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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #074FC2 it is the complementary color #F8B03D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #074FC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #074FC2 shade: #0C4FBD, #1D61D0, #2E73E3, #3F85F6 and #5097FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #074FC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #074FC2 shade: #074FC2, #003DAF, #002B9C, #001989 and #000776

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #074FC2 shade: #074EC0, #071CC0, #2407C0, #5507C0 and #8707C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #074FC2 shade: #074EC0, #071CC0 and #0707C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #074FC2 shade matches the following richer shades: #074EC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #074FC2 shade: #074EC0, #1752B0, #2756A0, #375990 and #475D80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #074FC2 shade: #07B4C0, #0782C0, #0751C0, #0720C0 and #2007C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #074FC2 shade: #042E70, #063E98, #074EC0, #085EE8 and #2274F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #074FC2 shade: #074FC2, #9B07C0 and #9BC007

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #074FC2 shade: #074FC2, #C00751 and #51C007

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #074FC2 shade: #074FC2, #9B07C0, #C07607 and #2CC007

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #074FC2 shade: #074FC2, #C007AD, #C07607 and #07C019

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 59 / 0 / 24

HEX #074FC2

RGB 7 79 194

HSL 216.9, 0.93%, 0.39%

LAB 36.99, 26.69, -65.18

 

Complementary color

CMYK 0 / 29 / 75 / 3

HEX #F8B03D

RGB 248 176 61

HSL 36.9, 0.93%, 0.61%

LAB 76.89, 16.48, 65.82

 

CMYK 94 / 58 / 0 / 26

HEX #0C4FBD

RGB 12 79 189

HSL 217.29, 0.88%, 0.39%

LAB 36.64, 24.86, -62.83

 

CMYK 86 / 53 / 0 / 18

HEX #1D61D0

RGB 29 97 208

HSL 217.21, 0.76%, 0.46%

LAB 43.31, 21.4, -62.98

 

CMYK 80 / 49 / 0 / 11

HEX #2E73E3

RGB 46 115 227

HSL 217.13, 0.76%, 0.54%

LAB 49.96, 18.53, -62.98

 

CMYK 74 / 46 / 0 / 4

HEX #3F85F6

RGB 63 133 246

HSL 217.05, 0.91%, 0.61%

LAB 56.57, 16.17, -62.91

 

CMYK 69 / 41 / 0 / 0

HEX #5097FF

RGB 80 151 255

HSL 215.66, 1%, 0.66%

LAB 62.56, 10.76, -58.24

 

CMYK 96 / 59 / 0 / 24

HEX #074FC2

RGB 7 79 194

HSL 216.9, 0.93%, 0.39%

LAB 36.99, 26.69, -65.18

 

CMYK 100 / 65 / 0 / 31

HEX #003DAF

RGB 0 61 175

HSL 219.09, 1%, 0.34%

LAB 30.48, 30.94, -64.64

 

CMYK 100 / 72 / 0 / 39

HEX #002B9C

RGB 0 43 156

HSL 223.46, 1%, 0.31%

LAB 24.09, 35.42, -63.69

 

CMYK 100 / 82 / 0 / 46

HEX #001989

RGB 0 25 137

HSL 229.05, 1%, 0.27%

LAB 17.92, 39.39, -62.14

 

CMYK 100 / 94 / 0 / 54

HEX #000776

RGB 0 7 118

HSL 236.44, 1%, 0.23%

LAB 12.35, 41.67, -59.33

 

CMYK 96 / 59 / 0 / 25

HEX #074EC0

RGB 7 78 192

HSL 216.97, 0.93%, 0.39%

LAB 36.56, 26.56, -64.72

 

CMYK 96 / 85 / 0 / 25

HEX #071CC0

RGB 7 28 192

HSL 233.19, 0.93%, 0.39%

LAB 25.81, 55.98, -82.47

 

CMYK 81 / 96 / 0 / 25

HEX #2407C0

RGB 36 7 192

HSL 249.41, 0.93%, 0.39%

LAB 24.74, 62.9, -84.22

 

CMYK 56 / 96 / 0 / 25

HEX #5507C0

RGB 85 7 192

HSL 265.3, 0.93%, 0.39%

LAB 29.13, 65.29, -76.8

 

CMYK 30 / 96 / 0 / 25

HEX #8707C0

RGB 135 7 192

HSL 281.51, 0.93%, 0.39%

LAB 36.19, 70.34, -64.92

 

CMYK 96 / 59 / 0 / 25

HEX #074EC0

RGB 7 78 192

HSL 216.97, 0.93%, 0.39%

LAB 36.56, 26.56, -64.72

 

CMYK 96 / 85 / 0 / 25

HEX #071CC0

RGB 7 28 192

HSL 233.19, 0.93%, 0.39%

LAB 25.81, 55.98, -82.47

 

CMYK 96 / 96 / 0 / 25

HEX #0707C0

RGB 7 7 192

HSL 240, 0.93%, 0.39%

LAB 23.68, 62.44, -86.02

 

CMYK 96 / 59 / 0 / 25

HEX #074EC0

RGB 7 78 192

HSL 216.97, 0.93%, 0.39%

LAB 36.56, 26.56, -64.72

 

CMYK 96 / 59 / 0 / 25

HEX #074EC0

RGB 7 78 192

HSL 216.97, 0.93%, 0.39%

LAB 36.56, 26.56, -64.72

 

