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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06C8D9 it is the complementary color #F93726. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06C8D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06C8D9 shade: #0BC8D4, #1CDAE7, #2DECFA, #3EFEFF and #4FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06C8D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06C8D9 shade: #06C8D9, #00B6C6, #00A4B3, #0092A0 and #00808D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06C8D9 shade: #05C9DA, #0590DA, #0556DA, #051DDA and #2705DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06C8D9 shade: #05C9DA, #0590DA, #0556DA, #051DDA and #0505DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06C8D9 shade matches the following richer shades: #05C9DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06C8D9 shade: #05C9DA, #17BAC8, #29ABB6, #3C9BA4 and #4E8C92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06C8D9 shade: #05DA77, #05DAB0, #05CCDA, #0593DA and #055ADA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06C8D9 shade: #037F8A, #04A4B2, #05C9DA, #10E6F8 and #38EAF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06C8D9 shade: #06C8D9, #3E05DA and #DA9305

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06C8D9 shade: #06C8D9, #DA05CC and #CCDA05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06C8D9 shade: #06C8D9, #3E05DA, #DA1305 and #A1DA05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06C8D9 shade: #06C8D9, #7E05DA, #DA1305 and #61DA05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 8 / 0 / 15

HEX #06C8D9

RGB 6 200 217

HSL 184.83, 0.95%, 0.44%

LAB 73.78, -34.65, -20.13

 

Complementary color

CMYK 0 / 78 / 85 / 2

HEX #F93726

RGB 249 55 38

HSL 4.83, 0.95%, 0.56%

LAB 55.08, 70.72, 55.38

 

CMYK 95 / 6 / 0 / 17

HEX #0BC8D4

RGB 11 200 212

HSL 183.58, 0.9%, 0.44%

LAB 73.63, -36.08, -17.64

 

CMYK 88 / 6 / 0 / 9

HEX #1CDAE7

RGB 28 218 231

HSL 183.84, 0.81%, 0.51%

LAB 79.7, -37.91, -18.67

 

CMYK 82 / 6 / 0 / 2

HEX #2DECFA

RGB 45 236 250

HSL 184.1, 0.95%, 0.58%

LAB 85.73, -39.41, -19.6

 

CMYK 76 / 0 / 0 / 0

HEX #3EFEFF

RGB 62 254 255

HSL 180.31, 1%, 0.62%

LAB 91.29, -44.6, -13.83

 

CMYK 69 / 0 / 0 / 0

HEX #4FFFFF

RGB 79 255 255

HSL 180, 1%, 0.65%

LAB 91.87, -43.2, -12.94

 

CMYK 97 / 8 / 0 / 15

HEX #06C8D9

RGB 6 200 217

HSL 184.83, 0.95%, 0.44%

LAB 73.78, -34.65, -20.13

 

CMYK 100 / 8 / 0 / 22

HEX #00B6C6

RGB 0 182 198

HSL 184.85, 1%, 0.39%

LAB 67.68, -32.31, -19.02

 

CMYK 100 / 8 / 0 / 30

HEX #00A4B3

RGB 0 164 179

HSL 185.03, 1%, 0.35%

LAB 61.49, -29.76, -17.85

 

CMYK 100 / 9 / 0 / 37

HEX #0092A0

RGB 0 146 160

HSL 185.25, 1%, 0.31%

LAB 55.17, -27.15, -16.65

 

CMYK 100 / 9 / 0 / 45

HEX #00808D

RGB 0 128 141

HSL 185.53, 1%, 0.28%

LAB 48.71, -24.48, -15.44

 

CMYK 98 / 8 / 0 / 15

HEX #05C9DA

RGB 5 201 218

HSL 184.79, 0.96%, 0.44%

LAB 74.1, -34.83, -20.17

 

CMYK 98 / 34 / 0 / 15

HEX #0590DA

RGB 5 144 218

HSL 200.85, 0.96%, 0.44%

LAB 57.12, -4.98, -46.53

 

CMYK 98 / 61 / 0 / 15

HEX #0556DA

RGB 5 86 218

HSL 217.18, 0.96%, 0.44%

LAB 40.82, 31.44, -72.79

 

CMYK 98 / 87 / 0 / 15

HEX #051DDA

RGB 5 29 218

HSL 233.24, 0.96%, 0.44%

LAB 29.34, 63.2, -91.75

 

CMYK 82 / 98 / 0 / 15

HEX #2705DA

RGB 39 5 218

HSL 249.58, 0.96%, 0.44%

LAB 28.38, 69.86, -93.33

 

CMYK 98 / 8 / 0 / 15

HEX #05C9DA

RGB 5 201 218

HSL 184.79, 0.96%, 0.44%

LAB 74.1, -34.83, -20.17

 

CMYK 98 / 34 / 0 / 15

HEX #0590DA

RGB 5 144 218

HSL 200.85, 0.96%, 0.44%

LAB 57.12, -4.98, -46.53

 

CMYK 98 / 61 / 0 / 15

HEX #0556DA

RGB 5 86 218

HSL 217.18, 0.96%, 0.44%

LAB 40.82, 31.44, -72.79

 

CMYK 98 / 87 / 0 / 15

HEX #051DDA

RGB 5 29 218

HSL 233.24, 0.96%, 0.44%

LAB 29.34, 63.2, -91.75

 

CMYK 98 / 98 / 0 / 15

HEX #0505DA

RGB 5 5 218

HSL 240, 0.96%, 0.44%

LAB 27.3, 69.44, -95.16

 

CMYK 98 / 8 / 0 / 15

HEX #05C9DA

RGB 5 201 218

HSL 184.79, 0.96%, 0.44%

LAB 74.1, -34.83, -20.17

 

