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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06E64B it is the complementary color #F919B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06E64B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06E64B shade: #0BE646, #1CF859, #2DFF6C, #3EFF7F and #4FFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06E64B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06E64B shade: #06E64B, #00D438, #00C225, #00B012 and #009E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06E64B shade: #06E54B, #06E50E, #39E506, #76E506 and #B2E506

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06E64B shade: #06E54B, #06E587, #06E5C3, #06CBE5 and #068FE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06E64B shade matches the following richer shades: #06E54B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06E64B shade: #06E54B, #19D252, #2CBF59, #3FAC60 and #529968

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06E64B shade: #3AE506, #06E50D, #06E549, #06E584 and #06E5C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06E64B shade: #049430, #05BD3D, #06E54B, #1BF95F and #43FA7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06E64B shade: #06E64B, #0675E5 and #E5061C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06E64B shade: #06E64B, #4906E5 and #E54906

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06E64B shade: #06E64B, #0675E5, #E506A2 and #E57506

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06E64B shade: #06E64B, #0632E5, #E506A2 and #E5B806

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 67 / 10

HEX #06E64B

RGB 6 230 75

HSL 138.48, 0.95%, 0.46%

LAB 80.26, -75.83, 60.15

 

Complementary color

CMYK 0 / 90 / 28 / 2

HEX #F919B4

RGB 249 25 180

HSL 318.48, 0.95%, 0.54%

LAB 56.22, 85.93, -24.82

 

CMYK 95 / 0 / 70 / 10

HEX #0BE646

RGB 11 230 70

HSL 136.16, 0.91%, 0.47%

LAB 80.24, -76.14, 62.04

 

CMYK 89 / 0 / 64 / 3

HEX #1CF859

RGB 28 248 89

HSL 136.64, 0.94%, 0.54%

LAB 86.06, -78.65, 60.95

 

CMYK 82 / 0 / 58 / 0

HEX #2DFF6C

RGB 45 255 108

HSL 138, 1%, 0.59%

LAB 88.52, -77.25, 55.78

 

CMYK 76 / 0 / 50 / 0

HEX #3EFF7F

RGB 62 255 127

HSL 140.21, 1%, 0.62%

LAB 88.96, -72.85, 47.73

 

CMYK 69 / 0 / 43 / 0

HEX #4FFF92

RGB 79 255 146

HSL 142.84, 1%, 0.65%

LAB 89.51, -67.5, 39.41

 

CMYK 97 / 0 / 67 / 10

HEX #06E64B

RGB 6 230 75

HSL 138.48, 0.95%, 0.46%

LAB 80.26, -75.83, 60.15

 

CMYK 100 / 0 / 74 / 17

HEX #00D438

RGB 0 212 56

HSL 135.85, 1%, 0.42%

LAB 74.43, -72.62, 61.08

 

CMYK 100 / 0 / 81 / 24

HEX #00C225

RGB 0 194 37

HSL 131.44, 1%, 0.38%

LAB 68.55, -68.89, 61.35

 

CMYK 100 / 0 / 90 / 31

HEX #00B012

RGB 0 176 18

HSL 126.14, 1%, 0.35%

LAB 62.59, -64.78, 60.46

 

CMYK 100 / 0 / 100 / 38

HEX #009E00

RGB 0 158 0

HSL 120, 1%, 0.31%

LAB 56.54, -60.27, 58.17

 

CMYK 97 / 0 / 67 / 10

HEX #06E54B

RGB 6 229 75

HSL 138.57, 0.95%, 0.46%

LAB 79.95, -75.55, 59.82

 

CMYK 97 / 0 / 94 / 10

HEX #06E50E

RGB 6 229 14

HSL 122.15, 0.95%, 0.46%

LAB 79.68, -79.02, 75.45

 

CMYK 75 / 0 / 97 / 10

HEX #39E506

RGB 57 229 6

HSL 106.28, 0.95%, 0.46%

LAB 80.14, -74.93, 76.76

 

CMYK 48 / 0 / 97 / 10

HEX #76E506

RGB 118 229 6

HSL 89.87, 0.95%, 0.46%

LAB 81.79, -61.33, 78.78

 

CMYK 22 / 0 / 97 / 10

HEX #B2E506

RGB 178 229 6

HSL 73.72, 0.95%, 0.46%

LAB 84.75, -40.53, 82.36

 

CMYK 97 / 0 / 67 / 10

HEX #06E54B

RGB 6 229 75

HSL 138.57, 0.95%, 0.46%

LAB 79.95, -75.55, 59.82

 

CMYK 97 / 0 / 41 / 10

HEX #06E587

RGB 6 229 135

HSL 154.71, 0.95%, 0.46%

LAB 80.64, -67.04, 33.14

 

CMYK 97 / 0 / 15 / 10

HEX #06E5C3

RGB 6 229 195

HSL 170.85, 0.95%, 0.46%

LAB 81.85, -53.59, 3.64

 

CMYK 97 / 11 / 0 / 10

HEX #06CBE5

RGB 6 203 229

HSL 187, 0.95%, 0.46%

LAB 75.08, -32.26, -24.63

 

CMYK 97 / 38 / 0 / 10

HEX #068FE5

RGB 6 143 229

HSL 203.14, 0.95%, 0.46%

LAB 57.41, -0.2, -52.2

 

CMYK 97 / 0 / 67 / 10

HEX #06E54B

RGB 6 229 75

HSL 138.57, 0.95%, 0.46%

LAB 79.95, -75.55, 59.82

 

CMYK 97 / 0 / 67 / 10

HEX #06E54B

RGB 6 229 75

HSL 138.57, 0.95%, 0.46%

LAB 79.95, -75.55, 59.82

 

