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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #080A8B it is the complementary color #F7F574. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #080A8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #080A8B shade: #0D0A86, #1E1C99, #2F2EAC, #4040BF and #5152D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #080A8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #080A8B shade: #080A8B, #000078, #000065, #000052 and #00003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #080A8B shade: #080A8B, #29088B, #4D088B, #70088B and #8B0883

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #080A8B shade: #080A8B and #08088B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #080A8B shade matches the following richer shades: #080A8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #080A8B shade: #080A8B, #14157F, #202173, #2C2C67 and #37385B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #080A8B shade: #08508B, #082D8B, #080A8B, #29088B and #4C088B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #080A8B shade: #03043D, #050764, #080A8B, #0A0CB2 and #0C0FD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #080A8B shade: #080A8B, #8B0873 and #3E8B08

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #080A8B shade: #080A8B, #8B080A and #0A8B08

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #080A8B shade: #080A8B, #8B0873, #8B8908 and #088B20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #080A8B shade: #080A8B, #8B084C, #8B8908 and #088B47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 93 / 0 / 45

HEX #080A8B

RGB 8 10 139

HSL 239.08, 0.89%, 0.29%

LAB 16.17, 47.03, -66.32

 

Complementary color

CMYK 0 / 1 / 53 / 3

HEX #F7F574

RGB 247 245 116

HSL 59.08, 0.89%, 0.71%

LAB 94.46, -15.8, 61.35

 

CMYK 90 / 93 / 0 / 47

HEX #0D0A86

RGB 13 10 134

HSL 241.45, 0.86%, 0.28%

LAB 15.61, 45.66, -64.09

 

CMYK 80 / 82 / 0 / 40

HEX #1E1C99

RGB 30 28 153

HSL 240.96, 0.69%, 0.35%

LAB 21.6, 44.47, -65.94

 

CMYK 73 / 73 / 0 / 33

HEX #2F2EAC

RGB 47 46 172

HSL 240.48, 0.58%, 0.43%

LAB 28.21, 42.25, -66.52

 

CMYK 66 / 66 / 0 / 25

HEX #4040BF

RGB 64 64 191

HSL 240, 0.5%, 0.5%

LAB 35.04, 39.92, -66.54

 

CMYK 61 / 61 / 0 / 18

HEX #5152D2

RGB 81 82 210

HSL 239.53, 0.59%, 0.57%

LAB 41.9, 37.78, -66.31

 

CMYK 94 / 93 / 0 / 45

HEX #080A8B

RGB 8 10 139

HSL 239.08, 0.89%, 0.29%

LAB 16.17, 47.03, -66.32

 

CMYK 100 / 100 / 0 / 53

HEX #000078

RGB 0 0 120

HSL 240, 1%, 0.24%

LAB 11.66, 45.35, -61.77

 

CMYK 100 / 100 / 0 / 60

HEX #000065

RGB 0 0 101

HSL 240, 1%, 0.2%

LAB 8.48, 40.13, -54.66

 

CMYK 100 / 100 / 0 / 68

HEX #000052

RGB 0 0 82

HSL 240, 1%, 0.16%

LAB 5.5, 33.37, -46.76

 

CMYK 100 / 100 / 0 / 75

HEX #00003F

RGB 0 0 63

HSL 240, 1%, 0.12%

LAB 3.24, 22.73, -37.1

 

CMYK 94 / 93 / 0 / 45

HEX #080A8B

RGB 8 10 139

HSL 239.08, 0.89%, 0.29%

LAB 16.17, 47.03, -66.32

 

CMYK 71 / 94 / 0 / 45

HEX #29088B

RGB 41 8 139

HSL 255.11, 0.89%, 0.29%

LAB 17.96, 48.89, -63.28

 

CMYK 45 / 94 / 0 / 45

HEX #4D088B

RGB 77 8 139

HSL 271.6, 0.89%, 0.29%

LAB 22.36, 52.02, -55.86

 

CMYK 19 / 94 / 0 / 45

HEX #70088B

RGB 112 8 139

HSL 287.63, 0.89%, 0.29%

LAB 28.07, 56.84, -46.3

 

CMYK 0 / 94 / 6 / 45

HEX #8B0883

RGB 139 8 131

HSL 303.66, 0.89%, 0.29%

LAB 32.48, 60.2, -33.95

 

CMYK 94 / 93 / 0 / 45

HEX #080A8B

RGB 8 10 139

HSL 239.08, 0.89%, 0.29%

LAB 16.17, 47.03, -66.32

 

CMYK 94 / 94 / 0 / 45

HEX #08088B

RGB 8 8 139

HSL 240, 0.89%, 0.29%

LAB 15.95, 47.71, -66.68

 

CMYK 94 / 93 / 0 / 45

HEX #080A8B

RGB 8 10 139

HSL 239.08, 0.89%, 0.29%

LAB 16.17, 47.03, -66.32

 

CMYK 94 / 93 / 0 / 45

HEX #080A8B

RGB 8 10 139

HSL 239.08, 0.89%, 0.29%

LAB 16.17, 47.03, -66.32

 

CMYK 84 / 83 / 0 / 50

HEX #14157F

RGB 20 21 127

HSL 239.44, 0.73%, 0.29%

LAB 16.59, 38.89, -58.02

 

