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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #086391 it is the complementary color #F79C6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #086391. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #086391 shade: #0D638C, #1E759F, #2F87B2, #4099C5 and #51ABD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #086391. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #086391 shade: #086391, #00517E, #003F6B, #002D58 and #001B45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #086391 shade: #086391, #083E91, #081991, #1C0891 and #410891

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #086391 shade: #086391, #083E91, #081991 and #080891

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #086391 shade matches the following richer shades: #086391

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #086391 shade: #086391, #145F85, #205B79, #2D576C and #395360

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #086391 shade: #089176, #088891, #086391, #083F91 and #081A91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #086391 shade: #042E43, #06486A, #086391, #0A7EB9 and #0C99E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #086391 shade: #086391, #510891 and #918808

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #086391 shade: #086391, #910863 and #639108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #086391 shade: #086391, #510891, #913608 and #489108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #086391 shade: #086391, #7A0891, #913608 and #1F9108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 32 / 0 / 43

HEX #086391

RGB 8 99 145

HSL 200.15, 0.9%, 0.3%

LAB 39.61, -6.27, -31.91

 

Complementary color

CMYK 0 / 37 / 55 / 3

HEX #F79C6E

RGB 247 156 110

HSL 20.15, 0.9%, 0.7%

LAB 72.68, 29.47, 38.12

 

CMYK 91 / 29 / 0 / 45

HEX #0D638C

RGB 13 99 140

HSL 199.37, 0.83%, 0.3%

LAB 39.42, -7.95, -29.2

 

CMYK 81 / 26 / 0 / 38

HEX #1E759F

RGB 30 117 159

HSL 199.53, 0.68%, 0.37%

LAB 46.31, -9.96, -29.7

 

CMYK 74 / 24 / 0 / 30

HEX #2F87B2

RGB 47 135 178

HSL 199.69, 0.58%, 0.44%

LAB 53.11, -11.44, -30.11

 

CMYK 68 / 22 / 0 / 23

HEX #4099C5

RGB 64 153 197

HSL 199.85, 0.53%, 0.51%

LAB 59.8, -12.54, -30.46

 

CMYK 63 / 21 / 0 / 15

HEX #51ABD8

RGB 81 171 216

HSL 200, 0.63%, 0.58%

LAB 66.39, -13.38, -30.79

 

CMYK 94 / 32 / 0 / 43

HEX #086391

RGB 8 99 145

HSL 200.15, 0.9%, 0.3%

LAB 39.61, -6.27, -31.91

 

CMYK 100 / 36 / 0 / 51

HEX #00517E

RGB 0 81 126

HSL 201.43, 1%, 0.25%

LAB 32.68, -3.2, -31.27

 

CMYK 100 / 41 / 0 / 58

HEX #003F6B

RGB 0 63 107

HSL 204.67, 1%, 0.21%

LAB 25.61, 0.59, -30.54

 

CMYK 100 / 49 / 0 / 65

HEX #002D58

RGB 0 45 88

HSL 209.32, 1%, 0.17%

LAB 18.28, 4.79, -29.87

 

CMYK 100 / 61 / 0 / 73

HEX #001B45

RGB 0 27 69

HSL 216.52, 1%, 0.14%

LAB 10.66, 9.56, -29.24

 

CMYK 94 / 32 / 0 / 43

HEX #086391

RGB 8 99 145

HSL 200.15, 0.9%, 0.3%

LAB 39.61, -6.27, -31.91

 

CMYK 94 / 57 / 0 / 43

HEX #083E91

RGB 8 62 145

HSL 216.35, 0.9%, 0.3%

LAB 28.22, 18.3, -50.16

 

CMYK 94 / 83 / 0 / 43

HEX #081991

RGB 8 25 145

HSL 232.55, 0.9%, 0.3%

LAB 19.19, 42.41, -65.03

 

CMYK 81 / 94 / 0 / 43

HEX #1C0891

RGB 28 8 145

HSL 248.76, 0.9%, 0.3%

LAB 17.76, 49.93, -67.39

 

CMYK 55 / 94 / 0 / 43

HEX #410891

RGB 65 8 145

HSL 264.96, 0.9%, 0.3%

LAB 21.36, 52.24, -61.3

 

CMYK 94 / 32 / 0 / 43

HEX #086391

RGB 8 99 145

HSL 200.15, 0.9%, 0.3%

LAB 39.61, -6.27, -31.91

 

CMYK 94 / 57 / 0 / 43

HEX #083E91

RGB 8 62 145

HSL 216.35, 0.9%, 0.3%

LAB 28.22, 18.3, -50.16

 

CMYK 94 / 83 / 0 / 43

HEX #081991

RGB 8 25 145

HSL 232.55, 0.9%, 0.3%

LAB 19.19, 42.41, -65.03

 

CMYK 94 / 94 / 0 / 43

HEX #080891

RGB 8 8 145

HSL 240, 0.9%, 0.3%

LAB 16.84, 49.43, -68.94

 

CMYK 94 / 32 / 0 / 43

HEX #086391

RGB 8 99 145

HSL 200.15, 0.9%, 0.3%

LAB 39.61, -6.27, -31.91

 

CMYK 94 / 32 / 0 / 43

HEX #086391

RGB 8 99 145

HSL 200.15, 0.9%, 0.3%

LAB 39.61, -6.27, -31.91

 

