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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #078C7E it is the complementary color #F87381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #078C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #078C7E shade: #0C8C79, #1D9E8C, #2EB09F, #3FC2B2 and #50D4C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #078C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #078C7E shade: #078C7E, #007A6B, #006858, #005645 and #004432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #078C7E shade: #078D7E, #078D5B, #078D37, #078D13 and #208D07

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #078C7E shade: #078D7E, #07778D, #07538D, #072F8D and #070B8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #078C7E shade matches the following richer shades: #078D7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #078C7E shade: #078D7E, #138175, #1F756C, #2B6962 and #375D59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #078C7E shade: #078D36, #078D59, #078D7D, #07798D and #07558D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #078C7E shade: #033E38, #05655B, #078D7E, #09B4A2 and #0CDBC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #078C7E shade: #078C7E, #12078D and #8D4807

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #078C7E shade: #078C7E, #7D078D and #8D7D07

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #078C7E shade: #078C7E, #12078D, #8D0717 and #818D07

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #078C7E shade: #078C7E, #3A078D, #8D0717 and #598D07

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 10 / 45

HEX #078C7E

RGB 7 140 126

HSL 173.68, 0.9%, 0.29%

LAB 52.18, -34.76, -1.49

 

Complementary color

CMYK 0 / 54 / 48 / 3

HEX #F87381

RGB 248 115 129

HSL 353.68, 0.9%, 0.71%

LAB 64.81, 52.08, 17.31

 

CMYK 91 / 0 / 14 / 45

HEX #0C8C79

RGB 12 140 121

HSL 171.09, 0.84%, 0.3%

LAB 52.08, -35.96, 1.26

 

CMYK 82 / 0 / 11 / 38

HEX #1D9E8C

RGB 29 158 140

HSL 171.63, 0.69%, 0.37%

LAB 58.61, -37.32, -0.08

 

CMYK 74 / 0 / 10 / 31

HEX #2EB09F

RGB 46 176 159

HSL 172.15, 0.59%, 0.44%

LAB 65.07, -38.27, -1.26

 

CMYK 68 / 0 / 8 / 24

HEX #3FC2B2

RGB 63 194 178

HSL 172.67, 0.52%, 0.5%

LAB 71.46, -38.9, -2.31

 

CMYK 62 / 0 / 7 / 17

HEX #50D4C5

RGB 80 212 197

HSL 173.18, 0.61%, 0.57%

LAB 77.77, -39.33, -3.27

 

CMYK 95 / 0 / 10 / 45

HEX #078C7E

RGB 7 140 126

HSL 173.68, 0.9%, 0.29%

LAB 52.18, -34.76, -1.49

 

CMYK 100 / 0 / 12 / 52

HEX #007A6B

RGB 0 122 107

HSL 172.62, 1%, 0.24%

LAB 45.61, -32.59, 0.04

 

CMYK 100 / 0 / 15 / 59

HEX #006858

RGB 0 104 88

HSL 170.77, 1%, 0.2%

LAB 38.91, -30, 1.73

 

CMYK 100 / 0 / 20 / 66

HEX #005645

RGB 0 86 69

HSL 168.14, 1%, 0.17%

LAB 32, -27.34, 3.54

 

CMYK 100 / 0 / 26 / 73

HEX #004432

RGB 0 68 50

HSL 164.12, 1%, 0.13%

LAB 24.84, -24.56, 5.52

 

CMYK 95 / 0 / 11 / 45

HEX #078D7E

RGB 7 141 126

HSL 173.28, 0.91%, 0.29%

LAB 52.51, -35.21, -1.01

 

CMYK 95 / 0 / 35 / 45

HEX #078D5B

RGB 7 141 91

HSL 157.61, 0.91%, 0.29%

LAB 51.67, -44.36, 17.88

 

CMYK 95 / 0 / 61 / 45

HEX #078D37

RGB 7 141 55

HSL 141.49, 0.91%, 0.29%

LAB 51.12, -50.91, 36.33

 

CMYK 95 / 0 / 87 / 45

HEX #078D13

RGB 7 141 19

HSL 125.37, 0.91%, 0.29%

LAB 50.85, -54.26, 49.92

 

CMYK 77 / 0 / 95 / 45

HEX #208D07

RGB 32 141 7

HSL 108.81, 0.91%, 0.29%

LAB 51.12, -52.02, 52.71

 

CMYK 95 / 0 / 11 / 45

HEX #078D7E

RGB 7 141 126

HSL 173.28, 0.91%, 0.29%

LAB 52.51, -35.21, -1.01

 

CMYK 95 / 16 / 0 / 45

HEX #07778D

RGB 7 119 141

HSL 189.85, 0.91%, 0.29%

LAB 45.86, -19.37, -19.81

 

CMYK 95 / 41 / 0 / 45

HEX #07538D

RGB 7 83 141

HSL 205.97, 0.91%, 0.29%

LAB 34.3, 2.19, -37.91

 

CMYK 95 / 67 / 0 / 45

HEX #072F8D

RGB 7 47 141

HSL 222.09, 0.91%, 0.29%

LAB 23.68, 27.09, -55.13

 

CMYK 95 / 92 / 0 / 45

HEX #070B8D

RGB 7 11 141

HSL 238.21, 0.91%, 0.29%

LAB 16.54, 47.27, -66.95

 

CMYK 95 / 0 / 11 / 45

HEX #078D7E

RGB 7 141 126

HSL 173.28, 0.91%, 0.29%

LAB 52.51, -35.21, -1.01

 

CMYK 95 / 0 / 11 / 45

HEX #078D7E

RGB 7 141 126

HSL 173.28, 0.91%, 0.29%

LAB 52.51, -35.21, -1.01

 

