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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08FC48 it is the complementary color #F703B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08FC48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08FC48 shade: #0DFC43, #1EFF56, #2FFF69, #40FF7C and #51FF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08FC48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08FC48 shade: #08FC48, #00EA35, #00D822, #00C60F and #00B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08FC48 shade: #08FD48, #09FD08, #4BFD08, #8DFD08 and #D0FD08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08FC48 shade: #08FD48, #08FD8A, #08FDCC, #08EBFD and #08A9FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08FC48 shade matches the following richer shades: #08FD48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08FC48 shade: #08FD48, #1CE851, #30D45B, #44C065 and #58AC6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08FC48 shade: #4DFD08, #0CFD08, #08FD45, #08FD86 and #08FDC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08FC48 shade: #02B02F, #02D93A, #08FD48, #30FD66 and #59FD84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08FC48 shade: #08FC48, #088EFD and #FD082C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08FC48 shade: #08FC48, #4508FD and #FD4508

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08FC48 shade: #08FC48, #088EFD, #FD08BF and #FD7608

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08FC48 shade: #08FC48, #0845FD, #FD08BF and #FDBF08

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 71 / 1

HEX #08FC48

RGB 8 252 72

HSL 135.74, 0.98%, 0.51%

LAB 87.07, -82.22, 68.41

 

Complementary color

CMYK 0 / 99 / 26 / 3

HEX #F703B7

RGB 247 3 183

HSL 315.74, 0.98%, 0.49%

LAB 55.34, 87.72, -27.96

 

CMYK 95 / 0 / 73 / 1

HEX #0DFC43

RGB 13 252 67

HSL 133.56, 0.98%, 0.52%

LAB 87.05, -82.46, 70.09

 

CMYK 88 / 0 / 66 / 0

HEX #1EFF56

RGB 30 255 86

HSL 134.93, 1%, 0.56%

LAB 88.19, -80.85, 64.48

 

CMYK 82 / 0 / 59 / 0

HEX #2FFF69

RGB 47 255 105

HSL 136.73, 1%, 0.59%

LAB 88.52, -77.43, 57.08

 

CMYK 75 / 0 / 51 / 0

HEX #40FF7C

RGB 64 255 124

HSL 138.85, 1%, 0.63%

LAB 88.95, -73.03, 49.13

 

CMYK 68 / 0 / 44 / 0

HEX #51FF8F

RGB 81 255 143

HSL 141.38, 1%, 0.66%

LAB 89.51, -67.67, 40.87

 

CMYK 97 / 0 / 71 / 1

HEX #08FC48

RGB 8 252 72

HSL 135.74, 0.98%, 0.51%

LAB 87.07, -82.22, 68.41

 

CMYK 100 / 0 / 77 / 8

HEX #00EA35

RGB 0 234 53

HSL 133.59, 1%, 0.46%

LAB 81.35, -78.92, 68.88

 

CMYK 100 / 0 / 84 / 15

HEX #00D822

RGB 0 216 34

HSL 129.44, 1%, 0.42%

LAB 75.59, -75.1, 68.58

 

CMYK 100 / 0 / 92 / 22

HEX #00C60F

RGB 0 198 15

HSL 124.55, 1%, 0.39%

LAB 69.77, -70.92, 67.06

 

CMYK 100 / 0 / 100 / 29

HEX #00B400

RGB 0 180 0

HSL 120, 1%, 0.35%

LAB 63.87, -66.36, 64.04

 

CMYK 97 / 0 / 72 / 1

HEX #08FD48

RGB 8 253 72

HSL 135.67, 0.98%, 0.51%

LAB 87.37, -82.49, 68.72

 

CMYK 96 / 0 / 97 / 1

HEX #09FD08

RGB 9 253 8

HSL 119.76, 0.98%, 0.51%

LAB 87.16, -85.3, 82.11

 

CMYK 70 / 0 / 97 / 1

HEX #4BFD08

RGB 75 253 8

HSL 103.59, 0.98%, 0.51%

LAB 87.85, -79.08, 82.97

 

CMYK 44 / 0 / 97 / 1

HEX #8DFD08

RGB 141 253 8

HSL 87.43, 0.98%, 0.51%

LAB 89.83, -63.15, 85.38

 

CMYK 18 / 0 / 97 / 1

HEX #D0FD08

RGB 208 253 8

HSL 71.02, 0.98%, 0.51%

LAB 93.31, -39.45, 89.59

 

CMYK 97 / 0 / 72 / 1

HEX #08FD48

RGB 8 253 72

HSL 135.67, 0.98%, 0.51%

LAB 87.37, -82.49, 68.72

 

CMYK 97 / 0 / 45 / 1

HEX #08FD8A

RGB 8 253 138

HSL 151.84, 0.98%, 0.51%

LAB 88.03, -74.32, 41.24

 

CMYK 97 / 0 / 19 / 1

HEX #08FDCC

RGB 8 253 204

HSL 168, 0.98%, 0.51%

LAB 89.23, -60.68, 9.56

 

CMYK 97 / 7 / 0 / 1

HEX #08EBFD

RGB 8 235 253

HSL 184.41, 0.98%, 0.51%

LAB 85.28, -39.67, -21.88

 

CMYK 97 / 33 / 0 / 1

HEX #08A9FD

RGB 8 169 253

HSL 200.57, 0.98%, 0.51%

LAB 66.15, -6.2, -51.53

 

CMYK 97 / 0 / 72 / 1

HEX #08FD48

RGB 8 253 72

HSL 135.67, 0.98%, 0.51%

LAB 87.37, -82.49, 68.72

 

CMYK 97 / 0 / 72 / 1

HEX #08FD48

RGB 8 253 72

HSL 135.67, 0.98%, 0.51%

LAB 87.37, -82.49, 68.72

 

