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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #089713 it is the complementary color #F768EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #089713. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #089713 shade: #0D970E, #1EA921, #2FBB34, #40CD47 and #51DF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #089713. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #089713 shade: #089713, #008500, #007300, #006100 and #004F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #089713 shade: #089613, #239608, #4A9608, #709608 and #969608

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #089713 shade: #089613, #089639, #089660, #089686 and #088096

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #089713 shade matches the following richer shades: #089613

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #089713 shade: #089613, #15891E, #217D29, #2E7033 and #3B633E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #089713 shade: #4A9608, #249608, #089611, #089637 and #08965D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #089713 shade: #044809, #066F0E, #089613, #0ABD18 and #0CE51D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #089713 shade: #089713, #087096 and #960837

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #089713 shade: #089713, #110896 and #961108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #089713 shade: #089713, #087096, #96088D and #962E08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #089713 shade: #089713, #084696, #96088D and #965908

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 87 / 41

HEX #089713

RGB 8 151 19

HSL 124.62, 0.9%, 0.31%

LAB 54.27, -57.15, 52.98

 

Complementary color

CMYK 0 / 58 / 4 / 3

HEX #F768EC

RGB 247 104 236

HSL 304.62, 0.9%, 0.69%

LAB 66.31, 70.39, -40.91

 

CMYK 91 / 0 / 91 / 41

HEX #0D970E

RGB 13 151 14

HSL 120.43, 0.84%, 0.32%

LAB 54.29, -57.04, 54.08

 

CMYK 82 / 0 / 80 / 34

HEX #1EA921

RGB 30 169 33

HSL 121.29, 0.7%, 0.39%

LAB 60.57, -59.86, 55.07

 

CMYK 75 / 0 / 72 / 27

HEX #2FBB34

RGB 47 187 52

HSL 122.14, 0.6%, 0.46%

LAB 66.82, -61.77, 54.9

 

CMYK 69 / 0 / 65 / 20

HEX #40CD47

RGB 64 205 71

HSL 122.98, 0.59%, 0.53%

LAB 73.03, -63.03, 54.1

 

CMYK 64 / 0 / 60 / 13

HEX #51DF5A

RGB 81 223 90

HSL 123.8, 0.69%, 0.6%

LAB 79.19, -63.84, 53.01

 

CMYK 95 / 0 / 87 / 41

HEX #089713

RGB 8 151 19

HSL 124.62, 0.9%, 0.31%

LAB 54.27, -57.15, 52.98

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 95 / 0 / 87 / 41

HEX #089613

RGB 8 150 19

HSL 124.65, 0.9%, 0.31%

LAB 53.93, -56.86, 52.68

 

CMYK 77 / 0 / 95 / 41

HEX #239608

RGB 35 150 8

HSL 108.59, 0.9%, 0.31%

LAB 54.23, -54.37, 55.16

 

CMYK 51 / 0 / 95 / 41

HEX #4A9608

RGB 74 150 8

HSL 92.11, 0.9%, 0.31%

LAB 55.37, -44.98, 56.57

 

CMYK 25 / 0 / 95 / 41

HEX #709608

RGB 112 150 8

HSL 76.06, 0.9%, 0.31%

LAB 57.34, -30.97, 58.99

 

CMYK 0 / 0 / 95 / 41

HEX #969608

RGB 150 150 8

HSL 60, 0.9%, 0.31%

LAB 60.17, -14.38, 62.41

 

CMYK 95 / 0 / 87 / 41

HEX #089613

RGB 8 150 19

HSL 124.65, 0.9%, 0.31%

LAB 53.93, -56.86, 52.68

 

CMYK 95 / 0 / 62 / 41

HEX #089639

RGB 8 150 57

HSL 140.7, 0.9%, 0.31%

LAB 54.2, -53.53, 38.94

 

CMYK 95 / 0 / 36 / 41

HEX #089660

RGB 8 150 96

HSL 157.18, 0.9%, 0.31%

LAB 54.77, -46.66, 19.28

 

CMYK 95 / 0 / 11 / 41

HEX #089686

RGB 8 150 134

HSL 173.24, 0.9%, 0.31%

LAB 55.67, -36.88, -0.99

 

CMYK 95 / 15 / 0 / 41

HEX #088096

RGB 8 128 150

HSL 189.3, 0.9%, 0.31%

LAB 49.12, -20.95, -20.09

 

CMYK 95 / 0 / 87 / 41

HEX #089613

RGB 8 150 19

HSL 124.65, 0.9%, 0.31%

LAB 53.93, -56.86, 52.68

 

CMYK 95 / 0 / 87 / 41

HEX #089613

RGB 8 150 19

HSL 124.65, 0.9%, 0.31%

LAB 53.93, -56.86, 52.68

 

CMYK 85 / 0 / 78 / 46

HEX #15891E

RGB 21 137 30

HSL 124.66, 0.73%, 0.31%

LAB 49.67, -51.11, 45.49

 

CMYK 74 / 0 / 67 / 51

HEX #217D29

RGB 33 125 41

HSL 125.22, 0.58%, 0.31%

LAB 45.84, -44.18, 37.06

 

