HSL 218.9, 0.89%, 0.32%

LAB 28.44, 23.49, -55.32

 

CMYK 100 / 69 / 0 / 47

HEX #002A87

RGB 0 42 135

HSL 221.33, 1%, 0.26%

LAB 21.6, 27.76, -54.81

 

CMYK 100 / 79 / 0 / 55

HEX #001874

RGB 0 24 116

HSL 227.59, 1%, 0.23%

LAB 15.03, 32.26, -53.58

 

CMYK 100 / 94 / 0 / 62

HEX #000661

RGB 0 6 97

HSL 236.29, 1%, 0.19%

LAB 8.94, 35.5, -51.23

 

CMYK 100 / 100 / 0 / 69

HEX #00004E

RGB 0 0 78

HSL 240, 1%, 0.15%

LAB 4.97, 31.45, -44.88

 

CMYK 94 / 61 / 0 / 40

HEX #093C9A

RGB 9 60 154

HSL 218.9, 0.89%, 0.32%

LAB 28.44, 23.49, -55.32

 

CMYK 94 / 86 / 0 / 40

HEX #09159A

RGB 9 21 154

HSL 235.03, 0.89%, 0.32%

LAB 19.75, 47.32, -69.66

 

CMYK 77 / 94 / 0 / 40

HEX #24099A

RGB 36 9 154

HSL 251.17, 0.89%, 0.32%

LAB 19.65, 52.43, -69.79

 

CMYK 51 / 94 / 0 / 40

HEX #4B099A

RGB 75 9 154

HSL 267.31, 0.89%, 0.32%

LAB 23.75, 55.13, -62.87

 

CMYK 25 / 94 / 0 / 40

HEX #73099A

RGB 115 9 154

HSL 283.86, 0.89%, 0.32%

LAB 29.85, 60.01, -52.64

 

CMYK 94 / 61 / 0 / 40

HEX #093C9A

RGB 9 60 154

HSL 218.9, 0.89%, 0.32%

LAB 28.44, 23.49, -55.32

 

CMYK 94 / 86 / 0 / 40

HEX #09159A

RGB 9 21 154

HSL 235.03, 0.89%, 0.32%

LAB 19.75, 47.32, -69.66

 

CMYK 94 / 94 / 0 / 40

HEX #09099A

RGB 9 9 154

HSL 240, 0.89%, 0.32%

LAB 18.31, 51.69, -72.07

 

CMYK 94 / 61 / 0 / 40

HEX #093C9A

RGB 9 60 154

HSL 218.9, 0.89%, 0.32%

LAB 28.44, 23.49, -55.32

 

CMYK 94 / 61 / 0 / 40

HEX #093C9A

RGB 9 60 154

HSL 218.9, 0.89%, 0.32%

LAB 28.44, 23.49, -55.32

 

CMYK 84 / 55 / 0 / 45

HEX #16408D

RGB 22 64 141

HSL 218.82, 0.73%, 0.32%

LAB 28.8, 16.2, -46.75

 

CMYK 73 / 47 / 0 / 50

HEX #234480

RGB 35 68 128

HSL 218.71, 0.57%, 0.32%

LAB 29.54, 9.81, -37.48

 

CMYK 57 / 37 / 0 / 55

HEX #314873

RGB 49 72 115

HSL 219.09, 0.4%, 0.32%

LAB 30.7, 5.03, -27.44

 

CMYK 39 / 25 / 0 / 60

HEX #3E4C65

RGB 62 76 101

HSL 218.46, 0.24%, 0.32%

LAB 32.11, 1.42, -16.35

 

CMYK 94 / 9 / 0 / 40

HEX #098C9A

RGB 9 140 154

HSL 185.79, 0.89%, 0.32%

LAB 53.11, -25.76, -16.33

 

CMYK 94 / 34 / 0 / 40

HEX #09659A

RGB 9 101 154

HSL 201.93, 0.89%, 0.32%

LAB 40.73, -3.87, -35.53

 

CMYK 94 / 60 / 0 / 40

HEX #093E9A

RGB 9 62 154

HSL 218.07, 0.89%, 0.32%

LAB 29, 22.1, -54.41

 

