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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06FBA4 it is the complementary color #F9045B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06FBA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06FBA4 shade: #0BFB9F, #1CFFB2, #2DFFC5, #3EFFD8 and #4FFFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06FBA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06FBA4 shade: #06FBA4, #00E991, #00D77E, #00C56B and #00B358

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06FBA4 shade: #04FBA3, #04FB61, #04FB1E, #2CFB04 and #6FFB04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06FBA4 shade: #04FBA3, #04FBE6, #04CEFB, #048BFB and #0448FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06FBA4 shade matches the following richer shades: #04FBA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06FBA4 shade: #04FBA3, #18E79D, #2DD297, #42BD91 and #56A98B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06FBA4 shade: #04FB1D, #04FB5F, #04FBA0, #04FBE2 and #04D2FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06FBA4 shade: #03AA6E, #03D389, #04FBA3, #2CFCB2 and #55FCC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06FBA4 shade: #06FBA4, #042DFB and #FB3E04

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06FBA4 shade: #06FBA4, #A004FB and #FBA004

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06FBA4 shade: #06FBA4, #042DFB, #FB045F and #FBD204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06FBA4 shade: #06FBA4, #2504FB, #FB045F and #DAFB04

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 35 / 2

HEX #06FBA4

RGB 6 251 164

HSL 158.69, 0.97%, 0.5%

LAB 87.83, -68.92, 28.09

 

Complementary color

CMYK 0 / 98 / 63 / 2

HEX #F9045B

RGB 249 4 91

HSL 338.69, 0.97%, 0.5%

LAB 52.93, 80.68, 23.53

 

CMYK 96 / 0 / 37 / 2

HEX #0BFB9F

RGB 11 251 159

HSL 157, 0.97%, 0.51%

LAB 87.76, -69.78, 30.52

 

CMYK 89 / 0 / 30 / 0

HEX #1CFFB2

RGB 28 255 178

HSL 159.65, 1%, 0.55%

LAB 89.38, -66.65, 23.13

 

CMYK 82 / 0 / 23 / 0

HEX #2DFFC5

RGB 45 255 197

HSL 163.43, 1%, 0.59%

LAB 89.91, -61.34, 14.17

 

CMYK 76 / 0 / 15 / 0

HEX #3EFFD8

RGB 62 255 216

HSL 167.88, 1%, 0.62%

LAB 90.55, -55.27, 5.31

 

CMYK 69 / 0 / 8 / 0

HEX #4FFFEB

RGB 79 255 235

HSL 173.18, 1%, 0.65%

LAB 91.32, -48.5, -3.39

 

CMYK 98 / 0 / 35 / 2

HEX #06FBA4

RGB 6 251 164

HSL 158.69, 0.97%, 0.5%

LAB 87.83, -68.92, 28.09

 

CMYK 100 / 0 / 38 / 9

HEX #00E991

RGB 0 233 145

HSL 157.34, 1%, 0.46%

LAB 82.01, -66.67, 29.89

 

CMYK 100 / 0 / 41 / 16

HEX #00D77E

RGB 0 215 126

HSL 155.16, 1%, 0.42%

LAB 76.14, -64.18, 31.77

 

CMYK 100 / 0 / 46 / 23

HEX #00C56B

RGB 0 197 107

HSL 152.59, 1%, 0.39%

LAB 70.17, -61.58, 33.7

 

CMYK 100 / 0 / 51 / 30

HEX #00B358

RGB 0 179 88

HSL 149.5, 1%, 0.35%

LAB 64.12, -58.83, 35.65

 

CMYK 98 / 0 / 35 / 2

HEX #04FBA3

RGB 4 251 163

HSL 158.62, 0.97%, 0.5%

LAB 87.81, -69.17, 28.57

 

CMYK 98 / 0 / 61 / 2

HEX #04FB61

RGB 4 251 97

HSL 142.59, 0.97%, 0.5%

LAB 86.94, -79.6, 58.61

 

CMYK 98 / 0 / 88 / 2

HEX #04FB1E

RGB 4 251 30

HSL 126.32, 0.97%, 0.5%

LAB 86.56, -84.44, 79.02

 

CMYK 82 / 0 / 98 / 2

HEX #2CFB04

RGB 44 251 4

HSL 110.28, 0.97%, 0.5%

LAB 86.77, -82.7, 82.21

 

CMYK 56 / 0 / 98 / 2

HEX #6FFB04

RGB 111 251 4

HSL 94.01, 0.97%, 0.5%

LAB 88.15, -70.91, 83.89

 

CMYK 98 / 0 / 35 / 2

HEX #04FBA3

RGB 4 251 163

HSL 158.62, 0.97%, 0.5%

LAB 87.81, -69.17, 28.57

 

CMYK 98 / 0 / 8 / 2

HEX #04FBE6

RGB 4 251 230

HSL 174.9, 0.97%, 0.5%

LAB 89.27, -53.29, -3.89

 

CMYK 98 / 18 / 0 / 2

HEX #04CEFB

RGB 4 206 251

HSL 190.93, 0.97%, 0.5%

LAB 76.76, -26.59, -33.86

 

CMYK 98 / 45 / 0 / 2

HEX #048BFB

RGB 4 139 251

HSL 207.21, 0.97%, 0.5%

LAB 57.52, 10.56, -64.2

 

CMYK 98 / 71 / 0 / 2

HEX #0448FB

RGB 4 72 251

HSL 223.48, 0.97%, 0.5%

LAB 40.61, 52.27, -91.79

 

CMYK 98 / 0 / 35 / 2

HEX #04FBA3

RGB 4 251 163

HSL 158.62, 0.97%, 0.5%

LAB 87.81, -69.17, 28.57

 

