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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #07AA22 it is the complementary color #F855DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #07AA22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #07AA22 shade: #0CAA1D, #1DBC30, #2ECE43, #3FE056 and #50F269

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #07AA22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #07AA22 shade: #07AA22, #00980F, #008600, #007400 and #006200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #07AA22 shade: #07AB22, #18AB07, #45AB07, #71AB07 and #9DAB07

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #07AA22 shade: #07AB22, #07AB4F, #07AB7B, #07ABA7 and #0783AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #07AA22 shade matches the following richer shades: #07AB22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #07AA22 shade: #07AB22, #169D2C, #248E36, #32803F and #417249

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #07AA22 shade: #46AB07, #1AAB07, #07AB20, #07AB4C and #07AB77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #07AA22 shade: #045C12, #05841A, #07AB22, #09D32A and #10F536

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #07AA22 shade: #07AA22, #0772AB and #AB0730

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #07AA22 shade: #07AA22, #2007AB and #AB2007

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #07AA22 shade: #07AA22, #0772AB, #AB0793 and #AB4107

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #07AA22 shade: #07AA22, #0741AB, #AB0793 and #AB7207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 80 / 33

HEX #07AA22

RGB 7 170 34

HSL 129.94, 0.92%, 0.35%

LAB 60.7, -61.91, 54.82

 

Complementary color

CMYK 0 / 66 / 11 / 3

HEX #F855DD

RGB 248 85 221

HSL 309.94, 0.92%, 0.65%

LAB 63.07, 75.85, -37.6

 

CMYK 93 / 0 / 83 / 33

HEX #0CAA1D

RGB 12 170 29

HSL 126.46, 0.87%, 0.36%

LAB 60.71, -61.96, 56.29

 

CMYK 85 / 0 / 74 / 26

HEX #1DBC30

RGB 29 188 48

HSL 127.17, 0.73%, 0.43%

LAB 66.86, -64.66, 56.29

 

CMYK 78 / 0 / 67 / 19

HEX #2ECE43

RGB 46 206 67

HSL 127.88, 0.63%, 0.49%

LAB 72.98, -66.57, 55.57

 

CMYK 72 / 0 / 62 / 12

HEX #3FE056

RGB 63 224 86

HSL 128.57, 0.72%, 0.56%

LAB 79.06, -67.88, 54.49

 

CMYK 67 / 0 / 57 / 5

HEX #50F269

RGB 80 242 105

HSL 129.26, 0.86%, 0.63%

LAB 85.11, -68.76, 53.24

 

CMYK 96 / 0 / 80 / 33

HEX #07AA22

RGB 7 170 34

HSL 129.94, 0.92%, 0.35%

LAB 60.7, -61.91, 54.82

 

CMYK 100 / 0 / 90 / 40

HEX #00980F

RGB 0 152 15

HSL 125.92, 1%, 0.3%

LAB 54.54, -58.11, 54.07

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 100 / 0 / 100 / 55

HEX #007400

RGB 0 116 0

HSL 120, 1%, 0.23%

LAB 41.99, -48.17, 46.5

 

CMYK 100 / 0 / 100 / 62

HEX #006200

RGB 0 98 0

HSL 120, 1%, 0.19%

LAB 35.47, -42.76, 41.27

 

CMYK 96 / 0 / 80 / 33

HEX #07AB22

RGB 7 171 34

HSL 129.88, 0.92%, 0.35%

LAB 61.03, -62.21, 55.14

 

CMYK 86 / 0 / 96 / 33

HEX #18AB07

RGB 24 171 7

HSL 113.78, 0.92%, 0.35%

LAB 61.08, -62.16, 60.92

 

CMYK 60 / 0 / 96 / 33

HEX #45AB07

RGB 69 171 7

HSL 97.32, 0.92%, 0.35%

LAB 62, -54.2, 62.06

 

CMYK 34 / 0 / 96 / 33

HEX #71AB07

RGB 113 171 7

HSL 81.22, 0.92%, 0.35%

LAB 63.88, -40.07, 64.35

 

CMYK 8 / 0 / 96 / 33

HEX #9DAB07

RGB 157 171 7

HSL 65.12, 0.92%, 0.35%

LAB 66.76, -22.02, 67.83

 

CMYK 96 / 0 / 80 / 33

HEX #07AB22

RGB 7 171 34

HSL 129.88, 0.92%, 0.35%

LAB 61.03, -62.21, 55.14

 

CMYK 96 / 0 / 54 / 33

HEX #07AB4F

RGB 7 171 79

HSL 146.34, 0.92%, 0.35%

LAB 61.43, -57.3, 36.84

 

CMYK 96 / 0 / 28 / 33

HEX #07AB7B

RGB 7 171 123

HSL 162.44, 0.92%, 0.35%

LAB 62.17, -48.61, 14.49

 

CMYK 96 / 0 / 2 / 33

HEX #07ABA7

RGB 7 171 167

HSL 178.54, 0.92%, 0.35%

LAB 63.31, -36.61, -8.37

 

CMYK 96 / 23 / 0 / 33

HEX #0783AB

RGB 7 131 171

HSL 194.63, 0.92%, 0.35%

LAB 50.94, -15.05, -29.5

 

CMYK 96 / 0 / 80 / 33

HEX #07AB22

RGB 7 171 34

HSL 129.88, 0.92%, 0.35%

LAB 61.03, -62.21, 55.14

 

CMYK 96 / 0 / 80 / 33

HEX #07AB22

RGB 7 171 34

HSL 129.88, 0.92%, 0.35%

LAB 61.03, -62.21, 55.14

 