CMYK 59 / 0 / 54 / 56

HEX #2E7033

RGB 46 112 51

HSL 124.55, 0.42%, 0.31%

LAB 41.86, -34.75, 27.52

 

CMYK 40 / 0 / 37 / 61

HEX #3B633E

RGB 59 99 62

HSL 124.5, 0.25%, 0.31%

LAB 38.2, -22.7, 16.71

 

CMYK 51 / 0 / 95 / 41

HEX #4A9608

RGB 74 150 8

HSL 92.11, 0.9%, 0.31%

LAB 55.37, -44.98, 56.57

 

CMYK 76 / 0 / 95 / 41

HEX #249608

RGB 36 150 8

HSL 108.17, 0.9%, 0.31%

LAB 54.24, -54.21, 55.18

 

CMYK 95 / 0 / 89 / 41

HEX #089611

RGB 8 150 17

HSL 123.8, 0.9%, 0.31%

LAB 53.93, -56.95, 53.13

 

CMYK 95 / 0 / 63 / 41

HEX #089637

RGB 8 150 55

HSL 139.86, 0.9%, 0.31%

LAB 54.18, -53.78, 39.85

 

CMYK 95 / 0 / 38 / 41

HEX #08965D

RGB 8 150 93

HSL 155.92, 0.9%, 0.31%

LAB 54.71, -47.31, 20.87

 

CMYK 94 / 0 / 88 / 72

HEX #044809

RGB 4 72 9

HSL 124.41, 0.89%, 0.15%

LAB 25.8, -33.16, 29.72

 

CMYK 95 / 0 / 87 / 56

HEX #066F0E

RGB 6 111 14

HSL 124.57, 0.9%, 0.23%

LAB 40.31, -45.43, 41.68

 

CMYK 95 / 0 / 87 / 41

HEX #089613

RGB 8 150 19

HSL 124.65, 0.9%, 0.31%

LAB 53.93, -56.86, 52.68

 

CMYK 95 / 0 / 87 / 26

HEX #0ABD18

RGB 10 189 24

HSL 124.69, 0.9%, 0.39%

LAB 66.92, -67.71, 63.07

 

CMYK 95 / 0 / 87 / 10

HEX #0CE51D

RGB 12 229 29

HSL 124.7, 0.9%, 0.47%

LAB 79.73, -78.39, 73.3

 

CMYK 95 / 0 / 87 / 41

HEX #089713

RGB 8 151 19

HSL 124.62, 0.9%, 0.31%

LAB 54.27, -57.15, 52.98

 

CMYK 95 / 25 / 0 / 41

HEX #087096

RGB 8 112 150

HSL 196.06, 0.9%, 0.31%

LAB 44.01, -12.07, -28.01

 

CMYK 0 / 95 / 63 / 41

HEX #960837

RGB 150 8 55

HSL 340.14, 0.9%, 0.31%

LAB 31.66, 54.52, 14.33

 

CMYK 95 / 0 / 87 / 41

HEX #089713

RGB 8 151 19

HSL 124.62, 0.9%, 0.31%

LAB 54.27, -57.15, 52.98

 

CMYK 89 / 95 / 0 / 41

HEX #110896

RGB 17 8 150

HSL 243.8, 0.9%, 0.31%

LAB 17.9, 51.01, -70.28

 

CMYK 0 / 89 / 95 / 41

HEX #961108

RGB 150 17 8

HSL 3.8, 0.9%, 0.31%

LAB 31.58, 51.33, 41.78

 

CMYK 95 / 0 / 87 / 41

HEX #089713

RGB 8 151 19

HSL 124.62, 0.9%, 0.31%

LAB 54.27, -57.15, 52.98

 

CMYK 95 / 25 / 0 / 41

HEX #087096

RGB 8 112 150

HSL 196.06, 0.9%, 0.31%

LAB 44.01, -12.07, -28.01

 

CMYK 0 / 95 / 6 / 41

HEX #96088D

RGB 150 8 141

HSL 303.8, 0.9%, 0.31%

LAB 35.16, 63.76, -35.76

 

CMYK 0 / 69 / 95 / 41

HEX #962E08

RGB 150 46 8

HSL 16.06, 0.9%, 0.31%

LAB 34.91, 42.05, 43.96

 

CMYK 95 / 0 / 87 / 41

HEX #089713

RGB 8 151 19

HSL 124.62, 0.9%, 0.31%

LAB 54.27, -57.15, 52.98

 

CMYK 95 / 53 / 0 / 41

HEX #084696

RGB 8 70 150

HSL 213.8, 0.9%, 0.31%

LAB 30.96, 14.83, -48.78

 

CMYK 0 / 95 / 6 / 41

HEX #96088D

RGB 150 8 141

HSL 303.8, 0.9%, 0.31%

LAB 35.16, 63.76, -35.76

 

CMYK 0 / 41 / 95 / 41

HEX #965908

RGB 150 89 8

HSL 34.23, 0.9%, 0.31%

LAB 43.72, 19.77, 50.11

 

Description

Color code: HEX #089713 | qconv.com Color code: HEX #089713 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 151 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 151 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 87 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 87% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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