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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08B662 it is the complementary color #F7499D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08B662. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08B662 shade: #0DB65D, #1EC870, #2FDA83, #40EC96 and #51FEA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08B662. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08B662 shade: #08B662, #00A44F, #00923C, #008029 and #006E16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08B662 shade: #08B561, #08B533, #0BB508, #3AB508 and #69B508

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08B662 shade: #08B561, #08B590, #08ABB5, #087DB5 and #084EB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08B662 shade matches the following richer shades: #08B561

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08B662 shade: #08B561, #17A661, #269760, #358760 and #45785F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08B662 shade: #0AB508, #08B533, #08B561, #08B590 and #08ACB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08B662 shade: #046637, #068E4C, #08B561, #09DD77 and #1AF58B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08B662 shade: #08B662, #0839B5 and #B51C08

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08B662 shade: #08B662, #6108B5 and #B56108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08B662 shade: #08B662, #0839B5, #B5085B and #B58408

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08B662 shade: #08B662, #0A08B5, #B5085B and #B2B508

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 46 / 29

HEX #08B662

RGB 8 182 98

HSL 151.03, 0.92%, 0.37%

LAB 65.27, -57.78, 32.03

 

Complementary color

CMYK 0 / 70 / 36 / 3

HEX #F7499D

RGB 247 73 157

HSL 331.03, 0.92%, 0.63%

LAB 58.95, 71.84, -7.3

 

CMYK 93 / 0 / 49 / 29

HEX #0DB65D

RGB 13 182 93

HSL 148.4, 0.87%, 0.38%

LAB 65.23, -58.42, 34.53

 

CMYK 85 / 0 / 44 / 22

HEX #1EC870

RGB 30 200 112

HSL 148.94, 0.74%, 0.45%

LAB 71.39, -60.14, 32.76

 

CMYK 78 / 0 / 40 / 15

HEX #2FDA83

RGB 47 218 131

HSL 149.47, 0.7%, 0.52%

LAB 77.51, -61.35, 31.11

 

CMYK 73 / 0 / 36 / 7

HEX #40EC96

RGB 64 236 150

HSL 150, 0.82%, 0.59%

LAB 83.59, -62.18, 29.57

 

CMYK 68 / 0 / 33 / 0

HEX #51FEA9

RGB 81 254 169

HSL 150.52, 0.99%, 0.66%

LAB 89.63, -62.73, 28.14

 

CMYK 96 / 0 / 46 / 29

HEX #08B662

RGB 8 182 98

HSL 151.03, 0.92%, 0.37%

LAB 65.27, -57.78, 32.03

 

CMYK 100 / 0 / 52 / 36

HEX #00A44F

RGB 0 164 79

HSL 148.9, 1%, 0.32%

LAB 59.08, -55.32, 33.94

 

CMYK 100 / 0 / 59 / 43

HEX #00923C

RGB 0 146 60

HSL 144.66, 1%, 0.29%

LAB 52.82, -52.29, 35.88

 

CMYK 100 / 0 / 68 / 50

HEX #008029

RGB 0 128 41

HSL 139.22, 1%, 0.25%

LAB 46.44, -48.94, 37.6

 

CMYK 100 / 0 / 80 / 57

HEX #006E16

RGB 0 110 22

HSL 132, 1%, 0.22%

LAB 39.93, -45.14, 38.68

 

CMYK 96 / 0 / 46 / 29

HEX #08B561

RGB 8 181 97

HSL 150.87, 0.92%, 0.37%

LAB 64.93, -57.62, 32.11

 

CMYK 96 / 0 / 72 / 29

HEX #08B533

RGB 8 181 51

HSL 134.91, 0.92%, 0.37%

LAB 64.43, -63.77, 52.67

 

CMYK 94 / 0 / 96 / 29

HEX #0BB508

RGB 11 181 8

HSL 118.96, 0.92%, 0.37%

LAB 64.27, -65.92, 63.38

 

CMYK 68 / 0 / 96 / 29

HEX #3AB508

RGB 58 181 8

HSL 102.66, 0.92%, 0.37%

LAB 64.93, -60.07, 64.2

 

CMYK 42 / 0 / 96 / 29

HEX #69B508

RGB 105 181 8

HSL 86.36, 0.92%, 0.37%

LAB 66.57, -47.1, 66.21

 

CMYK 96 / 0 / 46 / 29

HEX #08B561

RGB 8 181 97

HSL 150.87, 0.92%, 0.37%

LAB 64.93, -57.62, 32.11

 

CMYK 96 / 0 / 20 / 29

HEX #08B590

RGB 8 181 144

HSL 167.17, 0.92%, 0.37%

LAB 65.84, -47.35, 8.1

 

CMYK 96 / 6 / 0 / 29

HEX #08ABB5

RGB 8 171 181

HSL 183.47, 0.92%, 0.37%

LAB 63.77, -32.22, -15.51

 

CMYK 96 / 31 / 0 / 29

HEX #087DB5

RGB 8 125 181

HSL 199.42, 0.92%, 0.37%

LAB 49.56, -7.83, -37.43

 

CMYK 96 / 57 / 0 / 29

HEX #084EB5

RGB 8 78 181

HSL 215.72, 0.92%, 0.37%

LAB 35.67, 22.17, -59.71

 

CMYK 96 / 0 / 46 / 29

HEX #08B561

RGB 8 181 97

HSL 150.87, 0.92%, 0.37%

LAB 64.93, -57.62, 32.11

 

CMYK 96 / 0 / 46 / 29

HEX #08B561

RGB 8 181 97

HSL 150.87, 0.92%, 0.37%

LAB 64.93, -57.62, 32.11

 

