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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08DF06 it is the complementary color #F720F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08DF06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08DF06 shade: #0DDF01, #1EF114, #2FFF27, #40FF3A and #51FF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08DF06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08DF06 shade: #08DF06, #00CD00, #00BB00, #00A900 and #009700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08DF06 shade: #08E006, #43E006, #7DE006, #B8E006 and #E0CD06

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08DF06 shade: #08E006, #06E03F, #06E079, #06E0B4 and #06D1E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08DF06 shade matches the following richer shades: #08E006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08DF06 shade: #08E006, #1ACD18, #2CBB2B, #3EA83D and #519550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08DF06 shade: #7EE006, #44E006, #09E006, #06E03C and #06E076

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08DF06 shade: #058F04, #06B805, #08E006, #18F916 and #40FA3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08DF06 shade: #08DF06, #06B8E0 and #E00661

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08DF06 shade: #08DF06, #0609E0 and #E00609

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08DF06 shade: #08DF06, #06B8E0, #DC06E0 and #E02E06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08DF06 shade: #08DF06, #0676E0, #DC06E0 and #E06F06

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 97 / 13

HEX #08DF06

RGB 8 223 6

HSL 119.45, 0.95%, 0.45%

LAB 77.78, -77.5, 74.65

 

Complementary color

CMYK 1 / 87 / 0 / 2

HEX #F720F9

RGB 247 32 249

HSL 299.45, 0.95%, 0.55%

LAB 59.57, 93.37, -58.79

 

CMYK 94 / 0 / 100 / 13

HEX #0DDF01

RGB 13 223 1

HSL 116.76, 0.99%, 0.44%

LAB 77.79, -77.4, 75.14

 

CMYK 88 / 0 / 92 / 5

HEX #1EF114

RGB 30 241 20

HSL 117.29, 0.89%, 0.51%

LAB 83.57, -80.91, 78.03

 

CMYK 82 / 0 / 85 / 0

HEX #2FFF27

RGB 47 255 39

HSL 117.78, 1%, 0.58%

LAB 88.1, -82.64, 78.77

 

CMYK 75 / 0 / 77 / 0

HEX #40FF3A

RGB 64 255 58

HSL 118.17, 1%, 0.61%

LAB 88.41, -79.64, 74.38

 

CMYK 68 / 0 / 70 / 0

HEX #51FF4D

RGB 81 255 77

HSL 118.65, 1%, 0.65%

LAB 88.83, -75.63, 68.72

 

CMYK 96 / 0 / 97 / 13

HEX #08DF06

RGB 8 223 6

HSL 119.45, 0.95%, 0.45%

LAB 77.78, -77.5, 74.65

 

CMYK 100 / 0 / 100 / 20

HEX #00CD00

RGB 0 205 0

HSL 120, 1%, 0.4%

LAB 72, -73.11, 70.56

 

CMYK 100 / 0 / 100 / 27

HEX #00BB00

RGB 0 187 0

HSL 120, 1%, 0.37%

LAB 66.17, -68.26, 65.89

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 96 / 0 / 97 / 12

HEX #08E006

RGB 8 224 6

HSL 119.45, 0.95%, 0.45%

LAB 78.1, -77.76, 74.91

 

CMYK 70 / 0 / 97 / 12

HEX #43E006

RGB 67 224 6

HSL 103.21, 0.95%, 0.45%

LAB 78.76, -71.84, 75.73

 

CMYK 44 / 0 / 97 / 12

HEX #7DE006

RGB 125 224 6

HSL 87.25, 0.95%, 0.45%

LAB 80.56, -57.34, 77.93

 

CMYK 18 / 0 / 97 / 12

HEX #B8E006

RGB 184 224 6

HSL 71.01, 0.95%, 0.45%

LAB 83.71, -35.94, 81.73

 

CMYK 0 / 8 / 97 / 12

HEX #E0CD06

RGB 224 205 6

HSL 54.77, 0.95%, 0.45%

LAB 81.58, -10.08, 81.48

 

CMYK 96 / 0 / 97 / 12

HEX #08E006

RGB 8 224 6

HSL 119.45, 0.95%, 0.45%

LAB 78.1, -77.76, 74.91

 

CMYK 97 / 0 / 72 / 12

HEX #06E03F

RGB 6 224 63

HSL 135.69, 0.95%, 0.45%

LAB 78.29, -75.22, 62.56

 

CMYK 97 / 0 / 46 / 12

HEX #06E079

RGB 6 224 121

HSL 151.65, 0.95%, 0.45%

LAB 78.89, -67.87, 37.85

 

CMYK 97 / 0 / 20 / 12

HEX #06E0B4

RGB 6 224 180

HSL 167.89, 0.95%, 0.45%

LAB 79.98, -55.43, 8.88

 

CMYK 97 / 7 / 0 / 12

HEX #06D1E0

RGB 6 209 224

HSL 184.13, 0.95%, 0.45%

LAB 76.69, -36.67, -19.49

 

CMYK 96 / 0 / 97 / 12

HEX #08E006

RGB 8 224 6

HSL 119.45, 0.95%, 0.45%

LAB 78.1, -77.76, 74.91

 

CMYK 96 / 0 / 97 / 12

HEX #08E006

RGB 8 224 6

HSL 119.45, 0.95%, 0.45%

LAB 78.1, -77.76, 74.91

 

CMYK 87 / 0 / 88 / 20

HEX #1ACD18

RGB 26 205 24

HSL 119.34, 0.79%, 0.45%

LAB 72.19, -71.2, 67.72

 

