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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #082DA33F it is the complementary color #F7D25C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #082DA33F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #082DA33F shade: #0D2D9E3F, #1E3FB13F, #2F51C43F, #4063D73F and #5175EA3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #082DA33F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #082DA33F shade: #082DA33F, #001B903F, #00097D3F, #00006A3F and #0000573F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #082DA33F shade: #082DA6, #0D08A6, #3708A6, #6208A6 and #8C08A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #082DA33F shade: #082DA6 and #0808A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #082DA33F shade matches the following richer shades: #082DA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #082DA33F shade: #082DA6, #163598, #243C8A, #32437C and #404B6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #082DA33F shade: #0883A6, #0859A6, #082FA6, #0A08A6 and #3508A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #082DA33F shade: #041857, #06237E, #082DA6, #0A38CD and #0C44F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #082DA33F shade: #082DA3, #9E08A6 and #6EA608

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #082DA33F shade: #082DA3, #A6082F and #2FA608

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #082DA33F shade: #082DA3, #9E08A6, #A67E08 and #10A608

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #082DA33F shade: #082DA3, #A6087E, #A67E08 and #08A62F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 18 / 0 / 9

HEX #082DA33F

RGBA 8 45 163 0.25

HSLA 225.68, 0.91%, 0.34%, 0.25

LABA 25.48, 37.08, -65.65, 0.25

 

Complementary color

CMYK 0 / 4 / 16 / 1

HEX #F7D25C3F

RGBA 247 210 92 0.25

HSLA 45.68, 0.91%, 0.66%, 0.25

LABA 85.32, -0.01, 61.67, 0.25

 

CMYK 23 / 18 / 0 / 10

HEX #0D2D9E3F

RGBA 13 45 158 0.25

HSLA 226.76, 0.85%, 0.34%, 0.25

LABA 25.05, 35.37, -63.33, 0.25

 

CMYK 21 / 16 / 0 / 8

HEX #1E3FB13F

RGBA 30 63 177 0.25

HSLA 226.53, 0.71%, 0.41%, 0.25

LABA 31.82, 31.87, -63.61, 0.25

 

CMYK 19 / 15 / 0 / 6

HEX #2F51C43F

RGBA 47 81 196 0.25

HSLA 226.31, 0.61%, 0.48%, 0.25

LABA 38.68, 28.86, -63.55, 0.25

 

CMYK 18 / 13 / 0 / 4

HEX #4063D73F

RGBA 64 99 215 0.25

HSLA 226.09, 0.65%, 0.55%, 0.25

LABA 45.52, 26.35, -63.34, 0.25

 

CMYK 16 / 13 / 0 / 2

HEX #5175EA3F

RGBA 81 117 234 0.25

HSLA 225.88, 0.78%, 0.62%, 0.25

LABA 52.3, 24.27, -63.08, 0.25

 

CMYK 24 / 18 / 0 / 9

HEX #082DA33F

RGBA 8 45 163 0.25

HSLA 225.68, 0.91%, 0.34%, 0.25

LABA 25.48, 37.08, -65.65, 0.25

 

CMYK 25 / 20 / 0 / 11

HEX #001B903F

RGBA 0 27 144 0.25

HSLA 228.75, 1%, 0.28%, 0.25

LABA 19.21, 40.74, -64.38, 0.25

 

CMYK 25 / 23 / 0 / 13

HEX #00097D3F

RGBA 0 9 125 0.25

HSLA 235.68, 1%, 0.25%, 0.25

LABA 13.69, 43, -61.6, 0.25

 

CMYK 25 / 25 / 0 / 15

HEX #00006A3F

RGBA 0 0 106 0.25

HSLA 240, 1%, 0.21%, 0.25

LABA 9.33, 41.52, -56.55, 0.25

 

CMYK 25 / 25 / 0 / 16

HEX #0000573F

RGBA 0 0 87 0.25

HSLA 240, 1%, 0.17%, 0.25

LABA 6.22, 35.52, -49.01, 0.25

 

CMYK 95 / 73 / 0 / 35

HEX #082DA6

RGB 8 45 166

HSL 225.95, 0.91%, 0.34%

LAB 25.81, 38.2, -66.93

 

CMYK 92 / 95 / 0 / 35

HEX #0D08A6

RGB 13 8 166

HSL 241.9, 0.91%, 0.34%

LAB 20.09, 55.35, -76.43

 

CMYK 67 / 95 / 0 / 35

HEX #3708A6

RGB 55 8 166

HSL 257.85, 0.91%, 0.34%

LAB 22.79, 56.8, -71.86

 

CMYK 41 / 95 / 0 / 35

HEX #6208A6

RGB 98 8 166

HSL 274.18, 0.91%, 0.34%

LAB 28.18, 60.46, -62.78

 

CMYK 16 / 95 / 0 / 35

HEX #8C08A6

RGB 140 8 166

HSL 290.13, 0.91%, 0.34%

LAB 35.01, 66.12, -51.34

 

CMYK 95 / 73 / 0 / 35

HEX #082DA6

RGB 8 45 166

HSL 225.95, 0.91%, 0.34%

LAB 25.81, 38.2, -66.93

 

CMYK 95 / 95 / 0 / 35

HEX #0808A6

RGB 8 8 166

HSL 240, 0.91%, 0.34%

LAB 19.96, 55.29, -76.66

 

CMYK 95 / 73 / 0 / 35

HEX #082DA6

RGB 8 45 166

HSL 225.95, 0.91%, 0.34%

LAB 25.81, 38.2, -66.93

 

CMYK 95 / 73 / 0 / 35

HEX #082DA6

RGB 8 45 166

HSL 225.95, 0.91%, 0.34%

LAB 25.81, 38.2, -66.93

 

