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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #087F71 it is the complementary color #F7808E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #087F71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #087F71 shade: #0D7F6C, #1E917F, #2FA392, #40B5A5 and #51C7B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #087F71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #087F71 shade: #087F71, #006D5E, #005B4B, #004938 and #003725

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #087F71 shade: #087D6F, #087D4F, #087D30, #087D11 and #1F7D08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #087F71 shade: #087D6F, #086B7D, #084B7D, #082C7D and #080D7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #087F71 shade matches the following richer shades: #087D6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #087F71 shade: #087D6F, #137267, #1D675F, #285C56 and #33524E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #087F71 shade: #087D2F, #087D4E, #087D6D, #086D7D and #084E7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #087F71 shade: #032F2A, #05564C, #087D6F, #0AA391 and #0DCAB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #087F71 shade: #087F71, #10087D and #7D3E08

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #087F71 shade: #087F71, #6D087D and #7D6D08

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #087F71 shade: #087F71, #10087D, #7D0818 and #757D08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #087F71 shade: #087F71, #33087D, #7D0818 and #527D08

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 11 / 50

HEX #087F71

RGB 8 127 113

HSL 172.94, 0.88%, 0.26%

LAB 47.52, -32.61, -0.71

 

Complementary color

CMYK 0 / 48 / 43 / 3

HEX #F7808E

RGB 247 128 142

HSL 352.94, 0.88%, 0.74%

LAB 67.4, 46.71, 13.54

 

CMYK 90 / 0 / 15 / 50

HEX #0D7F6C

RGB 13 127 108

HSL 170, 0.81%, 0.27%

LAB 47.43, -33.77, 2.1

 

CMYK 79 / 0 / 12 / 43

HEX #1E917F

RGB 30 145 127

HSL 170.61, 0.66%, 0.34%

LAB 54.09, -35, 0.75

 

CMYK 71 / 0 / 10 / 36

HEX #2FA392

RGB 47 163 146

HSL 171.21, 0.55%, 0.41%

LAB 60.67, -35.79, -0.42

 

CMYK 65 / 0 / 9 / 29

HEX #40B5A5

RGB 64 181 165

HSL 171.79, 0.48%, 0.48%

LAB 67.17, -36.3, -1.46

 

CMYK 59 / 0 / 8 / 22

HEX #51C7B8

RGB 81 199 184

HSL 172.37, 0.51%, 0.55%

LAB 73.58, -36.61, -2.4

 

CMYK 94 / 0 / 11 / 50

HEX #087F71

RGB 8 127 113

HSL 172.94, 0.88%, 0.26%

LAB 47.52, -32.61, -0.71

 

CMYK 100 / 0 / 14 / 57

HEX #006D5E

RGB 0 109 94

HSL 171.74, 1%, 0.21%

LAB 40.81, -30.51, 0.84

 

CMYK 100 / 0 / 18 / 64

HEX #005B4B

RGB 0 91 75

HSL 169.45, 1%, 0.18%

LAB 33.96, -27.87, 2.6

 

CMYK 100 / 0 / 23 / 71

HEX #004938

RGB 0 73 56

HSL 166.03, 1%, 0.14%

LAB 26.88, -25.13, 4.51

 

CMYK 100 / 0 / 33 / 78

HEX #003725

RGB 0 55 37

HSL 160.36, 1%, 0.11%

LAB 19.5, -22.25, 6.62

 

CMYK 94 / 0 / 11 / 51

HEX #087D6F

RGB 8 125 111

HSL 172.82, 0.88%, 0.26%

LAB 46.8, -32.28, -0.59

 

CMYK 94 / 0 / 37 / 51

HEX #087D4F

RGB 8 125 79

HSL 156.41, 0.88%, 0.26%

LAB 46.02, -40.75, 17.06

 

CMYK 94 / 0 / 62 / 51

HEX #087D30

RGB 8 125 48

HSL 140.51, 0.88%, 0.26%

LAB 45.54, -46.44, 33.27

 

CMYK 94 / 0 / 86 / 51

HEX #087D11

RGB 8 125 17

HSL 124.62, 0.88%, 0.26%

LAB 45.3, -49.44, 45.41

 

CMYK 75 / 0 / 94 / 51

HEX #1F7D08

RGB 31 125 8

HSL 108.21, 0.88%, 0.26%

LAB 45.6, -46.93, 47.87

 

CMYK 94 / 0 / 11 / 51

HEX #087D6F

RGB 8 125 111

HSL 172.82, 0.88%, 0.26%

LAB 46.8, -32.28, -0.59

 

CMYK 94 / 14 / 0 / 51

HEX #086B7D

RGB 8 107 125

HSL 189.23, 0.88%, 0.26%

LAB 41.29, -18.55, -17.23

 

CMYK 94 / 40 / 0 / 51

HEX #084B7D

RGB 8 75 125

HSL 205.64, 0.88%, 0.26%

LAB 30.79, 0.84, -33.64

 

CMYK 94 / 65 / 0 / 51

HEX #082C7D

RGB 8 44 125

HSL 221.54, 0.88%, 0.26%

LAB 21.33, 22.64, -48.94

 

CMYK 94 / 90 / 0 / 51

HEX #080D7D

RGB 8 13 125

HSL 237.44, 0.88%, 0.26%

LAB 14.51, 41.6, -60.21

 

CMYK 94 / 0 / 11 / 51

HEX #087D6F

RGB 8 125 111

HSL 172.82, 0.88%, 0.26%

LAB 46.8, -32.28, -0.59

 

CMYK 94 / 0 / 11 / 51

HEX #087D6F

RGB 8 125 111

HSL 172.82, 0.88%, 0.26%

LAB 46.8, -32.28, -0.59

 

