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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0796C1 it is the complementary color #F8693E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0796C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0796C1 shade: #0C96BC, #1DA8CF, #2EBAE2, #3FCCF5 and #50DEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0796C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0796C1 shade: #0796C1, #0084AE, #00729B, #006088 and #004E75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0796C1 shade: #0795C0, #0763C0, #0731C0, #0E07C0 and #4007C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0796C1 shade: #0795C0, #0763C0, #0731C0 and #0707C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0796C1 shade matches the following richer shades: #0795C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0796C1 shade: #0795C0, #178DB0, #2784A0, #377B90 and #477380

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0796C1 shade: #07C085, #07C0B7, #0798C0, #0767C0 and #0735C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0796C1 shade: #045770, #067698, #0795C0, #08B4E8 and #22C6F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0796C1 shade: #0796C1, #5407C0 and #C09E07

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0796C1 shade: #0796C1, #C00798 and #98C007

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0796C1 shade: #0796C1, #5407C0, #C02F07 and #73C007

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0796C1 shade: #0796C1, #8C07C0, #C02F07 and #3BC007

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 22 / 0 / 24

HEX #0796C1

RGB 7 150 193

HSL 193.87, 0.93%, 0.39%

LAB 57.76, -17.49, -31.46

 

Complementary color

CMYK 0 / 58 / 75 / 3

HEX #F8693E

RGB 248 105 62

HSL 13.87, 0.93%, 0.61%

LAB 62, 52.41, 50.46

 

CMYK 94 / 20 / 0 / 26

HEX #0C96BC

RGB 12 150 188

HSL 192.95, 0.88%, 0.39%

LAB 57.58, -19.09, -28.91

 

CMYK 86 / 19 / 0 / 19

HEX #1DA8CF

RGB 29 168 207

HSL 193.15, 0.75%, 0.46%

LAB 63.98, -21.1, -29.64

 

CMYK 80 / 18 / 0 / 11

HEX #2EBAE2

RGB 46 186 226

HSL 193.33, 0.76%, 0.53%

LAB 70.31, -22.69, -30.29

 

CMYK 74 / 17 / 0 / 4

HEX #3FCCF5

RGB 63 204 245

HSL 193.52, 0.9%, 0.6%

LAB 76.58, -23.97, -30.88

 

CMYK 69 / 13 / 0 / 0

HEX #50DEFF

RGB 80 222 255

HSL 191.31, 1%, 0.66%

LAB 82.47, -27.71, -27.13

 

CMYK 96 / 22 / 0 / 24

HEX #0796C1

RGB 7 150 193

HSL 193.87, 0.93%, 0.39%

LAB 57.76, -17.49, -31.46

 

CMYK 100 / 24 / 0 / 32

HEX #0084AE

RGB 0 132 174

HSL 194.48, 1%, 0.34%

LAB 51.33, -14.78, -30.62

 

CMYK 100 / 26 / 0 / 39

HEX #00729B

RGB 0 114 155

HSL 195.87, 1%, 0.3%

LAB 44.8, -11.71, -29.73

 

CMYK 100 / 29 / 0 / 47

HEX #006088

RGB 0 96 136

HSL 197.65, 1%, 0.27%

LAB 38.1, -8.48, -28.86

 

CMYK 100 / 33 / 0 / 54

HEX #004E75

RGB 0 78 117

HSL 200, 1%, 0.23%

LAB 31.19, -5.04, -28.03

 

CMYK 96 / 22 / 0 / 25

HEX #0795C0

RGB 7 149 192

HSL 193.95, 0.93%, 0.39%

LAB 57.41, -17.31, -31.43

 

CMYK 96 / 48 / 0 / 25

HEX #0763C0

RGB 7 99 192

HSL 210.16, 0.93%, 0.39%

LAB 42.42, 12.64, -55.2

 

CMYK 96 / 74 / 0 / 25

HEX #0731C0

RGB 7 49 192

HSL 226.38, 0.93%, 0.39%

LAB 29.53, 45.17, -76.28

 

CMYK 93 / 96 / 0 / 25

HEX #0E07C0

RGB 14 7 192

HSL 242.27, 0.93%, 0.39%

LAB 23.84, 62.51, -85.75

 

CMYK 67 / 96 / 0 / 25

HEX #4007C0

RGB 64 7 192

HSL 258.49, 0.93%, 0.39%

LAB 26.87, 63.97, -80.62

 

CMYK 96 / 22 / 0 / 25

HEX #0795C0

RGB 7 149 192

HSL 193.95, 0.93%, 0.39%

LAB 57.41, -17.31, -31.43

 

CMYK 96 / 48 / 0 / 25

HEX #0763C0

RGB 7 99 192

HSL 210.16, 0.93%, 0.39%

LAB 42.42, 12.64, -55.2

 

CMYK 96 / 74 / 0 / 25

HEX #0731C0

RGB 7 49 192

HSL 226.38, 0.93%, 0.39%

LAB 29.53, 45.17, -76.28

 

CMYK 96 / 96 / 0 / 25

HEX #0707C0

RGB 7 7 192

HSL 240, 0.93%, 0.39%

LAB 23.68, 62.44, -86.02

 

CMYK 96 / 22 / 0 / 25

HEX #0795C0

RGB 7 149 192

HSL 193.95, 0.93%, 0.39%

LAB 57.41, -17.31, -31.43

 

CMYK 96 / 22 / 0 / 25

HEX #0795C0

RGB 7 149 192

HSL 193.95, 0.93%, 0.39%

LAB 57.41, -17.31, -31.43

 

