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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #07D752 it is the complementary color #F828AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #07D752. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #07D752 shade: #0CD74D, #1DE960, #2EFB73, #3FFF86 and #50FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #07D752. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #07D752 shade: #07D752, #00C53F, #00B32C, #00A119 and #008F06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #07D752 shade: #07DA53, #07DA1A, #2CDA07, #65DA07 and #9EDA07

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #07D752 shade: #07DA53, #07DA8C, #07DAC5, #07B6DA and #077DDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #07D752 shade matches the following richer shades: #07DA53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #07D752 shade: #07DA53, #19C858, #2BB55D, #3DA362 and #4F9167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #07D752 shade: #2DDA07, #07DA18, #07DA51, #07DA89 and #07DAC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #07D752 shade: #048A34, #05B244, #07DA53, #12F865 and #3AF97F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #07D752 shade: #07D752, #0766DA and #DA0711

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #07D752 shade: #07D752, #5107DA and #DA5107

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #07D752 shade: #07D752, #0766DA, #DA0790 and #DA7B07

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #07D752 shade: #07D752, #0726DA, #DA0790 and #DABA07

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 62 / 16

HEX #07D752

RGB 7 215 82

HSL 141.63, 0.94%, 0.44%

LAB 75.61, -70.67, 52.14

 

Complementary color

CMYK 0 / 84 / 30 / 3

HEX #F828AD

RGB 248 40 173

HSL 321.63, 0.94%, 0.56%

LAB 56.58, 82.6, -20.21

 

CMYK 94 / 0 / 64 / 16

HEX #0CD74D

RGB 12 215 77

HSL 139.21, 0.89%, 0.45%

LAB 75.58, -71.06, 54.24

 

CMYK 88 / 0 / 59 / 9

HEX #1DE960

RGB 29 233 96

HSL 139.71, 0.82%, 0.51%

LAB 81.5, -73.31, 52.82

 

CMYK 82 / 0 / 54 / 2

HEX #2EFB73

RGB 46 251 115

HSL 140.2, 0.96%, 0.58%

LAB 87.39, -75.01, 51.31

 

CMYK 75 / 0 / 47 / 0

HEX #3FFF86

RGB 63 255 134

HSL 142.19, 1%, 0.62%

LAB 89.06, -71.68, 44.56

 

CMYK 69 / 0 / 40 / 0

HEX #50FF99

RGB 80 255 153

HSL 145.03, 1%, 0.66%

LAB 89.64, -66.17, 36.14

 

CMYK 97 / 0 / 62 / 16

HEX #07D752

RGB 7 215 82

HSL 141.63, 0.94%, 0.44%

LAB 75.61, -70.67, 52.14

 

CMYK 100 / 0 / 68 / 23

HEX #00C53F

RGB 0 197 63

HSL 139.19, 1%, 0.39%

LAB 69.68, -67.68, 53.51

 

CMYK 100 / 0 / 75 / 30

HEX #00B32C

RGB 0 179 44

HSL 134.75, 1%, 0.35%

LAB 63.69, -64.15, 54.45

 

CMYK 100 / 0 / 84 / 37

HEX #00A119

RGB 0 161 25

HSL 129.32, 1%, 0.32%

LAB 57.62, -60.23, 54.49

 

CMYK 100 / 0 / 96 / 44

HEX #008F06

RGB 0 143 6

HSL 122.52, 1%, 0.28%

LAB 51.45, -55.83, 53.02

 

CMYK 97 / 0 / 62 / 15

HEX #07DA53

RGB 7 218 83

HSL 141.61, 0.94%, 0.44%

LAB 76.57, -71.44, 52.79

 

CMYK 97 / 0 / 88 / 15

HEX #07DA1A

RGB 7 218 26

HSL 125.4, 0.94%, 0.44%

LAB 76.23, -75.72, 70.8

 

CMYK 80 / 0 / 97 / 15

HEX #2CDA07

RGB 44 218 7

HSL 109.48, 0.94%, 0.44%

LAB 76.49, -73.49, 73.63

 

CMYK 54 / 0 / 97 / 15

HEX #65DA07

RGB 101 218 7

HSL 93.27, 0.94%, 0.44%

LAB 77.83, -62.22, 75.27

 

CMYK 28 / 0 / 97 / 15

HEX #9EDA07

RGB 158 218 7

HSL 77.06, 0.94%, 0.44%

LAB 80.42, -43.39, 78.42

 

CMYK 97 / 0 / 62 / 15

HEX #07DA53

RGB 7 218 83

HSL 141.61, 0.94%, 0.44%

LAB 76.57, -71.44, 52.79

 

CMYK 97 / 0 / 36 / 15

HEX #07DA8C

RGB 7 218 140

HSL 157.82, 0.94%, 0.44%

LAB 77.33, -62.26, 26.18

 

CMYK 97 / 0 / 10 / 15

HEX #07DAC5

RGB 7 218 197

HSL 174.03, 0.94%, 0.44%

LAB 78.59, -48.52, -2.18

 

CMYK 97 / 17 / 0 / 15

HEX #07B6DA

RGB 7 182 218

HSL 190.24, 0.94%, 0.44%

LAB 68.43, -25.52, -28.84

 

CMYK 97 / 43 / 0 / 15

HEX #077DDA

RGB 7 125 218

HSL 206.45, 0.94%, 0.44%

LAB 51.58, 6.47, -55.34

 

CMYK 97 / 0 / 62 / 15

HEX #07DA53

RGB 7 218 83

HSL 141.61, 0.94%, 0.44%

LAB 76.57, -71.44, 52.79

 

CMYK 97 / 0 / 62 / 15

HEX #07DA53

RGB 7 218 83

HSL 141.61, 0.94%, 0.44%

LAB 76.57, -71.44, 52.79

 