CMYK 86 / 65 / 0 / 40

HEX #163598

RGB 22 53 152

HSL 225.69, 0.75%, 0.34%

LAB 26.69, 28.26, -56.95

 

CMYK 74 / 57 / 0 / 46

HEX #243C8A

RGB 36 60 138

HSL 225.88, 0.59%, 0.34%

LAB 27.96, 19.42, -46.24

 

CMYK 60 / 46 / 0 / 51

HEX #32437C

RGB 50 67 124

HSL 226.22, 0.43%, 0.34%

LAB 29.78, 11.85, -34.54

 

CMYK 41 / 31 / 0 / 57

HEX #404B6D

RGB 64 75 109

HSL 225.33, 0.26%, 0.34%

LAB 32.32, 5.15, -21.06

 

CMYK 95 / 21 / 0 / 35

HEX #0883A6

RGB 8 131 166

HSL 193.29, 0.91%, 0.34%

LAB 50.73, -16.84, -26.93

 

CMYK 95 / 46 / 0 / 35

HEX #0859A6

RGB 8 89 166

HSL 209.24, 0.91%, 0.34%

LAB 37.75, 8.65, -47.44

 

CMYK 95 / 72 / 0 / 35

HEX #082FA6

RGB 8 47 166

HSL 225.19, 0.91%, 0.34%

LAB 26.27, 36.93, -66.17

 

CMYK 94 / 95 / 0 / 35

HEX #0A08A6

RGB 10 8 166

HSL 240.76, 0.91%, 0.34%

LAB 20.01, 55.31, -76.57

 

CMYK 68 / 95 / 0 / 35

HEX #3508A6

RGB 53 8 166

HSL 257.09, 0.91%, 0.34%

LAB 22.6, 56.68, -72.19

 

CMYK 95 / 72 / 0 / 66

HEX #041857

RGB 4 24 87

HSL 225.54, 0.91%, 0.18%

LAB 11.74, 20.68, -39.84

 

CMYK 95 / 72 / 0 / 51

HEX #06237E

RGB 6 35 126

HSL 225.5, 0.91%, 0.26%

LAB 19, 29.23, -53.41

 

CMYK 95 / 73 / 0 / 35

HEX #082DA6

RGB 8 45 166

HSL 225.95, 0.91%, 0.34%

LAB 25.81, 38.2, -66.93

 

CMYK 95 / 73 / 0 / 20

HEX #0A38CD

RGB 10 56 205

HSL 225.85, 0.91%, 0.42%

LAB 32.48, 45.69, -79.01

 

CMYK 95 / 72 / 0 / 4

HEX #0C44F4

RGB 12 68 244

HSL 225.52, 0.91%, 0.5%

LAB 39.15, 52.32, -90.28

 

CMYK 95 / 72 / 0 / 36

HEX #082DA3

RGB 8 45 163

HSL 225.68, 0.91%, 0.34%

LAB 25.48, 37.08, -65.65

 

CMYK 5 / 95 / 0 / 35

HEX #9E08A6

RGB 158 8 166

HSL 296.96, 0.91%, 0.34%

LAB 38.19, 69.02, -46.05

 

CMYK 34 / 0 / 95 / 35

HEX #6EA608

RGB 110 166 8

HSL 81.27, 0.91%, 0.34%

LAB 62.17, -39.01, 62.79

 

CMYK 95 / 72 / 0 / 36

HEX #082DA3

RGB 8 45 163

HSL 225.68, 0.91%, 0.34%

LAB 25.48, 37.08, -65.65

 

CMYK 0 / 95 / 72 / 35

HEX #A6082F

RGB 166 8 47

HSL 345.19, 0.91%, 0.34%

LAB 34.97, 58.22, 24.5

 

CMYK 72 / 0 / 95 / 35

HEX #2FA608

RGB 47 166 8

HSL 105.19, 0.91%, 0.34%

LAB 59.79, -57.38, 59.87

 

CMYK 95 / 72 / 0 / 36

HEX #082DA3

RGB 8 45 163

HSL 225.68, 0.91%, 0.34%

LAB 25.48, 37.08, -65.65

 

CMYK 5 / 95 / 0 / 35

HEX #9E08A6

RGB 158 8 166

HSL 296.96, 0.91%, 0.34%

LAB 38.19, 69.02, -46.05

 

CMYK 0 / 24 / 95 / 35

HEX #A67E08

RGB 166 126 8

HSL 44.81, 0.91%, 0.34%

LAB 55.12, 6.06, 59.31

 

CMYK 90 / 0 / 95 / 35

HEX #10A608

RGB 16 166 8

HSL 116.96, 0.91%, 0.34%

LAB 59.34, -61.37, 59.32

 

CMYK 95 / 72 / 0 / 36

HEX #082DA3

RGB 8 45 163

HSL 225.68, 0.91%, 0.34%

LAB 25.48, 37.08, -65.65

 

CMYK 0 / 95 / 24 / 35

HEX #A6087E

RGB 166 8 126

HSL 315.19, 0.91%, 0.34%

LAB 37.46, 64.87, -22.64

 

CMYK 0 / 24 / 95 / 35

HEX #A67E08

RGB 166 126 8

HSL 44.81, 0.91%, 0.34%

LAB 55.12, 6.06, 59.31

 

CMYK 95 / 0 / 72 / 35

HEX #08A62F

RGB 8 166 47

HSL 134.81, 0.91%, 0.34%

LAB 59.46, -59.65, 49.03

 

Description

Color code: HEX #082DA33F | qconv.com Color code: HEX #082DA33F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 45 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 45 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 18 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 18% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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