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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08647B it is the complementary color #F79B84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08647B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08647B shade: #0D6476, #1E7689, #2F889C, #409AAF and #51ACC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08647B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08647B shade: #08647B, #005268, #004055, #002E42 and #001C2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08647B shade: #08657D, #08467D, #08267D, #09087D and #28087D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08647B shade: #08657D, #08467D, #08267D and #08087D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08647B shade matches the following richer shades: #08657D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08647B shade: #08657D, #135F72, #1D5867, #28525C and #334C52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08647B shade: #087D56, #087D75, #08657D, #08467D and #08277D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08647B shade: #03262F, #054656, #08657D, #0A85A3 and #0DA4CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08647B shade: #08647B, #37087D and #7D6508

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08647B shade: #08647B, #7D0865 and #657D08

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08647B shade: #08647B, #37087D, #7D1F08 and #4E7D08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08647B shade: #08647B, #5A087D, #7D1F08 and #2B7D08

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 19 / 0 / 52

HEX #08647B

RGB 8 100 123

HSL 192, 0.88%, 0.26%

LAB 38.89, -15.38, -19.71

 

Complementary color

CMYK 0 / 37 / 47 / 3

HEX #F79B84

RGB 247 155 132

HSL 12, 0.88%, 0.74%

LAB 72.81, 31.92, 26.5

 

CMYK 89 / 15 / 0 / 54

HEX #0D6476

RGB 13 100 118

HSL 190.29, 0.8%, 0.26%

LAB 38.74, -16.88, -16.89

 

CMYK 78 / 14 / 0 / 46

HEX #1E7689

RGB 30 118 137

HSL 190.65, 0.64%, 0.33%

LAB 45.69, -18.39, -17.66

 

CMYK 70 / 13 / 0 / 39

HEX #2F889C

RGB 47 136 156

HSL 191.01, 0.54%, 0.4%

LAB 52.52, -19.41, -18.32

 

CMYK 63 / 12 / 0 / 31

HEX #409AAF

RGB 64 154 175

HSL 191.35, 0.46%, 0.47%

LAB 59.25, -20.13, -18.9

 

CMYK 58 / 11 / 0 / 24

HEX #51ACC2

RGB 81 172 194

HSL 191.68, 0.48%, 0.54%

LAB 65.86, -20.64, -19.43

 

CMYK 93 / 19 / 0 / 52

HEX #08647B

RGB 8 100 123

HSL 192, 0.88%, 0.26%

LAB 38.89, -15.38, -19.71

 

CMYK 100 / 21 / 0 / 59

HEX #005268

RGB 0 82 104

HSL 192.69, 1%, 0.2%

LAB 31.88, -12.82, -18.78

 

CMYK 100 / 25 / 0 / 67

HEX #004055

RGB 0 64 85

HSL 194.82, 1%, 0.17%

LAB 24.71, -9.56, -17.72

 

CMYK 100 / 30 / 0 / 74

HEX #002E42

RGB 0 46 66

HSL 198.18, 1%, 0.13%

LAB 17.21, -6.04, -16.68

 

CMYK 100 / 40 / 0 / 82

HEX #001C2F

RGB 0 28 47

HSL 204.26, 1%, 0.09%

LAB 9.29, -2.11, -15.72

 

CMYK 94 / 19 / 0 / 51

HEX #08657D

RGB 8 101 125

HSL 192.31, 0.88%, 0.26%

LAB 39.31, -15.2, -20.28

 

CMYK 94 / 44 / 0 / 51

HEX #08467D

RGB 8 70 125

HSL 208.21, 0.88%, 0.26%

LAB 29.19, 4.21, -36.2

 

CMYK 94 / 70 / 0 / 51

HEX #08267D

RGB 8 38 125

HSL 224.62, 0.88%, 0.26%

LAB 19.71, 26.87, -51.6

 

CMYK 93 / 94 / 0 / 51

HEX #09087D

RGB 9 8 125

HSL 240.51, 0.88%, 0.26%

LAB 13.9, 43.6, -61.24

 

CMYK 68 / 94 / 0 / 51

HEX #28087D

RGB 40 8 125

HSL 256.41, 0.88%, 0.26%

LAB 16.03, 44.98, -57.63

 

CMYK 94 / 19 / 0 / 51

HEX #08657D

RGB 8 101 125

HSL 192.31, 0.88%, 0.26%

LAB 39.31, -15.2, -20.28

 

CMYK 94 / 44 / 0 / 51

HEX #08467D

RGB 8 70 125

HSL 208.21, 0.88%, 0.26%

LAB 29.19, 4.21, -36.2

 

CMYK 94 / 70 / 0 / 51

HEX #08267D

RGB 8 38 125

HSL 224.62, 0.88%, 0.26%

LAB 19.71, 26.87, -51.6

 

CMYK 94 / 94 / 0 / 51

HEX #08087D

RGB 8 8 125

HSL 240, 0.88%, 0.26%

LAB 13.86, 43.57, -61.3

 

CMYK 94 / 19 / 0 / 51

HEX #08657D

RGB 8 101 125

HSL 192.31, 0.88%, 0.26%

LAB 39.31, -15.2, -20.28

 

CMYK 94 / 19 / 0 / 51

HEX #08657D

RGB 8 101 125

HSL 192.31, 0.88%, 0.26%

LAB 39.31, -15.2, -20.28

 

