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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #076AFE it is the complementary color #F89501. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #076AFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #076AFE shade: #0C6AF9, #1D7CFF, #2E8EFF, #3FA0FF and #50B2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #076AFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #076AFE shade: #076AFE, #0058EB, #0046D8, #0034C5 and #0022B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #076AFE shade: #066AFE, #0627FE, #2906FE, #6B06FE and #AE06FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #076AFE shade: #066AFE, #0627FE and #0606FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #076AFE shade matches the following richer shades: #066AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #076AFE shade: #066AFE, #1B6EEA, #2F72D5, #4376C1 and #577AAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #076AFE shade: #06F1FE, #06AFFE, #066DFE, #062BFE and #2306FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #076AFE shade: #0147B1, #0158DA, #066AFE, #2F82FE and #589BFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #076AFE shade: #076AFE, #C806FE and #D0FE06

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #076AFE shade: #076AFE, #FE066D and #6DFE06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #076AFE shade: #076AFE, #C806FE, #FE9706 and #3CFE06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #076AFE shade: #076AFE, #FE06E9, #FE9706 and #06FE1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 58 / 0 / 0

HEX #076AFE

RGB 7 106 254

HSL 215.95, 0.99%, 0.51%

LAB 48.9, 32.45, -79.84

 

Complementary color

CMYK 0 / 40 / 100 / 3

HEX #F89501

RGB 248 149 1

HSL 35.95, 0.99%, 0.49%

LAB 70.49, 29.37, 75.54

 

CMYK 95 / 57 / 0 / 2

HEX #0C6AF9

RGB 12 106 249

HSL 216.2, 0.95%, 0.51%

LAB 48.54, 30.66, -77.64

 

CMYK 89 / 51 / 0 / 0

HEX #1D7CFF

RGB 29 124 255

HSL 214.78, 1%, 0.56%

LAB 53.92, 22.22, -72.21

 

CMYK 82 / 44 / 0 / 0

HEX #2E8EFF

RGB 46 142 255

HSL 212.44, 1%, 0.59%

LAB 59.11, 12.27, -63.82

 

CMYK 75 / 37 / 0 / 0

HEX #3FA0FF

RGB 63 160 255

HSL 209.69, 1%, 0.62%

LAB 64.5, 3.27, -55.18

 

CMYK 69 / 30 / 0 / 0

HEX #50B2FF

RGB 80 178 255

HSL 206.4, 1%, 0.66%

LAB 70.01, -4.74, -46.44

 

CMYK 97 / 58 / 0 / 0

HEX #076AFE

RGB 7 106 254

HSL 215.95, 0.99%, 0.51%

LAB 48.9, 32.45, -79.84

 

CMYK 100 / 63 / 0 / 8

HEX #0058EB

RGB 0 88 235

HSL 217.53, 1%, 0.46%

LAB 42.73, 36.54, -79.31

 

CMYK 100 / 68 / 0 / 15

HEX #0046D8

RGB 0 70 216

HSL 220.56, 1%, 0.42%

LAB 36.63, 40.84, -78.52

 

CMYK 100 / 74 / 0 / 23

HEX #0034C5

RGB 0 52 197

HSL 224.16, 1%, 0.39%

LAB 30.61, 45, -77.44

 

CMYK 100 / 81 / 0 / 30

HEX #0022B2

RGB 0 34 178

HSL 228.54, 1%, 0.35%

LAB 24.82, 48.58, -75.79

 

CMYK 98 / 58 / 0 / 0

HEX #066AFE

RGB 6 106 254

HSL 215.81, 0.99%, 0.51%

LAB 48.89, 32.43, -79.85

 

CMYK 98 / 85 / 0 / 0

HEX #0627FE

RGB 6 39 254

HSL 232.02, 0.99%, 0.51%

LAB 35.29, 69.67, -102.31

 

CMYK 84 / 98 / 0 / 0

HEX #2906FE

RGB 41 6 254

HSL 248.47, 0.99%, 0.51%

LAB 33.47, 78.44, -105.32

 

CMYK 58 / 98 / 0 / 0

HEX #6B06FE

RGB 107 6 254

HSL 264.44, 0.99%, 0.51%

LAB 38.57, 80.89, -96.69

 

CMYK 31 / 98 / 0 / 0

HEX #AE06FE

RGB 174 6 254

HSL 280.65, 0.99%, 0.51%

LAB 47.35, 86.73, -81.92

 

CMYK 98 / 58 / 0 / 0

HEX #066AFE

RGB 6 106 254

HSL 215.81, 0.99%, 0.51%

LAB 48.89, 32.43, -79.85

 

CMYK 98 / 85 / 0 / 0

HEX #0627FE

RGB 6 39 254

HSL 232.02, 0.99%, 0.51%

LAB 35.29, 69.67, -102.31

 

CMYK 98 / 98 / 0 / 0

HEX #0606FE

RGB 6 6 254

HSL 240, 0.99%, 0.51%

LAB 32.54, 78.09, -106.91

 

CMYK 98 / 58 / 0 / 0

HEX #066AFE

RGB 6 106 254

HSL 215.81, 0.99%, 0.51%

LAB 48.89, 32.43, -79.85

 

CMYK 98 / 58 / 0 / 0

HEX #066AFE

RGB 6 106 254

HSL 215.81, 0.99%, 0.51%

LAB 48.89, 32.43, -79.85

 

CMYK 88 / 53 / 0 / 8

HEX #1B6EEA

RGB 27 110 234

HSL 215.94, 0.83%, 0.51%

LAB 48.67, 22.95, -69.04

 

