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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06D7DF it is the complementary color #F92820. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06D7DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06D7DF shade: #0BD7DA, #1CE9ED, #2DFBFF, #3EFFFF and #4FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06D7DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06D7DF shade: #06D7DF, #00C5CC, #00B3B9, #00A1A6 and #008F93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06D7DF shade: #06D8E0, #069DE0, #0662E0, #0627E0 and #1F06E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06D7DF shade: #06D8E0, #069DE0, #0662E0, #0627E0 and #0606E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06D7DF shade matches the following richer shades: #06D8E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06D7DF shade: #06D8E0, #18C7CD, #2BB5BB, #3DA4A8 and #509395

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06D7DF shade: #06E073, #06E0AD, #06D8E0, #069EE0 and #0664E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06D7DF shade: #048A8F, #05B1B8, #06D8E0, #16F1F9 and #3EF3FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06D7DF shade: #06D7DF, #3906E0 and #E09006

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06D7DF shade: #06D7DF, #E006D8 and #D8E006

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06D7DF shade: #06D7DF, #3906E0, #E00D06 and #ADE006

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06D7DF shade: #06D7DF, #7A06E0, #E00D06 and #6BE006

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 4 / 0 / 13

HEX #06D7DF

RGB 6 215 223

HSL 182.21, 0.95%, 0.45%

LAB 78.44, -39.73, -16.31

 

Complementary color

CMYK 0 / 84 / 87 / 2

HEX #F92820

RGB 249 40 32

HSL 2.21, 0.95%, 0.55%

LAB 53.77, 74.22, 56.99

 

CMYK 95 / 1 / 0 / 15

HEX #0BD7DA

RGB 11 215 218

HSL 180.87, 0.9%, 0.45%

LAB 78.31, -41.1, -13.83

 

CMYK 88 / 2 / 0 / 7

HEX #1CE9ED

RGB 28 233 237

HSL 181.15, 0.85%, 0.52%

LAB 84.3, -42.9, -14.93

 

CMYK 82 / 2 / 0 / 0

HEX #2DFBFF

RGB 45 251 255

HSL 181.14, 1%, 0.59%

LAB 90.22, -44.66, -15.46

 

CMYK 76 / 0 / 0 / 0

HEX #3EFFFF

RGB 62 255 255

HSL 180, 1%, 0.62%

LAB 91.58, -45.04, -13.4

 

CMYK 69 / 0 / 0 / 0

HEX #4FFFFF

RGB 79 255 255

HSL 180, 1%, 0.65%

LAB 91.87, -43.2, -12.94

 

CMYK 97 / 4 / 0 / 13

HEX #06D7DF

RGB 6 215 223

HSL 182.21, 0.95%, 0.45%

LAB 78.44, -39.73, -16.31

 

CMYK 100 / 3 / 0 / 20

HEX #00C5CC

RGB 0 197 204

HSL 182.06, 1%, 0.4%

LAB 72.42, -37.46, -15.12

 

CMYK 100 / 3 / 0 / 27

HEX #00B3B9

RGB 0 179 185

HSL 181.95, 1%, 0.36%

LAB 66.32, -35.01, -13.88

 

CMYK 100 / 3 / 0 / 35

HEX #00A1A6

RGB 0 161 166

HSL 181.81, 1%, 0.33%

LAB 60.11, -32.51, -12.61

 

CMYK 100 / 3 / 0 / 42

HEX #008F93

RGB 0 143 147

HSL 181.63, 1%, 0.29%

LAB 53.76, -29.97, -11.3

 

CMYK 97 / 4 / 0 / 12

HEX #06D8E0

RGB 6 216 224

HSL 182.2, 0.95%, 0.45%

LAB 78.77, -39.88, -16.35

 

CMYK 97 / 30 / 0 / 12

HEX #069DE0

RGB 6 157 224

HSL 198.44, 0.95%, 0.45%

LAB 61.25, -10.13, -43.34

 

CMYK 97 / 56 / 0 / 12

HEX #0662E0

RGB 6 98 224

HSL 214.68, 0.95%, 0.45%

LAB 44.46, 26, -70.26

 

CMYK 97 / 83 / 0 / 12

HEX #0627E0

RGB 6 39 224

HSL 230.92, 0.95%, 0.45%

LAB 31.51, 60.86, -91.59

 

CMYK 86 / 97 / 0 / 12

HEX #1F06E0

RGB 31 6 224

HSL 246.88, 0.95%, 0.45%

LAB 28.91, 71.01, -95.92

 

CMYK 97 / 4 / 0 / 12

HEX #06D8E0

RGB 6 216 224

HSL 182.2, 0.95%, 0.45%

LAB 78.77, -39.88, -16.35

 

CMYK 97 / 30 / 0 / 12

HEX #069DE0

RGB 6 157 224

HSL 198.44, 0.95%, 0.45%

LAB 61.25, -10.13, -43.34

 

CMYK 97 / 56 / 0 / 12

HEX #0662E0

RGB 6 98 224

HSL 214.68, 0.95%, 0.45%

LAB 44.46, 26, -70.26

 

CMYK 97 / 83 / 0 / 12

HEX #0627E0

RGB 6 39 224

HSL 230.92, 0.95%, 0.45%

LAB 31.51, 60.86, -91.59

 

CMYK 97 / 97 / 0 / 12

HEX #0606E0

RGB 6 6 224

HSL 240, 0.95%, 0.45%

LAB 28.25, 70.75, -97.04

 

CMYK 97 / 4 / 0 / 12

HEX #06D8E0

RGB 6 216 224

HSL 182.2, 0.95%, 0.45%

LAB 78.77, -39.88, -16.35

 