CMYK 98 / 8 / 0 / 15

HEX #05C9DA

RGB 5 201 218

HSL 184.79, 0.96%, 0.44%

LAB 74.1, -34.83, -20.17

 

CMYK 89 / 7 / 0 / 22

HEX #17BAC8

RGB 23 186 200

HSL 184.75, 0.79%, 0.44%

LAB 69.09, -32.74, -17.96

 

CMYK 77 / 6 / 0 / 29

HEX #29ABB6

RGB 41 171 182

HSL 184.68, 0.63%, 0.44%

LAB 64.14, -29.75, -15.47

 

CMYK 63 / 5 / 0 / 36

HEX #3C9BA4

RGB 60 155 164

HSL 185.19, 0.46%, 0.44%

LAB 59.05, -24.69, -12.98

 

CMYK 47 / 4 / 0 / 43

HEX #4E8C92

RGB 78 140 146

HSL 185.29, 0.3%, 0.44%

LAB 54.5, -18.32, -9.44

 

CMYK 98 / 0 / 45 / 15

HEX #05DA77

RGB 5 218 119

HSL 152.11, 0.96%, 0.44%

LAB 76.99, -66.28, 36.41

 

CMYK 98 / 0 / 19 / 15

HEX #05DAB0

RGB 5 218 176

HSL 168.17, 0.96%, 0.44%

LAB 78.06, -54.1, 8.25

 

CMYK 98 / 6 / 0 / 15

HEX #05CCDA

RGB 5 204 218

HSL 183.94, 0.96%, 0.44%

LAB 75, -36.23, -18.82

 

CMYK 98 / 33 / 0 / 15

HEX #0593DA

RGB 5 147 218

HSL 200, 0.96%, 0.44%

LAB 58, -6.71, -45.13

 

CMYK 98 / 59 / 0 / 15

HEX #055ADA

RGB 5 90 218

HSL 216.06, 0.96%, 0.44%

LAB 41.86, 28.83, -71.09

 

CMYK 98 / 8 / 0 / 46

HEX #037F8A

RGB 3 127 138

HSL 184.89, 0.96%, 0.28%

LAB 48.3, -24.84, -14.3

 

CMYK 98 / 8 / 0 / 30

HEX #04A4B2

RGB 4 164 178

HSL 184.83, 0.96%, 0.36%

LAB 61.47, -29.94, -17.3

 

CMYK 98 / 8 / 0 / 15

HEX #05C9DA

RGB 5 201 218

HSL 184.79, 0.96%, 0.44%

LAB 74.1, -34.83, -20.17

 

CMYK 94 / 7 / 0 / 3

HEX #10E6F8

RGB 16 230 248

HSL 184.66, 0.94%, 0.52%

LAB 83.69, -38.72, -21.65

 

CMYK 78 / 6 / 0 / 2

HEX #38EAF9

RGB 56 234 249

HSL 184.66, 0.94%, 0.6%

LAB 85.26, -37.89, -19.76

 

CMYK 97 / 8 / 0 / 15

HEX #06C8D9

RGB 6 200 217

HSL 184.83, 0.95%, 0.44%

LAB 73.78, -34.65, -20.13

 

CMYK 72 / 98 / 0 / 15

HEX #3E05DA

RGB 62 5 218

HSL 256.06, 0.96%, 0.44%

LAB 29.9, 70.52, -90.77

 

CMYK 0 / 33 / 98 / 15

HEX #DA9305

RGB 218 147 5

HSL 40, 0.96%, 0.44%

LAB 66.35, 17.76, 70.49

 

CMYK 97 / 8 / 0 / 15

HEX #06C8D9

RGB 6 200 217

HSL 184.83, 0.95%, 0.44%

LAB 73.78, -34.65, -20.13

 

CMYK 0 / 98 / 6 / 15

HEX #DA05CC

RGB 218 5 204

HSL 303.94, 0.96%, 0.44%

LAB 51.12, 84.96, -47.11

 

CMYK 6 / 0 / 98 / 15

HEX #CCDA05

RGB 204 218 5

HSL 63.94, 0.96%, 0.44%

LAB 83.44, -24.98, 82.22

 

CMYK 97 / 8 / 0 / 15

HEX #06C8D9

RGB 6 200 217

HSL 184.83, 0.95%, 0.44%

LAB 73.78, -34.65, -20.13

 

CMYK 72 / 98 / 0 / 15

HEX #3E05DA

RGB 62 5 218

HSL 256.06, 0.96%, 0.44%

LAB 29.9, 70.52, -90.77

 

CMYK 0 / 91 / 98 / 15

HEX #DA1305

RGB 218 19 5

HSL 3.94, 0.96%, 0.44%

LAB 46.15, 69.38, 58.43

 

CMYK 26 / 0 / 98 / 15

HEX #A1DA05

RGB 161 218 5

HSL 76.06, 0.96%, 0.44%

LAB 80.59, -42.27, 78.8

 

CMYK 97 / 8 / 0 / 15

HEX #06C8D9

RGB 6 200 217

HSL 184.83, 0.95%, 0.44%

LAB 73.78, -34.65, -20.13

 

CMYK 42 / 98 / 0 / 15

HEX #7E05DA

RGB 126 5 218

HSL 274.08, 0.96%, 0.44%

LAB 37.13, 74.78, -78.57

 

CMYK 0 / 91 / 98 / 15

HEX #DA1305

RGB 218 19 5

HSL 3.94, 0.96%, 0.44%

LAB 46.15, 69.38, 58.43

 

CMYK 56 / 0 / 98 / 15

HEX #61DA05

RGB 97 218 5

HSL 94.08, 0.96%, 0.44%

LAB 77.69, -63.32, 75.29

 

Description

Color code: HEX #06C8D9 | qconv.com Color code: HEX #06C8D9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 200 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 200 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 8 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 8% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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