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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #07FA9D it is the complementary color #F80562. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #07FA9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #07FA9D shade: #0CFA98, #1DFFAB, #2EFFBE, #3FFFD1 and #50FFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #07FA9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #07FA9D shade: #07FA9D, #00E88A, #00D677, #00C464 and #00B251

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #07FA9D shade: #05FA9C, #05FA5A, #05FA18, #34FA05 and #76FA05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #07FA9D shade: #05FA9C, #05FADE, #05D4FA, #0592FA and #0550FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #07FA9D shade matches the following richer shades: #05FA9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #07FA9D shade: #05FA9C, #1AE597, #2ED193, #43BC8E and #58A789

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #07FA9D shade: #05FA1A, #05FA5B, #05FA9C, #05FADD and #05D5FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #07FA9D shade: #03A96A, #04D183, #05FA9C, #2EFBAC and #56FCBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #07FA9D shade: #07FA9D, #0532FA and #FA3A05

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #07FA9D shade: #07FA9D, #9C05FA and #FA9C05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #07FA9D shade: #07FA9D, #0532FA, #FA0563 and #FACD05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #07FA9D shade: #07FA9D, #2205FA, #FA0563 and #DDFA05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 37 / 2

HEX #07FA9D

RGB 7 250 157

HSL 157.04, 0.96%, 0.5%

LAB 87.41, -69.93, 31.06

 

Complementary color

CMYK 0 / 98 / 60 / 3

HEX #F80562

RGB 248 5 98

HSL 337.04, 0.96%, 0.5%

LAB 52.89, 80.75, 19.2

 

CMYK 95 / 0 / 39 / 2

HEX #0CFA98

RGB 12 250 152

HSL 155.29, 0.96%, 0.51%

LAB 87.35, -70.75, 33.47

 

CMYK 89 / 0 / 33 / 0

HEX #1DFFAB

RGB 29 255 171

HSL 157.7, 1%, 0.56%

LAB 89.26, -68.05, 26.52

 

CMYK 82 / 0 / 25 / 0

HEX #2EFFBE

RGB 46 255 190

HSL 161.34, 1%, 0.59%

LAB 89.78, -62.85, 17.57

 

CMYK 75 / 0 / 18 / 0

HEX #3FFFD1

RGB 63 255 209

HSL 165.63, 1%, 0.62%

LAB 90.4, -56.85, 8.72

 

CMYK 69 / 0 / 11 / 0

HEX #50FFE4

RGB 80 255 228

HSL 170.74, 1%, 0.66%

LAB 91.16, -50.15, 0.01

 

CMYK 97 / 0 / 37 / 2

HEX #07FA9D

RGB 7 250 157

HSL 157.04, 0.96%, 0.5%

LAB 87.41, -69.93, 31.06

 

CMYK 100 / 0 / 41 / 9

HEX #00E88A

RGB 0 232 138

HSL 155.69, 1%, 0.45%

LAB 81.59, -67.66, 32.87

 

CMYK 100 / 0 / 44 / 16

HEX #00D677

RGB 0 214 119

HSL 153.36, 1%, 0.42%

LAB 75.71, -65.12, 34.77

 

CMYK 100 / 0 / 49 / 23

HEX #00C464

RGB 0 196 100

HSL 150.61, 1%, 0.38%

LAB 69.75, -62.45, 36.69

 

CMYK 100 / 0 / 54 / 30

HEX #00B251

RGB 0 178 81

HSL 147.3, 1%, 0.35%

LAB 63.7, -59.6, 38.61

 

CMYK 98 / 0 / 38 / 2

HEX #05FA9C

RGB 5 250 156

HSL 156.98, 0.96%, 0.5%

LAB 87.39, -70.17, 31.53

 

CMYK 98 / 0 / 64 / 2

HEX #05FA5A

RGB 5 250 90

HSL 140.82, 0.96%, 0.5%

LAB 86.57, -80.05, 61.09

 

CMYK 98 / 0 / 90 / 2

HEX #05FA18

RGB 5 250 24

HSL 124.65, 0.96%, 0.5%

LAB 86.24, -84.32, 79.68

 

CMYK 79 / 0 / 98 / 2

HEX #34FA05

RGB 52 250 5

HSL 108.49, 0.96%, 0.5%

LAB 86.56, -81.55, 82

 

CMYK 53 / 0 / 98 / 2

HEX #76FA05

RGB 118 250 5

HSL 92.33, 0.96%, 0.5%

LAB 88.08, -68.74, 83.86

 

CMYK 98 / 0 / 38 / 2

HEX #05FA9C

RGB 5 250 156

HSL 156.98, 0.96%, 0.5%

LAB 87.39, -70.17, 31.53

 

CMYK 98 / 0 / 11 / 2

HEX #05FADE

RGB 5 250 222

HSL 173.14, 0.96%, 0.5%

LAB 88.77, -55, -0.45

 

CMYK 98 / 15 / 0 / 2

HEX #05D4FA

RGB 5 212 250

HSL 189.31, 0.96%, 0.5%

LAB 78.47, -29.85, -30.68

 

CMYK 98 / 42 / 0 / 2

HEX #0592FA

RGB 5 146 250

HSL 205.47, 0.96%, 0.5%

LAB 59.43, 5.97, -60.59

 

CMYK 98 / 68 / 0 / 2

HEX #0550FA

RGB 5 80 250

HSL 221.63, 0.96%, 0.5%

LAB 42.26, 47.18, -88.5

 

CMYK 98 / 0 / 38 / 2

HEX #05FA9C

RGB 5 250 156

HSL 156.98, 0.96%, 0.5%

LAB 87.39, -70.17, 31.53

 

