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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08727F it is the complementary color #F78D80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08727F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08727F shade: #0D727A, #1E848D, #2F96A0, #40A8B3 and #51BAC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08727F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08727F shade: #08727F, #00606C, #004E59, #003C46 and #002A33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08727F shade: #076F7C, #07507C, #07307C, #07117C and #1D077C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08727F shade: #076F7C, #07507C, #07307C, #07117C and #07077C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08727F shade matches the following richer shades: #076F7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08727F shade: #076F7C, #126771, #1D5F67, #28565C and #324E51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08727F shade: #077C4A, #077C69, #07707C, #07517C and #07327C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08727F shade: #032A2F, #054D55, #076F7C, #0A92A3 and #0CB5CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08727F shade: #08727F, #2A077C and #7C5907

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08727F shade: #08727F, #7C0770 and #707C07

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08727F shade: #08727F, #2A077C, #7C1307 and #597C07

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08727F shade: #08727F, #4D077C, #7C1307 and #367C07

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 10 / 0 / 50

HEX #08727F

RGB 8 114 127

HSL 186.55, 0.88%, 0.26%

LAB 43.68, -21.61, -14.79

 

Complementary color

CMYK 0 / 43 / 48 / 3

HEX #F78D80

RGB 247 141 128

HSL 6.55, 0.88%, 0.74%

LAB 69.74, 38.78, 24.57

 

CMYK 89 / 7 / 0 / 52

HEX #0D727A

RGB 13 114 122

HSL 184.4, 0.81%, 0.26%

LAB 43.54, -23.03, -11.99

 

CMYK 79 / 6 / 0 / 45

HEX #1E848D

RGB 30 132 141

HSL 184.86, 0.65%, 0.34%

LAB 50.34, -24.45, -12.95

 

CMYK 71 / 6 / 0 / 37

HEX #2F96A0

RGB 47 150 160

HSL 185.31, 0.55%, 0.41%

LAB 57.03, -25.42, -13.78

 

CMYK 64 / 6 / 0 / 30

HEX #40A8B3

RGB 64 168 179

HSL 185.74, 0.47%, 0.48%

LAB 63.63, -26.1, -14.51

 

CMYK 59 / 6 / 0 / 22

HEX #51BAC6

RGB 81 186 198

HSL 186.15, 0.51%, 0.55%

LAB 70.14, -26.57, -15.17

 

CMYK 94 / 10 / 0 / 50

HEX #08727F

RGB 8 114 127

HSL 186.55, 0.88%, 0.26%

LAB 43.68, -21.61, -14.79

 

CMYK 100 / 11 / 0 / 58

HEX #00606C

RGB 0 96 108

HSL 186.67, 1%, 0.21%

LAB 36.83, -19.26, -13.67

 

CMYK 100 / 12 / 0 / 65

HEX #004E59

RGB 0 78 89

HSL 187.42, 1%, 0.17%

LAB 29.84, -16.33, -12.4

 

CMYK 100 / 14 / 0 / 73

HEX #003C46

RGB 0 60 70

HSL 188.57, 1%, 0.14%

LAB 22.56, -13.26, -11.11

 

CMYK 100 / 18 / 0 / 80

HEX #002A33

RGB 0 42 51

HSL 190.59, 1%, 0.1%

LAB 14.93, -10, -9.8

 

CMYK 94 / 10 / 0 / 51

HEX #076F7C

RGB 7 111 124

HSL 186.67, 0.89%, 0.26%

LAB 42.57, -21.13, -14.68

 

CMYK 94 / 35 / 0 / 51

HEX #07507C

RGB 7 80 124

HSL 202.56, 0.89%, 0.26%

LAB 32.34, -2.92, -30.56

 

CMYK 94 / 61 / 0 / 51

HEX #07307C

RGB 7 48 124

HSL 218.97, 0.89%, 0.26%

LAB 22.35, 19.28, -46.64

 

CMYK 94 / 86 / 0 / 51

HEX #07117C

RGB 7 17 124

HSL 234.87, 0.89%, 0.26%

LAB 14.96, 39.39, -58.83

 

CMYK 77 / 94 / 0 / 51

HEX #1D077C

RGB 29 7 124

HSL 251.28, 0.89%, 0.26%

LAB 14.78, 44.38, -59.1

 

CMYK 94 / 10 / 0 / 51

HEX #076F7C

RGB 7 111 124

HSL 186.67, 0.89%, 0.26%

LAB 42.57, -21.13, -14.68

 

CMYK 94 / 35 / 0 / 51

HEX #07507C

RGB 7 80 124

HSL 202.56, 0.89%, 0.26%

LAB 32.34, -2.92, -30.56

 

CMYK 94 / 61 / 0 / 51

HEX #07307C

RGB 7 48 124

HSL 218.97, 0.89%, 0.26%

LAB 22.35, 19.28, -46.64

 

CMYK 94 / 86 / 0 / 51

HEX #07117C

RGB 7 17 124

HSL 234.87, 0.89%, 0.26%

LAB 14.96, 39.39, -58.83

 

CMYK 94 / 94 / 0 / 51

HEX #07077C

RGB 7 7 124

HSL 240, 0.89%, 0.26%

LAB 13.55, 43.64, -61.19

 

CMYK 94 / 10 / 0 / 51

HEX #076F7C

RGB 7 111 124

HSL 186.67, 0.89%, 0.26%

LAB 42.57, -21.13, -14.68

 

CMYK 94 / 10 / 0 / 51

HEX #076F7C

RGB 7 111 124

HSL 186.67, 0.89%, 0.26%

LAB 42.57, -21.13, -14.68

 