CMYK 98 / 0 / 35 / 2

HEX #04FBA3

RGB 4 251 163

HSL 158.62, 0.97%, 0.5%

LAB 87.81, -69.17, 28.57

 

CMYK 90 / 0 / 32 / 9

HEX #18E79D

RGB 24 231 157

HSL 158.55, 0.81%, 0.5%

LAB 81.72, -62.69, 23.37

 

CMYK 79 / 0 / 28 / 18

HEX #2DD297

RGB 45 210 151

HSL 158.55, 0.65%, 0.5%

LAB 75.38, -54.53, 17.8

 

CMYK 65 / 0 / 23 / 26

HEX #42BD91

RGB 66 189 145

HSL 158.54, 0.48%, 0.5%

LAB 69.18, -44.45, 12.41

 

CMYK 49 / 0 / 18 / 34

HEX #56A98B

RGB 86 169 139

HSL 158.31, 0.33%, 0.5%

LAB 63.52, -32.62, 7.77

 

CMYK 98 / 0 / 88 / 2

HEX #04FB1D

RGB 4 251 29

HSL 126.07, 0.97%, 0.5%

LAB 86.56, -84.47, 79.18

 

CMYK 98 / 0 / 62 / 2

HEX #04FB5F

RGB 4 251 95

HSL 142.11, 0.97%, 0.5%

LAB 86.92, -79.82, 59.42

 

CMYK 98 / 0 / 36 / 2

HEX #04FBA0

RGB 4 251 160

HSL 157.89, 0.97%, 0.5%

LAB 87.76, -69.76, 30.01

 

CMYK 98 / 0 / 10 / 2

HEX #04FBE2

RGB 4 251 226

HSL 173.93, 0.97%, 0.5%

LAB 89.16, -54.36, -1.96

 

CMYK 98 / 16 / 0 / 2

HEX #04D2FB

RGB 4 210 251

HSL 189.96, 0.97%, 0.5%

LAB 77.92, -28.57, -32.06

 

CMYK 98 / 0 / 35 / 33

HEX #03AA6E

RGB 3 170 110

HSL 158.44, 0.97%, 0.34%

LAB 61.56, -51.36, 20.78

 

CMYK 99 / 0 / 35 / 17

HEX #03D389

RGB 3 211 137

HSL 158.65, 0.97%, 0.42%

LAB 75.09, -60.52, 24.71

 

CMYK 98 / 0 / 35 / 2

HEX #04FBA3

RGB 4 251 163

HSL 158.62, 0.97%, 0.5%

LAB 87.81, -69.17, 28.57

 

CMYK 83 / 0 / 29 / 1

HEX #2CFCB2

RGB 44 252 178

HSL 158.65, 0.97%, 0.58%

LAB 88.62, -64.51, 22.11

 

CMYK 66 / 0 / 23 / 1

HEX #55FCC1

RGB 85 252 193

HSL 158.8, 0.97%, 0.66%

LAB 89.58, -56.42, 15.85

 

CMYK 98 / 0 / 35 / 2

HEX #06FBA4

RGB 6 251 164

HSL 158.69, 0.97%, 0.5%

LAB 87.83, -68.92, 28.09

 

CMYK 98 / 82 / 0 / 2

HEX #042DFB

RGB 4 45 251

HSL 230.04, 0.97%, 0.5%

LAB 35.73, 66.28, -99.9

 

CMYK 0 / 75 / 98 / 2

HEX #FB3E04

RGB 251 62 4

HSL 14.09, 0.97%, 0.5%

LAB 56.05, 68.84, 66.99

 

CMYK 98 / 0 / 35 / 2

HEX #06FBA4

RGB 6 251 164

HSL 158.69, 0.97%, 0.5%

LAB 87.83, -68.92, 28.09

 

CMYK 36 / 98 / 0 / 2

HEX #A004FB

RGB 160 4 251

HSL 277.89, 0.97%, 0.5%

LAB 44.98, 84.83, -84.21

 

CMYK 0 / 36 / 98 / 2

HEX #FBA004

RGB 251 160 4

HSL 37.89, 0.97%, 0.5%

LAB 73.32, 24.91, 77.2

 

CMYK 98 / 0 / 35 / 2

HEX #06FBA4

RGB 6 251 164

HSL 158.69, 0.97%, 0.5%

LAB 87.83, -68.92, 28.09

 

CMYK 98 / 82 / 0 / 2

HEX #042DFB

RGB 4 45 251

HSL 230.04, 0.97%, 0.5%

LAB 35.73, 66.28, -99.9

 

CMYK 0 / 98 / 62 / 2

HEX #FB045F

RGB 251 4 95

HSL 337.89, 0.97%, 0.5%

LAB 53.41, 81.34, 21.81

 

CMYK 0 / 16 / 98 / 2

HEX #FBD204

RGB 251 210 4

HSL 50.04, 0.97%, 0.5%

LAB 85.31, -1.06, 85.47

 

CMYK 98 / 0 / 35 / 2

HEX #06FBA4

RGB 6 251 164

HSL 158.69, 0.97%, 0.5%

LAB 87.83, -68.92, 28.09

 

CMYK 85 / 98 / 0 / 2

HEX #2504FB

RGB 37 4 251

HSL 248.02, 0.97%, 0.5%

LAB 32.8, 77.95, -104.76

 

CMYK 0 / 98 / 62 / 2

HEX #FB045F

RGB 251 4 95

HSL 337.89, 0.97%, 0.5%

LAB 53.41, 81.34, 21.81

 

CMYK 13 / 0 / 98 / 2

HEX #DAFB04

RGB 218 251 4

HSL 68.02, 0.97%, 0.5%

LAB 93.41, -34.65, 90.24

 

Description

Color code: HEX #06FBA4 | qconv.com Color code: HEX #06FBA4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 251 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 251 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 35 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 35% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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