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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06CFE2 it is the complementary color #F9301D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06CFE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06CFE2 shade: #0BCFDD, #1CE1F0, #2DF3FF, #3EFFFF and #4FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06CFE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06CFE2 shade: #06CFE2, #00BDCF, #00ABBC, #0099A9 and #008796

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06CFE2 shade: #06CDE0, #0692E0, #0657E0, #061DE0 and #2A06E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06CFE2 shade: #06CDE0, #0692E0, #0657E0, #061DE0 and #0606E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06CFE2 shade matches the following richer shades: #06CDE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06CFE2 shade: #06CDE0, #18BECD, #2BAEBB, #3D9FA8 and #508F95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06CFE2 shade: #06E07E, #06E0B8, #06CEE0, #0693E0 and #0659E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06CFE2 shade: #04838F, #05A8B8, #06CDE0, #16E5F9 and #3EEAFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06CFE2 shade: #06CFE2, #4406E0 and #E09B06

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06CFE2 shade: #06CFE2, #E006CE and #CEE006

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06CFE2 shade: #06CFE2, #4406E0, #E01806 and #A2E006

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06CFE2 shade: #06CFE2, #8506E0, #E01806 and #61E006

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 8 / 0 / 11

HEX #06CFE2

RGB 6 207 226

HSL 185.18, 0.95%, 0.45%

LAB 76.16, -35.11, -21.36

 

Complementary color

CMYK 0 / 81 / 88 / 2

HEX #F9301D

RGB 249 48 29

HSL 5.18, 0.95%, 0.55%

LAB 54.39, 72.37, 58.7

 

CMYK 95 / 6 / 0 / 13

HEX #0BCFDD

RGB 11 207 221

HSL 184, 0.91%, 0.45%

LAB 76.02, -36.54, -18.89

 

CMYK 88 / 6 / 0 / 6

HEX #1CE1F0

RGB 28 225 240

HSL 184.25, 0.88%, 0.53%

LAB 82.05, -38.39, -19.9

 

CMYK 82 / 5 / 0 / 0

HEX #2DF3FF

RGB 45 243 255

HSL 183.43, 1%, 0.59%

LAB 87.91, -41.1, -18.93

 

CMYK 76 / 0 / 0 / 0

HEX #3EFFFF

RGB 62 255 255

HSL 180, 1%, 0.62%

LAB 91.58, -45.04, -13.4

 

CMYK 69 / 0 / 0 / 0

HEX #4FFFFF

RGB 79 255 255

HSL 180, 1%, 0.65%

LAB 91.87, -43.2, -12.94

 

CMYK 97 / 8 / 0 / 11

HEX #06CFE2

RGB 6 207 226

HSL 185.18, 0.95%, 0.45%

LAB 76.16, -35.11, -21.36

 

CMYK 100 / 9 / 0 / 19

HEX #00BDCF

RGB 0 189 207

HSL 185.22, 1%, 0.41%

LAB 70.11, -32.77, -20.27

 

CMYK 100 / 9 / 0 / 26

HEX #00ABBC

RGB 0 171 188

HSL 185.43, 1%, 0.37%

LAB 63.96, -30.23, -19.12

 

CMYK 100 / 9 / 0 / 34

HEX #0099A9

RGB 0 153 169

HSL 185.68, 1%, 0.33%

LAB 57.7, -27.63, -17.95

 

CMYK 100 / 10 / 0 / 41

HEX #008796

RGB 0 135 150

HSL 186, 1%, 0.29%

LAB 51.3, -24.98, -16.76

 

CMYK 97 / 8 / 0 / 12

HEX #06CDE0

RGB 6 205 224

HSL 185.23, 0.95%, 0.45%

LAB 75.5, -34.8, -21.29

 

CMYK 97 / 35 / 0 / 12

HEX #0692E0

RGB 6 146 224

HSL 201.47, 0.95%, 0.45%

LAB 58.02, -3.85, -48.45

 

CMYK 97 / 61 / 0 / 12

HEX #0657E0

RGB 6 87 224

HSL 217.71, 0.95%, 0.45%

LAB 41.59, 33.14, -74.94

 

CMYK 97 / 87 / 0 / 12

HEX #061DE0

RGB 6 29 224

HSL 233.67, 0.95%, 0.45%

LAB 30.16, 64.92, -93.85

 

CMYK 81 / 97 / 0 / 12

HEX #2A06E0

RGB 42 6 224

HSL 249.91, 0.95%, 0.45%

LAB 29.42, 71.22, -95.05

 

CMYK 97 / 8 / 0 / 12

HEX #06CDE0

RGB 6 205 224

HSL 185.23, 0.95%, 0.45%

LAB 75.5, -34.8, -21.29

 

CMYK 97 / 35 / 0 / 12

HEX #0692E0

RGB 6 146 224

HSL 201.47, 0.95%, 0.45%

LAB 58.02, -3.85, -48.45

 

CMYK 97 / 61 / 0 / 12

HEX #0657E0

RGB 6 87 224

HSL 217.71, 0.95%, 0.45%

LAB 41.59, 33.14, -74.94

 

CMYK 97 / 87 / 0 / 12

HEX #061DE0

RGB 6 29 224

HSL 233.67, 0.95%, 0.45%

LAB 30.16, 64.92, -93.85

 

CMYK 97 / 97 / 0 / 12

HEX #0606E0

RGB 6 6 224

HSL 240, 0.95%, 0.45%

LAB 28.25, 70.75, -97.04

 

CMYK 97 / 8 / 0 / 12

HEX #06CDE0

RGB 6 205 224

HSL 185.23, 0.95%, 0.45%

LAB 75.5, -34.8, -21.29

 

