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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08B48A it is the complementary color #F74B75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08B48A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08B48A shade: #0DB485, #1EC698, #2FD8AB, #40EABE and #51FCD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08B48A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08B48A shade: #08B48A, #00A277, #009064, #007E51 and #006C3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08B48A shade: #08B48A, #08B45C, #08B42E, #12B408 and #40B408

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08B48A shade: #08B48A, #08B0B4, #0882B4, #0853B4 and #0825B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08B48A shade matches the following richer shades: #08B48A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08B48A shade: #08B48A, #18A582, #27967B, #368673 and #46776B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08B48A shade: #08B42E, #08B45B, #08B489, #08B1B4 and #0884B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08B48A shade: #05654E, #078D6C, #08B48A, #0ADCA9 and #1BF4BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08B48A shade: #08B48A, #0811B4 and #B44508

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08B48A shade: #08B48A, #8908B4 and #B48908

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08B48A shade: #08B48A, #0811B4, #B40833 and #B4AC08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08B48A shade: #08B48A, #3308B4, #B40833 and #89B408

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 23 / 29

HEX #08B48A

RGB 8 180 138

HSL 165.35, 0.91%, 0.37%

LAB 65.38, -48.46, 10.75

 

Complementary color

CMYK 0 / 70 / 53 / 3

HEX #F74B75

RGB 247 75 117

HSL 345.35, 0.91%, 0.63%

LAB 58.12, 67.54, 14.98

 

CMYK 93 / 0 / 26 / 29

HEX #0DB485

RGB 13 180 133

HSL 163.11, 0.87%, 0.38%

LAB 65.3, -49.49, 13.37

 

CMYK 85 / 0 / 23 / 22

HEX #1EC698

RGB 30 198 152

HSL 163.57, 0.74%, 0.45%

LAB 71.51, -50.97, 11.81

 

CMYK 78 / 0 / 21 / 15

HEX #2FD8AB

RGB 47 216 171

HSL 164.02, 0.68%, 0.52%

LAB 77.67, -52.06, 10.41

 

CMYK 73 / 0 / 19 / 8

HEX #40EABE

RGB 64 234 190

HSL 164.47, 0.8%, 0.58%

LAB 83.78, -52.83, 9.13

 

CMYK 68 / 0 / 17 / 1

HEX #51FCD1

RGB 81 252 209

HSL 164.91, 0.97%, 0.65%

LAB 89.85, -53.39, 7.96

 

CMYK 96 / 0 / 23 / 29

HEX #08B48A

RGB 8 180 138

HSL 165.35, 0.91%, 0.37%

LAB 65.38, -48.46, 10.75

 

CMYK 100 / 0 / 27 / 36

HEX #00A277

RGB 0 162 119

HSL 164.07, 1%, 0.32%

LAB 59.13, -46.34, 12.46

 

CMYK 100 / 0 / 31 / 44

HEX #009064

RGB 0 144 100

HSL 161.67, 1%, 0.28%

LAB 52.8, -43.84, 14.34

 

CMYK 100 / 0 / 36 / 51

HEX #007E51

RGB 0 126 81

HSL 158.57, 1%, 0.25%

LAB 46.33, -41.23, 16.32

 

CMYK 100 / 0 / 43 / 58

HEX #006C3E

RGB 0 108 62

HSL 154.44, 1%, 0.21%

LAB 39.7, -38.48, 18.41

 

CMYK 96 / 0 / 23 / 29

HEX #08B48A

RGB 8 180 138

HSL 165.35, 0.91%, 0.37%

LAB 65.38, -48.46, 10.75

 

CMYK 96 / 0 / 49 / 29

HEX #08B45C

RGB 8 180 92

HSL 149.3, 0.91%, 0.37%

LAB 64.54, -58.15, 34.16

 

CMYK 96 / 0 / 74 / 29

HEX #08B42E

RGB 8 180 46

HSL 133.26, 0.91%, 0.37%

LAB 64.07, -63.9, 54.14

 

CMYK 90 / 0 / 96 / 29

HEX #12B408

RGB 18 180 8

HSL 116.51, 0.91%, 0.37%

LAB 63.99, -65.21, 63.17

 

CMYK 64 / 0 / 96 / 29

HEX #40B408

RGB 64 180 8

HSL 100.47, 0.91%, 0.37%

LAB 64.76, -58.46, 64.12

 

CMYK 96 / 0 / 23 / 29

HEX #08B48A

RGB 8 180 138

HSL 165.35, 0.91%, 0.37%

LAB 65.38, -48.46, 10.75

 

CMYK 96 / 2 / 0 / 29

HEX #08B0B4

RGB 8 176 180

HSL 181.4, 0.91%, 0.37%

LAB 65.28, -34.9, -12.67

 

CMYK 96 / 28 / 0 / 29

HEX #0882B4

RGB 8 130 180

HSL 197.44, 0.91%, 0.37%

LAB 51.05, -11.1, -34.52

 

CMYK 96 / 54 / 0 / 29

HEX #0853B4

RGB 8 83 180

HSL 213.84, 0.91%, 0.37%

LAB 36.99, 18.4, -56.96

 

CMYK 96 / 79 / 0 / 29

HEX #0825B4

RGB 8 37 180

HSL 229.88, 0.91%, 0.37%

LAB 25.77, 47.84, -75.4

 

CMYK 96 / 0 / 23 / 29

HEX #08B48A

RGB 8 180 138

HSL 165.35, 0.91%, 0.37%

LAB 65.38, -48.46, 10.75

 

CMYK 96 / 0 / 23 / 29

HEX #08B48A

RGB 8 180 138

HSL 165.35, 0.91%, 0.37%

LAB 65.38, -48.46, 10.75

 