CMYK 87 / 53 / 0 / 31

HEX #1752B0

RGB 23 82 176

HSL 216.86, 0.77%, 0.39%

LAB 36.65, 18.23, -55.14

 

CMYK 76 / 46 / 0 / 37

HEX #2756A0

RGB 39 86 160

HSL 216.69, 0.61%, 0.39%

LAB 37.16, 10.85, -44.77

 

CMYK 62 / 38 / 0 / 44

HEX #375990

RGB 55 89 144

HSL 217.08, 0.45%, 0.39%

LAB 37.79, 5.61, -34.1

 

CMYK 45 / 27 / 0 / 50

HEX #475D80

RGB 71 93 128

HSL 216.84, 0.29%, 0.39%

LAB 39.12, 1.65, -22.23

 

CMYK 96 / 6 / 0 / 25

HEX #07B4C0

RGB 7 180 192

HSL 183.89, 0.93%, 0.39%

LAB 66.9, -33.05, -16.88

 

CMYK 96 / 32 / 0 / 25

HEX #0782C0

RGB 7 130 192

HSL 200.11, 0.93%, 0.39%

LAB 51.63, -6.6, -40.49

 

CMYK 96 / 58 / 0 / 25

HEX #0751C0

RGB 7 81 192

HSL 216, 0.93%, 0.39%

LAB 37.36, 24.55, -63.4

 

CMYK 96 / 83 / 0 / 25

HEX #0720C0

RGB 7 32 192

HSL 231.89, 0.93%, 0.39%

LAB 26.4, 54.21, -81.48

 

CMYK 83 / 96 / 0 / 25

HEX #2007C0

RGB 32 7 192

HSL 248.11, 0.93%, 0.39%

LAB 24.53, 62.81, -84.58

 

CMYK 96 / 59 / 0 / 56

HEX #042E70

RGB 4 46 112

HSL 216.67, 0.93%, 0.23%

LAB 20.63, 15.31, -41.78

 

CMYK 96 / 59 / 0 / 40

HEX #063E98

RGB 6 62 152

HSL 216.99, 0.92%, 0.31%

LAB 28.78, 21.13, -53.55

 

CMYK 96 / 59 / 0 / 25

HEX #074EC0

RGB 7 78 192

HSL 216.97, 0.93%, 0.39%

LAB 36.56, 26.56, -64.72

 

CMYK 97 / 59 / 0 / 9

HEX #085EE8

RGB 8 94 232

HSL 216.96, 0.93%, 0.47%

LAB 44.06, 31.74, -75.42

 

CMYK 86 / 53 / 0 / 3

HEX #2274F7

RGB 34 116 247

HSL 216.9, 0.93%, 0.55%

LAB 51.32, 24.51, -71.99

 

CMYK 96 / 59 / 0 / 24

HEX #074FC2

RGB 7 79 194

HSL 216.9, 0.93%, 0.39%

LAB 36.99, 26.69, -65.18

 

CMYK 19 / 96 / 0 / 25

HEX #9B07C0

RGB 155 7 192

HSL 288, 0.93%, 0.39%

LAB 39.46, 73.03, -59.46

 

CMYK 19 / 0 / 96 / 25

HEX #9BC007

RGB 155 192 7

HSL 72, 0.93%, 0.39%

LAB 72.68, -32.95, 72.33

 

CMYK 96 / 59 / 0 / 24

HEX #074FC2

RGB 7 79 194

HSL 216.9, 0.93%, 0.39%

LAB 36.99, 26.69, -65.18

 

CMYK 0 / 96 / 58 / 25

HEX #C00751

RGB 192 7 81

HSL 336, 0.93%, 0.39%

LAB 41.14, 66.63, 11.84

 

CMYK 58 / 0 / 96 / 25

HEX #51C007

RGB 81 192 7

HSL 96, 0.93%, 0.39%

LAB 69.09, -58.45, 67.96

 

CMYK 96 / 59 / 0 / 24

HEX #074FC2

RGB 7 79 194

HSL 216.9, 0.93%, 0.39%

LAB 36.99, 26.69, -65.18

 

CMYK 19 / 96 / 0 / 25

HEX #9B07C0

RGB 155 7 192

HSL 288, 0.93%, 0.39%

LAB 39.46, 73.03, -59.46

 

CMYK 0 / 39 / 96 / 25

HEX #C07607

RGB 192 118 7

HSL 36, 0.93%, 0.39%

LAB 56.27, 22.21, 61.75

 

CMYK 77 / 0 / 96 / 25

HEX #2CC007

RGB 44 192 7

HSL 108, 0.93%, 0.39%

LAB 68.2, -65.92, 66.88

 

CMYK 96 / 59 / 0 / 24

HEX #074FC2

RGB 7 79 194

HSL 216.9, 0.93%, 0.39%

LAB 36.99, 26.69, -65.18

 

CMYK 0 / 96 / 10 / 25

HEX #C007AD

RGB 192 7 173

HSL 306.16, 0.93%, 0.39%

LAB 44.77, 76.06, -39.37

 

CMYK 0 / 39 / 96 / 25

HEX #C07607

RGB 192 118 7

HSL 36, 0.93%, 0.39%

LAB 56.27, 22.21, 61.75

 

CMYK 96 / 0 / 87 / 25

HEX #07C019

RGB 7 192 25

HSL 125.84, 0.93%, 0.39%

LAB 67.88, -68.64, 63.71

 

Description

Color code: HEX #074FC2 | qconv.com Color code: HEX #074FC2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 79 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 79 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 59 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 59% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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