CMYK 86 / 0 / 72 / 38

HEX #169D2C

RGB 22 157 44

HSL 129.78, 0.75%, 0.35%

LAB 56.55, -56.15, 47.21

 

CMYK 75 / 0 / 62 / 44

HEX #248E36

RGB 36 142 54

HSL 130.19, 0.6%, 0.35%

LAB 51.82, -48.19, 37.72

 

CMYK 61 / 0 / 51 / 50

HEX #32803F

RGB 50 128 63

HSL 130, 0.44%, 0.35%

LAB 47.59, -38.6, 28.17

 

CMYK 43 / 0 / 36 / 55

HEX #417249

RGB 65 114 73

HSL 129.8, 0.27%, 0.35%

LAB 43.71, -26.15, 17.67

 

CMYK 59 / 0 / 96 / 33

HEX #46AB07

RGB 70 171 7

HSL 96.95, 0.92%, 0.35%

LAB 62.03, -53.94, 62.1

 

CMYK 85 / 0 / 96 / 33

HEX #1AAB07

RGB 26 171 7

HSL 113.05, 0.92%, 0.35%

LAB 61.1, -61.96, 60.95

 

CMYK 96 / 0 / 81 / 33

HEX #07AB20

RGB 7 171 32

HSL 129.15, 0.92%, 0.35%

LAB 61.02, -62.33, 55.73

 

CMYK 96 / 0 / 56 / 33

HEX #07AB4C

RGB 7 171 76

HSL 145.24, 0.92%, 0.35%

LAB 61.39, -57.75, 38.27

 

CMYK 96 / 0 / 30 / 33

HEX #07AB77

RGB 7 171 119

HSL 160.98, 0.92%, 0.35%

LAB 62.09, -49.55, 16.58

 

CMYK 96 / 0 / 80 / 64

HEX #045C12

RGB 4 92 18

HSL 129.55, 0.92%, 0.19%

LAB 33.4, -39.21, 33.73

 

CMYK 96 / 0 / 80 / 48

HEX #05841A

RGB 5 132 26

HSL 129.92, 0.93%, 0.27%

LAB 47.76, -51.25, 44.95

 

CMYK 96 / 0 / 80 / 33

HEX #07AB22

RGB 7 171 34

HSL 129.88, 0.92%, 0.35%

LAB 61.03, -62.21, 55.14

 

CMYK 96 / 0 / 80 / 17

HEX #09D32A

RGB 9 211 42

HSL 129.8, 0.92%, 0.43%

LAB 74.07, -72.98, 65.15

 

CMYK 93 / 0 / 78 / 4

HEX #10F536

RGB 16 245 54

HSL 129.96, 0.92%, 0.51%

LAB 84.83, -81.33, 71.95

 

CMYK 96 / 0 / 80 / 33

HEX #07AA22

RGB 7 170 34

HSL 129.94, 0.92%, 0.35%

LAB 60.7, -61.91, 54.82

 

CMYK 96 / 33 / 0 / 33

HEX #0772AB

RGB 7 114 171

HSL 200.85, 0.92%, 0.35%

LAB 45.66, -5.19, -37.78

 

CMYK 0 / 96 / 72 / 33

HEX #AB0730

RGB 171 7 48

HSL 345, 0.92%, 0.35%

LAB 36.03, 59.66, 25.39

 

CMYK 96 / 0 / 80 / 33

HEX #07AA22

RGB 7 170 34

HSL 129.94, 0.92%, 0.35%

LAB 60.7, -61.91, 54.82

 

CMYK 81 / 96 / 0 / 33

HEX #2007AB

RGB 32 7 171

HSL 249.15, 0.92%, 0.35%

LAB 21.58, 57.36, -76.96

 

CMYK 0 / 81 / 96 / 33

HEX #AB2007

RGB 171 32 7

HSL 9.15, 0.92%, 0.35%

LAB 37.31, 53.85, 47.9

 

CMYK 96 / 0 / 80 / 33

HEX #07AA22

RGB 7 170 34

HSL 129.94, 0.92%, 0.35%

LAB 60.7, -61.91, 54.82

 

CMYK 96 / 33 / 0 / 33

HEX #0772AB

RGB 7 114 171

HSL 200.85, 0.92%, 0.35%

LAB 45.66, -5.19, -37.78

 

CMYK 0 / 96 / 14 / 33

HEX #AB0793

RGB 171 7 147

HSL 308.78, 0.92%, 0.35%

LAB 39.44, 68.67, -32.42

 

CMYK 0 / 62 / 96 / 33

HEX #AB4107

RGB 171 65 7

HSL 21.22, 0.92%, 0.35%

LAB 41.93, 41.24, 50.71

 

CMYK 96 / 0 / 80 / 33

HEX #07AA22

RGB 7 170 34

HSL 129.94, 0.92%, 0.35%

LAB 60.7, -61.91, 54.82

 

CMYK 96 / 62 / 0 / 33

HEX #0741AB

RGB 7 65 171

HSL 218.78, 0.92%, 0.35%

LAB 31.27, 26.89, -60.95

 

CMYK 0 / 96 / 14 / 33

HEX #AB0793

RGB 171 7 147

HSL 308.78, 0.92%, 0.35%

LAB 39.44, 68.67, -32.42

 

CMYK 0 / 33 / 96 / 33

HEX #AB7207

RGB 171 114 7

HSL 39.15, 0.92%, 0.35%

LAB 52.63, 15.09, 57.96

 

Description

Color code: HEX #07AA22 | qconv.com Color code: HEX #07AA22 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 170 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 170 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 80 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 80% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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