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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #07F488 it is the complementary color #F80B77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #07F488. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #07F488 shade: #0CF483, #1DFF96, #2EFFA9, #3FFFBC and #50FFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #07F488. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #07F488 shade: #07F488, #00E275, #00D062, #00BE4F and #00AC3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #07F488 shade: #07F287, #07F248, #07F209, #46F207 and #85F207

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #07F488 shade: #07F287, #07F2C7, #07DFF2, #079FF2 and #0760F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #07F488 shade matches the following richer shades: #07F287

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #07F488 shade: #07F287, #1CDE86, #30CA84, #44B682 and #58A280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #07F488 shade: #07F207, #07F246, #07F285, #07F2C3 and #07E3F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #07F488 shade: #05A25B, #06CA71, #07F287, #2BF89B and #53FAAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #07F488 shade: #07F488, #0746F2 and #F22707

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #07F488 shade: #07F488, #8507F2 and #F28507

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #07F488 shade: #07F488, #0746F2, #F20775 and #F2B407

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #07F488 shade: #07F488, #0F07F2, #F20775 and #EBF207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 44 / 4

HEX #07F488

RGB 7 244 136

HSL 152.66, 0.94%, 0.49%

LAB 85.26, -71.78, 38.65

 

Complementary color

CMYK 0 / 96 / 52 / 3

HEX #F80B77

RGB 248 11 119

HSL 332.66, 0.94%, 0.51%

LAB 53.52, 81.66, 7.35

 

CMYK 95 / 0 / 46 / 4

HEX #0CF483

RGB 12 244 131

HSL 150.78, 0.91%, 0.5%

LAB 85.21, -72.49, 41.02

 

CMYK 89 / 0 / 41 / 0

HEX #1DFF96

RGB 29 255 150

HSL 152.12, 1%, 0.56%

LAB 88.91, -72.07, 36.54

 

CMYK 82 / 0 / 34 / 0

HEX #2EFFA9

RGB 46 255 169

HSL 155.31, 1%, 0.59%

LAB 89.38, -67.28, 27.71

 

CMYK 75 / 0 / 26 / 0

HEX #3FFFBC

RGB 63 255 188

HSL 159.06, 1%, 0.62%

LAB 89.96, -61.63, 18.88

 

CMYK 69 / 0 / 19 / 0

HEX #50FFCF

RGB 80 255 207

HSL 163.54, 1%, 0.66%

LAB 90.66, -55.21, 10.15

 

CMYK 97 / 0 / 44 / 4

HEX #07F488

RGB 7 244 136

HSL 152.66, 0.94%, 0.49%

LAB 85.26, -71.78, 38.65

 

CMYK 100 / 0 / 48 / 11

HEX #00E275

RGB 0 226 117

HSL 151.06, 1%, 0.44%

LAB 79.43, -69.37, 40.5

 

CMYK 100 / 0 / 53 / 18

HEX #00D062

RGB 0 208 98

HSL 148.27, 1%, 0.41%

LAB 73.54, -66.62, 42.37

 

CMYK 100 / 0 / 58 / 25

HEX #00BE4F

RGB 0 190 79

HSL 144.95, 1%, 0.37%

LAB 67.57, -63.69, 44.19

 

CMYK 100 / 0 / 65 / 33

HEX #00AC3C

RGB 0 172 60

HSL 140.93, 1%, 0.34%

LAB 61.51, -60.52, 45.83

 

CMYK 97 / 0 / 44 / 5

HEX #07F287

RGB 7 242 135

HSL 152.68, 0.94%, 0.49%

LAB 84.64, -71.31, 38.34

 

CMYK 97 / 0 / 70 / 5

HEX #07F248

RGB 7 242 72

HSL 136.6, 0.94%, 0.49%

LAB 83.97, -79.47, 65.21

 

CMYK 97 / 0 / 96 / 5

HEX #07F209

RGB 7 242 9

HSL 120.51, 0.94%, 0.49%

LAB 83.74, -82.48, 79.25

 

CMYK 71 / 0 / 97 / 5

HEX #46F207

RGB 70 242 7

HSL 103.91, 0.94%, 0.49%

LAB 84.39, -76.69, 80.21

 

CMYK 45 / 0 / 97 / 5

HEX #85F207

RGB 133 242 7

HSL 87.83, 0.94%, 0.49%

LAB 86.26, -61.56, 82.49

 

CMYK 97 / 0 / 44 / 5

HEX #07F287

RGB 7 242 135

HSL 152.68, 0.94%, 0.49%

LAB 84.64, -71.31, 38.34

 

CMYK 97 / 0 / 18 / 5

HEX #07F2C7

RGB 7 242 199

HSL 169.02, 0.94%, 0.49%

LAB 85.84, -57.69, 7.3

 

CMYK 97 / 8 / 0 / 5

HEX #07DFF2

RGB 7 223 242

HSL 184.85, 0.94%, 0.49%

LAB 81.42, -37.56, -21.93

 

CMYK 97 / 34 / 0 / 5

HEX #079FF2

RGB 7 159 242

HSL 201.19, 0.94%, 0.49%

LAB 62.72, -4.6, -50.95

 

CMYK 97 / 60 / 0 / 5

HEX #0760F2

RGB 7 96 242

HSL 217.28, 0.94%, 0.49%

LAB 45.39, 34.25, -78.88

 

CMYK 97 / 0 / 44 / 5

HEX #07F287

RGB 7 242 135

HSL 152.68, 0.94%, 0.49%

LAB 84.64, -71.31, 38.34

 

CMYK 97 / 0 / 44 / 5

HEX #07F287

RGB 7 242 135

HSL 152.68, 0.94%, 0.49%

LAB 84.64, -71.31, 38.34

 

