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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08F970 it is the complementary color #F7068F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08F970. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08F970 shade: #0DF96B, #1EFF7E, #2FFF91, #40FFA4 and #51FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08F970. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08F970 shade: #08F970, #00E75D, #00D54A, #00C337 and #00B124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08F970 shade: #06F96F, #06F92E, #20F906, #62F906 and #A3F906

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08F970 shade: #06F96F, #06F9B0, #06F9F2, #06BEF9 and #067DF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08F970 shade matches the following richer shades: #06F96F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08F970 shade: #06F96F, #1BE472, #30CF75, #44BB77 and #59A67A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08F970 shade: #23F906, #06F92B, #06F96B, #06F9AC and #06F9ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08F970 shade: #04A84B, #05D05D, #06F96F, #2FFA86 and #57FB9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08F970 shade: #08F970, #0663F9 and #F90A06

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08F970 shade: #08F970, #6B06F9 and #F96B06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08F970 shade: #08F970, #0663F9, #F90694 and #F99C06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08F970 shade: #08F970, #061BF9, #F90694 and #F9E406

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 55 / 2

HEX #08F970

RGB 8 249 112

HSL 145.89, 0.95%, 0.5%

LAB 86.49, -77.01, 51.53

 

Complementary color

CMYK 0 / 98 / 42 / 3

HEX #F7068F

RGB 247 6 143

HSL 325.89, 0.95%, 0.5%

LAB 53.91, 83.64, -6.54

 

CMYK 95 / 0 / 57 / 2

HEX #0DF96B

RGB 13 249 107

HSL 143.9, 0.95%, 0.51%

LAB 86.45, -77.53, 53.73

 

CMYK 88 / 0 / 51 / 0

HEX #1EFF7E

RGB 30 255 126

HSL 145.6, 1%, 0.56%

LAB 88.59, -75.94, 47.67

 

CMYK 82 / 0 / 43 / 0

HEX #2FFF91

RGB 47 255 145

HSL 148.27, 1%, 0.59%

LAB 89, -71.63, 39.14

 

CMYK 75 / 0 / 36 / 0

HEX #40FFA4

RGB 64 255 164

HSL 151.41, 1%, 0.63%

LAB 89.53, -66.4, 30.47

 

CMYK 68 / 0 / 28 / 0

HEX #51FFB7

RGB 81 255 183

HSL 155.17, 1%, 0.66%

LAB 90.18, -60.32, 21.79

 

CMYK 97 / 0 / 55 / 2

HEX #08F970

RGB 8 249 112

HSL 145.89, 0.95%, 0.5%

LAB 86.49, -77.01, 51.53

 

CMYK 100 / 0 / 60 / 9

HEX #00E75D

RGB 0 231 93

HSL 144.16, 1%, 0.45%

LAB 80.71, -74.33, 53.18

 

CMYK 100 / 0 / 65 / 16

HEX #00D54A

RGB 0 213 74

HSL 140.85, 1%, 0.42%

LAB 74.88, -71.22, 54.69

 

CMYK 100 / 0 / 72 / 24

HEX #00C337

RGB 0 195 55

HSL 136.92, 1%, 0.38%

LAB 68.97, -67.85, 55.86

 

CMYK 100 / 0 / 80 / 31

HEX #00B124

RGB 0 177 36

HSL 132.2, 1%, 0.35%

LAB 62.99, -64.15, 56.38

 

CMYK 98 / 0 / 55 / 2

HEX #06F96F

RGB 6 249 111

HSL 145.93, 0.95%, 0.5%

LAB 86.47, -77.21, 51.96

 

CMYK 98 / 0 / 82 / 2

HEX #06F92E

RGB 6 249 46

HSL 129.88, 0.95%, 0.5%

LAB 86, -83.18, 75.18

 

CMYK 87 / 0 / 98 / 2

HEX #20F906

RGB 32 249 6

HSL 113.58, 0.95%, 0.5%

LAB 86.04, -83.16, 81.42

 

CMYK 61 / 0 / 98 / 2

HEX #62F906

RGB 98 249 6

HSL 97.28, 0.95%, 0.5%

LAB 87.17, -73.34, 82.8

 

CMYK 35 / 0 / 98 / 2

HEX #A3F906

RGB 163 249 6

HSL 81.23, 0.95%, 0.5%

LAB 89.65, -54.44, 85.81

 

CMYK 98 / 0 / 55 / 2

HEX #06F96F

RGB 6 249 111

HSL 145.93, 0.95%, 0.5%

LAB 86.47, -77.21, 51.96

 

CMYK 98 / 0 / 29 / 2

HEX #06F9B0

RGB 6 249 176

HSL 161.98, 0.95%, 0.5%

LAB 87.45, -65.7, 21.47

 

CMYK 98 / 0 / 3 / 2

HEX #06F9F2

RGB 6 249 242

HSL 178.27, 0.95%, 0.5%

LAB 89.02, -49.09, -10.51

 

CMYK 98 / 24 / 0 / 2

HEX #06BEF9

RGB 6 190 249

HSL 194.57, 0.95%, 0.5%

LAB 72.03, -19.07, -40.12

 

CMYK 98 / 50 / 0 / 2

HEX #067DF9

RGB 6 125 249

HSL 210.62, 0.95%, 0.5%

LAB 53.54, 18.49, -69.51

 

CMYK 98 / 0 / 55 / 2

HEX #06F96F

RGB 6 249 111

HSL 145.93, 0.95%, 0.5%

LAB 86.47, -77.21, 51.96

 

CMYK 98 / 0 / 55 / 2

HEX #06F96F

RGB 6 249 111

HSL 145.93, 0.95%, 0.5%

LAB 86.47, -77.21, 51.96

 

