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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06BE98 it is the complementary color #F94167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06BE98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06BE98 shade: #0BBE93, #1CD0A6, #2DE2B9, #3EF4CC and #4FFFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06BE98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06BE98 shade: #06BE98, #00AC85, #009A72, #00885F and #00764C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06BE98 shade: #06BC96, #06BC65, #06BC34, #09BC06 and #3ABC06

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06BE98 shade: #06BC96, #06B0BC, #067FBC, #064EBC and #061DBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06BE98 shade matches the following richer shades: #06BC96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06BE98 shade: #06BC96, #15AC8D, #259D84, #358D7B and #457D72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06BE98 shade: #06BC33, #06BC64, #06BC95, #06B3BC and #0682BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06BE98 shade: #036C56, #059476, #06BC96, #07E4B6 and #1CF8CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06BE98 shade: #06BE98, #0609BC and #BC4C06

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06BE98 shade: #06BE98, #9506BC and #BC9506

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06BE98 shade: #06BE98, #0609BC, #BC062D and #BCB906

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06BE98 shade: #06BE98, #3906BC, #BC062D and #88BC06

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 20 / 25

HEX #06BE98

RGB 6 190 152

HSL 167.61, 0.94%, 0.38%

LAB 68.85, -49.01, 8.01

 

Complementary color

CMYK 0 / 74 / 59 / 2

HEX #F94167

RGB 249 65 103

HSL 347.61, 0.94%, 0.62%

LAB 56.98, 70.48, 21.73

 

CMYK 94 / 0 / 23 / 25

HEX #0BBE93

RGB 11 190 147

HSL 165.59, 0.89%, 0.39%

LAB 68.75, -50.09, 10.61

 

CMYK 87 / 0 / 20 / 18

HEX #1CD0A6

RGB 28 208 166

HSL 166, 0.76%, 0.46%

LAB 74.9, -51.67, 9.09

 

CMYK 80 / 0 / 18 / 11

HEX #2DE2B9

RGB 45 226 185

HSL 166.41, 0.76%, 0.53%

LAB 80.99, -52.86, 7.72

 

CMYK 75 / 0 / 16 / 4

HEX #3EF4CC

RGB 62 244 204

HSL 166.81, 0.89%, 0.6%

LAB 87.04, -53.75, 6.47

 

CMYK 69 / 0 / 13 / 0

HEX #4FFFDF

RGB 79 255 223

HSL 169.09, 1%, 0.65%

LAB 91.01, -51.53, 2.39

 

CMYK 97 / 0 / 20 / 25

HEX #06BE98

RGB 6 190 152

HSL 167.61, 0.94%, 0.38%

LAB 68.85, -49.01, 8.01

 

CMYK 100 / 0 / 23 / 33

HEX #00AC85

RGB 0 172 133

HSL 166.4, 1%, 0.34%

LAB 62.67, -46.83, 9.67

 

CMYK 100 / 0 / 26 / 40

HEX #009A72

RGB 0 154 114

HSL 164.42, 1%, 0.3%

LAB 56.41, -44.39, 11.45

 

CMYK 100 / 0 / 30 / 47

HEX #00885F

RGB 0 136 95

HSL 161.91, 1%, 0.27%

LAB 50.02, -41.87, 13.33

 

CMYK 100 / 0 / 36 / 54

HEX #00764C

RGB 0 118 76

HSL 158.64, 1%, 0.23%

LAB 43.48, -39.24, 15.33

 

CMYK 97 / 0 / 20 / 26

HEX #06BC96

RGB 6 188 150

HSL 167.47, 0.94%, 0.38%

LAB 68.17, -48.71, 8.14

 

CMYK 97 / 0 / 46 / 26

HEX #06BC65

RGB 6 188 101

HSL 151.32, 0.94%, 0.38%

LAB 67.24, -59.37, 33

 

CMYK 97 / 0 / 72 / 26

HEX #06BC34

RGB 6 188 52

HSL 135.16, 0.94%, 0.38%

LAB 66.71, -65.83, 54.65

 

CMYK 95 / 0 / 97 / 26

HEX #09BC06

RGB 9 188 6

HSL 119.01, 0.94%, 0.38%

LAB 66.55, -68, 65.49

 

CMYK 69 / 0 / 97 / 26

HEX #3ABC06

RGB 58 188 6

HSL 102.86, 0.94%, 0.38%

LAB 67.19, -62.36, 66.28

 

CMYK 97 / 0 / 20 / 26

HEX #06BC96

RGB 6 188 150

HSL 167.47, 0.94%, 0.38%

LAB 68.17, -48.71, 8.14

 