CMYK 72 / 71 / 0 / 55

HEX #202173

RGB 32 33 115

HSL 239.28, 0.56%, 0.29%

LAB 18.51, 28.5, -47.14

 

CMYK 57 / 57 / 0 / 60

HEX #2C2C67

RGB 44 44 103

HSL 240, 0.4%, 0.29%

LAB 21.27, 18.73, -34.83

 

CMYK 40 / 38 / 0 / 64

HEX #37385B

RGB 55 56 91

HSL 238.33, 0.25%, 0.29%

LAB 24.94, 9.35, -21.1

 

CMYK 94 / 42 / 0 / 45

HEX #08508B

RGB 8 80 139

HSL 207.02, 0.89%, 0.29%

LAB 33.25, 3.4, -38.37

 

CMYK 94 / 68 / 0 / 45

HEX #082D8B

RGB 8 45 139

HSL 223.05, 0.89%, 0.29%

LAB 22.97, 27.71, -55.04

 

CMYK 94 / 93 / 0 / 45

HEX #080A8B

RGB 8 10 139

HSL 239.08, 0.89%, 0.29%

LAB 16.17, 47.03, -66.32

 

CMYK 71 / 94 / 0 / 45

HEX #29088B

RGB 41 8 139

HSL 255.11, 0.89%, 0.29%

LAB 17.96, 48.89, -63.28

 

CMYK 45 / 94 / 0 / 45

HEX #4C088B

RGB 76 8 139

HSL 271.15, 0.89%, 0.29%

LAB 22.21, 51.9, -56.11

 

CMYK 95 / 93 / 0 / 76

HEX #03043D

RGB 3 4 61

HSL 238.97, 0.91%, 0.13%

LAB 4, 20.47, -34.41

 

CMYK 95 / 93 / 0 / 61

HEX #050764

RGB 5 7 100

HSL 238.74, 0.9%, 0.21%

LAB 9.83, 36.13, -51.73

 

CMYK 94 / 93 / 0 / 45

HEX #080A8B

RGB 8 10 139

HSL 239.08, 0.89%, 0.29%

LAB 16.17, 47.03, -66.32

 

CMYK 94 / 93 / 0 / 30

HEX #0A0CB2

RGB 10 12 178

HSL 239.29, 0.89%, 0.37%

LAB 22.09, 57.56, -80.33

 

CMYK 94 / 93 / 0 / 15

HEX #0C0FD9

RGB 12 15 217

HSL 239.12, 0.9%, 0.45%

LAB 27.93, 67.27, -93.54

 

CMYK 94 / 93 / 0 / 45

HEX #080A8B

RGB 8 10 139

HSL 239.08, 0.89%, 0.29%

LAB 16.17, 47.03, -66.32

 

CMYK 0 / 94 / 17 / 45

HEX #8B0873

RGB 139 8 115

HSL 310.99, 0.89%, 0.29%

LAB 31.58, 57.89, -25.29

 

CMYK 55 / 0 / 94 / 45

HEX #3E8B08

RGB 62 139 8

HSL 95.27, 0.89%, 0.29%

LAB 51.28, -44.39, 53

 

CMYK 94 / 93 / 0 / 45

HEX #080A8B

RGB 8 10 139

HSL 239.08, 0.89%, 0.29%

LAB 16.17, 47.03, -66.32

 

CMYK 0 / 94 / 93 / 45

HEX #8B080A

RGB 139 8 10

HSL 359.08, 0.89%, 0.29%

LAB 28.6, 49.84, 37.65

 

CMYK 93 / 0 / 94 / 45

HEX #0A8B08

RGB 10 139 8

HSL 119.08, 0.89%, 0.29%

LAB 50.15, -53.91, 51.61

 

CMYK 94 / 93 / 0 / 45

HEX #080A8B

RGB 8 10 139

HSL 239.08, 0.89%, 0.29%

LAB 16.17, 47.03, -66.32

 

CMYK 0 / 94 / 17 / 45

HEX #8B0873

RGB 139 8 115

HSL 310.99, 0.89%, 0.29%

LAB 31.58, 57.89, -25.29

 

CMYK 0 / 1 / 94 / 45

HEX #8B8908

RGB 139 137 8

HSL 59.08, 0.89%, 0.29%

LAB 55.48, -12.52, 58.4

 

CMYK 94 / 0 / 77 / 45

HEX #088B20

RGB 8 139 32

HSL 130.99, 0.89%, 0.29%

LAB 50.24, -52.72, 45.29

 

CMYK 94 / 93 / 0 / 45

HEX #080A8B

RGB 8 10 139

HSL 239.08, 0.89%, 0.29%

LAB 16.17, 47.03, -66.32

 

CMYK 0 / 94 / 45 / 45

HEX #8B084C

RGB 139 8 76

HSL 328.85, 0.89%, 0.29%

LAB 29.87, 53.37, -2.51

 

CMYK 0 / 1 / 94 / 45

HEX #8B8908

RGB 139 137 8

HSL 59.08, 0.89%, 0.29%

LAB 55.48, -12.52, 58.4

 

CMYK 94 / 0 / 49 / 45

HEX #088B47

RGB 8 139 71

HSL 148.85, 0.89%, 0.29%

LAB 50.65, -47.62, 27.57

 

Description

Color code: HEX #080A8B | qconv.com Color code: HEX #080A8B | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 10 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 10 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 93 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 93% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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