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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06E172 it is the complementary color #F91E8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06E172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06E172 shade: #0BE16D, #1CF380, #2DFF93, #3EFFA6 and #4FFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06E172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06E172 shade: #06E172, #00CF5F, #00BD4C, #00AB39 and #009926

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06E172 shade: #06E071, #06E036, #10E006, #4BE006 and #85E006

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06E172 shade: #06E071, #06E0AC, #06D9E0, #069EE0 and #0663E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06E172 shade matches the following richer shades: #06E071

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06E172 shade: #06E071, #18CD72, #2BBB72, #3DA872 and #509572

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06E172 shade: #11E006, #06E035, #06E06F, #06E0A9 and #06DCE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06E172 shade: #048F49, #05B85D, #06E071, #16F986 and #3EFA9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06E172 shade: #06E172, #064BE0 and #E01806

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06E172 shade: #06E172, #6F06E0 and #E06F06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06E172 shade: #06E172, #064BE0, #E00676 and #E09B06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06E172 shade: #06E172, #0609E0, #E00676 and #E0DC06

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 49 / 12

HEX #06E172

RGB 6 225 114

HSL 149.59, 0.95%, 0.45%

LAB 79.1, -69.34, 41.54

 

Complementary color

CMYK 0 / 88 / 43 / 2

HEX #F91E8D

RGB 249 30 141

HSL 329.59, 0.95%, 0.55%

LAB 55.06, 81.47, -3.59

 

CMYK 95 / 0 / 52 / 12

HEX #0BE16D

RGB 11 225 109

HSL 147.48, 0.91%, 0.46%

LAB 79.06, -69.96, 43.89

 

CMYK 88 / 0 / 47 / 5

HEX #1CF380

RGB 28 243 128

HSL 147.91, 0.9%, 0.53%

LAB 84.95, -71.94, 42.16

 

CMYK 82 / 0 / 42 / 0

HEX #2DFF93

RGB 45 255 147

HSL 149.14, 1%, 0.59%

LAB 89.01, -71.46, 38.17

 

CMYK 76 / 0 / 35 / 0

HEX #3EFFA6

RGB 62 255 166

HSL 152.33, 1%, 0.62%

LAB 89.53, -66.25, 29.46

 

CMYK 69 / 0 / 27 / 0

HEX #4FFFB9

RGB 79 255 185

HSL 156.14, 1%, 0.65%

LAB 90.18, -60.2, 20.77

 

CMYK 97 / 0 / 49 / 12

HEX #06E172

RGB 6 225 114

HSL 149.59, 0.95%, 0.45%

LAB 79.1, -69.34, 41.54

 

CMYK 100 / 0 / 54 / 19

HEX #00CF5F

RGB 0 207 95

HSL 147.54, 1%, 0.41%

LAB 73.19, -66.75, 43.37

 

CMYK 100 / 0 / 60 / 26

HEX #00BD4C

RGB 0 189 76

HSL 144.13, 1%, 0.37%

LAB 67.21, -63.78, 45.16

 

CMYK 100 / 0 / 67 / 33

HEX #00AB39

RGB 0 171 57

HSL 140, 1%, 0.34%

LAB 61.15, -60.55, 46.74

 

CMYK 100 / 0 / 75 / 40

HEX #009926

RGB 0 153 38

HSL 134.9, 1%, 0.3%

LAB 54.99, -56.99, 47.85

 

CMYK 97 / 0 / 50 / 12

HEX #06E071

RGB 6 224 113

HSL 149.45, 0.95%, 0.45%

LAB 78.78, -69.18, 41.62

 

CMYK 97 / 0 / 76 / 12

HEX #06E036

RGB 6 224 54

HSL 133.21, 0.95%, 0.45%

LAB 78.24, -75.91, 65.55

 

CMYK 93 / 0 / 97 / 12

HEX #10E006

RGB 16 224 6

HSL 117.25, 0.95%, 0.45%

LAB 78.13, -77.45, 74.95

 

CMYK 67 / 0 / 97 / 12

HEX #4BE006

RGB 75 224 6

HSL 101.01, 0.95%, 0.45%

LAB 78.94, -70.34, 75.94

 

CMYK 41 / 0 / 97 / 12

HEX #85E006

RGB 133 224 6

HSL 85.05, 0.95%, 0.45%

LAB 80.91, -54.75, 78.35

 

CMYK 97 / 0 / 50 / 12

HEX #06E071

RGB 6 224 113

HSL 149.45, 0.95%, 0.45%

LAB 78.78, -69.18, 41.62

 

CMYK 97 / 0 / 23 / 12

HEX #06E0AC

RGB 6 224 172

HSL 165.69, 0.95%, 0.45%

LAB 79.8, -57.38, 12.85

 

CMYK 97 / 3 / 0 / 12

HEX #06D9E0

RGB 6 217 224

HSL 181.93, 0.95%, 0.45%

LAB 79.07, -40.33, -15.9

 

CMYK 97 / 29 / 0 / 12

HEX #069EE0

RGB 6 158 224

HSL 198.17, 0.95%, 0.45%

LAB 61.55, -10.69, -42.88

 

CMYK 97 / 56 / 0 / 12

HEX #0663E0

RGB 6 99 224

HSL 214.4, 0.95%, 0.45%

LAB 44.72, 25.35, -69.82

 

CMYK 97 / 0 / 50 / 12

HEX #06E071

RGB 6 224 113

HSL 149.45, 0.95%, 0.45%

LAB 78.78, -69.18, 41.62

 

CMYK 97 / 0 / 50 / 12

HEX #06E071

RGB 6 224 113

HSL 149.45, 0.95%, 0.45%

LAB 78.78, -69.18, 41.62

 

