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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #07A41E it is the complementary color #F85BE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #07A41E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #07A41E shade: #0CA419, #1DB62C, #2EC83F, #3FDA52 and #50EC65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #07A41E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #07A41E shade: #07A41E, #00920B, #008000, #006E00 and #005C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #07A41E shade: #07A61E, #1BA607, #46A607, #71A607 and #9CA607

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #07A41E shade: #07A61E, #07A649, #07A674, #07A69F and #0783A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #07A41E shade matches the following richer shades: #07A61E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #07A41E shade: #07A61E, #159828, #238A32, #317C3C and #3F6E46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #07A41E shade: #47A607, #1CA607, #07A61C, #07A647 and #07A671

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #07A41E shade: #045710, #057F17, #07A61E, #09CE26 and #0BF52D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #07A41E shade: #07A41E, #0771A6 and #A60731

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #07A41E shade: #07A41E, #1C07A6 and #A61C07

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #07A41E shade: #07A41E, #0771A6, #A60791 and #A63C07

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #07A41E shade: #07A41E, #0741A6, #A60791 and #A66C07

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 82 / 36

HEX #07A41E

RGB 7 164 30

HSL 128.79, 0.92%, 0.34%

LAB 58.69, -60.42, 54.11

 

Complementary color

CMYK 0 / 63 / 9 / 3

HEX #F85BE1

RGB 248 91 225

HSL 308.79, 0.92%, 0.66%

LAB 64.06, 74.19, -38.3

 

CMYK 93 / 0 / 85 / 36

HEX #0CA419

RGB 12 164 25

HSL 125.13, 0.86%, 0.35%

LAB 58.69, -60.43, 55.5

 

CMYK 84 / 0 / 76 / 29

HEX #1DB62C

RGB 29 182 44

HSL 125.88, 0.73%, 0.41%

LAB 64.88, -63.16, 55.71

 

CMYK 77 / 0 / 69 / 22

HEX #2EC83F

RGB 46 200 63

HSL 126.62, 0.63%, 0.48%

LAB 71.04, -65.06, 55.09

 

CMYK 71 / 0 / 62 / 15

HEX #3FDA52

RGB 63 218 82

HSL 127.35, 0.68%, 0.55%

LAB 77.17, -66.35, 54.06

 

CMYK 66 / 0 / 57 / 7

HEX #50EC65

RGB 80 236 101

HSL 128.08, 0.8%, 0.62%

LAB 83.25, -67.21, 52.84

 

CMYK 96 / 0 / 82 / 36

HEX #07A41E

RGB 7 164 30

HSL 128.79, 0.92%, 0.34%

LAB 58.69, -60.42, 54.11

 

CMYK 100 / 0 / 92 / 43

HEX #00920B

RGB 0 146 11

HSL 124.52, 1%, 0.29%

LAB 52.49, -56.53, 53.05

 

CMYK 100 / 0 / 100 / 50

HEX #008000

RGB 0 128 0

HSL 120, 1%, 0.25%

LAB 46.23, -51.7, 49.9

 

CMYK 100 / 0 / 100 / 57

HEX #006E00

RGB 0 110 0

HSL 120, 1%, 0.22%

LAB 39.84, -46.39, 44.77

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 96 / 0 / 82 / 35

HEX #07A61E

RGB 7 166 30

HSL 128.68, 0.92%, 0.34%

LAB 59.35, -61, 54.74

 

CMYK 84 / 0 / 96 / 35

HEX #1BA607

RGB 27 166 7

HSL 112.45, 0.92%, 0.34%

LAB 59.45, -60.38, 59.59

 

CMYK 58 / 0 / 96 / 35

HEX #46A607

RGB 70 166 7

HSL 96.23, 0.92%, 0.34%

LAB 60.42, -52.16, 60.78

 

CMYK 32 / 0 / 96 / 35

HEX #71A607

RGB 113 166 7

HSL 80, 0.92%, 0.34%

LAB 62.34, -37.88, 63.13

 

CMYK 6 / 0 / 96 / 35

HEX #9CA607

RGB 156 166 7

HSL 63.77, 0.92%, 0.34%

LAB 65.24, -19.95, 66.64

 

CMYK 96 / 0 / 82 / 35

HEX #07A61E

RGB 7 166 30

HSL 128.68, 0.92%, 0.34%

LAB 59.35, -61, 54.74

 

CMYK 96 / 0 / 56 / 35

HEX #07A649

RGB 7 166 73

HSL 144.91, 0.92%, 0.34%

LAB 59.71, -56.56, 37.71

 

CMYK 96 / 0 / 30 / 35

HEX #07A674

RGB 7 166 116

HSL 161.13, 0.92%, 0.34%

LAB 60.41, -48.32, 15.91

 

CMYK 96 / 0 / 4 / 35

HEX #07A69F

RGB 7 166 159

HSL 177.36, 0.92%, 0.34%

LAB 61.5, -36.74, -6.58

 

CMYK 96 / 21 / 0 / 35

HEX #0783A6

RGB 7 131 166

HSL 193.21, 0.92%, 0.34%

LAB 50.72, -16.88, -26.94

 

CMYK 96 / 0 / 82 / 35

HEX #07A61E

RGB 7 166 30

HSL 128.68, 0.92%, 0.34%

LAB 59.35, -61, 54.74

 

CMYK 96 / 0 / 82 / 35

HEX #07A61E

RGB 7 166 30

HSL 128.68, 0.92%, 0.34%

LAB 59.35, -61, 54.74

 