CMYK 88 / 0 / 56 / 22

HEX #19C858

RGB 25 200 88

HSL 141.6, 0.78%, 0.44%

LAB 71.02, -64.35, 44.11

 

CMYK 76 / 0 / 49 / 29

HEX #2BB55D

RGB 43 181 93

HSL 141.74, 0.62%, 0.44%

LAB 65.24, -55.3, 34.62

 

CMYK 63 / 0 / 40 / 36

HEX #3DA362

RGB 61 163 98

HSL 141.76, 0.46%, 0.44%

LAB 59.95, -44.42, 25.27

 

CMYK 46 / 0 / 29 / 43

HEX #4F9167

RGB 79 145 103

HSL 141.82, 0.29%, 0.44%

LAB 54.96, -30.96, 15.9

 

CMYK 79 / 0 / 97 / 15

HEX #2DDA07

RGB 45 218 7

HSL 109.19, 0.94%, 0.44%

LAB 76.51, -73.36, 73.65

 

CMYK 97 / 0 / 89 / 15

HEX #07DA18

RGB 7 218 24

HSL 124.83, 0.94%, 0.44%

LAB 76.22, -75.78, 71.15

 

CMYK 97 / 0 / 63 / 15

HEX #07DA51

RGB 7 218 81

HSL 141.04, 0.94%, 0.44%

LAB 76.55, -71.67, 53.62

 

CMYK 97 / 0 / 37 / 15

HEX #07DA89

RGB 7 218 137

HSL 156.97, 0.94%, 0.44%

LAB 77.28, -62.86, 27.66

 

CMYK 97 / 0 / 11 / 15

HEX #07DAC1

RGB 7 218 193

HSL 172.89, 0.94%, 0.44%

LAB 78.48, -49.61, -0.19

 

CMYK 97 / 0 / 62 / 46

HEX #048A34

RGB 4 138 52

HSL 141.49, 0.94%, 0.28%

LAB 50.04, -50.52, 36.52

 

CMYK 97 / 0 / 62 / 30

HEX #05B244

RGB 5 178 68

HSL 141.85, 0.95%, 0.36%

LAB 63.58, -61.17, 44.62

 

CMYK 97 / 0 / 62 / 15

HEX #07DA53

RGB 7 218 83

HSL 141.61, 0.94%, 0.44%

LAB 76.57, -71.44, 52.79

 

CMYK 93 / 0 / 59 / 3

HEX #12F865

RGB 18 248 101

HSL 141.65, 0.94%, 0.52%

LAB 86.11, -77.8, 55.96

 

CMYK 77 / 0 / 49 / 2

HEX #3AF97F

RGB 58 249 127

HSL 141.68, 0.94%, 0.6%

LAB 87.09, -71.37, 45.4

 

CMYK 97 / 0 / 62 / 16

HEX #07D752

RGB 7 215 82

HSL 141.63, 0.94%, 0.44%

LAB 75.61, -70.67, 52.14

 

CMYK 97 / 53 / 0 / 15

HEX #0766DA

RGB 7 102 218

HSL 212.99, 0.94%, 0.44%

LAB 45.1, 21.07, -65.81

 

CMYK 0 / 97 / 92 / 15

HEX #DA0711

RGB 218 7 17

HSL 357.16, 0.94%, 0.44%

LAB 45.77, 70.72, 54.52

 

CMYK 97 / 0 / 62 / 16

HEX #07D752

RGB 7 215 82

HSL 141.63, 0.94%, 0.44%

LAB 75.61, -70.67, 52.14

 

CMYK 63 / 97 / 0 / 15

HEX #5107DA

RGB 81 7 218

HSL 261.04, 0.94%, 0.44%

LAB 31.72, 71.09, -87.68

 

CMYK 0 / 63 / 97 / 15

HEX #DA5107

RGB 218 81 7

HSL 21.04, 0.94%, 0.44%

LAB 52.74, 51.18, 61.4

 

CMYK 97 / 0 / 62 / 16

HEX #07D752

RGB 7 215 82

HSL 141.63, 0.94%, 0.44%

LAB 75.61, -70.67, 52.14

 

CMYK 97 / 53 / 0 / 15

HEX #0766DA

RGB 7 102 218

HSL 212.99, 0.94%, 0.44%

LAB 45.1, 21.07, -65.81

 

CMYK 0 / 97 / 34 / 15

HEX #DA0790

RGB 218 7 144

HSL 321.04, 0.94%, 0.44%

LAB 48.35, 77.65, -16.07

 

CMYK 0 / 44 / 97 / 15

HEX #DA7B07

RGB 218 123 7

HSL 32.99, 0.94%, 0.44%

LAB 60.86, 30.6, 66.5

 

CMYK 97 / 0 / 62 / 16

HEX #07D752

RGB 7 215 82

HSL 141.63, 0.94%, 0.44%

LAB 75.61, -70.67, 52.14

 

CMYK 97 / 83 / 0 / 15

HEX #0726DA

RGB 7 38 218

HSL 231.18, 0.94%, 0.44%

LAB 30.62, 59.49, -89.62

 

CMYK 0 / 97 / 34 / 15

HEX #DA0790

RGB 218 7 144

HSL 321.04, 0.94%, 0.44%

LAB 48.35, 77.65, -16.07

 

CMYK 0 / 15 / 97 / 15

HEX #DABA07

RGB 218 186 7

HSL 50.9, 0.94%, 0.44%

LAB 76.09, -2.94, 77.13

 

Description

Color code: HEX #07D752 | qconv.com Color code: HEX #07D752 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 215 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 215 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 62 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 62% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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