CMYK 94 / 84 / 0 / 40

HEX #09189A

RGB 9 24 154

HSL 233.79, 0.89%, 0.32%

LAB 20.22, 45.93, -68.88

 

CMYK 79 / 94 / 0 / 40

HEX #21099A

RGB 33 9 154

HSL 249.93, 0.89%, 0.32%

LAB 19.44, 52.31, -70.15

 

CMYK 95 / 61 / 0 / 70

HEX #041E4C

RGB 4 30 76

HSL 218.33, 0.9%, 0.16%

LAB 12.46, 11.08, -31.16

 

CMYK 94 / 61 / 0 / 55

HEX #072D73

RGB 7 45 115

HSL 218.89, 0.89%, 0.24%

LAB 20.67, 17.58, -43.64

 

CMYK 94 / 61 / 0 / 40

HEX #093C9A

RGB 9 60 154

HSL 218.9, 0.89%, 0.32%

LAB 28.44, 23.49, -55.32

 

CMYK 94 / 61 / 0 / 24

HEX #0B4BC1

RGB 11 75 193

HSL 218.9, 0.89%, 0.4%

LAB 35.89, 29.08, -66.39

 

CMYK 94 / 61 / 0 / 9

HEX #0E5AE8

RGB 14 90 232

HSL 219.08, 0.89%, 0.48%

LAB 43.11, 34.47, -76.98

 

CMYK 94 / 61 / 0 / 40

HEX #093C9A

RGB 9 60 154

HSL 218.9, 0.89%, 0.32%

LAB 28.44, 23.49, -55.32

 

CMYK 16 / 94 / 0 / 40

HEX #82099A

RGB 130 9 154

HSL 290.07, 0.89%, 0.32%

LAB 32.42, 62.3, -48.34

 

CMYK 22 / 0 / 94 / 40

HEX #789A09

RGB 120 154 9

HSL 74.07, 0.89%, 0.32%

LAB 59.09, -29.52, 60.45

 

CMYK 94 / 61 / 0 / 40

HEX #093C9A

RGB 9 60 154

HSL 218.9, 0.89%, 0.32%

LAB 28.44, 23.49, -55.32

 

CMYK 0 / 94 / 60 / 40

HEX #9A093E

RGB 154 9 62

HSL 338.07, 0.89%, 0.32%

LAB 32.73, 55.85, 11.29

 

CMYK 60 / 0 / 94 / 40

HEX #3E9A09

RGB 62 154 9

HSL 98.07, 0.89%, 0.32%

LAB 56.24, -49.93, 56.96

 

CMYK 94 / 61 / 0 / 40

HEX #093C9A

RGB 9 60 154

HSL 218.9, 0.89%, 0.32%

LAB 28.44, 23.49, -55.32

 

CMYK 16 / 94 / 0 / 40

HEX #82099A

RGB 130 9 154

HSL 290.07, 0.89%, 0.32%

LAB 32.42, 62.3, -48.34

 

CMYK 0 / 34 / 94 / 40

HEX #9A6509

RGB 154 101 9

HSL 38.07, 0.89%, 0.32%

LAB 47.23, 14.74, 52.68

 

CMYK 79 / 0 / 94 / 40

HEX #219A09

RGB 33 154 9

HSL 110.07, 0.89%, 0.32%

LAB 55.54, -55.91, 56.08

 

CMYK 94 / 61 / 0 / 40

HEX #093C9A

RGB 9 60 154

HSL 218.9, 0.89%, 0.32%

LAB 28.44, 23.49, -55.32

 

CMYK 0 / 94 / 12 / 40

HEX #9A0987

RGB 154 9 135

HSL 307.86, 0.89%, 0.32%

LAB 35.62, 63.53, -31.27

 

CMYK 0 / 34 / 94 / 40

HEX #9A6509

RGB 154 101 9

HSL 38.07, 0.89%, 0.32%

LAB 47.23, 14.74, 52.68

 

CMYK 94 / 0 / 82 / 40

HEX #099A1C

RGB 9 154 28

HSL 127.86, 0.89%, 0.32%

LAB 55.33, -57.49, 51.55

 

Description

Color code: HEX #093C9A | qconv.com Color code: HEX #093C9A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 60 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 60 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 61 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 61% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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