CMYK 85 / 29 / 0 / 48

HEX #145F85

RGB 20 95 133

HSL 200.18, 0.74%, 0.3%

LAB 37.89, -7.69, -27.35

 

CMYK 74 / 25 / 0 / 53

HEX #205B79

RGB 32 91 121

HSL 200.22, 0.58%, 0.3%

LAB 36.31, -8.3, -22.45

 

CMYK 58 / 19 / 0 / 58

HEX #2D576C

RGB 45 87 108

HSL 200, 0.41%, 0.3%

LAB 34.92, -7.94, -16.51

 

CMYK 41 / 14 / 0 / 62

HEX #395360

RGB 57 83 96

HSL 200, 0.25%, 0.3%

LAB 33.78, -6.05, -10.67

 

CMYK 94 / 0 / 19 / 43

HEX #089176

RGB 8 145 118

HSL 168.18, 0.9%, 0.3%

LAB 53.61, -39.2, 5.21

 

CMYK 94 / 6 / 0 / 43

HEX #088891

RGB 8 136 145

HSL 183.94, 0.9%, 0.3%

LAB 51.5, -26.8, -13.55

 

CMYK 94 / 32 / 0 / 43

HEX #086391

RGB 8 99 145

HSL 200.15, 0.9%, 0.3%

LAB 39.61, -6.27, -31.91

 

CMYK 94 / 57 / 0 / 43

HEX #083F91

RGB 8 63 145

HSL 215.91, 0.9%, 0.3%

LAB 28.51, 17.6, -49.69

 

CMYK 94 / 82 / 0 / 43

HEX #081A91

RGB 8 26 145

HSL 232.12, 0.9%, 0.3%

LAB 19.37, 41.88, -64.73

 

CMYK 94 / 31 / 0 / 74

HEX #042E43

RGB 4 46 67

HSL 200, 0.89%, 0.14%

LAB 17.39, -4.97, -17.09

 

CMYK 94 / 32 / 0 / 58

HEX #06486A

RGB 6 72 106

HSL 200.4, 0.89%, 0.22%

LAB 28.68, -5.31, -25.04

 

CMYK 94 / 32 / 0 / 43

HEX #086391

RGB 8 99 145

HSL 200.15, 0.9%, 0.3%

LAB 39.61, -6.27, -31.91

 

CMYK 95 / 32 / 0 / 27

HEX #0A7EB9

RGB 10 126 185

HSL 200.23, 0.9%, 0.38%

LAB 50.08, -6.81, -38.92

 

CMYK 95 / 32 / 0 / 12

HEX #0C99E0

RGB 12 153 224

HSL 200.09, 0.9%, 0.46%

LAB 60.11, -7.7, -45.14

 

CMYK 94 / 32 / 0 / 43

HEX #086391

RGB 8 99 145

HSL 200.15, 0.9%, 0.3%

LAB 39.61, -6.27, -31.91

 

CMYK 44 / 94 / 0 / 43

HEX #510891

RGB 81 8 145

HSL 271.97, 0.9%, 0.3%

LAB 23.56, 53.86, -57.59

 

CMYK 0 / 6 / 94 / 43

HEX #918808

RGB 145 136 8

HSL 56.06, 0.9%, 0.3%

LAB 55.73, -9.21, 58.82

 

CMYK 94 / 32 / 0 / 43

HEX #086391

RGB 8 99 145

HSL 200.15, 0.9%, 0.3%

LAB 39.61, -6.27, -31.91

 

CMYK 0 / 94 / 32 / 43

HEX #910863

RGB 145 8 99

HSL 320.15, 0.9%, 0.3%

LAB 32.02, 57.17, -14.24

 

CMYK 32 / 0 / 94 / 43

HEX #639108

RGB 99 145 8

HSL 80.15, 0.9%, 0.3%

LAB 54.99, -33.92, 56.77

 

CMYK 94 / 32 / 0 / 43

HEX #086391

RGB 8 99 145

HSL 200.15, 0.9%, 0.3%

LAB 39.61, -6.27, -31.91

 

CMYK 44 / 94 / 0 / 43

HEX #510891

RGB 81 8 145

HSL 271.97, 0.9%, 0.3%

LAB 23.56, 53.86, -57.59

 

CMYK 0 / 63 / 94 / 43

HEX #913608

RGB 145 54 8

HSL 20.15, 0.9%, 0.3%

LAB 35.35, 36.53, 43.82

 

CMYK 50 / 0 / 94 / 43

HEX #489108

RGB 72 145 8

HSL 91.97, 0.9%, 0.3%

LAB 53.65, -43.65, 55.12

 

CMYK 94 / 32 / 0 / 43

HEX #086391

RGB 8 99 145

HSL 200.15, 0.9%, 0.3%

LAB 39.61, -6.27, -31.91

 

CMYK 16 / 94 / 0 / 43

HEX #7A0891

RGB 122 8 145

HSL 289.93, 0.9%, 0.3%

LAB 30.29, 59.55, -46.33

 

CMYK 0 / 63 / 94 / 43

HEX #913608

RGB 145 54 8

HSL 20.15, 0.9%, 0.3%

LAB 35.35, 36.53, 43.82

 

CMYK 79 / 0 / 94 / 43

HEX #1F9108

RGB 31 145 8

HSL 109.93, 0.9%, 0.3%

LAB 52.46, -53.42, 53.66

 

Description

Color code: HEX #086391 | qconv.com Color code: HEX #086391 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 99 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 99 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 32 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 32% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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