CMYK 83 / 0 / 10 / 55

HEX #137267

RGB 19 114 103

HSL 173.05, 0.71%, 0.26%

LAB 42.99, -28.65, -1.38

 

CMYK 72 / 0 / 8 / 60

HEX #1D675F

RGB 29 103 95

HSL 173.51, 0.56%, 0.26%

LAB 39.22, -24.3, -2.04

 

CMYK 57 / 0 / 7 / 64

HEX #285C56

RGB 40 92 86

HSL 173.08, 0.39%, 0.26%

LAB 35.55, -18.98, -1.84

 

CMYK 38 / 0 / 5 / 68

HEX #33524E

RGB 51 82 78

HSL 172.26, 0.23%, 0.26%

LAB 32.45, -12.49, -1.3

 

CMYK 94 / 0 / 62 / 51

HEX #087D2F

RGB 8 125 47

HSL 140, 0.88%, 0.26%

LAB 45.53, -46.58, 33.75

 

CMYK 94 / 0 / 38 / 51

HEX #087D4E

RGB 8 125 78

HSL 155.9, 0.88%, 0.26%

LAB 46, -40.97, 17.6

 

CMYK 94 / 0 / 13 / 51

HEX #087D6D

RGB 8 125 109

HSL 171.79, 0.88%, 0.26%

LAB 46.74, -32.88, 0.51

 

CMYK 94 / 13 / 0 / 51

HEX #086D7D

RGB 8 109 125

HSL 188.21, 0.88%, 0.26%

LAB 41.95, -19.64, -16.22

 

CMYK 94 / 38 / 0 / 51

HEX #084E7D

RGB 8 78 125

HSL 204.1, 0.88%, 0.26%

LAB 31.76, -1.13, -32.1

 

CMYK 94 / 0 / 11 / 82

HEX #032F2A

RGB 3 47 42

HSL 173.18, 0.88%, 0.1%

LAB 16.6, -15.89, -0.95

 

CMYK 94 / 0 / 12 / 66

HEX #05564C

RGB 5 86 76

HSL 172.59, 0.89%, 0.18%

LAB 32.28, -24.65, -0.46

 

CMYK 94 / 0 / 11 / 51

HEX #087D6F

RGB 8 125 111

HSL 172.82, 0.88%, 0.26%

LAB 46.8, -32.28, -0.59

 

CMYK 94 / 0 / 11 / 36

HEX #0AA391

RGB 10 163 145

HSL 172.94, 0.88%, 0.34%

LAB 60.16, -39.39, -0.66

 

CMYK 94 / 0 / 11 / 21

HEX #0DCAB4

RGB 13 202 180

HSL 173.02, 0.88%, 0.42%

LAB 73.3, -46.29, -0.78

 

CMYK 94 / 0 / 11 / 50

HEX #087F71

RGB 8 127 113

HSL 172.94, 0.88%, 0.26%

LAB 47.52, -32.61, -0.71

 

CMYK 87 / 94 / 0 / 51

HEX #10087D

RGB 16 8 125

HSL 244.1, 0.88%, 0.26%

LAB 14.2, 43.78, -60.73

 

CMYK 0 / 50 / 94 / 51

HEX #7D3E08

RGB 125 62 8

HSL 27.69, 0.88%, 0.26%

LAB 33.61, 23.95, 41.02

 

CMYK 94 / 0 / 11 / 50

HEX #087F71

RGB 8 127 113

HSL 172.94, 0.88%, 0.26%

LAB 47.52, -32.61, -0.71

 

CMYK 13 / 94 / 0 / 51

HEX #6D087D

RGB 109 8 125

HSL 291.79, 0.88%, 0.26%

LAB 26.46, 53.75, -40.13

 

CMYK 0 / 13 / 94 / 51

HEX #7D6D08

RGB 125 109 8

HSL 51.79, 0.88%, 0.26%

LAB 46.06, -3.64, 50.54

 

CMYK 94 / 0 / 11 / 50

HEX #087F71

RGB 8 127 113

HSL 172.94, 0.88%, 0.26%

LAB 47.52, -32.61, -0.71

 

CMYK 87 / 94 / 0 / 51

HEX #10087D

RGB 16 8 125

HSL 244.1, 0.88%, 0.26%

LAB 14.2, 43.78, -60.73

 

CMYK 0 / 94 / 81 / 51

HEX #7D0818

RGB 125 8 24

HSL 351.79, 0.88%, 0.26%

LAB 25.56, 46.27, 26.03

 

CMYK 6 / 0 / 94 / 51

HEX #757D08

RGB 117 125 8

HSL 64.1, 0.88%, 0.26%

LAB 50.06, -16.26, 53.36

 

CMYK 94 / 0 / 11 / 50

HEX #087F71

RGB 8 127 113

HSL 172.94, 0.88%, 0.26%

LAB 47.52, -32.61, -0.71

 

CMYK 59 / 94 / 0 / 51

HEX #33087D

RGB 51 8 125

HSL 262.05, 0.88%, 0.26%

LAB 17.26, 45.87, -55.55

 

CMYK 0 / 94 / 81 / 51

HEX #7D0818

RGB 125 8 24

HSL 351.79, 0.88%, 0.26%

LAB 25.56, 46.27, 26.03

 

CMYK 34 / 0 / 94 / 51

HEX #527D08

RGB 82 125 8

HSL 82.05, 0.88%, 0.26%

LAB 47.6, -31.52, 50.35

 

Description

Color code: HEX #087F71 | qconv.com Color code: HEX #087F71 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 127 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 127 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 11 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 11% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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