CMYK 84 / 9 / 0 / 56

HEX #126771

RGB 18 103 113

HSL 186.32, 0.73%, 0.26%

LAB 39.62, -19.87, -12.48

 

CMYK 72 / 8 / 0 / 60

HEX #1D5F67

RGB 29 95 103

HSL 186.49, 0.56%, 0.26%

LAB 36.79, -17.49, -10.6

 

CMYK 57 / 7 / 0 / 64

HEX #28565C

RGB 40 86 92

HSL 186.92, 0.39%, 0.26%

LAB 33.73, -13.79, -8.31

 

CMYK 38 / 4 / 0 / 68

HEX #324E51

RGB 50 78 81

HSL 185.81, 0.24%, 0.26%

LAB 31.16, -9.6, -5.12

 

CMYK 94 / 0 / 40 / 51

HEX #077C4A

RGB 7 124 74

HSL 154.36, 0.89%, 0.26%

LAB 45.57, -41.53, 19.31

 

CMYK 94 / 0 / 15 / 51

HEX #077C69

RGB 7 124 105

HSL 170.26, 0.89%, 0.26%

LAB 46.29, -33.65, 2.22

 

CMYK 94 / 10 / 0 / 51

HEX #07707C

RGB 7 112 124

HSL 186.15, 0.89%, 0.26%

LAB 42.9, -21.66, -14.18

 

CMYK 94 / 35 / 0 / 51

HEX #07517C

RGB 7 81 124

HSL 202.05, 0.89%, 0.26%

LAB 32.67, -3.56, -30.05

 

CMYK 94 / 60 / 0 / 51

HEX #07327C

RGB 7 50 124

HSL 217.95, 0.89%, 0.26%

LAB 22.94, 17.84, -45.68

 

CMYK 94 / 11 / 0 / 82

HEX #032A2F

RGB 3 42 47

HSL 186.82, 0.88%, 0.1%

LAB 14.85, -11.03, -7.08

 

CMYK 94 / 9 / 0 / 67

HEX #054D55

RGB 5 77 85

HSL 186, 0.89%, 0.18%

LAB 29.4, -16.77, -10.49

 

CMYK 94 / 10 / 0 / 51

HEX #076F7C

RGB 7 111 124

HSL 186.67, 0.89%, 0.26%

LAB 42.57, -21.13, -14.68

 

CMYK 94 / 10 / 0 / 36

HEX #0A92A3

RGB 10 146 163

HSL 186.67, 0.88%, 0.34%

LAB 55.35, -25.73, -18.1

 

CMYK 94 / 10 / 0 / 21

HEX #0CB5CA

RGB 12 181 202

HSL 186.63, 0.89%, 0.42%

LAB 67.57, -30.17, -21.38

 

CMYK 94 / 10 / 0 / 50

HEX #08727F

RGB 8 114 127

HSL 186.55, 0.88%, 0.26%

LAB 43.68, -21.61, -14.79

 

CMYK 66 / 94 / 0 / 51

HEX #2A077C

RGB 42 7 124

HSL 257.95, 0.89%, 0.26%

LAB 16, 45.18, -57.03

 

CMYK 0 / 28 / 94 / 51

HEX #7C5907

RGB 124 89 7

HSL 42.05, 0.89%, 0.26%

LAB 40.32, 7.53, 46.33

 

CMYK 94 / 10 / 0 / 50

HEX #08727F

RGB 8 114 127

HSL 186.55, 0.88%, 0.26%

LAB 43.68, -21.61, -14.79

 

CMYK 0 / 94 / 10 / 51

HEX #7C0770

RGB 124 7 112

HSL 306.15, 0.89%, 0.26%

LAB 28.4, 54.58, -28.58

 

CMYK 10 / 0 / 94 / 51

HEX #707C07

RGB 112 124 7

HSL 66.15, 0.89%, 0.26%

LAB 49.34, -18.05, 52.82

 

CMYK 94 / 10 / 0 / 50

HEX #08727F

RGB 8 114 127

HSL 186.55, 0.88%, 0.26%

LAB 43.68, -21.61, -14.79

 

CMYK 66 / 94 / 0 / 51

HEX #2A077C

RGB 42 7 124

HSL 257.95, 0.89%, 0.26%

LAB 16, 45.18, -57.03

 

CMYK 0 / 85 / 94 / 51

HEX #7C1307

RGB 124 19 7

HSL 6.15, 0.89%, 0.26%

LAB 26.06, 43.04, 35.36

 

CMYK 28 / 0 / 94 / 51

HEX #597C07

RGB 89 124 7

HSL 77.95, 0.89%, 0.26%

LAB 47.69, -28.21, 50.8

 

CMYK 94 / 10 / 0 / 50

HEX #08727F

RGB 8 114 127

HSL 186.55, 0.88%, 0.26%

LAB 43.68, -21.61, -14.79

 

CMYK 38 / 94 / 0 / 51

HEX #4D077C

RGB 77 7 124

HSL 275.9, 0.89%, 0.26%

LAB 20.77, 48.82, -49

 

CMYK 0 / 85 / 94 / 51

HEX #7C1307

RGB 124 19 7

HSL 6.15, 0.89%, 0.26%

LAB 26.06, 43.04, 35.36

 

CMYK 56 / 0 / 94 / 51

HEX #367C07

RGB 54 124 7

HSL 95.9, 0.89%, 0.26%

LAB 45.93, -41.01, 48.62

 

Description

Color code: HEX #08727F | qconv.com Color code: HEX #08727F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 114 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 114 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 10 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 10% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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