CMYK 88 / 0 / 61 / 18

HEX #19D252

RGB 25 210 82

HSL 138.49, 0.79%, 0.46%

LAB 74.13, -68.27, 50.48

 

CMYK 77 / 0 / 53 / 25

HEX #2CBF59

RGB 44 191 89

HSL 138.37, 0.63%, 0.46%

LAB 68.4, -59.27, 40.52

 

CMYK 63 / 0 / 44 / 33

HEX #3FAC60

RGB 63 172 96

HSL 138.17, 0.46%, 0.46%

LAB 62.85, -47.96, 30.12

 

CMYK 46 / 0 / 32 / 40

HEX #529968

RGB 82 153 104

HSL 138.59, 0.3%, 0.46%

LAB 57.63, -33.64, 19.01

 

CMYK 75 / 0 / 97 / 10

HEX #3AE506

RGB 58 229 6

HSL 106.01, 0.95%, 0.46%

LAB 80.15, -74.79, 76.78

 

CMYK 97 / 0 / 94 / 10

HEX #06E50D

RGB 6 229 13

HSL 121.88, 0.95%, 0.46%

LAB 79.67, -79.04, 75.55

 

CMYK 97 / 0 / 68 / 10

HEX #06E549

RGB 6 229 73

HSL 138.03, 0.95%, 0.46%

LAB 79.93, -75.74, 60.57

 

CMYK 97 / 0 / 42 / 10

HEX #06E584

RGB 6 229 132

HSL 153.9, 0.95%, 0.46%

LAB 80.6, -67.59, 34.58

 

CMYK 97 / 0 / 16 / 10

HEX #06E5C0

RGB 6 229 192

HSL 170.04, 0.95%, 0.46%

LAB 81.77, -54.37, 5.12

 

CMYK 97 / 0 / 68 / 42

HEX #049430

RGB 4 148 48

HSL 138.33, 0.95%, 0.3%

LAB 53.41, -54.22, 42.14

 

CMYK 97 / 0 / 68 / 26

HEX #05BD3D

RGB 5 189 61

HSL 138.26, 0.95%, 0.38%

LAB 67.1, -65.31, 51.55

 

CMYK 97 / 0 / 67 / 10

HEX #06E54B

RGB 6 229 75

HSL 138.57, 0.95%, 0.46%

LAB 79.95, -75.55, 59.82

 

CMYK 89 / 0 / 62 / 2

HEX #1BF95F

RGB 27 249 95

HSL 138.38, 0.95%, 0.54%

LAB 86.41, -78.35, 58.87

 

CMYK 73 / 0 / 51 / 2

HEX #43FA7B

RGB 67 250 123

HSL 138.36, 0.95%, 0.62%

LAB 87.48, -71.11, 47.8

 

CMYK 97 / 0 / 67 / 10

HEX #06E64B

RGB 6 230 75

HSL 138.48, 0.95%, 0.46%

LAB 80.26, -75.83, 60.15

 

CMYK 97 / 49 / 0 / 10

HEX #0675E5

RGB 6 117 229

HSL 210.13, 0.95%, 0.46%

LAB 50, 15.76, -64.08

 

CMYK 0 / 97 / 88 / 10

HEX #E5061C

RGB 229 6 28

HSL 354.08, 0.95%, 0.46%

LAB 48.1, 73.67, 52.64

 

CMYK 97 / 0 / 67 / 10

HEX #06E64B

RGB 6 230 75

HSL 138.48, 0.95%, 0.46%

LAB 80.26, -75.83, 60.15

 

CMYK 68 / 97 / 0 / 10

HEX #4906E5

RGB 73 6 229

HSL 258.03, 0.95%, 0.46%

LAB 32.27, 73.42, -93.12

 

CMYK 0 / 68 / 97 / 10

HEX #E54906

RGB 229 73 6

HSL 18.03, 0.95%, 0.46%

LAB 53.42, 58.21, 63.01

 

CMYK 97 / 0 / 67 / 10

HEX #06E64B

RGB 6 230 75

HSL 138.48, 0.95%, 0.46%

LAB 80.26, -75.83, 60.15

 

CMYK 97 / 49 / 0 / 10

HEX #0675E5

RGB 6 117 229

HSL 210.13, 0.95%, 0.46%

LAB 50, 15.76, -64.08

 

CMYK 0 / 97 / 29 / 10

HEX #E506A2

RGB 229 6 162

HSL 318.03, 0.95%, 0.46%

LAB 51.15, 81.79, -22.36

 

CMYK 0 / 49 / 97 / 10

HEX #E57506

RGB 229 117 6

HSL 29.87, 0.95%, 0.46%

LAB 61.13, 38.17, 67.59

 

CMYK 97 / 0 / 67 / 10

HEX #06E64B

RGB 6 230 75

HSL 138.48, 0.95%, 0.46%

LAB 80.26, -75.83, 60.15

 

CMYK 97 / 78 / 0 / 10

HEX #0632E5

RGB 6 50 229

HSL 228.16, 0.95%, 0.46%

LAB 33.94, 57.1, -90.42

 

CMYK 0 / 97 / 29 / 10

HEX #E506A2

RGB 229 6 162

HSL 318.03, 0.95%, 0.46%

LAB 51.15, 81.79, -22.36

 

CMYK 0 / 20 / 97 / 10

HEX #E5B806

RGB 229 184 6

HSL 47.89, 0.95%, 0.46%

LAB 76.65, 2.89, 78.13

 

Description

Color code: HEX #06E64B | qconv.com Color code: HEX #06E64B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 230 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 230 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 67 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 67% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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