CMYK 76 / 0 / 77 / 27

HEX #2CBB2B

RGB 44 187 43

HSL 119.58, 0.63%, 0.45%

LAB 66.71, -62.91, 57.91

 

CMYK 63 / 0 / 64 / 34

HEX #3EA83D

RGB 62 168 61

HSL 119.44, 0.47%, 0.45%

LAB 61.1, -51.56, 45.19

 

CMYK 46 / 0 / 46 / 42

HEX #519550

RGB 81 149 80

HSL 119.13, 0.3%, 0.45%

LAB 55.91, -36.27, 29.81

 

CMYK 44 / 0 / 97 / 12

HEX #7EE006

RGB 126 224 6

HSL 86.97, 0.95%, 0.45%

LAB 80.61, -57.02, 77.98

 

CMYK 70 / 0 / 97 / 12

HEX #44E006

RGB 68 224 6

HSL 102.94, 0.95%, 0.45%

LAB 78.78, -71.66, 75.75

 

CMYK 96 / 0 / 97 / 12

HEX #09E006

RGB 9 224 6

HSL 119.17, 0.95%, 0.45%

LAB 78.1, -77.73, 74.92

 

CMYK 97 / 0 / 73 / 12

HEX #06E03C

RGB 6 224 60

HSL 134.86, 0.95%, 0.45%

LAB 78.27, -75.46, 63.6

 

CMYK 97 / 0 / 47 / 12

HEX #06E076

RGB 6 224 118

HSL 150.83, 0.95%, 0.45%

LAB 78.84, -68.37, 39.27

 

CMYK 97 / 0 / 97 / 44

HEX #058F04

RGB 5 143 4

HSL 119.57, 0.95%, 0.29%

LAB 51.48, -55.55, 53.41

 

CMYK 97 / 0 / 97 / 28

HEX #06B805

RGB 6 184 5

HSL 119.66, 0.95%, 0.37%

LAB 65.22, -67.06, 64.53

 

CMYK 96 / 0 / 97 / 12

HEX #08E006

RGB 8 224 6

HSL 119.45, 0.95%, 0.45%

LAB 78.1, -77.76, 74.91

 

CMYK 90 / 0 / 91 / 2

HEX #18F916

RGB 24 249 22

HSL 119.47, 0.95%, 0.53%

LAB 86.01, -83.38, 79.8

 

CMYK 74 / 0 / 75 / 2

HEX #40FA3E

RGB 64 250 62

HSL 119.36, 0.95%, 0.61%

LAB 86.9, -77.91, 71.72

 

CMYK 96 / 0 / 97 / 13

HEX #08DF06

RGB 8 223 6

HSL 119.45, 0.95%, 0.45%

LAB 77.78, -77.5, 74.65

 

CMYK 97 / 18 / 0 / 12

HEX #06B8E0

RGB 6 184 224

HSL 191.01, 0.95%, 0.45%

LAB 69.26, -24.54, -30.86

 

CMYK 0 / 97 / 57 / 12

HEX #E00661

RGB 224 6 97

HSL 334.95, 0.95%, 0.45%

LAB 48.06, 75.18, 12.41

 

CMYK 96 / 0 / 97 / 13

HEX #08DF06

RGB 8 223 6

HSL 119.45, 0.95%, 0.45%

LAB 77.78, -77.5, 74.65

 

CMYK 97 / 96 / 0 / 12

HEX #0609E0

RGB 6 9 224

HSL 239.17, 0.95%, 0.45%

LAB 28.42, 70.22, -96.75

 

CMYK 0 / 97 / 96 / 12

HEX #E00609

RGB 224 6 9

HSL 359.17, 0.95%, 0.45%

LAB 46.97, 72.21, 58.39

 

CMYK 96 / 0 / 97 / 13

HEX #08DF06

RGB 8 223 6

HSL 119.45, 0.95%, 0.45%

LAB 77.78, -77.5, 74.65

 

CMYK 97 / 18 / 0 / 12

HEX #06B8E0

RGB 6 184 224

HSL 191.01, 0.95%, 0.45%

LAB 69.26, -24.54, -30.86

 

CMYK 2 / 97 / 0 / 12

HEX #DC06E0

RGB 220 6 224

HSL 298.9, 0.95%, 0.45%

LAB 52.65, 88.03, -56.08

 

CMYK 0 / 79 / 97 / 12

HEX #E02E06

RGB 224 46 6

HSL 11.01, 0.95%, 0.45%

LAB 49.27, 65.59, 60.32

 

CMYK 96 / 0 / 97 / 13

HEX #08DF06

RGB 8 223 6

HSL 119.45, 0.95%, 0.45%

LAB 77.78, -77.5, 74.65

 

CMYK 97 / 47 / 0 / 12

HEX #0676E0

RGB 6 118 224

HSL 209.17, 0.95%, 0.45%

LAB 49.95, 13.16, -61.35

 

CMYK 2 / 97 / 0 / 12

HEX #DC06E0

RGB 220 6 224

HSL 298.9, 0.95%, 0.45%

LAB 52.65, 88.03, -56.08

 

CMYK 0 / 50 / 97 / 12

HEX #E06F06

RGB 224 111 6

HSL 28.9, 0.95%, 0.45%

LAB 59.19, 39.21, 66

 

Description

Color code: HEX #08DF06 | qconv.com Color code: HEX #08DF06 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 223 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 223 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 97 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 97% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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