CMYK 87 / 20 / 0 / 31

HEX #178DB0

RGB 23 141 176

HSL 193.73, 0.77%, 0.39%

LAB 54.41, -17.9, -26.97

 

CMYK 76 / 18 / 0 / 37

HEX #2784A0

RGB 39 132 160

HSL 193.88, 0.61%, 0.39%

LAB 51.23, -17.03, -22.63

 

CMYK 62 / 15 / 0 / 44

HEX #377B90

RGB 55 123 144

HSL 194.16, 0.45%, 0.39%

LAB 48.25, -14.83, -17.82

 

CMYK 45 / 10 / 0 / 50

HEX #477380

RGB 71 115 128

HSL 193.68, 0.29%, 0.39%

LAB 45.85, -11.49, -11.92

 

CMYK 96 / 0 / 31 / 25

HEX #07C085

RGB 7 192 133

HSL 160.86, 0.93%, 0.39%

LAB 69.07, -54.32, 18.61

 

CMYK 96 / 0 / 5 / 25

HEX #07C0B7

RGB 7 192 183

HSL 177.08, 0.93%, 0.39%

LAB 70.29, -41.3, -6.85

 

CMYK 96 / 21 / 0 / 25

HEX #0798C0

RGB 7 152 192

HSL 192.97, 0.93%, 0.39%

LAB 58.33, -18.92, -30.01

 

CMYK 96 / 46 / 0 / 25

HEX #0767C0

RGB 7 103 192

HSL 208.86, 0.93%, 0.39%

LAB 43.58, 10.05, -53.32

 

CMYK 96 / 72 / 0 / 25

HEX #0735C0

RGB 7 53 192

HSL 225.08, 0.93%, 0.39%

LAB 30.39, 42.77, -74.86

 

CMYK 96 / 22 / 0 / 56

HEX #045770

RGB 4 87 112

HSL 193.89, 0.93%, 0.23%

LAB 34.01, -12.32, -20.49

 

CMYK 96 / 22 / 0 / 40

HEX #067698

RGB 6 118 152

HSL 193.97, 0.92%, 0.31%

LAB 45.99, -14.84, -26.1

 

CMYK 96 / 22 / 0 / 25

HEX #0795C0

RGB 7 149 192

HSL 193.95, 0.93%, 0.39%

LAB 57.41, -17.31, -31.43

 

CMYK 97 / 22 / 0 / 9

HEX #08B4E8

RGB 8 180 232

HSL 193.93, 0.93%, 0.47%

LAB 68.4, -19.68, -36.55

 

CMYK 86 / 20 / 0 / 3

HEX #22C6F7

RGB 34 198 247

HSL 193.8, 0.93%, 0.55%

LAB 74.47, -22.79, -35.24

 

CMYK 96 / 22 / 0 / 24

HEX #0796C1

RGB 7 150 193

HSL 193.87, 0.93%, 0.39%

LAB 57.76, -17.49, -31.46

 

CMYK 56 / 96 / 0 / 25

HEX #5407C0

RGB 84 7 192

HSL 264.97, 0.93%, 0.39%

LAB 29.01, 65.22, -77

 

CMYK 0 / 18 / 96 / 25

HEX #C09E07

RGB 192 158 7

HSL 48.97, 0.93%, 0.39%

LAB 66.27, 0.33, 68.85

 

CMYK 96 / 22 / 0 / 24

HEX #0796C1

RGB 7 150 193

HSL 193.87, 0.93%, 0.39%

LAB 57.76, -17.49, -31.46

 

CMYK 0 / 96 / 21 / 25

HEX #C00798

RGB 192 7 152

HSL 312.97, 0.93%, 0.39%

LAB 43.69, 73.34, -28.5

 

CMYK 21 / 0 / 96 / 25

HEX #98C007

RGB 152 192 7

HSL 72.97, 0.93%, 0.39%

LAB 72.49, -34.17, 72.1

 

CMYK 96 / 22 / 0 / 24

HEX #0796C1

RGB 7 150 193

HSL 193.87, 0.93%, 0.39%

LAB 57.76, -17.49, -31.46

 

CMYK 56 / 96 / 0 / 25

HEX #5407C0

RGB 84 7 192

HSL 264.97, 0.93%, 0.39%

LAB 29.01, 65.22, -77

 

CMYK 0 / 76 / 96 / 25

HEX #C02F07

RGB 192 47 7

HSL 12.97, 0.93%, 0.39%

LAB 43.14, 55.71, 53.42

 

CMYK 40 / 0 / 96 / 25

HEX #73C007

RGB 115 192 7

HSL 84.97, 0.93%, 0.39%

LAB 70.43, -48.13, 69.6

 

CMYK 96 / 22 / 0 / 24

HEX #0796C1

RGB 7 150 193

HSL 193.87, 0.93%, 0.39%

LAB 57.76, -17.49, -31.46

 

CMYK 27 / 96 / 0 / 25

HEX #8C07C0

RGB 140 7 192

HSL 283.14, 0.93%, 0.39%

LAB 36.99, 70.98, -63.59

 

CMYK 0 / 76 / 96 / 25

HEX #C02F07

RGB 192 47 7

HSL 12.97, 0.93%, 0.39%

LAB 43.14, 55.71, 53.42

 

CMYK 69 / 0 / 96 / 25

HEX #3BC007

RGB 59 192 7

HSL 103.14, 0.93%, 0.39%

LAB 68.49, -63.41, 67.23

 

Description

Color code: HEX #0796C1 | qconv.com Color code: HEX #0796C1 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 150 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 150 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 22 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 22% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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