CMYK 88 / 0 / 65 / 9

HEX #1CE851

RGB 28 232 81

HSL 135.59, 0.82%, 0.51%

LAB 81.05, -74.79, 58.66

 

CMYK 77 / 0 / 57 / 17

HEX #30D45B

RGB 48 212 91

HSL 135.73, 0.66%, 0.51%

LAB 75.12, -65.5, 47.65

 

CMYK 65 / 0 / 47 / 25

HEX #44C065

RGB 68 192 101

HSL 135.97, 0.5%, 0.51%

LAB 69.38, -53.81, 35.9

 

CMYK 49 / 0 / 36 / 33

HEX #58AC6E

RGB 88 172 110

HSL 135.71, 0.34%, 0.51%

LAB 63.92, -39.41, 24.25

 

CMYK 70 / 0 / 97 / 1

HEX #4DFD08

RGB 77 253 8

HSL 103.1, 0.98%, 0.51%

LAB 87.89, -78.74, 83.02

 

CMYK 95 / 0 / 97 / 1

HEX #0CFD08

RGB 12 253 8

HSL 119.02, 0.98%, 0.51%

LAB 87.17, -85.21, 82.13

 

CMYK 97 / 0 / 73 / 1

HEX #08FD45

RGB 8 253 69

HSL 134.94, 0.98%, 0.51%

LAB 87.35, -82.73, 69.73

 

CMYK 97 / 0 / 47 / 1

HEX #08FD86

RGB 8 253 134

HSL 150.86, 0.98%, 0.51%

LAB 87.98, -74.97, 43.1

 

CMYK 97 / 0 / 21 / 1

HEX #08FDC7

RGB 8 253 199

HSL 166.78, 0.98%, 0.51%

LAB 89.12, -61.88, 11.99

 

CMYK 99 / 0 / 73 / 31

HEX #02B02F

RGB 2 176 47

HSL 135.52, 0.98%, 0.35%

LAB 62.73, -62.93, 52.41

 

CMYK 99 / 0 / 73 / 15

HEX #02D93A

RGB 2 217 58

HSL 135.63, 0.98%, 0.43%

LAB 76.03, -73.79, 62.02

 

CMYK 97 / 0 / 72 / 1

HEX #08FD48

RGB 8 253 72

HSL 135.67, 0.98%, 0.51%

LAB 87.37, -82.49, 68.72

 

CMYK 81 / 0 / 60 / 1

HEX #30FD66

RGB 48 253 102

HSL 135.8, 0.98%, 0.59%

LAB 87.89, -77.08, 57.65

 

CMYK 65 / 0 / 48 / 1

HEX #59FD84

RGB 89 253 132

HSL 135.73, 0.98%, 0.67%

LAB 88.94, -67.28, 45.47

 

CMYK 97 / 0 / 71 / 1

HEX #08FC48

RGB 8 252 72

HSL 135.74, 0.98%, 0.51%

LAB 87.07, -82.22, 68.41

 

CMYK 97 / 44 / 0 / 1

HEX #088EFD

RGB 8 142 253

HSL 207.18, 0.98%, 0.51%

LAB 58.5, 9.6, -63.73

 

CMYK 0 / 97 / 83 / 1

HEX #FD082C

RGB 253 8 44

HSL 351.18, 0.98%, 0.51%

LAB 53.21, 79.63, 51.12

 

CMYK 97 / 0 / 71 / 1

HEX #08FC48

RGB 8 252 72

HSL 135.74, 0.98%, 0.51%

LAB 87.07, -82.22, 68.41

 

CMYK 73 / 97 / 0 / 1

HEX #4508FD

RGB 69 8 253

HSL 254.94, 0.98%, 0.51%

LAB 35.06, 78.62, -102.06

 

CMYK 0 / 73 / 97 / 1

HEX #FD4508

RGB 253 69 8

HSL 14.94, 0.98%, 0.51%

LAB 57.23, 67.25, 66.97

 

CMYK 97 / 0 / 71 / 1

HEX #08FC48

RGB 8 252 72

HSL 135.74, 0.98%, 0.51%

LAB 87.07, -82.22, 68.41

 

CMYK 97 / 44 / 0 / 1

HEX #088EFD

RGB 8 142 253

HSL 207.18, 0.98%, 0.51%

LAB 58.5, 9.6, -63.73

 

CMYK 0 / 97 / 25 / 1

HEX #FD08BF

RGB 253 8 191

HSL 315.18, 0.98%, 0.51%

LAB 56.9, 89.41, -30.09

 

CMYK 0 / 53 / 97 / 1

HEX #FD7608

RGB 253 118 8

HSL 26.94, 0.98%, 0.51%

LAB 64.85, 46.99, 71.36

 

CMYK 97 / 0 / 71 / 1

HEX #08FC48

RGB 8 252 72

HSL 135.74, 0.98%, 0.51%

LAB 87.07, -82.22, 68.41

 

CMYK 97 / 73 / 0 / 1

HEX #0845FD

RGB 8 69 253

HSL 225.06, 0.98%, 0.51%

LAB 40.25, 54.75, -93.51

 

CMYK 0 / 97 / 25 / 1

HEX #FD08BF

RGB 253 8 191

HSL 315.18, 0.98%, 0.51%

LAB 56.9, 89.41, -30.09

 

CMYK 0 / 25 / 97 / 1

HEX #FDBF08

RGB 253 191 8

HSL 44.82, 0.98%, 0.51%

LAB 80.83, 9.6, 82.02

 

Description

Color code: HEX #08FC48 | qconv.com Color code: HEX #08FC48 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 252 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 252 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 71 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 71% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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