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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06D034 it is the complementary color #F92FCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06D034. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06D034 shade: #0BD02F, #1CE242, #2DF455, #3EFF68 and #4FFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06D034. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06D034 shade: #06D034, #00BE21, #00AC0E, #009A00 and #008800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06D034 shade: #06D034, #0FD006, #45D006, #7BD006 and #B2D006

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06D034 shade: #06D034, #06D06B, #06D0A1, #06C8D0 and #0692D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06D034 shade matches the following richer shades: #06D034

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06D034 shade: #06D034, #18BE3E, #29AD47, #3A9C51 and #4C8A5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06D034 shade: #46D006, #10D006, #06D032, #06D068 and #06D09D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06D034 shade: #048020, #05A82A, #06D034, #08F73F and #30F95E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06D034 shade: #06D034, #067CD0 and #D0062B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06D034 shade: #06D034, #3206D0 and #D03206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06D034 shade: #06D034, #067CD0, #D006A4 and #D05A06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06D034 shade: #06D034, #063FD0, #D006A4 and #D09706

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 75 / 18

HEX #06D034

RGB 6 208 52

HSL 133.66, 0.94%, 0.42%

LAB 73.15, -71.58, 61.17

 

Complementary color

CMYK 0 / 81 / 18 / 2

HEX #F92FCB

RGB 249 47 203

HSL 313.66, 0.94%, 0.58%

LAB 58.49, 84.84, -34.55

 

CMYK 95 / 0 / 77 / 18

HEX #0BD02F

RGB 11 208 47

HSL 130.96, 0.9%, 0.43%

LAB 73.15, -71.74, 62.79

 

CMYK 88 / 0 / 71 / 11

HEX #1CE242

RGB 28 226 66

HSL 131.52, 0.78%, 0.5%

LAB 79.06, -74.46, 62.32

 

CMYK 82 / 0 / 65 / 4

HEX #2DF455

RGB 45 244 85

HSL 132.06, 0.9%, 0.57%

LAB 84.95, -76.51, 61.38

 

CMYK 76 / 0 / 59 / 0

HEX #3EFF68

RGB 62 255 104

HSL 133.06, 1%, 0.62%

LAB 88.71, -75.86, 57.78

 

CMYK 69 / 0 / 52 / 0

HEX #4FFF7B

RGB 79 255 123

HSL 135, 1%, 0.65%

LAB 89.21, -70.97, 49.97

 

CMYK 97 / 0 / 75 / 18

HEX #06D034

RGB 6 208 52

HSL 133.66, 0.94%, 0.42%

LAB 73.15, -71.58, 61.17

 

CMYK 100 / 0 / 83 / 25

HEX #00BE21

RGB 0 190 33

HSL 130.42, 1%, 0.37%

LAB 67.23, -68, 61.21

 

CMYK 100 / 0 / 92 / 33

HEX #00AC0E

RGB 0 172 14

HSL 124.88, 1%, 0.34%

LAB 61.25, -63.8, 60.01

 

CMYK 100 / 0 / 100 / 40

HEX #009A00

RGB 0 154 0

HSL 120, 1%, 0.3%

LAB 55.19, -59.14, 57.08

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 97 / 0 / 75 / 18

HEX #06D034

RGB 6 208 52

HSL 133.66, 0.94%, 0.42%

LAB 73.15, -71.58, 61.17

 

CMYK 93 / 0 / 97 / 18

HEX #0FD006

RGB 15 208 6

HSL 117.33, 0.94%, 0.42%

LAB 73.04, -73.19, 70.81

 

CMYK 67 / 0 / 97 / 18

HEX #45D006

RGB 69 208 6

HSL 101.29, 0.94%, 0.42%

LAB 73.8, -66.52, 71.74

 

CMYK 41 / 0 / 97 / 18

HEX #7BD006

RGB 123 208 6

HSL 85.25, 0.94%, 0.42%

LAB 75.66, -51.81, 74.01

 

CMYK 14 / 0 / 97 / 18

HEX #B2D006

RGB 178 208 6

HSL 68.91, 0.94%, 0.42%

LAB 78.8, -31.01, 77.81

 

CMYK 97 / 0 / 75 / 18

HEX #06D034

RGB 6 208 52

HSL 133.66, 0.94%, 0.42%

LAB 73.15, -71.58, 61.17

 

CMYK 97 / 0 / 49 / 18

HEX #06D06B

RGB 6 208 107

HSL 150, 0.94%, 0.42%

LAB 73.68, -64.99, 38.17

 

CMYK 97 / 0 / 23 / 18

HEX #06D0A1

RGB 6 208 161

HSL 166.04, 0.94%, 0.42%

LAB 74.65, -53.88, 11.4

 

CMYK 97 / 4 / 0 / 18

HEX #06C8D0

RGB 6 200 208

HSL 182.38, 0.94%, 0.42%

LAB 73.48, -37.45, -15.7

 

CMYK 97 / 30 / 0 / 18

HEX #0692D0

RGB 6 146 208

HSL 198.42, 0.94%, 0.42%

LAB 57.22, -9.83, -40.75

 

CMYK 97 / 0 / 75 / 18

HEX #06D034

RGB 6 208 52

HSL 133.66, 0.94%, 0.42%

LAB 73.15, -71.58, 61.17

 

CMYK 97 / 0 / 75 / 18

HEX #06D034

RGB 6 208 52

HSL 133.66, 0.94%, 0.42%

LAB 73.15, -71.58, 61.17

 

