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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08C271 it is the complementary color #F73D8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08C271. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08C271 shade: #0DC26C, #1ED47F, #2FE692, #40F8A5 and #51FFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08C271. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08C271 shade: #08C271, #00B05E, #009E4B, #008C38 and #007A25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08C271 shade: #08C472, #08C43F, #08C40D, #36C408 and #69C408

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08C271 shade: #08C472, #08C4A5, #08B0C4, #087EC4 and #084BC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08C271 shade matches the following richer shades: #08C472

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08C271 shade: #08C472, #19B370, #29A36E, #3A926C and #4A826A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08C271 shade: #08C40B, #08C43D, #08C46F, #08C4A1 and #08B4C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08C271 shade: #057544, #079C5B, #08C472, #0AEB89 and #28F69D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08C271 shade: #08C271, #0837C4 and #C42408

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08C271 shade: #08C271, #6F08C4 and #C46F08

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08C271 shade: #08C271, #0837C4, #C4085D and #C49508

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08C271 shade: #08C271, #1208C4, #C4085D and #BAC408

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 42 / 24

HEX #08C271

RGB 8 194 113

HSL 153.87, 0.92%, 0.4%

LAB 69.35, -59.15, 29.56

 

Complementary color

CMYK 0 / 75 / 43 / 3

HEX #F73D8E

RGB 247 61 142

HSL 333.87, 0.92%, 0.6%

LAB 57.14, 74.18, -1.18

 

CMYK 93 / 0 / 44 / 24

HEX #0DC26C

RGB 13 194 108

HSL 151.49, 0.87%, 0.41%

LAB 69.29, -59.88, 32.07

 

CMYK 86 / 0 / 40 / 17

HEX #1ED47F

RGB 30 212 127

HSL 151.98, 0.75%, 0.47%

LAB 75.39, -61.57, 30.31

 

CMYK 80 / 0 / 37 / 10

HEX #2FE692

RGB 47 230 146

HSL 152.46, 0.79%, 0.54%

LAB 81.44, -62.8, 28.68

 

CMYK 74 / 0 / 33 / 3

HEX #40F8A5

RGB 64 248 165

HSL 152.93, 0.93%, 0.61%

LAB 87.46, -63.67, 27.17

 

CMYK 68 / 0 / 28 / 0

HEX #51FFB8

RGB 81 255 184

HSL 155.52, 1%, 0.66%

LAB 90.2, -60.11, 21.31

 

CMYK 96 / 0 / 42 / 24

HEX #08C271

RGB 8 194 113

HSL 153.87, 0.92%, 0.4%

LAB 69.35, -59.15, 29.56

 

CMYK 100 / 0 / 47 / 31

HEX #00B05E

RGB 0 176 94

HSL 152.05, 1%, 0.35%

LAB 63.23, -56.8, 31.47

 

CMYK 100 / 0 / 53 / 38

HEX #009E4B

RGB 0 158 75

HSL 148.48, 1%, 0.31%

LAB 57.04, -53.96, 33.45

 

CMYK 100 / 0 / 60 / 45

HEX #008C38

RGB 0 140 56

HSL 144, 1%, 0.27%

LAB 50.74, -50.89, 35.38

 

CMYK 100 / 0 / 70 / 52

HEX #007A25

RGB 0 122 37

HSL 138.2, 1%, 0.24%

LAB 44.31, -47.48, 37.06

 

CMYK 96 / 0 / 42 / 23

HEX #08C472

RGB 8 196 114

HSL 153.83, 0.92%, 0.4%

LAB 70, -59.66, 29.89

 

CMYK 96 / 0 / 68 / 23

HEX #08C43F

RGB 8 196 63

HSL 137.55, 0.92%, 0.4%

LAB 69.39, -67.06, 53.21

 

CMYK 96 / 0 / 93 / 23

HEX #08C40D

RGB 8 196 13

HSL 121.6, 0.92%, 0.4%

LAB 69.16, -70.09, 66.82

 

CMYK 72 / 0 / 96 / 23

HEX #36C408

RGB 54 196 8

HSL 105.32, 0.92%, 0.4%

LAB 69.67, -65.54, 68.04

 

CMYK 46 / 0 / 96 / 23

HEX #69C408

RGB 105 196 8

HSL 89.04, 0.92%, 0.4%

LAB 71.21, -52.98, 69.93

 

CMYK 96 / 0 / 42 / 23

HEX #08C472

RGB 8 196 114

HSL 153.83, 0.92%, 0.4%

LAB 70, -59.66, 29.89

 

CMYK 96 / 0 / 16 / 23

HEX #08C4A5

RGB 8 196 165

HSL 170.11, 0.92%, 0.4%

LAB 71.04, -48, 4.08

 

CMYK 96 / 10 / 0 / 23

HEX #08B0C4

RGB 8 176 196

HSL 186.38, 0.92%, 0.4%

LAB 65.82, -29.8, -20.73

 

CMYK 96 / 36 / 0 / 23

HEX #087EC4

RGB 8 126 196

HSL 202.34, 0.92%, 0.4%

LAB 50.64, -2.65, -44.35

 

CMYK 96 / 62 / 0 / 23

HEX #084BC4

RGB 8 75 196

HSL 218.62, 0.92%, 0.4%

LAB 36.12, 30.17, -67.78

 

CMYK 96 / 0 / 42 / 23

HEX #08C472

RGB 8 196 114

HSL 153.83, 0.92%, 0.4%

LAB 70, -59.66, 29.89

 

CMYK 96 / 0 / 42 / 23

HEX #08C472

RGB 8 196 114

HSL 153.83, 0.92%, 0.4%

LAB 70, -59.66, 29.89

 