CMYK 98 / 0 / 38 / 2

HEX #05FA9C

RGB 5 250 156

HSL 156.98, 0.96%, 0.5%

LAB 87.39, -70.17, 31.53

 

CMYK 89 / 0 / 34 / 10

HEX #1AE597

RGB 26 229 151

HSL 156.95, 0.8%, 0.5%

LAB 81.01, -63.11, 25.5

 

CMYK 78 / 0 / 30 / 18

HEX #2ED193

RGB 46 209 147

HSL 157.18, 0.64%, 0.5%

LAB 75.01, -54.91, 19.4

 

CMYK 64 / 0 / 24 / 26

HEX #43BC8E

RGB 67 188 142

HSL 157.19, 0.47%, 0.5%

LAB 68.83, -44.53, 13.55

 

CMYK 47 / 0 / 18 / 35

HEX #58A789

RGB 88 167 137

HSL 157.22, 0.31%, 0.5%

LAB 62.94, -31.62, 8.06

 

CMYK 98 / 0 / 90 / 2

HEX #05FA1A

RGB 5 250 26

HSL 125.14, 0.96%, 0.5%

LAB 86.24, -84.27, 79.39

 

CMYK 98 / 0 / 64 / 2

HEX #05FA5B

RGB 5 250 91

HSL 141.06, 0.96%, 0.5%

LAB 86.58, -79.95, 60.69

 

CMYK 98 / 0 / 38 / 2

HEX #05FA9C

RGB 5 250 156

HSL 156.98, 0.96%, 0.5%

LAB 87.39, -70.17, 31.53

 

CMYK 98 / 0 / 12 / 2

HEX #05FADD

RGB 5 250 221

HSL 172.9, 0.96%, 0.5%

LAB 88.74, -55.26, 0.03

 

CMYK 98 / 15 / 0 / 2

HEX #05D5FA

RGB 5 213 250

HSL 189.06, 0.96%, 0.5%

LAB 78.77, -30.34, -30.24

 

CMYK 98 / 0 / 37 / 34

HEX #03A96A

RGB 3 169 106

HSL 157.23, 0.97%, 0.34%

LAB 61.16, -51.85, 22.41

 

CMYK 98 / 0 / 37 / 18

HEX #04D183

RGB 4 209 131

HSL 157.17, 0.96%, 0.42%

LAB 74.36, -61.01, 26.85

 

CMYK 98 / 0 / 38 / 2

HEX #05FA9C

RGB 5 250 156

HSL 156.98, 0.96%, 0.5%

LAB 87.39, -70.17, 31.53

 

CMYK 82 / 0 / 31 / 2

HEX #2EFBAC

RGB 46 251 172

HSL 156.88, 0.96%, 0.58%

LAB 88.23, -65.24, 24.63

 

CMYK 66 / 0 / 25 / 1

HEX #56FCBC

RGB 86 252 188

HSL 156.87, 0.97%, 0.66%

LAB 89.5, -57.33, 18.31

 

CMYK 97 / 0 / 37 / 2

HEX #07FA9D

RGB 7 250 157

HSL 157.04, 0.96%, 0.5%

LAB 87.41, -69.93, 31.06

 

CMYK 98 / 80 / 0 / 2

HEX #0532FA

RGB 5 50 250

HSL 228.98, 0.96%, 0.5%

LAB 36.4, 63.7, -98.22

 

CMYK 0 / 77 / 98 / 2

HEX #FA3A05

RGB 250 58 5

HSL 12.98, 0.96%, 0.5%

LAB 55.44, 69.74, 66.38

 

CMYK 97 / 0 / 37 / 2

HEX #07FA9D

RGB 7 250 157

HSL 157.04, 0.96%, 0.5%

LAB 87.41, -69.93, 31.06

 

CMYK 38 / 98 / 0 / 2

HEX #9C05FA

RGB 156 5 250

HSL 276.98, 0.96%, 0.5%

LAB 44.35, 84.14, -84.71

 

CMYK 0 / 38 / 98 / 2

HEX #FA9C05

RGB 250 156 5

HSL 36.98, 0.96%, 0.5%

LAB 72.3, 26.58, 76.34

 

CMYK 97 / 0 / 37 / 2

HEX #07FA9D

RGB 7 250 157

HSL 157.04, 0.96%, 0.5%

LAB 87.41, -69.93, 31.06

 

CMYK 98 / 80 / 0 / 2

HEX #0532FA

RGB 5 50 250

HSL 228.98, 0.96%, 0.5%

LAB 36.4, 63.7, -98.22

 

CMYK 0 / 98 / 60 / 2

HEX #FA0563

RGB 250 5 99

HSL 336.98, 0.96%, 0.5%

LAB 53.31, 81.26, 19.23

 

CMYK 0 / 18 / 98 / 2

HEX #FACD05

RGB 250 205 5

HSL 48.98, 0.96%, 0.5%

LAB 83.96, 1.07, 84.38

 

CMYK 97 / 0 / 37 / 2

HEX #07FA9D

RGB 7 250 157

HSL 157.04, 0.96%, 0.5%

LAB 87.41, -69.93, 31.06

 

CMYK 86 / 98 / 0 / 2

HEX #2205FA

RGB 34 5 250

HSL 247.1, 0.96%, 0.5%

LAB 32.59, 77.52, -104.55

 

CMYK 0 / 98 / 60 / 2

HEX #FA0563

RGB 250 5 99

HSL 336.98, 0.96%, 0.5%

LAB 53.31, 81.26, 19.23

 

CMYK 12 / 0 / 98 / 2

HEX #DDFA05

RGB 221 250 5

HSL 67.1, 0.96%, 0.5%

LAB 93.34, -32.99, 90.21

 

Description

Color code: HEX #07FA9D | qconv.com Color code: HEX #07FA9D | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 250 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 250 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 37 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 37% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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