CMYK 87 / 0 / 40 / 13

HEX #1CDE86

RGB 28 222 134

HSL 152.78, 0.78%, 0.49%

LAB 78.58, -63.88, 30.96

 

CMYK 76 / 0 / 35 / 21

HEX #30CA84

RGB 48 202 132

HSL 152.73, 0.62%, 0.49%

LAB 72.58, -55.17, 24.01

 

CMYK 63 / 0 / 29 / 29

HEX #44B682

RGB 68 182 130

HSL 152.63, 0.46%, 0.49%

LAB 66.75, -44.45, 17.16

 

CMYK 46 / 0 / 21 / 36

HEX #58A280

RGB 88 162 128

HSL 152.43, 0.3%, 0.49%

LAB 61.2, -31.24, 10.61

 

CMYK 97 / 0 / 97 / 5

HEX #07F207

RGB 7 242 7

HSL 120, 0.94%, 0.49%

LAB 83.74, -82.51, 79.41

 

CMYK 97 / 0 / 71 / 5

HEX #07F246

RGB 7 242 70

HSL 136.09, 0.94%, 0.49%

LAB 83.96, -79.64, 65.91

 

CMYK 97 / 0 / 45 / 5

HEX #07F285

RGB 7 242 133

HSL 152.17, 0.94%, 0.49%

LAB 84.61, -71.65, 39.28

 

CMYK 97 / 0 / 19 / 5

HEX #07F2C3

RGB 7 242 195

HSL 168, 0.94%, 0.49%

LAB 85.75, -58.68, 9.25

 

CMYK 97 / 6 / 0 / 5

HEX #07E3F2

RGB 7 227 242

HSL 183.83, 0.94%, 0.49%

LAB 82.59, -39.39, -20.16

 

CMYK 97 / 0 / 44 / 36

HEX #05A25B

RGB 5 162 91

HSL 152.87, 0.94%, 0.33%

LAB 58.63, -52.25, 27.12

 

CMYK 97 / 0 / 44 / 21

HEX #06CA71

RGB 6 202 113

HSL 152.76, 0.94%, 0.41%

LAB 71.87, -61.97, 32.85

 

CMYK 97 / 0 / 44 / 5

HEX #07F287

RGB 7 242 135

HSL 152.68, 0.94%, 0.49%

LAB 84.64, -71.31, 38.34

 

CMYK 83 / 0 / 38 / 3

HEX #2BF89B

RGB 43 248 155

HSL 152.78, 0.94%, 0.57%

LAB 87, -67.8, 31.55

 

CMYK 67 / 0 / 30 / 2

HEX #53FAAE

RGB 83 250 174

HSL 152.69, 0.94%, 0.65%

LAB 88.57, -59.92, 24.18

 

CMYK 97 / 0 / 44 / 4

HEX #07F488

RGB 7 244 136

HSL 152.66, 0.94%, 0.49%

LAB 85.26, -71.78, 38.65

 

CMYK 97 / 71 / 0 / 5

HEX #0746F2

RGB 7 70 242

HSL 223.91, 0.94%, 0.49%

LAB 39.3, 50.37, -88.9

 

CMYK 0 / 84 / 97 / 5

HEX #F22707

RGB 242 39 7

HSL 8.17, 0.94%, 0.49%

LAB 52.22, 72.27, 63.51

 

CMYK 97 / 0 / 44 / 4

HEX #07F488

RGB 7 244 136

HSL 152.66, 0.94%, 0.49%

LAB 85.26, -71.78, 38.65

 

CMYK 45 / 97 / 0 / 5

HEX #8507F2

RGB 133 7 242

HSL 272.17, 0.94%, 0.49%

LAB 40.49, 80.15, -86.67

 

CMYK 0 / 45 / 97 / 5

HEX #F28507

RGB 242 133 7

HSL 32.17, 0.94%, 0.49%

LAB 66.27, 35.23, 71.62

 

CMYK 97 / 0 / 44 / 4

HEX #07F488

RGB 7 244 136

HSL 152.66, 0.94%, 0.49%

LAB 85.26, -71.78, 38.65

 

CMYK 97 / 71 / 0 / 5

HEX #0746F2

RGB 7 70 242

HSL 223.91, 0.94%, 0.49%

LAB 39.3, 50.37, -88.9

 

CMYK 0 / 97 / 52 / 5

HEX #F20775

RGB 242 7 117

HSL 331.91, 0.94%, 0.49%

LAB 52.19, 80.48, 6.5

 

CMYK 0 / 26 / 97 / 5

HEX #F2B407

RGB 242 180 7

HSL 44.17, 0.94%, 0.49%

LAB 77, 10.61, 78.89

 

CMYK 97 / 0 / 44 / 4

HEX #07F488

RGB 7 244 136

HSL 152.66, 0.94%, 0.49%

LAB 85.26, -71.78, 38.65

 

CMYK 94 / 97 / 0 / 5

HEX #0F07F2

RGB 15 7 242

HSL 242.04, 0.94%, 0.49%

LAB 31.03, 75.08, -102.66

 

CMYK 0 / 97 / 52 / 5

HEX #F20775

RGB 242 7 117

HSL 331.91, 0.94%, 0.49%

LAB 52.19, 80.48, 6.5

 

CMYK 3 / 0 / 97 / 5

HEX #EBF207

RGB 235 242 7

HSL 61.79, 0.94%, 0.49%

LAB 92.21, -23.55, 89.66

 

Description

Color code: HEX #07F488 | qconv.com Color code: HEX #07F488 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 244 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 244 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 44 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 44% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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