CMYK 88 / 0 / 50 / 11

HEX #1BE472

RGB 27 228 114

HSL 145.97, 0.79%, 0.5%

LAB 80.14, -69.38, 42.87

 

CMYK 77 / 0 / 43 / 19

HEX #30CF75

RGB 48 207 117

HSL 146.04, 0.62%, 0.5%

LAB 73.89, -59.84, 33.5

 

CMYK 64 / 0 / 36 / 27

HEX #44BB77

RGB 68 187 119

HSL 145.71, 0.47%, 0.5%

LAB 68.1, -48.73, 24.91

 

CMYK 46 / 0 / 27 / 35

HEX #59A67A

RGB 89 166 122

HSL 145.71, 0.3%, 0.5%

LAB 62.34, -34.11, 15.55

 

CMYK 86 / 0 / 98 / 2

HEX #23F906

RGB 35 249 6

HSL 112.84, 0.95%, 0.5%

LAB 86.07, -82.93, 81.45

 

CMYK 98 / 0 / 83 / 2

HEX #06F92B

RGB 6 249 43

HSL 129.14, 0.95%, 0.5%

LAB 85.99, -83.33, 75.89

 

CMYK 98 / 0 / 57 / 2

HEX #06F96B

RGB 6 249 107

HSL 144.94, 0.95%, 0.5%

LAB 86.43, -77.73, 53.7

 

CMYK 98 / 0 / 31 / 2

HEX #06F9AC

RGB 6 249 172

HSL 160.99, 0.95%, 0.5%

LAB 87.37, -66.56, 23.41

 

CMYK 98 / 0 / 5 / 2

HEX #06F9ED

RGB 6 249 237

HSL 177.04, 0.95%, 0.5%

LAB 88.88, -50.49, -8.11

 

CMYK 98 / 0 / 55 / 34

HEX #04A84B

RGB 4 168 75

HSL 145.98, 0.95%, 0.34%

LAB 60.37, -57.07, 37.53

 

CMYK 98 / 0 / 55 / 18

HEX #05D05D

RGB 5 208 93

HSL 146.01, 0.95%, 0.42%

LAB 73.5, -67.17, 44.7

 

CMYK 98 / 0 / 55 / 2

HEX #06F96F

RGB 6 249 111

HSL 145.93, 0.95%, 0.5%

LAB 86.47, -77.21, 51.96

 

CMYK 81 / 0 / 46 / 2

HEX #2FFA86

RGB 47 250 134

HSL 145.71, 0.95%, 0.58%

LAB 87.34, -71.79, 42.34

 

CMYK 65 / 0 / 37 / 2

HEX #57FB9E

RGB 87 251 158

HSL 145.98, 0.95%, 0.66%

LAB 88.68, -62.67, 32.42

 

CMYK 97 / 0 / 55 / 2

HEX #08F970

RGB 8 249 112

HSL 145.89, 0.95%, 0.5%

LAB 86.49, -77.01, 51.53

 

CMYK 98 / 60 / 0 / 2

HEX #0663F9

RGB 6 99 249

HSL 217.04, 0.95%, 0.5%

LAB 46.71, 34.97, -80.63

 

CMYK 0 / 96 / 98 / 2

HEX #F90A06

RGB 249 10 6

HSL 0.99, 0.95%, 0.5%

LAB 52.25, 78.01, 64.58

 

CMYK 97 / 0 / 55 / 2

HEX #08F970

RGB 8 249 112

HSL 145.89, 0.95%, 0.5%

LAB 86.49, -77.01, 51.53

 

CMYK 57 / 98 / 0 / 2

HEX #6B06F9

RGB 107 6 249

HSL 264.94, 0.95%, 0.5%

LAB 38.01, 79.78, -94.81

 

CMYK 0 / 57 / 98 / 2

HEX #F96B06

RGB 249 107 6

HSL 24.94, 0.95%, 0.5%

LAB 62.23, 50.65, 69.78

 

CMYK 97 / 0 / 55 / 2

HEX #08F970

RGB 8 249 112

HSL 145.89, 0.95%, 0.5%

LAB 86.49, -77.01, 51.53

 

CMYK 98 / 60 / 0 / 2

HEX #0663F9

RGB 6 99 249

HSL 217.04, 0.95%, 0.5%

LAB 46.71, 34.97, -80.63

 

CMYK 0 / 98 / 41 / 2

HEX #F90694

RGB 249 6 148

HSL 324.94, 0.95%, 0.5%

LAB 54.46, 84.49, -8.66

 

CMYK 0 / 37 / 98 / 2

HEX #F99C06

RGB 249 156 6

HSL 37.04, 0.95%, 0.5%

LAB 72.18, 26.18, 76.08

 

CMYK 97 / 0 / 55 / 2

HEX #08F970

RGB 8 249 112

HSL 145.89, 0.95%, 0.5%

LAB 86.49, -77.01, 51.53

 

CMYK 98 / 89 / 0 / 2

HEX #061BF9

RGB 6 27 249

HSL 234.81, 0.95%, 0.5%

LAB 33.27, 72.44, -102.87

 

CMYK 0 / 98 / 41 / 2

HEX #F90694

RGB 249 6 148

HSL 324.94, 0.95%, 0.5%

LAB 54.46, 84.49, -8.66

 

CMYK 0 / 8 / 98 / 2

HEX #F9E406

RGB 249 228 6

HSL 54.81, 0.95%, 0.5%

LAB 89.69, -10.93, 88.38

 

Description

Color code: HEX #08F970 | qconv.com Color code: HEX #08F970 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 249 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 249 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 55 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 55% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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