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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06FA8B it is the complementary color #F90574. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06FA8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06FA8B shade: #0BFA86, #1CFF99, #2DFFAC, #3EFFBF and #4FFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06FA8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06FA8B shade: #06FA8B, #00E878, #00D665, #00C452 and #00B23F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06FA8B shade: #05FA8B, #05FA49, #05FA06, #46FA05 and #88FA05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06FA8B shade: #05FA8B, #05FACD, #05E5FA, #05A3FA and #0561FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06FA8B shade matches the following richer shades: #05FA8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06FA8B shade: #05FA8B, #1AE589, #2ED187, #43BC85 and #58A783

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06FA8B shade: #05FA05, #05FA46, #05FA88, #05FAC9 and #05EAFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06FA8B shade: #03A95E, #04D174, #05FA8B, #2EFB9D and #56FCB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06FA8B shade: #06FA8B, #0546FA and #FA2605

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06FA8B shade: #06FA8B, #8805FA and #FA8805

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06FA8B shade: #06FA8B, #0546FA, #FA0577 and #FAB905

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06FA8B shade: #06FA8B, #0D05FA, #FA0577 and #F2FA05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 44 / 2

HEX #06FA8B

RGB 6 250 139

HSL 152.7, 0.96%, 0.5%

LAB 87.13, -73.24, 39.59

 

Complementary color

CMYK 0 / 98 / 53 / 2

HEX #F90574

RGB 249 5 116

HSL 332.7, 0.96%, 0.5%

LAB 53.5, 82.08, 9.17

 

CMYK 96 / 0 / 46 / 2

HEX #0BFA86

RGB 11 250 134

HSL 150.88, 0.96%, 0.51%

LAB 87.08, -73.94, 41.95

 

CMYK 89 / 0 / 40 / 0

HEX #1CFF99

RGB 28 255 153

HSL 153.04, 1%, 0.55%

LAB 88.95, -71.58, 35.11

 

CMYK 82 / 0 / 33 / 0

HEX #2DFFAC

RGB 45 255 172

HSL 156.29, 1%, 0.59%

LAB 89.42, -66.76, 26.25

 

CMYK 76 / 0 / 25 / 0

HEX #3EFFBF

RGB 62 255 191

HSL 160.1, 1%, 0.62%

LAB 90, -61.09, 17.41

 

CMYK 69 / 0 / 18 / 0

HEX #4FFFD2

RGB 79 255 210

HSL 164.66, 1%, 0.65%

LAB 90.7, -54.65, 8.67

 

CMYK 98 / 0 / 44 / 2

HEX #06FA8B

RGB 6 250 139

HSL 152.7, 0.96%, 0.5%

LAB 87.13, -73.24, 39.59

 

CMYK 100 / 0 / 48 / 9

HEX #00E878

RGB 0 232 120

HSL 151.03, 1%, 0.45%

LAB 81.33, -70.8, 41.43

 

CMYK 100 / 0 / 53 / 16

HEX #00D665

RGB 0 214 101

HSL 148.32, 1%, 0.42%

LAB 75.47, -68.06, 43.3

 

CMYK 100 / 0 / 58 / 23

HEX #00C452

RGB 0 196 82

HSL 145.1, 1%, 0.38%

LAB 69.53, -65.15, 45.1

 

CMYK 100 / 0 / 65 / 30

HEX #00B23F

RGB 0 178 63

HSL 141.24, 1%, 0.35%

LAB 63.51, -62, 46.75

 

CMYK 98 / 0 / 44 / 2

HEX #05FA8B

RGB 5 250 139

HSL 152.82, 0.96%, 0.5%

LAB 87.13, -73.26, 39.59

 

CMYK 98 / 0 / 71 / 2

HEX #05FA49

RGB 5 250 73

HSL 136.65, 0.96%, 0.5%

LAB 86.45, -81.67, 67.42

 

CMYK 98 / 0 / 98 / 2

HEX #05FA06

RGB 5 250 6

HSL 120.24, 0.96%, 0.5%

LAB 86.21, -84.67, 81.5

 

CMYK 72 / 0 / 98 / 2

HEX #46FA05

RGB 70 250 5

HSL 104.08, 0.96%, 0.5%

LAB 86.84, -79.06, 82.34

 

CMYK 46 / 0 / 98 / 2

HEX #88FA05

RGB 136 250 5

HSL 87.92, 0.96%, 0.5%

LAB 88.74, -63.61, 84.66

 

CMYK 98 / 0 / 44 / 2

HEX #05FA8B

RGB 5 250 139

HSL 152.82, 0.96%, 0.5%

LAB 87.13, -73.26, 39.59

 

CMYK 98 / 0 / 18 / 2

HEX #05FACD

RGB 5 250 205

HSL 168.98, 0.96%, 0.5%

LAB 88.36, -59.35, 7.79

 

CMYK 98 / 8 / 0 / 2

HEX #05E5FA

RGB 5 229 250

HSL 185.14, 0.96%, 0.5%

LAB 83.43, -37.9, -23.11

 

CMYK 98 / 35 / 0 / 2

HEX #05A3FA

RGB 5 163 250

HSL 201.31, 0.96%, 0.5%

LAB 64.27, -3.97, -52.88

 

CMYK 98 / 61 / 0 / 2

HEX #0561FA

RGB 5 97 250

HSL 217.47, 0.96%, 0.5%

LAB 46.29, 36.6, -81.88

 

CMYK 98 / 0 / 44 / 2

HEX #05FA8B

RGB 5 250 139

HSL 152.82, 0.96%, 0.5%

LAB 87.13, -73.26, 39.59

 

CMYK 98 / 0 / 44 / 2

HEX #05FA8B

RGB 5 250 139

HSL 152.82, 0.96%, 0.5%

LAB 87.13, -73.26, 39.59

 

