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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08EB56 it is the complementary color #F714A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08EB56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08EB56 shade: #0DEB51, #1EFD64, #2FFF77, #40FF8A and #51FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08EB56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08EB56 shade: #08EB56, #00D943, #00C730, #00B51D and #00A30A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08EB56 shade: #09EC57, #09EC19, #35EC09, #73EC09 and #B0EC09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08EB56 shade: #09EC57, #09EC94, #09ECD2, #09C9EC and #098CEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08EB56 shade matches the following richer shades: #09EC57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08EB56 shade: #09EC57, #1CD85D, #30C563, #44B169 and #589D70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08EB56 shade: #36EC09, #09EC18, #09EC54, #09EC91 and #09ECCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08EB56 shade: #069D3A, #07C448, #09EC57, #27F76E and #4FF989

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08EB56 shade: #08EB56, #0973EC and #EC0918

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08EB56 shade: #08EB56, #5409EC and #EC5409

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08EB56 shade: #08EB56, #0973EC, #EC09A0 and #EC8209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08EB56 shade: #08EB56, #092FEC, #EC09A0 and #ECC609

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 63 / 8

HEX #08EB56

RGB 8 235 86

HSL 140.62, 0.93%, 0.48%

LAB 81.91, -76.07, 57.54

 

Complementary color

CMYK 0 / 92 / 32 / 3

HEX #F714A9

RGB 247 20 169

HSL 320.62, 0.93%, 0.52%

LAB 55.22, 84.94, -19.96

 

CMYK 94 / 0 / 66 / 8

HEX #0DEB51

RGB 13 235 81

HSL 138.38, 0.9%, 0.49%

LAB 81.89, -76.44, 59.56

 

CMYK 88 / 0 / 60 / 1

HEX #1EFD64

RGB 30 253 100

HSL 138.83, 0.98%, 0.55%

LAB 87.7, -78.77, 58.24

 

CMYK 82 / 0 / 53 / 0

HEX #2FFF77

RGB 47 255 119

HSL 140.77, 1%, 0.59%

LAB 88.66, -75.63, 51.03

 

CMYK 75 / 0 / 46 / 0

HEX #40FF8A

RGB 64 255 138

HSL 143.25, 1%, 0.63%

LAB 89.13, -70.93, 42.74

 

CMYK 68 / 0 / 38 / 0

HEX #51FF9D

RGB 81 255 157

HSL 146.21, 1%, 0.66%

LAB 89.72, -65.31, 34.27

 

CMYK 97 / 0 / 63 / 8

HEX #08EB56

RGB 8 235 86

HSL 140.62, 0.93%, 0.48%

LAB 81.91, -76.07, 57.54

 

CMYK 100 / 0 / 69 / 15

HEX #00D943

RGB 0 217 67

HSL 138.53, 1%, 0.43%

LAB 76.09, -73.08, 58.78

 

CMYK 100 / 0 / 76 / 22

HEX #00C730

RGB 0 199 48

HSL 134.47, 1%, 0.39%

LAB 70.22, -69.57, 59.58

 

CMYK 100 / 0 / 84 / 29

HEX #00B51D

RGB 0 181 29

HSL 129.61, 1%, 0.35%

LAB 64.27, -65.7, 59.53

 

CMYK 100 / 0 / 94 / 36

HEX #00A30A

RGB 0 163 10

HSL 123.68, 1%, 0.32%

LAB 58.24, -61.39, 58.07

 

CMYK 96 / 0 / 63 / 7

HEX #09EC57

RGB 9 236 87

HSL 140.62, 0.93%, 0.48%

LAB 82.24, -76.22, 57.49

 

CMYK 96 / 0 / 89 / 7

HEX #09EC19

RGB 9 236 25

HSL 124.23, 0.93%, 0.48%

LAB 81.9, -80.49, 75.85

 

CMYK 78 / 0 / 96 / 7

HEX #35EC09

RGB 53 236 9

HSL 108.37, 0.93%, 0.48%

LAB 82.25, -77.45, 78.19

 

CMYK 51 / 0 / 96 / 7

HEX #73EC09

RGB 115 236 9

HSL 91.98, 0.93%, 0.48%

LAB 83.79, -64.65, 80.07

 

CMYK 25 / 0 / 96 / 7

HEX #B0EC09

RGB 176 236 9

HSL 75.86, 0.93%, 0.48%

LAB 86.62, -44.31, 83.52

 

CMYK 96 / 0 / 63 / 7

HEX #09EC57

RGB 9 236 87

HSL 140.62, 0.93%, 0.48%

LAB 82.24, -76.22, 57.49

 

CMYK 96 / 0 / 37 / 7

HEX #09EC94

RGB 9 236 148

HSL 156.74, 0.93%, 0.48%

LAB 83.01, -66.86, 29.71

 

CMYK 96 / 0 / 11 / 7

HEX #09ECD2

RGB 9 236 210

HSL 173.13, 0.93%, 0.48%

LAB 84.33, -52.4, -0.66

 

CMYK 96 / 15 / 0 / 7

HEX #09C9EC

RGB 9 201 236

HSL 189.25, 0.93%, 0.48%

LAB 74.75, -28.95, -28.9

 

CMYK 96 / 41 / 0 / 7

HEX #098CEC

RGB 9 140 236

HSL 205.37, 0.93%, 0.48%

LAB 56.95, 4.34, -56.82

 

CMYK 96 / 0 / 63 / 7

HEX #09EC57

RGB 9 236 87

HSL 140.62, 0.93%, 0.48%

LAB 82.24, -76.22, 57.49

 

CMYK 96 / 0 / 63 / 7

HEX #09EC57

RGB 9 236 87

HSL 140.62, 0.93%, 0.48%

LAB 82.24, -76.22, 57.49

 