CMYK 86 / 0 / 37 / 30

HEX #19B370

RGB 25 179 112

HSL 153.9, 0.75%, 0.4%

LAB 64.66, -53.04, 23.89

 

CMYK 75 / 0 / 33 / 36

HEX #29A36E

RGB 41 163 110

HSL 153.93, 0.6%, 0.4%

LAB 59.7, -45.54, 18.31

 

CMYK 60 / 0 / 26 / 43

HEX #3A926C

RGB 58 146 108

HSL 154.09, 0.43%, 0.4%

LAB 54.6, -35.72, 12.44

 

CMYK 43 / 0 / 18 / 49

HEX #4A826A

RGB 74 130 106

HSL 154.29, 0.27%, 0.4%

LAB 50.05, -24.42, 7.27

 

CMYK 96 / 0 / 94 / 23

HEX #08C40B

RGB 8 196 11

HSL 120.96, 0.92%, 0.4%

LAB 69.15, -70.13, 67.07

 

CMYK 96 / 0 / 69 / 23

HEX #08C43D

RGB 8 196 61

HSL 136.91, 0.92%, 0.4%

LAB 69.38, -67.26, 53.99

 

CMYK 96 / 0 / 43 / 23

HEX #08C46F

RGB 8 196 111

HSL 152.87, 0.92%, 0.4%

LAB 69.95, -60.22, 31.38

 

CMYK 96 / 0 / 18 / 23

HEX #08C4A1

RGB 8 196 161

HSL 168.83, 0.92%, 0.4%

LAB 70.94, -49.05, 6.11

 

CMYK 96 / 8 / 0 / 23

HEX #08B4C4

RGB 8 180 196

HSL 185.11, 0.92%, 0.4%

LAB 67.04, -31.74, -18.88

 

CMYK 96 / 0 / 42 / 54

HEX #057544

RGB 5 117 68

HSL 153.75, 0.92%, 0.24%

LAB 43.02, -40.26, 19.35

 

CMYK 96 / 0 / 42 / 39

HEX #079C5B

RGB 7 156 91

HSL 153.83, 0.91%, 0.32%

LAB 56.66, -49.99, 24.55

 

CMYK 96 / 0 / 42 / 23

HEX #08C472

RGB 8 196 114

HSL 153.83, 0.92%, 0.4%

LAB 70, -59.66, 29.89

 

CMYK 96 / 0 / 42 / 8

HEX #0AEB89

RGB 10 235 137

HSL 153.87, 0.92%, 0.48%

LAB 82.53, -68.57, 34.62

 

CMYK 84 / 0 / 36 / 4

HEX #28F69D

RGB 40 246 157

HSL 154.08, 0.92%, 0.56%

LAB 86.4, -66.96, 29.74

 

CMYK 96 / 0 / 42 / 24

HEX #08C271

RGB 8 194 113

HSL 153.87, 0.92%, 0.4%

LAB 69.35, -59.15, 29.56

 

CMYK 96 / 72 / 0 / 23

HEX #0837C4

RGB 8 55 196

HSL 225, 0.92%, 0.4%

LAB 31.28, 43.02, -75.75

 

CMYK 0 / 82 / 96 / 23

HEX #C42408

RGB 196 36 8

HSL 8.94, 0.92%, 0.4%

LAB 42.79, 60.16, 53.34

 

CMYK 96 / 0 / 42 / 24

HEX #08C271

RGB 8 194 113

HSL 153.87, 0.92%, 0.4%

LAB 69.35, -59.15, 29.56

 

CMYK 43 / 96 / 0 / 23

HEX #6F08C4

RGB 111 8 196

HSL 272.87, 0.92%, 0.4%

LAB 33, 68.3, -72.64

 

CMYK 0 / 43 / 96 / 23

HEX #C46F08

RGB 196 111 8

HSL 32.87, 0.92%, 0.4%

LAB 55.2, 27.75, 61.09

 

CMYK 96 / 0 / 42 / 24

HEX #08C271

RGB 8 194 113

HSL 153.87, 0.92%, 0.4%

LAB 69.35, -59.15, 29.56

 

CMYK 96 / 72 / 0 / 23

HEX #0837C4

RGB 8 55 196

HSL 225, 0.92%, 0.4%

LAB 31.28, 43.02, -75.75

 

CMYK 0 / 96 / 53 / 23

HEX #C4085D

RGB 196 8 93

HSL 332.87, 0.92%, 0.4%

LAB 42.31, 68.3, 5.99

 

CMYK 0 / 24 / 96 / 23

HEX #C49508

RGB 196 149 8

HSL 45, 0.92%, 0.4%

LAB 64.36, 7, 67.52

 

CMYK 96 / 0 / 42 / 24

HEX #08C271

RGB 8 194 113

HSL 153.87, 0.92%, 0.4%

LAB 69.35, -59.15, 29.56

 

CMYK 91 / 96 / 0 / 23

HEX #1208C4

RGB 18 8 196

HSL 243.19, 0.92%, 0.4%

LAB 24.6, 63.38, -86.84

 

CMYK 0 / 96 / 53 / 23

HEX #C4085D

RGB 196 8 93

HSL 332.87, 0.92%, 0.4%

LAB 42.31, 68.3, 5.99

 

CMYK 5 / 0 / 96 / 23

HEX #BAC408

RGB 186 196 8

HSL 63.19, 0.92%, 0.4%

LAB 76.03, -21.88, 75.76

 

Description

Color code: HEX #08C271 | qconv.com Color code: HEX #08C271 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 194 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 194 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 42 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 42% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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