CMYK 86 / 0 / 74 / 40

HEX #159828

RGB 21 152 40

HSL 128.7, 0.76%, 0.34%

LAB 54.83, -55.04, 46.99

 

CMYK 75 / 0 / 64 / 46

HEX #238A32

RGB 35 138 50

HSL 128.74, 0.6%, 0.34%

LAB 50.41, -47.43, 38

 

CMYK 60 / 0 / 52 / 51

HEX #317C3C

RGB 49 124 60

HSL 128.8, 0.43%, 0.34%

LAB 46.17, -37.66, 28.01

 

CMYK 43 / 0 / 36 / 57

HEX #3F6E46

RGB 63 110 70

HSL 128.94, 0.27%, 0.34%

LAB 42.23, -25.4, 17.42

 

CMYK 57 / 0 / 96 / 35

HEX #47A607

RGB 71 166 7

HSL 95.85, 0.92%, 0.34%

LAB 60.45, -51.89, 60.82

 

CMYK 83 / 0 / 96 / 35

HEX #1CA607

RGB 28 166 7

HSL 112.08, 0.92%, 0.34%

LAB 59.47, -60.26, 59.61

 

CMYK 96 / 0 / 83 / 35

HEX #07A61C

RGB 7 166 28

HSL 127.92, 0.92%, 0.34%

LAB 59.34, -61.12, 55.29

 

CMYK 96 / 0 / 57 / 35

HEX #07A647

RGB 7 166 71

HSL 144.15, 0.92%, 0.34%

LAB 59.68, -56.85, 38.66

 

CMYK 96 / 0 / 32 / 35

HEX #07A671

RGB 7 166 113

HSL 160, 0.92%, 0.34%

LAB 60.35, -49.01, 17.48

 

CMYK 95 / 0 / 82 / 66

HEX #045710

RGB 4 87 16

HSL 128.67, 0.91%, 0.18%

LAB 31.53, -37.71, 32.65

 

CMYK 96 / 0 / 82 / 50

HEX #057F17

RGB 5 127 23

HSL 128.85, 0.92%, 0.26%

LAB 46.01, -49.92, 44.25

 

CMYK 96 / 0 / 82 / 35

HEX #07A61E

RGB 7 166 30

HSL 128.68, 0.92%, 0.34%

LAB 59.35, -61, 54.74

 

CMYK 96 / 0 / 82 / 19

HEX #09CE26

RGB 9 206 38

HSL 128.83, 0.92%, 0.42%

LAB 72.46, -71.82, 64.73

 

CMYK 96 / 0 / 82 / 4

HEX #0BF52D

RGB 11 245 45

HSL 128.72, 0.92%, 0.5%

LAB 84.77, -82.02, 74.3

 

CMYK 96 / 0 / 82 / 36

HEX #07A41E

RGB 7 164 30

HSL 128.79, 0.92%, 0.34%

LAB 58.69, -60.42, 54.11

 

CMYK 96 / 32 / 0 / 35

HEX #0771A6

RGB 7 113 166

HSL 200, 0.92%, 0.34%

LAB 45.09, -6.54, -35.75

 

CMYK 0 / 96 / 70 / 35

HEX #A60731

RGB 166 7 49

HSL 344.15, 0.92%, 0.34%

LAB 34.96, 58.44, 23.2

 

CMYK 96 / 0 / 82 / 36

HEX #07A41E

RGB 7 164 30

HSL 128.79, 0.92%, 0.34%

LAB 58.69, -60.42, 54.11

 

CMYK 83 / 96 / 0 / 35

HEX #1C07A6

RGB 28 7 166

HSL 247.92, 0.92%, 0.34%

LAB 20.64, 55.92, -75.49

 

CMYK 0 / 83 / 96 / 35

HEX #A61C07

RGB 166 28 7

HSL 7.92, 0.92%, 0.34%

LAB 35.89, 53.43, 46.55

 

CMYK 96 / 0 / 82 / 36

HEX #07A41E

RGB 7 164 30

HSL 128.79, 0.92%, 0.34%

LAB 58.69, -60.42, 54.11

 

CMYK 96 / 32 / 0 / 35

HEX #0771A6

RGB 7 113 166

HSL 200, 0.92%, 0.34%

LAB 45.09, -6.54, -35.75

 

CMYK 0 / 96 / 13 / 35

HEX #A60791

RGB 166 7 145

HSL 307.92, 0.92%, 0.34%

LAB 38.38, 67.45, -32.93

 

CMYK 0 / 64 / 96 / 35

HEX #A63C07

RGB 166 60 7

HSL 20, 0.92%, 0.34%

LAB 40.17, 41.68, 49.15

 

CMYK 96 / 0 / 82 / 36

HEX #07A41E

RGB 7 164 30

HSL 128.79, 0.92%, 0.34%

LAB 58.69, -60.42, 54.11

 

CMYK 96 / 61 / 0 / 35

HEX #0741A6

RGB 7 65 166

HSL 218.11, 0.92%, 0.34%

LAB 30.83, 24.87, -58.67

 

CMYK 0 / 96 / 13 / 35

HEX #A60791

RGB 166 7 145

HSL 307.92, 0.92%, 0.34%

LAB 38.38, 67.45, -32.93

 

CMYK 0 / 35 / 96 / 35

HEX #A66C07

RGB 166 108 7

HSL 38.11, 0.92%, 0.34%

LAB 50.51, 16.2, 56.17

 

Description

Color code: HEX #07A41E | qconv.com Color code: HEX #07A41E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 164 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 164 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 82 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 82% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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