CMYK 83 / 17 / 0 / 55

HEX #135F72

RGB 19 95 114

HSL 192, 0.71%, 0.26%

LAB 37, -14.96, -17.09

 

CMYK 72 / 15 / 0 / 60

HEX #1D5867

RGB 29 88 103

HSL 192.16, 0.56%, 0.26%

LAB 34.44, -13.51, -14.17

 

CMYK 57 / 11 / 0 / 64

HEX #28525C

RGB 40 82 92

HSL 191.54, 0.39%, 0.26%

LAB 32.39, -11.45, -10.34

 

CMYK 38 / 7 / 0 / 68

HEX #334C52

RGB 51 76 82

HSL 191.61, 0.23%, 0.26%

LAB 30.6, -7.78, -6.6

 

CMYK 94 / 0 / 31 / 51

HEX #087D56

RGB 8 125 86

HSL 160, 0.88%, 0.26%

LAB 46.16, -39.1, 13.21

 

CMYK 94 / 0 / 6 / 51

HEX #087D75

RGB 8 125 117

HSL 175.9, 0.88%, 0.26%

LAB 46.98, -30.45, -3.87

 

CMYK 94 / 19 / 0 / 51

HEX #08657D

RGB 8 101 125

HSL 192.31, 0.88%, 0.26%

LAB 39.31, -15.2, -20.28

 

CMYK 94 / 44 / 0 / 51

HEX #08467D

RGB 8 70 125

HSL 208.21, 0.88%, 0.26%

LAB 29.19, 4.21, -36.2

 

CMYK 94 / 69 / 0 / 51

HEX #08277D

RGB 8 39 125

HSL 224.1, 0.88%, 0.26%

LAB 19.98, 26.17, -51.16

 

CMYK 94 / 19 / 0 / 82

HEX #03262F

RGB 3 38 47

HSL 192.27, 0.88%, 0.1%

LAB 13.3, -8.45, -9.45

 

CMYK 94 / 19 / 0 / 66

HEX #054656

RGB 5 70 86

HSL 191.85, 0.89%, 0.18%

LAB 26.97, -12.3, -14.86

 

CMYK 94 / 19 / 0 / 51

HEX #08657D

RGB 8 101 125

HSL 192.31, 0.88%, 0.26%

LAB 39.31, -15.2, -20.28

 

CMYK 94 / 18 / 0 / 36

HEX #0A85A3

RGB 10 133 163

HSL 191.76, 0.88%, 0.34%

LAB 51.25, -18.92, -24.39

 

CMYK 94 / 19 / 0 / 21

HEX #0DA4CA

RGB 13 164 202

HSL 192.06, 0.88%, 0.42%

LAB 62.42, -21.56, -29.27

 

CMYK 93 / 19 / 0 / 52

HEX #08647B

RGB 8 100 123

HSL 192, 0.88%, 0.26%

LAB 38.89, -15.38, -19.71

 

CMYK 56 / 94 / 0 / 51

HEX #37087D

RGB 55 8 125

HSL 264.1, 0.88%, 0.26%

LAB 17.77, 46.24, -54.7

 

CMYK 0 / 19 / 94 / 51

HEX #7D6508

RGB 125 101 8

HSL 47.69, 0.88%, 0.26%

LAB 43.78, 0.97, 48.77

 

CMYK 93 / 19 / 0 / 52

HEX #08647B

RGB 8 100 123

HSL 192, 0.88%, 0.26%

LAB 38.89, -15.38, -19.71

 

CMYK 0 / 94 / 19 / 51

HEX #7D0865

RGB 125 8 101

HSL 312.31, 0.88%, 0.26%

LAB 28.04, 53.03, -22.02

 

CMYK 19 / 0 / 94 / 51

HEX #657D08

RGB 101 125 8

HSL 72.31, 0.88%, 0.26%

LAB 48.82, -23.5, 51.86

 

CMYK 93 / 19 / 0 / 52

HEX #08647B

RGB 8 100 123

HSL 192, 0.88%, 0.26%

LAB 38.89, -15.38, -19.71

 

CMYK 56 / 94 / 0 / 51

HEX #37087D

RGB 55 8 125

HSL 264.1, 0.88%, 0.26%

LAB 17.77, 46.24, -54.7

 

CMYK 0 / 75 / 94 / 51

HEX #7D1F08

RGB 125 31 8

HSL 11.79, 0.88%, 0.26%

LAB 27.73, 39.33, 36.51

 

CMYK 38 / 0 / 94 / 51

HEX #4E7D08

RGB 78 125 8

HSL 84.1, 0.88%, 0.26%

LAB 47.37, -33.09, 50.07

 

CMYK 93 / 19 / 0 / 52

HEX #08647B

RGB 8 100 123

HSL 192, 0.88%, 0.26%

LAB 38.89, -15.38, -19.71

 

CMYK 28 / 94 / 0 / 51

HEX #5A087D

RGB 90 8 125

HSL 282.05, 0.88%, 0.26%

LAB 23.09, 50.66, -45.75

 

CMYK 0 / 75 / 94 / 51

HEX #7D1F08

RGB 125 31 8

HSL 11.79, 0.88%, 0.26%

LAB 27.73, 39.33, 36.51

 

CMYK 66 / 0 / 94 / 51

HEX #2B7D08

RGB 43 125 8

HSL 102.05, 0.88%, 0.26%

LAB 45.9, -44.35, 48.25

 

Description

Color code: HEX #08647B | qconv.com Color code: HEX #08647B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 100 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 100 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 19 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 19% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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