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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08DB3C it is the complementary color #F724C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08DB3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08DB3C shade: #0DDB37, #1EED4A, #2FFF5D, #40FF70 and #51FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08DB3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08DB3C shade: #08DB3C, #00C929, #00B716, #00A503 and #009300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08DB3C shade: #08DD3D, #0DDD08, #47DD08, #80DD08 and #BADD08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08DB3C shade: #08DD3D, #08DD76, #08DDB0, #08D2DD and #0898DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08DB3C shade matches the following richer shades: #08DD3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08DB3C shade: #08DD3D, #1BCB46, #2DB84F, #40A659 and #529362

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08DB3C shade: #48DD08, #0FDD08, #08DD3A, #08DD73 and #08DDAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08DB3C shade: #058E27, #07B632, #08DD3D, #18F74F and #40F86D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08DB3C shade: #08DB3C, #0881DD and #DD082C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08DB3C shade: #08DB3C, #3A08DD and #DD3A08

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08DB3C shade: #08DB3C, #0881DD, #DD08AC and #DD6508

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08DB3C shade: #08DB3C, #0841DD, #DD08AC and #DDA508

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 73 / 14

HEX #08DB3C

RGB 8 219 60

HSL 134.79, 0.93%, 0.45%

LAB 76.7, -73.98, 62

 

Complementary color

CMYK 0 / 85 / 21 / 3

HEX #F724C3

RGB 247 36 195

HSL 314.79, 0.93%, 0.55%

LAB 57.05, 85.6, -32.24

 

CMYK 94 / 0 / 75 / 14

HEX #0DDB37

RGB 13 219 55

HSL 132.23, 0.89%, 0.45%

LAB 76.69, -74.19, 63.71

 

CMYK 87 / 0 / 69 / 7

HEX #1EED4A

RGB 30 237 74

HSL 132.75, 0.85%, 0.52%

LAB 82.56, -76.79, 63.03

 

CMYK 82 / 0 / 64 / 0

HEX #2FFF5D

RGB 47 255 93

HSL 133.27, 1%, 0.59%

LAB 88.41, -78.78, 61.98

 

CMYK 75 / 0 / 56 / 0

HEX #40FF70

RGB 64 255 112

HSL 135.08, 1%, 0.63%

LAB 88.82, -74.63, 54.42

 

CMYK 68 / 0 / 49 / 0

HEX #51FF83

RGB 81 255 131

HSL 137.24, 1%, 0.66%

LAB 89.35, -69.51, 46.42

 

CMYK 96 / 0 / 73 / 14

HEX #08DB3C

RGB 8 219 60

HSL 134.79, 0.93%, 0.45%

LAB 76.7, -73.98, 62

 

CMYK 100 / 0 / 80 / 21

HEX #00C929

RGB 0 201 41

HSL 132.24, 1%, 0.39%

LAB 70.82, -70.6, 62.35

 

CMYK 100 / 0 / 88 / 28

HEX #00B716

RGB 0 183 22

HSL 127.21, 1%, 0.36%

LAB 64.9, -66.57, 61.7

 

CMYK 100 / 0 / 98 / 35

HEX #00A503

RGB 0 165 3

HSL 121.09, 1%, 0.32%

LAB 58.9, -62.14, 59.62

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 96 / 0 / 72 / 13

HEX #08DD3D

RGB 8 221 61

HSL 134.93, 0.93%, 0.45%

LAB 77.34, -74.47, 62.3

 

CMYK 94 / 0 / 96 / 13

HEX #0DDD08

RGB 13 221 8

HSL 118.59, 0.93%, 0.45%

LAB 77.17, -76.75, 73.98

 

CMYK 68 / 0 / 96 / 13

HEX #47DD08

RGB 71 221 8

HSL 102.25, 0.93%, 0.45%

LAB 77.92, -70.16, 74.9

 

CMYK 42 / 0 / 96 / 13

HEX #80DD08

RGB 128 221 8

HSL 86.2, 0.93%, 0.45%

LAB 79.8, -55.2, 77.19

 

CMYK 16 / 0 / 96 / 13

HEX #BADD08

RGB 186 221 8

HSL 69.86, 0.93%, 0.45%

LAB 83, -33.75, 81.07

 

CMYK 96 / 0 / 72 / 13

HEX #08DD3D

RGB 8 221 61

HSL 134.93, 0.93%, 0.45%

LAB 77.34, -74.47, 62.3

 

CMYK 96 / 0 / 47 / 13

HEX #08DD76

RGB 8 221 118

HSL 150.99, 0.93%, 0.45%

LAB 77.92, -67.34, 38.1

 

CMYK 96 / 0 / 20 / 13

HEX #08DDB0

RGB 8 221 176

HSL 167.32, 0.93%, 0.45%

LAB 78.98, -55.2, 9.58

 

CMYK 96 / 5 / 0 / 13

HEX #08D2DD

RGB 8 210 221

HSL 183.1, 0.93%, 0.45%

LAB 76.9, -38, -17.56

 

CMYK 96 / 31 / 0 / 13

HEX #0898DD

RGB 8 152 221

HSL 199.44, 0.93%, 0.45%

LAB 59.64, -8.36, -44.21

 

CMYK 96 / 0 / 72 / 13

HEX #08DD3D

RGB 8 221 61

HSL 134.93, 0.93%, 0.45%

LAB 77.34, -74.47, 62.3

 

CMYK 96 / 0 / 72 / 13

HEX #08DD3D

RGB 8 221 61

HSL 134.93, 0.93%, 0.45%

LAB 77.34, -74.47, 62.3

 