CMYK 86 / 0 / 42 / 35

HEX #17A661

RGB 23 166 97

HSL 151.05, 0.76%, 0.37%

LAB 60.17, -51.42, 25.96

 

CMYK 75 / 0 / 36 / 41

HEX #269760

RGB 38 151 96

HSL 150.8, 0.6%, 0.37%

LAB 55.47, -44.15, 20.29

 

CMYK 61 / 0 / 29 / 47

HEX #358760

RGB 53 135 96

HSL 151.46, 0.44%, 0.37%

LAB 50.6, -34.57, 13.71

 

CMYK 43 / 0 / 21 / 53

HEX #45785F

RGB 69 120 95

HSL 150.59, 0.27%, 0.37%

LAB 46.34, -23.33, 8.43

 

CMYK 94 / 0 / 96 / 29

HEX #0AB508

RGB 10 181 8

HSL 119.31, 0.92%, 0.37%

LAB 64.27, -65.97, 63.38

 

CMYK 96 / 0 / 72 / 29

HEX #08B533

RGB 8 181 51

HSL 134.91, 0.92%, 0.37%

LAB 64.43, -63.77, 52.67

 

CMYK 96 / 0 / 46 / 29

HEX #08B561

RGB 8 181 97

HSL 150.87, 0.92%, 0.37%

LAB 64.93, -57.62, 32.11

 

CMYK 96 / 0 / 20 / 29

HEX #08B590

RGB 8 181 144

HSL 167.17, 0.92%, 0.37%

LAB 65.84, -47.35, 8.1

 

CMYK 96 / 5 / 0 / 29

HEX #08ACB5

RGB 8 172 181

HSL 183.12, 0.92%, 0.37%

LAB 64.07, -32.7, -15.04

 

CMYK 96 / 0 / 46 / 60

HEX #046637

RGB 4 102 55

HSL 151.22, 0.92%, 0.21%

LAB 37.49, -37.27, 19.58

 

CMYK 96 / 0 / 46 / 44

HEX #068E4C

RGB 6 142 76

HSL 150.88, 0.92%, 0.29%

LAB 51.73, -47.9, 26.25

 

CMYK 96 / 0 / 46 / 29

HEX #08B561

RGB 8 181 97

HSL 150.87, 0.92%, 0.37%

LAB 64.93, -57.62, 32.11

 

CMYK 96 / 0 / 46 / 13

HEX #09DD77

RGB 9 221 119

HSL 151.13, 0.92%, 0.45%

LAB 77.94, -67.14, 37.63

 

CMYK 89 / 0 / 43 / 4

HEX #1AF58B

RGB 26 245 139

HSL 150.96, 0.92%, 0.53%

LAB 85.7, -70.87, 37.76

 

CMYK 96 / 0 / 46 / 29

HEX #08B662

RGB 8 182 98

HSL 151.03, 0.92%, 0.37%

LAB 65.27, -57.78, 32.03

 

CMYK 96 / 69 / 0 / 29

HEX #0839B5

RGB 8 57 181

HSL 223.01, 0.92%, 0.37%

LAB 30.19, 36.18, -68.68

 

CMYK 0 / 85 / 96 / 29

HEX #B51C08

RGB 181 28 8

HSL 6.94, 0.92%, 0.37%

LAB 39.02, 57.81, 49.62

 

CMYK 96 / 0 / 46 / 29

HEX #08B662

RGB 8 182 98

HSL 151.03, 0.92%, 0.37%

LAB 65.27, -57.78, 32.03

 

CMYK 46 / 96 / 0 / 29

HEX #6108B5

RGB 97 8 181

HSL 270.87, 0.92%, 0.37%

LAB 29.54, 63.65, -69.55

 

CMYK 0 / 46 / 96 / 29

HEX #B56108

RGB 181 97 8

HSL 30.87, 0.92%, 0.37%

LAB 49.97, 28.92, 56.53

 

CMYK 96 / 0 / 46 / 29

HEX #08B662

RGB 8 182 98

HSL 151.03, 0.92%, 0.37%

LAB 65.27, -57.78, 32.03

 

CMYK 96 / 69 / 0 / 29

HEX #0839B5

RGB 8 57 181

HSL 223.01, 0.92%, 0.37%

LAB 30.19, 36.18, -68.68

 

CMYK 0 / 96 / 50 / 29

HEX #B5085B

RGB 181 8 91

HSL 331.21, 0.92%, 0.37%

LAB 39.16, 64.66, 2.34

 

CMYK 0 / 27 / 96 / 29

HEX #B58408

RGB 181 132 8

HSL 43.01, 0.92%, 0.37%

LAB 58.36, 9.58, 62.44

 

CMYK 96 / 0 / 46 / 29

HEX #08B662

RGB 8 182 98

HSL 151.03, 0.92%, 0.37%

LAB 65.27, -57.78, 32.03

 

CMYK 94 / 96 / 0 / 29

HEX #0A08B5

RGB 10 8 181

HSL 240.69, 0.92%, 0.37%

LAB 22.21, 59.35, -81.93

 

CMYK 0 / 96 / 50 / 29

HEX #B5085B

RGB 181 8 91

HSL 331.21, 0.92%, 0.37%

LAB 39.16, 64.66, 2.34

 

CMYK 2 / 0 / 96 / 29

HEX #B2B508

RGB 178 181 8

HSL 61.04, 0.92%, 0.37%

LAB 71.23, -17.88, 71.85

 

Description

Color code: HEX #08B662 | qconv.com Color code: HEX #08B662 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 182 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 182 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 46 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 46% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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