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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0832C9 it is the complementary color #F7CD36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0832C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0832C9 shade: #0D32C4, #1E44D7, #2F56EA, #4068FD and #517AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0832C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0832C9 shade: #0832C9, #0020B6, #000EA3, #000090 and #00007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0832C9 shade: #0832C9, #1208C9, #4608C9, #7A08C9 and #AE08C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0832C9 shade: #0832C9 and #0808C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0832C9 shade matches the following richer shades: #0832C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0832C9 shade: #0832C9, #193CB8, #2A45A7, #3B4F96 and #4C5885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0832C9 shade: #089CC9, #0869C9, #0835C9, #0F08C9 and #4208C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0832C9 shade: #051E7A, #0728A1, #0832C9, #0A3CF0 and #2D59F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0832C9 shade: #0832C9, #C208C9 and #82C908

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0832C9 shade: #0832C9, #C90835 and #35C908

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0832C9 shade: #0832C9, #C208C9, #C99C08 and #0FC908

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0832C9 shade: #0832C9, #C90895, #C99C08 and #08C93C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 75 / 0 / 21

HEX #0832C9

RGB 8 50 201

HSL 226.94, 0.92%, 0.41%

LAB 30.76, 47.76, -79.53

 

Complementary color

CMYK 0 / 17 / 78 / 3

HEX #F7CD36

RGB 247 205 54

HSL 46.94, 0.92%, 0.59%

LAB 83.81, 0.73, 74.68

 

CMYK 93 / 74 / 0 / 23

HEX #0D32C4

RGB 13 50 196

HSL 227.87, 0.88%, 0.41%

LAB 30.28, 46.14, -77.38

 

CMYK 86 / 68 / 0 / 16

HEX #1E44D7

RGB 30 68 215

HSL 227.68, 0.76%, 0.48%

LAB 36.59, 42.74, -78

 

CMYK 80 / 63 / 0 / 8

HEX #2F56EA

RGB 47 86 234

HSL 227.49, 0.82%, 0.55%

LAB 43.06, 39.56, -78.16

 

CMYK 75 / 59 / 0 / 1

HEX #4068FD

RGB 64 104 253

HSL 227.3, 0.98%, 0.62%

LAB 49.6, 36.74, -78.09

 

CMYK 68 / 52 / 0 / 0

HEX #517AFF

RGB 81 122 255

HSL 225.86, 1%, 0.66%

LAB 54.96, 28.43, -70.45

 

CMYK 96 / 75 / 0 / 21

HEX #0832C9

RGB 8 50 201

HSL 226.94, 0.92%, 0.41%

LAB 30.76, 47.76, -79.53

 

CMYK 100 / 82 / 0 / 29

HEX #0020B6

RGB 0 32 182

HSL 229.45, 1%, 0.36%

LAB 24.98, 50.9, -77.91

 

CMYK 100 / 91 / 0 / 36

HEX #000EA3

RGB 0 14 163

HSL 234.85, 1%, 0.32%

LAB 19.88, 52.6, -74.97

 

CMYK 100 / 100 / 0 / 44

HEX #000090

RGB 0 0 144

HSL 240, 1%, 0.28%

LAB 15.56, 51.74, -70.47

 

CMYK 100 / 100 / 0 / 51

HEX #00007D

RGB 0 0 125

HSL 240, 1%, 0.25%

LAB 12.48, 46.7, -63.61

 

CMYK 96 / 75 / 0 / 21

HEX #0832C9

RGB 8 50 201

HSL 226.94, 0.92%, 0.41%

LAB 30.76, 47.76, -79.53

 

CMYK 91 / 96 / 0 / 21

HEX #1208C9

RGB 18 8 201

HSL 243.11, 0.92%, 0.41%

LAB 25.32, 64.67, -88.58

 

CMYK 65 / 96 / 0 / 21

HEX #4608C9

RGB 70 8 201

HSL 259.27, 0.92%, 0.41%

LAB 28.62, 66.29, -82.98

 

CMYK 39 / 96 / 0 / 21

HEX #7A08C9

RGB 122 8 201

HSL 275.44, 0.92%, 0.41%

LAB 35.06, 70.49, -72.13

 

CMYK 13 / 96 / 0 / 21

HEX #AE08C9

RGB 174 8 201

HSL 291.61, 0.92%, 0.41%

LAB 43.34, 77.24, -58.27

 

CMYK 96 / 75 / 0 / 21

HEX #0832C9

RGB 8 50 201

HSL 226.94, 0.92%, 0.41%

LAB 30.76, 47.76, -79.53

 

CMYK 96 / 96 / 0 / 21

HEX #0808C9

RGB 8 8 201

HSL 240, 0.92%, 0.41%

LAB 25.08, 64.57, -88.98

 

CMYK 96 / 75 / 0 / 21

HEX #0832C9

RGB 8 50 201

HSL 226.94, 0.92%, 0.41%

LAB 30.76, 47.76, -79.53

 

CMYK 96 / 75 / 0 / 21

HEX #0832C9

RGB 8 50 201

HSL 226.94, 0.92%, 0.41%

LAB 30.76, 47.76, -79.53

 

CMYK 86 / 67 / 0 / 28

HEX #193CB8

RGB 25 60 184

HSL 226.79, 0.76%, 0.41%

LAB 31.58, 36.12, -68.17

 