CMYK 89 / 0 / 40 / 10

HEX #1AE589

RGB 26 229 137

HSL 152.81, 0.8%, 0.5%

LAB 80.77, -65.85, 32.32

 

CMYK 78 / 0 / 35 / 18

HEX #2ED187

RGB 46 209 135

HSL 152.76, 0.64%, 0.5%

LAB 74.78, -57.42, 25.4

 

CMYK 64 / 0 / 29 / 26

HEX #43BC85

RGB 67 188 133

HSL 152.73, 0.47%, 0.5%

LAB 68.64, -46.5, 18.16

 

CMYK 47 / 0 / 22 / 35

HEX #58A783

RGB 88 167 131

HSL 152.66, 0.31%, 0.5%

LAB 62.8, -32.95, 11.2

 

CMYK 98 / 0 / 98 / 2

HEX #05FA05

RGB 5 250 5

HSL 120, 0.96%, 0.5%

LAB 86.21, -84.68, 81.58

 

CMYK 98 / 0 / 72 / 2

HEX #05FA46

RGB 5 250 70

HSL 135.92, 0.96%, 0.5%

LAB 86.43, -81.91, 68.44

 

CMYK 98 / 0 / 46 / 2

HEX #05FA88

RGB 5 250 136

HSL 152.08, 0.96%, 0.5%

LAB 87.09, -73.77, 40.99

 

CMYK 98 / 0 / 20 / 2

HEX #05FAC9

RGB 5 250 201

HSL 168, 0.96%, 0.5%

LAB 88.27, -60.33, 9.73

 

CMYK 98 / 6 / 0 / 2

HEX #05EAFA

RGB 5 234 250

HSL 183.92, 0.96%, 0.5%

LAB 84.88, -40.19, -20.91

 

CMYK 98 / 0 / 44 / 34

HEX #03A95E

RGB 3 169 94

HSL 152.89, 0.97%, 0.34%

LAB 60.96, -54.24, 28.55

 

CMYK 98 / 0 / 44 / 18

HEX #04D174

RGB 4 209 116

HSL 152.78, 0.96%, 0.42%

LAB 74.12, -63.85, 34.22

 

CMYK 98 / 0 / 44 / 2

HEX #05FA8B

RGB 5 250 139

HSL 152.82, 0.96%, 0.5%

LAB 87.13, -73.26, 39.59

 

CMYK 82 / 0 / 37 / 2

HEX #2EFB9D

RGB 46 251 157

HSL 152.49, 0.96%, 0.58%

LAB 87.97, -68.2, 31.85

 

CMYK 66 / 0 / 30 / 1

HEX #56FCB0

RGB 86 252 176

HSL 152.53, 0.97%, 0.66%

LAB 89.27, -59.8, 24.12

 

CMYK 98 / 0 / 44 / 2

HEX #06FA8B

RGB 6 250 139

HSL 152.7, 0.96%, 0.5%

LAB 87.13, -73.24, 39.59

 

CMYK 98 / 72 / 0 / 2

HEX #0546FA

RGB 5 70 250

HSL 224.08, 0.96%, 0.5%

LAB 40.11, 53.1, -92.07

 

CMYK 0 / 85 / 98 / 2

HEX #FA2605

RGB 250 38 5

HSL 8.08, 0.96%, 0.5%

LAB 53.73, 74.59, 65.58

 

CMYK 98 / 0 / 44 / 2

HEX #06FA8B

RGB 6 250 139

HSL 152.7, 0.96%, 0.5%

LAB 87.13, -73.24, 39.59

 

CMYK 46 / 98 / 0 / 2

HEX #8805FA

RGB 136 5 250

HSL 272.08, 0.96%, 0.5%

LAB 41.6, 82.26, -89.32

 

CMYK 0 / 46 / 98 / 2

HEX #FA8805

RGB 250 136 5

HSL 32.08, 0.96%, 0.5%

LAB 67.98, 36.9, 73.54

 

CMYK 98 / 0 / 44 / 2

HEX #06FA8B

RGB 6 250 139

HSL 152.7, 0.96%, 0.5%

LAB 87.13, -73.24, 39.59

 

CMYK 98 / 72 / 0 / 2

HEX #0546FA

RGB 5 70 250

HSL 224.08, 0.96%, 0.5%

LAB 40.11, 53.1, -92.07

 

CMYK 0 / 98 / 52 / 2

HEX #FA0577

RGB 250 5 119

HSL 332.08, 0.96%, 0.5%

LAB 53.78, 82.51, 7.77

 

CMYK 0 / 26 / 98 / 2

HEX #FAB905

RGB 250 185 5

HSL 44.08, 0.96%, 0.5%

LAB 79.06, 11.41, 80.93

 

CMYK 98 / 0 / 44 / 2

HEX #06FA8B

RGB 6 250 139

HSL 152.7, 0.96%, 0.5%

LAB 87.13, -73.24, 39.59

 

CMYK 95 / 98 / 0 / 2

HEX #0D05FA

RGB 13 5 250

HSL 241.96, 0.96%, 0.5%

LAB 32.02, 77.31, -105.51

 

CMYK 0 / 98 / 52 / 2

HEX #FA0577

RGB 250 5 119

HSL 332.08, 0.96%, 0.5%

LAB 53.78, 82.51, 7.77

 

CMYK 3 / 0 / 98 / 2

HEX #F2FA05

RGB 242 250 5

HSL 61.96, 0.96%, 0.5%

LAB 94.85, -24.48, 92

 

Description

Color code: HEX #06FA8B | qconv.com Color code: HEX #06FA8B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 250 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 250 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 44 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 44% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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