CMYK 97 / 8 / 0 / 12

HEX #06CDE0

RGB 6 205 224

HSL 185.23, 0.95%, 0.45%

LAB 75.5, -34.8, -21.29

 

CMYK 88 / 7 / 0 / 20

HEX #18BECD

RGB 24 190 205

HSL 184.97, 0.79%, 0.45%

LAB 70.48, -33.03, -18.6

 

CMYK 77 / 7 / 0 / 27

HEX #2BAEBB

RGB 43 174 187

HSL 185.42, 0.63%, 0.45%

LAB 65.26, -29.46, -16.56

 

CMYK 64 / 5 / 0 / 34

HEX #3D9FA8

RGB 61 159 168

HSL 185.05, 0.47%, 0.45%

LAB 60.44, -25.35, -13.15

 

CMYK 46 / 4 / 0 / 42

HEX #508F95

RGB 80 143 149

HSL 185.22, 0.3%, 0.45%

LAB 55.6, -18.58, -9.51

 

CMYK 97 / 0 / 44 / 12

HEX #06E07E

RGB 6 224 126

HSL 153.03, 0.95%, 0.45%

LAB 78.96, -67, 35.46

 

CMYK 97 / 0 / 18 / 12

HEX #06E0B8

RGB 6 224 184

HSL 168.99, 0.95%, 0.45%

LAB 80.07, -54.42, 6.9

 

CMYK 97 / 8 / 0 / 12

HEX #06CEE0

RGB 6 206 224

HSL 184.95, 0.95%, 0.45%

LAB 75.8, -35.27, -20.84

 

CMYK 97 / 34 / 0 / 12

HEX #0693E0

RGB 6 147 224

HSL 201.19, 0.95%, 0.45%

LAB 58.31, -4.43, -47.98

 

CMYK 97 / 60 / 0 / 12

HEX #0659E0

RGB 6 89 224

HSL 217.16, 0.95%, 0.45%

LAB 42.1, 31.84, -74.1

 

CMYK 97 / 8 / 0 / 44

HEX #04838F

RGB 4 131 143

HSL 185.18, 0.95%, 0.29%

LAB 49.79, -25.13, -14.98

 

CMYK 97 / 9 / 0 / 28

HEX #05A8B8

RGB 5 168 184

HSL 185.36, 0.95%, 0.37%

LAB 62.93, -29.9, -18.46

 

CMYK 97 / 8 / 0 / 12

HEX #06CDE0

RGB 6 205 224

HSL 185.23, 0.95%, 0.45%

LAB 75.5, -34.8, -21.29

 

CMYK 91 / 8 / 0 / 2

HEX #16E5F9

RGB 22 229 249

HSL 185.29, 0.95%, 0.53%

LAB 83.47, -37.75, -22.52

 

CMYK 75 / 6 / 0 / 2

HEX #3EEAFA

RGB 62 234 250

HSL 185.11, 0.95%, 0.61%

LAB 85.39, -37.02, -20.09

 

CMYK 97 / 8 / 0 / 11

HEX #06CFE2

RGB 6 207 226

HSL 185.18, 0.95%, 0.45%

LAB 76.16, -35.11, -21.36

 

CMYK 70 / 97 / 0 / 12

HEX #4406E0

RGB 68 6 224

HSL 257.06, 0.95%, 0.45%

LAB 31.21, 72.03, -92.02

 

CMYK 0 / 31 / 97 / 12

HEX #E09B06

RGB 224 155 6

HSL 41.01, 0.95%, 0.45%

LAB 68.97, 16.08, 72.48

 

CMYK 97 / 8 / 0 / 11

HEX #06CFE2

RGB 6 207 226

HSL 185.18, 0.95%, 0.45%

LAB 76.16, -35.11, -21.36

 

CMYK 0 / 97 / 8 / 12

HEX #E006CE

RGB 224 6 206

HSL 304.95, 0.95%, 0.45%

LAB 52.32, 86.17, -46.28

 

CMYK 8 / 0 / 97 / 12

HEX #CEE006

RGB 206 224 6

HSL 64.95, 0.95%, 0.45%

LAB 85.22, -27, 83.54

 

CMYK 97 / 8 / 0 / 11

HEX #06CFE2

RGB 6 207 226

HSL 185.18, 0.95%, 0.45%

LAB 76.16, -35.11, -21.36

 

CMYK 70 / 97 / 0 / 12

HEX #4406E0

RGB 68 6 224

HSL 257.06, 0.95%, 0.45%

LAB 31.21, 72.03, -92.02

 

CMYK 0 / 89 / 97 / 12

HEX #E01806

RGB 224 24 6

HSL 4.95, 0.95%, 0.45%

LAB 47.64, 70.23, 59.54

 

CMYK 28 / 0 / 97 / 12

HEX #A2E006

RGB 162 224 6

HSL 77.06, 0.95%, 0.45%

LAB 82.38, -44.47, 80.13

 

CMYK 97 / 8 / 0 / 11

HEX #06CFE2

RGB 6 207 226

HSL 185.18, 0.95%, 0.45%

LAB 76.16, -35.11, -21.36

 

CMYK 41 / 97 / 0 / 12

HEX #8506E0

RGB 133 6 224

HSL 274.95, 0.95%, 0.45%

LAB 38.72, 76.57, -79.35

 

CMYK 0 / 89 / 97 / 12

HEX #E01806

RGB 224 24 6

HSL 4.95, 0.95%, 0.45%

LAB 47.64, 70.23, 59.54

 

CMYK 57 / 0 / 97 / 12

HEX #61E006

RGB 97 224 6

HSL 94.95, 0.95%, 0.45%

LAB 79.54, -65.35, 76.68

 

Description

Color code: HEX #06CFE2 | qconv.com Color code: HEX #06CFE2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 207 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 207 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 8 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 8% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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