CMYK 88 / 0 / 44 / 20

HEX #18CD72

RGB 24 205 114

HSL 149.83, 0.79%, 0.45%

LAB 72.94, -61.95, 33.74

 

CMYK 77 / 0 / 39 / 27

HEX #2BBB72

RGB 43 187 114

HSL 149.58, 0.63%, 0.45%

LAB 67.48, -53.74, 26.63

 

CMYK 64 / 0 / 32 / 34

HEX #3DA872

RGB 61 168 114

HSL 149.72, 0.47%, 0.45%

LAB 61.84, -43.33, 19.11

 

CMYK 46 / 0 / 23 / 42

HEX #509572

RGB 80 149 114

HSL 149.57, 0.3%, 0.45%

LAB 56.5, -30.28, 11.82

 

CMYK 92 / 0 / 97 / 12

HEX #11E006

RGB 17 224 6

HSL 116.97, 0.95%, 0.45%

LAB 78.14, -77.4, 74.96

 

CMYK 97 / 0 / 76 / 12

HEX #06E035

RGB 6 224 53

HSL 132.94, 0.95%, 0.45%

LAB 78.23, -75.98, 65.86

 

CMYK 97 / 0 / 50 / 12

HEX #06E06F

RGB 6 224 111

HSL 148.9, 0.95%, 0.45%

LAB 78.75, -69.5, 42.55

 

CMYK 97 / 0 / 25 / 12

HEX #06E0A9

RGB 6 224 169

HSL 164.86, 0.95%, 0.45%

LAB 79.74, -58.09, 14.34

 

CMYK 97 / 2 / 0 / 12

HEX #06DCE0

RGB 6 220 224

HSL 181.1, 0.95%, 0.45%

LAB 79.96, -41.68, -14.56

 

CMYK 97 / 0 / 49 / 44

HEX #048F49

RGB 4 143 73

HSL 149.78, 0.95%, 0.29%

LAB 52.01, -48.92, 28.21

 

CMYK 97 / 0 / 49 / 28

HEX #05B85D

RGB 5 184 93

HSL 149.5, 0.95%, 0.37%

LAB 65.83, -59.44, 35.28

 

CMYK 97 / 0 / 50 / 12

HEX #06E071

RGB 6 224 113

HSL 149.45, 0.95%, 0.45%

LAB 78.78, -69.18, 41.62

 

CMYK 91 / 0 / 46 / 2

HEX #16F986

RGB 22 249 134

HSL 149.6, 0.95%, 0.53%

LAB 86.82, -73.21, 41.64

 

CMYK 75 / 0 / 38 / 2

HEX #3EFA9B

RGB 62 250 155

HSL 149.68, 0.95%, 0.61%

LAB 87.85, -66.54, 32.73

 

CMYK 97 / 0 / 49 / 12

HEX #06E172

RGB 6 225 114

HSL 149.59, 0.95%, 0.45%

LAB 79.1, -69.34, 41.54

 

CMYK 97 / 67 / 0 / 12

HEX #064BE0

RGB 6 75 224

HSL 221.01, 0.95%, 0.45%

LAB 38.64, 40.81, -79.78

 

CMYK 0 / 89 / 97 / 12

HEX #E01806

RGB 224 24 6

HSL 4.95, 0.95%, 0.45%

LAB 47.64, 70.23, 59.54

 

CMYK 97 / 0 / 49 / 12

HEX #06E172

RGB 6 225 114

HSL 149.59, 0.95%, 0.45%

LAB 79.1, -69.34, 41.54

 

CMYK 50 / 97 / 0 / 12

HEX #6F06E0

RGB 111 6 224

HSL 268.9, 0.95%, 0.45%

LAB 35.77, 74.6, -84.31

 

CMYK 0 / 50 / 97 / 12

HEX #E06F06

RGB 224 111 6

HSL 28.9, 0.95%, 0.45%

LAB 59.19, 39.21, 66

 

CMYK 97 / 0 / 49 / 12

HEX #06E172

RGB 6 225 114

HSL 149.59, 0.95%, 0.45%

LAB 79.1, -69.34, 41.54

 

CMYK 97 / 67 / 0 / 12

HEX #064BE0

RGB 6 75 224

HSL 221.01, 0.95%, 0.45%

LAB 38.64, 40.81, -79.78

 

CMYK 0 / 97 / 47 / 12

HEX #E00676

RGB 224 6 118

HSL 329.17, 0.95%, 0.45%

LAB 48.62, 76.67, 0.28

 

CMYK 0 / 31 / 97 / 12

HEX #E09B06

RGB 224 155 6

HSL 41.01, 0.95%, 0.45%

LAB 68.97, 16.08, 72.48

 

CMYK 97 / 0 / 49 / 12

HEX #06E172

RGB 6 225 114

HSL 149.59, 0.95%, 0.45%

LAB 79.1, -69.34, 41.54

 

CMYK 97 / 96 / 0 / 12

HEX #0609E0

RGB 6 9 224

HSL 239.17, 0.95%, 0.45%

LAB 28.42, 70.22, -96.75

 

CMYK 0 / 97 / 47 / 12

HEX #E00676

RGB 224 6 118

HSL 329.17, 0.95%, 0.45%

LAB 48.62, 76.67, 0.28

 

CMYK 0 / 2 / 97 / 12

HEX #E0DC06

RGB 224 220 6

HSL 58.9, 0.95%, 0.45%

LAB 85.53, -17.54, 84.38

 

Description

Color code: HEX #06E172 | qconv.com Color code: HEX #06E172 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 225 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 225 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 49 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 49% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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