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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06DBF100 it is the complementary color #F9240E00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06DBF100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06DBF100 shade: #0BDBEC00, #1CEDFF00, #2DFFFF00, #3EFFFF00 and #4FFFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06DBF100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06DBF100 shade: #06DBF100, #00C9DE00, #00B7CB00, #00A5B800 and #0093A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06DBF100 shade: #06D9EF, #069AEF, #065BEF, #061DEF and #2E06EF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06DBF100 shade: #06D9EF, #069AEF, #065BEF, #061DEF and #0606EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06DBF100 shade matches the following richer shades: #06D9EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06DBF100 shade: #06D9EF, #1AC9DB, #2EB9C7, #42A9B3 and #55999F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06DBF100 shade: #06EF86, #06EFC4, #06DBEF, #069DEF and #065FEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06DBF100 shade: #04909E, #05B4C6, #06D9EF, #25E5F9 and #4DEAFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06DBF100 shade: #06DBF1, #4806EF and #EFA506

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06DBF100 shade: #06DBF1, #EF06DB and #DBEF06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06DBF100 shade: #06DBF1, #4806EF, #EF1A06 and #ADEF06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06DBF100 shade: #06DBF1, #8E06EF, #EF1A06 and #67EF06

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #06DBF100

RGBA 6 219 241 0

HSLA 185.62, 0.95%, 0.48%, 0

LABA 80.21, -36.03, -23.24, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #F9240E00

RGBA 249 36 14 0

HSLA 5.62, 0.95%, 0.52%, 0

LABA 53.42, 74.77, 63.18, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0BDBEC00

RGBA 11 219 236 0

HSLA 184.53, 0.91%, 0.48%, 0

LABA 80.06, -37.47, -20.8, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1CEDFF00

RGBA 28 237 255 0

HSLA 184.76, 1%, 0.55%, 0

LABA 86.02, -39.35, -21.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2DFFFF00

RGBA 45 255 255 0

HSLA 180, 1%, 0.59%, 0

LABA 91.37, -46.41, -13.73, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3EFFFF00

RGBA 62 255 255 0

HSLA 180, 1%, 0.62%, 0

LABA 91.58, -45.04, -13.4, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4FFFFF00

RGBA 79 255 255 0

HSLA 180, 1%, 0.65%, 0

LABA 91.87, -43.2, -12.94, 0

 

CMYK 0 / 0 / 0 / 0

HEX #06DBF100

RGBA 6 219 241 0

HSLA 185.62, 0.95%, 0.48%, 0

LABA 80.21, -36.03, -23.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00C9DE00

RGBA 0 201 222 0

HSLA 185.68, 1%, 0.44%, 0

LABA 74.22, -33.69, -22.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00B7CB00

RGBA 0 183 203 0

HSLA 185.91, 1%, 0.4%, 0

LABA 68.15, -31.17, -21.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00A5B800

RGBA 0 165 184 0

HSLA 186.2, 1%, 0.36%, 0

LABA 61.97, -28.6, -19.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0093A500

RGBA 0 147 165 0

HSLA 186.55, 1%, 0.32%, 0

LABA 55.67, -25.97, -18.76, 0

 

CMYK 97 / 9 / 0 / 6

HEX #06D9EF

RGB 6 217 239

HSL 185.67, 0.95%, 0.48%

LAB 79.55, -35.72, -23.17

 

CMYK 97 / 36 / 0 / 6

HEX #069AEF

RGB 6 154 239

HSL 201.89, 0.95%, 0.48%

LAB 61.12, -2.87, -51.84

 

CMYK 97 / 62 / 0 / 6

HEX #065BEF

RGB 6 91 239

HSL 218.11, 0.95%, 0.48%

LAB 43.88, 36.28, -79.68

 

CMYK 97 / 88 / 0 / 6

HEX #061DEF

RGB 6 29 239

HSL 234.08, 0.95%, 0.48%

LAB 32.14, 69.1, -99.1

 

CMYK 81 / 97 / 0 / 6

HEX #2E06EF

RGB 46 6 239

HSL 250.3, 0.95%, 0.48%

LAB 31.68, 74.94, -99.85

 

CMYK 97 / 9 / 0 / 6

HEX #06D9EF

RGB 6 217 239

HSL 185.67, 0.95%, 0.48%

LAB 79.55, -35.72, -23.17

 

CMYK 97 / 36 / 0 / 6

HEX #069AEF

RGB 6 154 239

HSL 201.89, 0.95%, 0.48%

LAB 61.12, -2.87, -51.84

 

CMYK 97 / 62 / 0 / 6

HEX #065BEF

RGB 6 91 239

HSL 218.11, 0.95%, 0.48%

LAB 43.88, 36.28, -79.68

 

CMYK 97 / 88 / 0 / 6

HEX #061DEF

RGB 6 29 239

HSL 234.08, 0.95%, 0.48%

LAB 32.14, 69.1, -99.1

 

CMYK 97 / 97 / 0 / 6

HEX #0606EF

RGB 6 6 239

HSL 240, 0.95%, 0.48%

LAB 30.4, 74.45, -102.01

 

CMYK 97 / 9 / 0 / 6

HEX #06D9EF

RGB 6 217 239

HSL 185.67, 0.95%, 0.48%

LAB 79.55, -35.72, -23.17

 

CMYK 97 / 9 / 0 / 6

HEX #06D9EF

RGB 6 217 239

HSL 185.67, 0.95%, 0.48%

LAB 79.55, -35.72, -23.17

 