CMYK 87 / 0 / 67 / 25

HEX #18BE3E

RGB 24 190 62

HSL 133.73, 0.78%, 0.42%

LAB 67.55, -64.44, 51.67

 

CMYK 76 / 0 / 59 / 32

HEX #29AD47

RGB 41 173 71

HSL 133.64, 0.62%, 0.42%

LAB 62.35, -56.03, 41.9

 

CMYK 63 / 0 / 48 / 39

HEX #3A9C51

RGB 58 156 81

HSL 134.08, 0.46%, 0.42%

LAB 57.34, -45.2, 30.92

 

CMYK 45 / 0 / 35 / 46

HEX #4C8A5A

RGB 76 138 90

HSL 133.55, 0.29%, 0.42%

LAB 52.34, -31.07, 19.64

 

CMYK 66 / 0 / 97 / 18

HEX #46D006

RGB 70 208 6

HSL 100.99, 0.94%, 0.42%

LAB 73.82, -66.32, 71.77

 

CMYK 92 / 0 / 97 / 18

HEX #10D006

RGB 16 208 6

HSL 117.03, 0.94%, 0.42%

LAB 73.05, -73.14, 70.82

 

CMYK 97 / 0 / 76 / 18

HEX #06D032

RGB 6 208 50

HSL 133.07, 0.94%, 0.42%

LAB 73.14, -71.72, 61.82

 

CMYK 97 / 0 / 50 / 18

HEX #06D068

RGB 6 208 104

HSL 149.11, 0.94%, 0.42%

LAB 73.64, -65.48, 39.59

 

CMYK 97 / 0 / 25 / 18

HEX #06D09D

RGB 6 208 157

HSL 164.85, 0.94%, 0.42%

LAB 74.56, -54.85, 13.42

 

CMYK 97 / 0 / 75 / 50

HEX #048020

RGB 4 128 32

HSL 133.55, 0.94%, 0.26%

LAB 46.4, -49.58, 41.39

 

CMYK 97 / 0 / 75 / 34

HEX #05A82A

RGB 5 168 42

HSL 133.62, 0.94%, 0.34%

LAB 60.07, -60.84, 51.53

 

CMYK 97 / 0 / 75 / 18

HEX #06D034

RGB 6 208 52

HSL 133.66, 0.94%, 0.42%

LAB 73.15, -71.58, 61.17

 

CMYK 97 / 0 / 74 / 3

HEX #08F73F

RGB 8 247 63

HSL 133.81, 0.94%, 0.5%

LAB 85.47, -81.54, 69.81

 

CMYK 81 / 0 / 62 / 2

HEX #30F95E

RGB 48 249 94

HSL 133.73, 0.94%, 0.58%

LAB 86.6, -76.77, 59.55

 

CMYK 97 / 0 / 75 / 18

HEX #06D034

RGB 6 208 52

HSL 133.66, 0.94%, 0.42%

LAB 73.15, -71.58, 61.17

 

CMYK 97 / 40 / 0 / 18

HEX #067CD0

RGB 6 124 208

HSL 204.95, 0.94%, 0.42%

LAB 50.7, 3.15, -51.1

 

CMYK 0 / 97 / 79 / 18

HEX #D0062B

RGB 208 6 43

HSL 349.01, 0.94%, 0.42%

LAB 43.82, 68.85, 39.33

 

CMYK 97 / 0 / 75 / 18

HEX #06D034

RGB 6 208 52

HSL 133.66, 0.94%, 0.42%

LAB 73.15, -71.58, 61.17

 

CMYK 76 / 97 / 0 / 18

HEX #3206D0

RGB 50 6 208

HSL 253.07, 0.94%, 0.42%

LAB 27.74, 67.51, -88.58

 

CMYK 0 / 76 / 97 / 18

HEX #D03206

RGB 208 50 6

HSL 13.07, 0.94%, 0.42%

LAB 46.58, 59.68, 57.23

 

CMYK 97 / 0 / 75 / 18

HEX #06D034

RGB 6 208 52

HSL 133.66, 0.94%, 0.42%

LAB 73.15, -71.58, 61.17

 

CMYK 97 / 40 / 0 / 18

HEX #067CD0

RGB 6 124 208

HSL 204.95, 0.94%, 0.42%

LAB 50.7, 3.15, -51.1

 

CMYK 0 / 97 / 21 / 18

HEX #D006A4

RGB 208 6 164

HSL 313.07, 0.94%, 0.42%

LAB 47.26, 77.95, -29.89

 

CMYK 0 / 57 / 97 / 18

HEX #D05A06

RGB 208 90 6

HSL 24.95, 0.94%, 0.42%

LAB 52.66, 43.36, 60.72

 

CMYK 97 / 0 / 75 / 18

HEX #06D034

RGB 6 208 52

HSL 133.66, 0.94%, 0.42%

LAB 73.15, -71.58, 61.17

 

CMYK 97 / 70 / 0 / 18

HEX #063FD0

RGB 6 63 208

HSL 223.07, 0.94%, 0.42%

LAB 34.29, 42.41, -77.76

 

CMYK 0 / 97 / 21 / 18

HEX #D006A4

RGB 208 6 164

HSL 313.07, 0.94%, 0.42%

LAB 47.26, 77.95, -29.89

 

CMYK 0 / 27 / 97 / 18

HEX #D09706

RGB 208 151 6

HSL 43.07, 0.94%, 0.42%

LAB 66.18, 11.23, 69.69

 

Description

Color code: HEX #06D034 | qconv.com Color code: HEX #06D034 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 208 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 208 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 75 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 75% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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