CMYK 85 / 0 / 9 / 49

HEX #138175

RGB 19 129 117

HSL 173.45, 0.74%, 0.29%

LAB 48.42, -31.58, -1.75

 

CMYK 74 / 0 / 8 / 54

HEX #1F756C

RGB 31 117 108

HSL 173.72, 0.58%, 0.29%

LAB 44.37, -27.1, -2.33

 

CMYK 59 / 0 / 7 / 59

HEX #2B6962

RGB 43 105 98

HSL 173.23, 0.42%, 0.29%

LAB 40.41, -21.73, -2.08

 

CMYK 41 / 0 / 4 / 64

HEX #375D59

RGB 55 93 89

HSL 173.68, 0.26%, 0.29%

LAB 36.67, -14.57, -1.98

 

CMYK 95 / 0 / 62 / 45

HEX #078D36

RGB 7 141 54

HSL 141.04, 0.91%, 0.29%

LAB 51.11, -51.04, 36.8

 

CMYK 95 / 0 / 37 / 45

HEX #078D59

RGB 7 141 89

HSL 156.72, 0.91%, 0.29%

LAB 51.63, -44.81, 18.95

 

CMYK 95 / 0 / 11 / 45

HEX #078D7D

RGB 7 141 125

HSL 172.84, 0.91%, 0.29%

LAB 52.48, -35.51, -0.47

 

CMYK 95 / 14 / 0 / 45

HEX #07798D

RGB 7 121 141

HSL 188.96, 0.91%, 0.29%

LAB 46.5, -20.45, -18.81

 

CMYK 95 / 40 / 0 / 45

HEX #07558D

RGB 7 85 141

HSL 205.07, 0.91%, 0.29%

LAB 34.93, 0.89, -36.9

 

CMYK 95 / 0 / 10 / 76

HEX #033E38

RGB 3 62 56

HSL 173.9, 0.91%, 0.13%

LAB 22.83, -19.18, -1.35

 

CMYK 95 / 0 / 10 / 60

HEX #05655B

RGB 5 101 91

HSL 173.75, 0.91%, 0.21%

LAB 38.01, -27.25, -1.41

 

CMYK 95 / 0 / 11 / 45

HEX #078D7E

RGB 7 141 126

HSL 173.28, 0.91%, 0.29%

LAB 52.51, -35.21, -1.01

 

CMYK 95 / 0 / 10 / 29

HEX #09B4A2

RGB 9 180 162

HSL 173.68, 0.9%, 0.37%

LAB 65.99, -42.02, -1.63

 

CMYK 95 / 0 / 10 / 14

HEX #0CDBC5

RGB 12 219 197

HSL 173.62, 0.9%, 0.45%

LAB 78.91, -48.81, -1.7

 

CMYK 95 / 0 / 10 / 45

HEX #078C7E

RGB 7 140 126

HSL 173.68, 0.9%, 0.29%

LAB 52.18, -34.76, -1.49

 

CMYK 87 / 95 / 0 / 45

HEX #12078D

RGB 18 7 141

HSL 244.93, 0.91%, 0.29%

LAB 16.52, 48.82, -66.97

 

CMYK 0 / 49 / 95 / 45

HEX #8D4807

RGB 141 72 7

HSL 29.1, 0.91%, 0.29%

LAB 38.4, 25.37, 45.97

 

CMYK 95 / 0 / 10 / 45

HEX #078C7E

RGB 7 140 126

HSL 173.68, 0.9%, 0.29%

LAB 52.18, -34.76, -1.49

 

CMYK 11 / 95 / 0 / 45

HEX #7D078D

RGB 125 7 141

HSL 292.84, 0.91%, 0.29%

LAB 30.48, 59.49, -43.52

 

CMYK 0 / 11 / 95 / 45

HEX #8D7D07

RGB 141 125 7

HSL 52.84, 0.91%, 0.29%

LAB 52.23, -5.06, 56.16

 

CMYK 95 / 0 / 10 / 45

HEX #078C7E

RGB 7 140 126

HSL 173.68, 0.9%, 0.29%

LAB 52.18, -34.76, -1.49

 

CMYK 87 / 95 / 0 / 45

HEX #12078D

RGB 18 7 141

HSL 244.93, 0.91%, 0.29%

LAB 16.52, 48.82, -66.97

 

CMYK 0 / 95 / 84 / 45

HEX #8D0717

RGB 141 7 23

HSL 352.84, 0.91%, 0.29%

LAB 29.1, 50.85, 31.42

 

CMYK 9 / 0 / 95 / 45

HEX #818D07

RGB 129 141 7

HSL 65.37, 0.91%, 0.29%

LAB 55.82, -19.19, 58.46

 

CMYK 95 / 0 / 10 / 45

HEX #078C7E

RGB 7 140 126

HSL 173.68, 0.9%, 0.29%

LAB 52.18, -34.76, -1.49

 

CMYK 59 / 95 / 0 / 45

HEX #3A078D

RGB 58 7 141

HSL 262.84, 0.91%, 0.29%

LAB 19.94, 50.89, -61.19

 

CMYK 0 / 95 / 84 / 45

HEX #8D0717

RGB 141 7 23

HSL 352.84, 0.91%, 0.29%

LAB 29.1, 50.85, 31.42

 

CMYK 37 / 0 / 95 / 45

HEX #598D07

RGB 89 141 7

HSL 83.28, 0.91%, 0.29%

LAB 53.16, -36.03, 55.22

 

Description

Color code: HEX #078C7E | qconv.com Color code: HEX #078C7E | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 140 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 140 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 10 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 10% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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