CMYK 87 / 0 / 66 / 20

HEX #1BCB46

RGB 27 203 70

HSL 134.66, 0.77%, 0.45%

LAB 71.82, -67.33, 53.02

 

CMYK 76 / 0 / 57 / 28

HEX #2DB84F

RGB 45 184 79

HSL 134.68, 0.61%, 0.45%

LAB 66.06, -58.14, 42.51

 

CMYK 61 / 0 / 46 / 35

HEX #40A659

RGB 64 166 89

HSL 134.71, 0.44%, 0.45%

LAB 60.86, -46.53, 31.23

 

CMYK 44 / 0 / 33 / 42

HEX #529362

RGB 82 147 98

HSL 134.77, 0.28%, 0.45%

LAB 55.63, -31.98, 19.63

 

CMYK 67 / 0 / 96 / 13

HEX #48DD08

RGB 72 221 8

HSL 101.97, 0.93%, 0.45%

LAB 77.94, -69.96, 74.92

 

CMYK 93 / 0 / 96 / 13

HEX #0FDD08

RGB 15 221 8

HSL 118.03, 0.93%, 0.45%

LAB 77.18, -76.66, 73.99

 

CMYK 96 / 0 / 74 / 13

HEX #08DD3A

RGB 8 221 58

HSL 134.08, 0.93%, 0.45%

LAB 77.32, -74.71, 63.32

 

CMYK 96 / 0 / 48 / 13

HEX #08DD73

RGB 8 221 115

HSL 150.14, 0.93%, 0.45%

LAB 77.88, -67.83, 39.52

 

CMYK 96 / 0 / 22 / 13

HEX #08DDAC

RGB 8 221 172

HSL 166.2, 0.93%, 0.45%

LAB 78.89, -56.18, 11.57

 

CMYK 96 / 0 / 73 / 44

HEX #058E27

RGB 5 142 39

HSL 134.89, 0.93%, 0.29%

LAB 51.3, -53.23, 43.67

 

CMYK 96 / 0 / 73 / 29

HEX #07B632

RGB 7 182 50

HSL 134.74, 0.93%, 0.37%

LAB 64.75, -64.2, 53.37

 

CMYK 96 / 0 / 72 / 13

HEX #08DD3D

RGB 8 221 61

HSL 134.93, 0.93%, 0.45%

LAB 77.34, -74.47, 62.3

 

CMYK 90 / 0 / 68 / 3

HEX #18F74F

RGB 24 247 79

HSL 134.8, 0.93%, 0.53%

LAB 85.65, -79.58, 64.41

 

CMYK 74 / 0 / 56 / 3

HEX #40F86D

RGB 64 248 109

HSL 134.67, 0.93%, 0.61%

LAB 86.67, -72.76, 53.21

 

CMYK 96 / 0 / 73 / 14

HEX #08DB3C

RGB 8 219 60

HSL 134.79, 0.93%, 0.45%

LAB 76.7, -73.98, 62

 

CMYK 96 / 42 / 0 / 13

HEX #0881DD

RGB 8 129 221

HSL 205.92, 0.93%, 0.45%

LAB 52.92, 5.21, -54.89

 

CMYK 0 / 96 / 80 / 13

HEX #DD082C

RGB 221 8 44

HSL 349.86, 0.93%, 0.45%

LAB 46.62, 71.9, 42.49

 

CMYK 96 / 0 / 73 / 14

HEX #08DB3C

RGB 8 219 60

HSL 134.79, 0.93%, 0.45%

LAB 76.7, -73.98, 62

 

CMYK 74 / 96 / 0 / 13

HEX #3A08DD

RGB 58 8 221

HSL 254.08, 0.93%, 0.45%

LAB 30.14, 70.61, -92.1

 

CMYK 0 / 74 / 96 / 13

HEX #DD3A08

RGB 221 58 8

HSL 14.08, 0.93%, 0.45%

LAB 50, 61.09, 59.89

 

CMYK 96 / 0 / 73 / 14

HEX #08DB3C

RGB 8 219 60

HSL 134.79, 0.93%, 0.45%

LAB 76.7, -73.98, 62

 

CMYK 96 / 42 / 0 / 13

HEX #0881DD

RGB 8 129 221

HSL 205.92, 0.93%, 0.45%

LAB 52.92, 5.21, -54.89

 

CMYK 0 / 96 / 22 / 13

HEX #DD08AC

RGB 221 8 172

HSL 313.8, 0.93%, 0.45%

LAB 50.13, 81.21, -29.99

 

CMYK 0 / 54 / 96 / 13

HEX #DD6508

RGB 221 101 8

HSL 26.2, 0.93%, 0.45%

LAB 56.78, 43.02, 63.91

 

CMYK 96 / 0 / 73 / 14

HEX #08DB3C

RGB 8 219 60

HSL 134.79, 0.93%, 0.45%

LAB 76.7, -73.98, 62

 

CMYK 96 / 71 / 0 / 13

HEX #0841DD

RGB 8 65 221

HSL 223.94, 0.93%, 0.45%

LAB 36.09, 45.94, -82.28

 

CMYK 0 / 96 / 22 / 13

HEX #DD08AC

RGB 221 8 172

HSL 313.8, 0.93%, 0.45%

LAB 50.13, 81.21, -29.99

 

CMYK 0 / 25 / 96 / 13

HEX #DDA508

RGB 221 165 8

HSL 44.23, 0.93%, 0.45%

LAB 71.08, 9.45, 73.56

 

Description

Color code: HEX #08DB3C | qconv.com Color code: HEX #08DB3C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 219 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 219 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 73 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 73% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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