CMYK 87 / 0 / 57 / 15

HEX #1CD85D

RGB 28 216 93

HSL 140.74, 0.77%, 0.48%

LAB 76.16, -68.52, 47.9

 

CMYK 76 / 0 / 50 / 23

HEX #30C563

RGB 48 197 99

HSL 140.54, 0.61%, 0.48%

LAB 70.5, -59.3, 38.22

 

CMYK 62 / 0 / 41 / 31

HEX #44B169

RGB 68 177 105

HSL 140.37, 0.44%, 0.48%

LAB 64.72, -47.31, 27.84

 

CMYK 44 / 0 / 29 / 38

HEX #589D70

RGB 88 157 112

HSL 140.87, 0.28%, 0.48%

LAB 59.3, -32.2, 16.89

 

CMYK 77 / 0 / 96 / 7

HEX #36EC09

RGB 54 236 9

HSL 108.11, 0.93%, 0.48%

LAB 82.27, -77.31, 78.21

 

CMYK 96 / 0 / 90 / 7

HEX #09EC18

RGB 9 236 24

HSL 123.96, 0.93%, 0.48%

LAB 81.9, -80.52, 76.01

 

CMYK 96 / 0 / 64 / 7

HEX #09EC54

RGB 9 236 84

HSL 139.82, 0.93%, 0.48%

LAB 82.21, -76.55, 58.7

 

CMYK 96 / 0 / 39 / 7

HEX #09EC91

RGB 9 236 145

HSL 155.95, 0.93%, 0.48%

LAB 82.96, -67.44, 31.17

 

CMYK 96 / 0 / 13 / 7

HEX #09ECCE

RGB 9 236 206

HSL 172.07, 0.93%, 0.48%

LAB 84.23, -53.46, 1.29

 

CMYK 96 / 0 / 63 / 38

HEX #069D3A

RGB 6 157 58

HSL 140.66, 0.93%, 0.32%

LAB 56.54, -55.76, 41.15

 

CMYK 96 / 0 / 63 / 23

HEX #07C448

RGB 7 196 72

HSL 140.63, 0.93%, 0.4%

LAB 69.46, -66.12, 49.52

 

CMYK 96 / 0 / 63 / 7

HEX #09EC57

RGB 9 236 87

HSL 140.62, 0.93%, 0.48%

LAB 82.24, -76.22, 57.49

 

CMYK 84 / 0 / 55 / 3

HEX #27F76E

RGB 39 247 110

HSL 140.48, 0.93%, 0.56%

LAB 86.05, -75.06, 51.95

 

CMYK 68 / 0 / 45 / 2

HEX #4FF989

RGB 79 249 137

HSL 140.47, 0.93%, 0.64%

LAB 87.59, -66.84, 41.32

 

CMYK 97 / 0 / 63 / 8

HEX #08EB56

RGB 8 235 86

HSL 140.62, 0.93%, 0.48%

LAB 81.91, -76.07, 57.54

 

CMYK 96 / 51 / 0 / 7

HEX #0973EC

RGB 9 115 236

HSL 211.98, 0.93%, 0.48%

LAB 49.95, 19.84, -68.09

 

CMYK 0 / 96 / 90 / 7

HEX #EC0918

RGB 236 9 24

HSL 356.04, 0.93%, 0.48%

LAB 49.61, 75.08, 56.13

 

CMYK 97 / 0 / 63 / 8

HEX #08EB56

RGB 8 235 86

HSL 140.62, 0.93%, 0.48%

LAB 81.91, -76.07, 57.54

 

CMYK 64 / 96 / 0 / 7

HEX #5409EC

RGB 84 9 236

HSL 259.82, 0.93%, 0.48%

LAB 34.27, 75.15, -93.76

 

CMYK 0 / 64 / 96 / 7

HEX #EC5409

RGB 236 84 9

HSL 19.82, 0.93%, 0.48%

LAB 56.28, 56.18, 64.65

 

CMYK 97 / 0 / 63 / 8

HEX #08EB56

RGB 8 235 86

HSL 140.62, 0.93%, 0.48%

LAB 81.91, -76.07, 57.54

 

CMYK 96 / 51 / 0 / 7

HEX #0973EC

RGB 9 115 236

HSL 211.98, 0.93%, 0.48%

LAB 49.95, 19.84, -68.09

 

CMYK 0 / 96 / 32 / 7

HEX #EC09A0

RGB 236 9 160

HSL 320.09, 0.93%, 0.48%

LAB 52.47, 82.76, -19.03

 

CMYK 0 / 45 / 96 / 7

HEX #EC8209

RGB 236 130 9

HSL 31.98, 0.93%, 0.48%

LAB 64.82, 34.36, 69.99

 

CMYK 97 / 0 / 63 / 8

HEX #08EB56

RGB 8 235 86

HSL 140.62, 0.93%, 0.48%

LAB 81.91, -76.07, 57.54

 

CMYK 96 / 80 / 0 / 7

HEX #092FEC

RGB 9 47 236

HSL 229.96, 0.93%, 0.48%

LAB 34.29, 60.86, -93.82

 

CMYK 0 / 96 / 32 / 7

HEX #EC09A0

RGB 236 9 160

HSL 320.09, 0.93%, 0.48%

LAB 52.47, 82.76, -19.03

 

CMYK 0 / 16 / 96 / 7

HEX #ECC609

RGB 236 198 9

HSL 49.96, 0.93%, 0.48%

LAB 80.87, -1.31, 81.18

 

Description

Color code: HEX #08EB56 | qconv.com Color code: HEX #08EB56 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 235 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 235 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 63 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 63% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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