CMYK 75 / 59 / 0 / 35

HEX #2A45A7

RGB 42 69 167

HSL 227.04, 0.6%, 0.41%

LAB 33, 25.28, -55.68

 

CMYK 61 / 47 / 0 / 41

HEX #3B4F96

RGB 59 79 150

HSL 226.81, 0.44%, 0.41%

LAB 35.45, 15.11, -41.45

 

CMYK 43 / 34 / 0 / 48

HEX #4C5885

RGB 76 88 133

HSL 227.37, 0.27%, 0.41%

LAB 38.22, 7.77, -26.66

 

CMYK 96 / 22 / 0 / 21

HEX #089CC9

RGB 8 156 201

HSL 193.99, 0.92%, 0.41%

LAB 59.93, -17.84, -32.58

 

CMYK 96 / 48 / 0 / 21

HEX #0869C9

RGB 8 105 201

HSL 209.84, 0.92%, 0.41%

LAB 44.76, 12.4, -56.62

 

CMYK 96 / 74 / 0 / 21

HEX #0835C9

RGB 8 53 201

HSL 226.01, 0.92%, 0.41%

LAB 31.38, 46.01, -78.5

 

CMYK 93 / 96 / 0 / 21

HEX #0F08C9

RGB 15 8 201

HSL 242.18, 0.92%, 0.41%

LAB 25.24, 64.63, -88.72

 

CMYK 67 / 96 / 0 / 21

HEX #4208C9

RGB 66 8 201

HSL 258.03, 0.92%, 0.41%

LAB 28.24, 66.08, -83.62

 

CMYK 96 / 75 / 0 / 52

HEX #051E7A

RGB 5 30 122

HSL 227.18, 0.92%, 0.25%

LAB 17.3, 30.95, -53.67

 

CMYK 96 / 75 / 0 / 37

HEX #0728A1

RGB 7 40 161

HSL 227.14, 0.92%, 0.33%

LAB 24.12, 39.42, -66.7

 

CMYK 96 / 75 / 0 / 21

HEX #0832C9

RGB 8 50 201

HSL 226.94, 0.92%, 0.41%

LAB 30.76, 47.76, -79.53

 

CMYK 96 / 75 / 0 / 6

HEX #0A3CF0

RGB 10 60 240

HSL 226.96, 0.92%, 0.49%

LAB 37.09, 55.44, -91.43

 

CMYK 82 / 64 / 0 / 4

HEX #2D59F6

RGB 45 89 246

HSL 226.87, 0.92%, 0.57%

LAB 44.74, 41.84, -82.16

 

CMYK 96 / 75 / 0 / 21

HEX #0832C9

RGB 8 50 201

HSL 226.94, 0.92%, 0.41%

LAB 30.76, 47.76, -79.53

 

CMYK 3 / 96 / 0 / 21

HEX #C208C9

RGB 194 8 201

HSL 297.82, 0.92%, 0.41%

LAB 46.79, 80.34, -52.54

 

CMYK 35 / 0 / 96 / 21

HEX #82C908

RGB 130 201 8

HSL 82.07, 0.92%, 0.41%

LAB 73.89, -46.52, 72.55

 

CMYK 96 / 75 / 0 / 21

HEX #0832C9

RGB 8 50 201

HSL 226.94, 0.92%, 0.41%

LAB 30.76, 47.76, -79.53

 

CMYK 0 / 96 / 74 / 21

HEX #C90835

RGB 201 8 53

HSL 346.01, 0.92%, 0.41%

LAB 42.53, 67.27, 31.57

 

CMYK 74 / 0 / 96 / 21

HEX #35C908

RGB 53 201 8

HSL 106.01, 0.92%, 0.41%

LAB 71.25, -67.23, 69.32

 

CMYK 96 / 75 / 0 / 21

HEX #0832C9

RGB 8 50 201

HSL 226.94, 0.92%, 0.41%

LAB 30.76, 47.76, -79.53

 

CMYK 3 / 96 / 0 / 21

HEX #C208C9

RGB 194 8 201

HSL 297.82, 0.92%, 0.41%

LAB 46.79, 80.34, -52.54

 

CMYK 0 / 22 / 96 / 21

HEX #C99C08

RGB 201 156 8

HSL 46.01, 0.92%, 0.41%

LAB 66.68, 5.44, 69.43

 

CMYK 93 / 0 / 96 / 21

HEX #0FC908

RGB 15 201 8

HSL 117.82, 0.92%, 0.41%

LAB 70.8, -71.24, 68.76

 

CMYK 96 / 75 / 0 / 21

HEX #0832C9

RGB 8 50 201

HSL 226.94, 0.92%, 0.41%

LAB 30.76, 47.76, -79.53

 

CMYK 0 / 96 / 26 / 21

HEX #C90895

RGB 201 8 149

HSL 316.17, 0.92%, 0.41%

LAB 45.31, 74.66, -24.04

 

CMYK 0 / 22 / 96 / 21

HEX #C99C08

RGB 201 156 8

HSL 46.01, 0.92%, 0.41%

LAB 66.68, 5.44, 69.43

 

CMYK 96 / 0 / 70 / 21

HEX #08C93C

RGB 8 201 60

HSL 136.17, 0.92%, 0.41%

LAB 70.98, -68.82, 56.08

 

Description

Color code: HEX #0832C9 | qconv.com Color code: HEX #0832C9 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 50 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 50 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 75 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 75% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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