CMYK 85 / 0 / 21 / 35

HEX #18A582

RGB 24 165 130

HSL 165.11, 0.75%, 0.37%

LAB 60.53, -43.48, 8.32

 

CMYK 74 / 0 / 18 / 41

HEX #27967B

RGB 39 150 123

HSL 165.41, 0.59%, 0.37%

LAB 55.76, -37.21, 5.48

 

CMYK 60 / 0 / 14 / 47

HEX #368673

RGB 54 134 115

HSL 165.75, 0.43%, 0.37%

LAB 50.77, -29.27, 2.95

 

CMYK 41 / 0 / 10 / 53

HEX #46776B

RGB 70 119 107

HSL 165.31, 0.26%, 0.37%

LAB 46.39, -19.65, 1.39

 

CMYK 96 / 0 / 74 / 29

HEX #08B42E

RGB 8 180 46

HSL 133.26, 0.91%, 0.37%

LAB 64.07, -63.9, 54.14

 

CMYK 96 / 0 / 49 / 29

HEX #08B45B

RGB 8 180 91

HSL 148.95, 0.91%, 0.37%

LAB 64.52, -58.31, 34.65

 

CMYK 96 / 0 / 24 / 29

HEX #08B489

RGB 8 180 137

HSL 165, 0.91%, 0.37%

LAB 65.36, -48.71, 11.26

 

CMYK 96 / 2 / 0 / 29

HEX #08B1B4

RGB 8 177 180

HSL 181.05, 0.91%, 0.37%

LAB 65.59, -35.37, -12.21

 

CMYK 96 / 27 / 0 / 29

HEX #0884B4

RGB 8 132 180

HSL 196.74, 0.91%, 0.37%

LAB 51.67, -12.24, -33.55

 

CMYK 95 / 0 / 23 / 60

HEX #05654E

RGB 5 101 78

HSL 165.63, 0.91%, 0.21%

LAB 37.64, -31.13, 6.03

 

CMYK 95 / 0 / 23 / 45

HEX #078D6C

RGB 7 141 108

HSL 165.22, 0.91%, 0.29%

LAB 52.04, -40.23, 8.71

 

CMYK 96 / 0 / 23 / 29

HEX #08B48A

RGB 8 180 138

HSL 165.35, 0.91%, 0.37%

LAB 65.38, -48.46, 10.75

 

CMYK 95 / 0 / 23 / 14

HEX #0ADCA9

RGB 10 220 169

HSL 165.43, 0.91%, 0.45%

LAB 78.53, -56.46, 12.64

 

CMYK 89 / 0 / 22 / 4

HEX #1BF4BF

RGB 27 244 191

HSL 165.35, 0.91%, 0.53%

LAB 86.35, -59.72, 12.21

 

CMYK 96 / 0 / 23 / 29

HEX #08B48A

RGB 8 180 138

HSL 165.35, 0.91%, 0.37%

LAB 65.38, -48.46, 10.75

 

CMYK 96 / 91 / 0 / 29

HEX #0811B4

RGB 8 17 180

HSL 236.86, 0.91%, 0.37%

LAB 22.82, 56.61, -80.32

 

CMYK 0 / 62 / 96 / 29

HEX #B44508

RGB 180 69 8

HSL 21.28, 0.91%, 0.37%

LAB 44.2, 42.76, 52.65

 

CMYK 96 / 0 / 23 / 29

HEX #08B48A

RGB 8 180 138

HSL 165.35, 0.91%, 0.37%

LAB 65.38, -48.46, 10.75

 

CMYK 24 / 96 / 0 / 29

HEX #8908B4

RGB 137 8 180

HSL 285, 0.91%, 0.37%

LAB 35.57, 68.21, -58.83

 

CMYK 0 / 24 / 96 / 29

HEX #B48908

RGB 180 137 8

HSL 45, 0.91%, 0.37%

LAB 59.54, 6.36, 63.24

 

CMYK 96 / 0 / 23 / 29

HEX #08B48A

RGB 8 180 138

HSL 165.35, 0.91%, 0.37%

LAB 65.38, -48.46, 10.75

 

CMYK 96 / 91 / 0 / 29

HEX #0811B4

RGB 8 17 180

HSL 236.86, 0.91%, 0.37%

LAB 22.82, 56.61, -80.32

 

CMYK 0 / 96 / 72 / 29

HEX #B40833

RGB 180 8 51

HSL 345, 0.91%, 0.37%

LAB 38.05, 61.96, 26.39

 

CMYK 0 / 4 / 96 / 29

HEX #B4AC08

RGB 180 172 8

HSL 57.21, 0.91%, 0.37%

LAB 68.91, -12.41, 70.17

 

CMYK 96 / 0 / 23 / 29

HEX #08B48A

RGB 8 180 138

HSL 165.35, 0.91%, 0.37%

LAB 65.38, -48.46, 10.75

 

CMYK 72 / 96 / 0 / 29

HEX #3308B4

RGB 51 8 180

HSL 255, 0.91%, 0.37%

LAB 24.23, 60.16, -77.9

 

CMYK 0 / 96 / 72 / 29

HEX #B40833

RGB 180 8 51

HSL 345, 0.91%, 0.37%

LAB 38.05, 61.96, 26.39

 

CMYK 24 / 0 / 96 / 29

HEX #89B408

RGB 137 180 8

HSL 75, 0.91%, 0.37%

LAB 68, -34.7, 68.08

 

Description

Color code: HEX #08B48A | qconv.com Color code: HEX #08B48A | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 180 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 180 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 23 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 23% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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