CMYK 88 / 8 / 0 / 14

HEX #1AC9DB

RGB 26 201 219

HSL 185.6, 0.79%, 0.48%

LAB 74.26, -33.77, -20.47

 

CMYK 77 / 7 / 0 / 22

HEX #2EB9C7

RGB 46 185 199

HSL 185.49, 0.62%, 0.48%

LAB 69.04, -30.79, -17.46

 

CMYK 63 / 6 / 0 / 30

HEX #42A9B3

RGB 66 169 179

HSL 185.31, 0.46%, 0.48%

LAB 63.99, -26.26, -13.96

 

CMYK 47 / 4 / 0 / 38

HEX #55999F

RGB 85 153 159

HSL 184.86, 0.3%, 0.48%

LAB 59.17, -19.87, -9.86

 

CMYK 97 / 0 / 44 / 6

HEX #06EF86

RGB 6 239 134

HSL 152.96, 0.95%, 0.48%

LAB 83.7, -70.53, 37.62

 

CMYK 97 / 0 / 18 / 6

HEX #06EFC4

RGB 6 239 196

HSL 168.93, 0.95%, 0.48%

LAB 84.87, -57.29, 7.47

 

CMYK 97 / 8 / 0 / 6

HEX #06DBEF

RGB 6 219 239

HSL 185.15, 0.95%, 0.48%

LAB 80.14, -36.66, -22.27

 

CMYK 97 / 34 / 0 / 6

HEX #069DEF

RGB 6 157 239

HSL 201.12, 0.95%, 0.48%

LAB 61.98, -4.59, -50.46

 

CMYK 97 / 60 / 0 / 6

HEX #065FEF

RGB 6 95 239

HSL 217.08, 0.95%, 0.48%

LAB 44.88, 33.73, -78.04

 

CMYK 97 / 9 / 0 / 38

HEX #04909E

RGB 4 144 158

HSL 185.45, 0.95%, 0.32%

LAB 54.49, -26.65, -16.54

 

CMYK 97 / 9 / 0 / 22

HEX #05B4C6

RGB 5 180 198

HSL 185.6, 0.95%, 0.4%

LAB 67.09, -31.19, -19.9

 

CMYK 97 / 9 / 0 / 6

HEX #06D9EF

RGB 6 217 239

HSL 185.67, 0.95%, 0.48%

LAB 79.55, -35.72, -23.17

 

CMYK 85 / 8 / 0 / 2

HEX #25E5F9

RGB 37 229 249

HSL 185.66, 0.95%, 0.56%

LAB 83.59, -37.02, -22.33

 

CMYK 69 / 6 / 0 / 2

HEX #4DEAFA

RGB 77 234 250

HSL 185.55, 0.95%, 0.64%

LAB 85.67, -35.3, -19.64

 

CMYK 98 / 9 / 0 / 5

HEX #06DBF1

RGB 6 219 241

HSL 185.62, 0.95%, 0.48%

LAB 80.21, -36.03, -23.24

 

CMYK 70 / 97 / 0 / 6

HEX #4806EF

RGB 72 6 239

HSL 257, 0.95%, 0.48%

LAB 33.44, 75.73, -96.87

 

CMYK 0 / 31 / 97 / 6

HEX #EFA506

RGB 239 165 6

HSL 40.94, 0.95%, 0.48%

LAB 73.07, 17.22, 76.12

 

CMYK 98 / 9 / 0 / 5

HEX #06DBF1

RGB 6 219 241

HSL 185.62, 0.95%, 0.48%

LAB 80.21, -36.03, -23.24

 

CMYK 0 / 97 / 8 / 6

HEX #EF06DB

RGB 239 6 219

HSL 305.15, 0.95%, 0.48%

LAB 55.68, 90.44, -48.22

 

CMYK 8 / 0 / 97 / 6

HEX #DBEF06

RGB 219 239 6

HSL 65.15, 0.95%, 0.48%

LAB 90.23, -28.71, 87.73

 

CMYK 98 / 9 / 0 / 5

HEX #06DBF1

RGB 6 219 241

HSL 185.62, 0.95%, 0.48%

LAB 80.21, -36.03, -23.24

 

CMYK 70 / 97 / 0 / 6

HEX #4806EF

RGB 72 6 239

HSL 257, 0.95%, 0.48%

LAB 33.44, 75.73, -96.87

 

CMYK 0 / 89 / 97 / 6

HEX #EF1A06

RGB 239 26 6

HSL 5.15, 0.95%, 0.48%

LAB 50.81, 73.8, 62.75

 

CMYK 28 / 0 / 97 / 6

HEX #ADEF06

RGB 173 239 6

HSL 77, 0.95%, 0.48%

LAB 87.31, -46.74, 84.21

 

CMYK 98 / 9 / 0 / 5

HEX #06DBF1

RGB 6 219 241

HSL 185.62, 0.95%, 0.48%

LAB 80.21, -36.03, -23.24

 

CMYK 41 / 97 / 0 / 6

HEX #8E06EF

RGB 142 6 239

HSL 275.02, 0.95%, 0.48%

LAB 41.4, 80.48, -83.44

 

CMYK 0 / 89 / 97 / 6

HEX #EF1A06

RGB 239 26 6

HSL 5.15, 0.95%, 0.48%

LAB 50.81, 73.8, 62.75

 

CMYK 57 / 0 / 97 / 6

HEX #67EF06

RGB 103 239 6

HSL 95.02, 0.95%, 0.48%

LAB 84.29, -68.89, 80.56

 

Description

Color code: HEX #06DBF100 | qconv.com Color code: HEX #06DBF100 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 219 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 219 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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