CMYK 78 / 46 / 0 / 16

HEX #2F72D5

RGB 47 114 213

HSL 215.78, 0.66%, 0.51%

LAB 48.81, 14.01, -56.92

 

CMYK 65 / 39 / 0 / 24

HEX #4376C1

RGB 67 118 193

HSL 215.71, 0.5%, 0.51%

LAB 49.5, 7.03, -44.36

 

CMYK 50 / 29 / 0 / 32

HEX #577AAD

RGB 87 122 173

HSL 215.58, 0.34%, 0.51%

LAB 50.64, 2.16, -30.94

 

CMYK 98 / 5 / 0 / 0

HEX #06F1FE

RGB 6 241 254

HSL 183.15, 0.99%, 0.51%

LAB 87.05, -42.11, -19.73

 

CMYK 98 / 31 / 0 / 0

HEX #06AFFE

RGB 6 175 254

HSL 199.11, 0.99%, 0.51%

LAB 67.91, -9.23, -49.29

 

CMYK 98 / 57 / 0 / 0

HEX #066DFE

RGB 6 109 254

HSL 215.08, 0.99%, 0.51%

LAB 49.66, 30.52, -78.6

 

CMYK 98 / 83 / 0 / 0

HEX #062BFE

RGB 6 43 254

HSL 231.05, 0.99%, 0.51%

LAB 35.83, 68.05, -101.4

 

CMYK 86 / 98 / 0 / 0

HEX #2306FE

RGB 35 6 254

HSL 247.02, 0.99%, 0.51%

LAB 33.23, 78.34, -105.73

 

CMYK 99 / 60 / 0 / 31

HEX #0147B1

RGB 1 71 177

HSL 216.14, 0.99%, 0.35%

LAB 33.32, 25.02, -61.17

 

CMYK 100 / 60 / 0 / 15

HEX #0158DA

RGB 1 88 218

HSL 215.94, 0.99%, 0.43%

LAB 41.29, 30.03, -72.01

 

CMYK 98 / 58 / 0 / 0

HEX #066AFE

RGB 6 106 254

HSL 215.81, 0.99%, 0.51%

LAB 48.89, 32.43, -79.85

 

CMYK 81 / 49 / 0 / 0

HEX #2F82FE

RGB 47 130 254

HSL 215.94, 0.99%, 0.59%

LAB 55.81, 19.33, -68.58

 

CMYK 65 / 39 / 0 / 0

HEX #589BFE

RGB 88 155 254

HSL 215.78, 0.99%, 0.67%

LAB 63.9, 9.29, -55.55

 

CMYK 97 / 58 / 0 / 0

HEX #076AFE

RGB 7 106 254

HSL 215.95, 0.99%, 0.51%

LAB 48.9, 32.45, -79.84

 

CMYK 21 / 98 / 0 / 0

HEX #C806FE

RGB 200 6 254

HSL 286.94, 0.99%, 0.51%

LAB 51.34, 89.89, -75.23

 

CMYK 18 / 0 / 98 / 0

HEX #D0FE06

RGB 208 254 6

HSL 71.13, 0.99%, 0.51%

LAB 93.58, -39.91, 89.94

 

CMYK 97 / 58 / 0 / 0

HEX #076AFE

RGB 7 106 254

HSL 215.95, 0.99%, 0.51%

LAB 48.9, 32.45, -79.84

 

CMYK 0 / 98 / 57 / 0

HEX #FE066D

RGB 254 6 109

HSL 335.08, 0.99%, 0.51%

LAB 54.35, 82.67, 14.73

 

CMYK 57 / 0 / 98 / 0

HEX #6DFE06

RGB 109 254 6

HSL 95.08, 0.99%, 0.51%

LAB 88.99, -72.38, 84.39

 

CMYK 97 / 58 / 0 / 0

HEX #076AFE

RGB 7 106 254

HSL 215.95, 0.99%, 0.51%

LAB 48.9, 32.45, -79.84

 

CMYK 21 / 98 / 0 / 0

HEX #C806FE

RGB 200 6 254

HSL 286.94, 0.99%, 0.51%

LAB 51.34, 89.89, -75.23

 

CMYK 0 / 41 / 98 / 0

HEX #FE9706

RGB 254 151 6

HSL 35.08, 0.99%, 0.51%

LAB 71.7, 30.84, 76.07

 

CMYK 76 / 0 / 98 / 0

HEX #3CFE06

RGB 60 254 6

HSL 106.94, 0.99%, 0.51%

LAB 87.9, -81.65, 83.05

 

CMYK 97 / 58 / 0 / 0

HEX #076AFE

RGB 7 106 254

HSL 215.95, 0.99%, 0.51%

LAB 48.9, 32.45, -79.84

 

CMYK 0 / 98 / 8 / 0

HEX #FE06E9

RGB 254 6 233

HSL 305.08, 0.99%, 0.51%

LAB 59.05, 94.78, -50.61

 

CMYK 0 / 41 / 98 / 0

HEX #FE9706

RGB 254 151 6

HSL 35.08, 0.99%, 0.51%

LAB 71.7, 30.84, 76.07

 

CMYK 98 / 0 / 89 / 0

HEX #06FE1B

RGB 6 254 27

HSL 125.08, 0.99%, 0.51%

LAB 87.49, -85.25, 80.3

 

Description

Color code: HEX #076AFE | qconv.com Color code: HEX #076AFE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 106 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 106 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 58 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 58% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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