CMYK 97 / 4 / 0 / 12

HEX #06D8E0

RGB 6 216 224

HSL 182.2, 0.95%, 0.45%

LAB 78.77, -39.88, -16.35

 

CMYK 88 / 3 / 0 / 20

HEX #18C7CD

RGB 24 199 205

HSL 181.99, 0.79%, 0.45%

LAB 73.19, -37.24, -14.51

 

CMYK 77 / 3 / 0 / 27

HEX #2BB5BB

RGB 43 181 187

HSL 182.5, 0.63%, 0.45%

LAB 67.39, -32.83, -13.34

 

CMYK 64 / 2 / 0 / 34

HEX #3DA4A8

RGB 61 164 168

HSL 182.24, 0.47%, 0.45%

LAB 61.97, -27.85, -10.85

 

CMYK 46 / 1 / 0 / 42

HEX #509395

RGB 80 147 149

HSL 181.74, 0.3%, 0.45%

LAB 56.82, -20.69, -7.69

 

CMYK 97 / 0 / 49 / 12

HEX #06E073

RGB 6 224 115

HSL 150, 0.95%, 0.45%

LAB 78.8, -68.86, 40.69

 

CMYK 97 / 0 / 23 / 12

HEX #06E0AD

RGB 6 224 173

HSL 165.96, 0.95%, 0.45%

LAB 79.82, -57.14, 12.36

 

CMYK 97 / 4 / 0 / 12

HEX #06D8E0

RGB 6 216 224

HSL 182.2, 0.95%, 0.45%

LAB 78.77, -39.88, -16.35

 

CMYK 97 / 29 / 0 / 12

HEX #069EE0

RGB 6 158 224

HSL 198.17, 0.95%, 0.45%

LAB 61.55, -10.69, -42.88

 

CMYK 97 / 55 / 0 / 12

HEX #0664E0

RGB 6 100 224

HSL 214.13, 0.95%, 0.45%

LAB 44.99, 24.7, -69.39

 

CMYK 97 / 3 / 0 / 44

HEX #048A8F

RGB 4 138 143

HSL 182.16, 0.95%, 0.29%

LAB 52.05, -28.64, -11.56

 

CMYK 97 / 4 / 0 / 28

HEX #05B1B8

RGB 5 177 184

HSL 182.35, 0.95%, 0.37%

LAB 65.7, -34.22, -14.26

 

CMYK 97 / 4 / 0 / 12

HEX #06D8E0

RGB 6 216 224

HSL 182.2, 0.95%, 0.45%

LAB 78.77, -39.88, -16.35

 

CMYK 91 / 3 / 0 / 2

HEX #16F1F9

RGB 22 241 249

HSL 182.11, 0.95%, 0.53%

LAB 86.96, -43.18, -17.24

 

CMYK 75 / 3 / 0 / 2

HEX #3EF3FA

RGB 62 243 250

HSL 182.23, 0.95%, 0.61%

LAB 87.98, -41.12, -16.19

 

CMYK 97 / 4 / 0 / 13

HEX #06D7DF

RGB 6 215 223

HSL 182.21, 0.95%, 0.45%

LAB 78.44, -39.73, -16.31

 

CMYK 75 / 97 / 0 / 12

HEX #3906E0

RGB 57 6 224

HSL 254.04, 0.95%, 0.45%

LAB 30.36, 71.63, -93.47

 

CMYK 0 / 36 / 97 / 12

HEX #E09006

RGB 224 144 6

HSL 37.98, 0.95%, 0.45%

LAB 66.37, 21.96, 70.71

 

CMYK 97 / 4 / 0 / 13

HEX #06D7DF

RGB 6 215 223

HSL 182.21, 0.95%, 0.45%

LAB 78.44, -39.73, -16.31

 

CMYK 0 / 97 / 4 / 12

HEX #E006D8

RGB 224 6 216

HSL 302.2, 0.95%, 0.45%

LAB 52.88, 87.54, -51.13

 

CMYK 4 / 0 / 97 / 12

HEX #D8E006

RGB 216 224 6

HSL 62.2, 0.95%, 0.45%

LAB 85.97, -22.84, 84.43

 

CMYK 97 / 4 / 0 / 13

HEX #06D7DF

RGB 6 215 223

HSL 182.21, 0.95%, 0.45%

LAB 78.44, -39.73, -16.31

 

CMYK 75 / 97 / 0 / 12

HEX #3906E0

RGB 57 6 224

HSL 254.04, 0.95%, 0.45%

LAB 30.36, 71.63, -93.47

 

CMYK 0 / 94 / 97 / 12

HEX #E00D06

RGB 224 13 6

HSL 1.93, 0.95%, 0.45%

LAB 47.17, 71.59, 59.32

 

CMYK 23 / 0 / 97 / 12

HEX #ADE006

RGB 173 224 6

HSL 74.04, 0.95%, 0.45%

LAB 83.02, -40.27, 80.9

 

CMYK 97 / 4 / 0 / 13

HEX #06D7DF

RGB 6 215 223

HSL 182.21, 0.95%, 0.45%

LAB 78.44, -39.73, -16.31

 

CMYK 46 / 97 / 0 / 12

HEX #7A06E0

RGB 122 6 224

HSL 271.93, 0.95%, 0.45%

LAB 37.21, 75.53, -81.9

 

CMYK 0 / 94 / 97 / 12

HEX #E00D06

RGB 224 13 6

HSL 1.93, 0.95%, 0.45%

LAB 47.17, 71.59, 59.32

 

CMYK 52 / 0 / 97 / 12

HEX #6BE006

RGB 107 224 6

HSL 92.2, 0.95%, 0.45%

LAB 79.87, -62.69, 77.08

 

Description

Color code: HEX #06D7DF | qconv.com Color code: HEX #06D7DF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 215 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 215 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 4 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 4% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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