CMYK 97 / 6 / 0 / 26

HEX #06B0BC

RGB 6 176 188

HSL 183.96, 0.94%, 0.38%

LAB 65.53, -32.45, -16.74

 

CMYK 97 / 32 / 0 / 26

HEX #067FBC

RGB 6 127 188

HSL 200.11, 0.94%, 0.38%

LAB 50.51, -6.4, -39.97

 

CMYK 97 / 59 / 0 / 26

HEX #064EBC

RGB 6 78 188

HSL 216.26, 0.94%, 0.38%

LAB 36.21, 24.92, -62.94

 

CMYK 97 / 85 / 0 / 26

HEX #061DBC

RGB 6 29 188

HSL 232.42, 0.94%, 0.38%

LAB 25.41, 54.31, -80.77

 

CMYK 97 / 0 / 20 / 26

HEX #06BC96

RGB 6 188 150

HSL 167.47, 0.94%, 0.38%

LAB 68.17, -48.71, 8.14

 

CMYK 97 / 0 / 20 / 26

HEX #06BC96

RGB 6 188 150

HSL 167.47, 0.94%, 0.38%

LAB 68.17, -48.71, 8.14

 

CMYK 88 / 0 / 18 / 33

HEX #15AC8D

RGB 21 172 141

HSL 167.68, 0.78%, 0.38%

LAB 63, -43.77, 5.71

 

CMYK 76 / 0 / 16 / 38

HEX #259D84

RGB 37 157 132

HSL 167.5, 0.62%, 0.38%

LAB 58.2, -38.2, 3.87

 

CMYK 62 / 0 / 13 / 45

HEX #358D7B

RGB 53 141 123

HSL 167.73, 0.45%, 0.38%

LAB 53.21, -30.72, 1.84

 

CMYK 45 / 0 / 9 / 51

HEX #457D72

RGB 69 125 114

HSL 168.21, 0.29%, 0.38%

LAB 48.45, -21.33, 0.23

 

CMYK 97 / 0 / 73 / 26

HEX #06BC33

RGB 6 188 51

HSL 134.84, 0.94%, 0.38%

LAB 66.71, -65.91, 55.01

 

CMYK 97 / 0 / 47 / 26

HEX #06BC64

RGB 6 188 100

HSL 150.99, 0.94%, 0.38%

LAB 67.22, -59.55, 33.49

 

CMYK 97 / 0 / 21 / 26

HEX #06BC95

RGB 6 188 149

HSL 167.14, 0.94%, 0.38%

LAB 68.15, -48.97, 8.65

 

CMYK 97 / 5 / 0 / 26

HEX #06B3BC

RGB 6 179 188

HSL 182.97, 0.94%, 0.38%

LAB 66.45, -33.87, -15.34

 

CMYK 97 / 31 / 0 / 26

HEX #0682BC

RGB 6 130 188

HSL 199.12, 0.94%, 0.38%

LAB 51.42, -8.16, -38.53

 

CMYK 97 / 0 / 20 / 58

HEX #036C56

RGB 3 108 86

HSL 167.43, 0.95%, 0.22%

LAB 40.27, -32.18, 4.92

 

CMYK 97 / 0 / 20 / 42

HEX #059476

RGB 5 148 118

HSL 167.41, 0.93%, 0.3%

LAB 54.57, -40.63, 6.58

 

CMYK 97 / 0 / 20 / 26

HEX #06BC96

RGB 6 188 150

HSL 167.47, 0.94%, 0.38%

LAB 68.17, -48.71, 8.14

 

CMYK 97 / 0 / 20 / 11

HEX #07E4B6

RGB 7 228 182

HSL 167.51, 0.94%, 0.46%

LAB 81.24, -56.46, 9.63

 

CMYK 89 / 0 / 18 / 3

HEX #1CF8CB

RGB 28 248 203

HSL 167.73, 0.94%, 0.54%

LAB 87.82, -58.31, 8.07

 

CMYK 97 / 0 / 20 / 25

HEX #06BE98

RGB 6 190 152

HSL 167.61, 0.94%, 0.38%

LAB 68.85, -49.01, 8.01

 

CMYK 97 / 95 / 0 / 26

HEX #0609BC

RGB 6 9 188

HSL 239.01, 0.94%, 0.38%

LAB 23.22, 60.94, -84.42

 

CMYK 0 / 60 / 97 / 26

HEX #BC4C06

RGB 188 76 6

HSL 23.08, 0.94%, 0.38%

LAB 46.81, 42.45, 55.47

 

CMYK 97 / 0 / 20 / 25

HEX #06BE98

RGB 6 190 152

HSL 167.61, 0.94%, 0.38%

LAB 68.85, -49.01, 8.01

 

CMYK 21 / 97 / 0 / 26

HEX #9506BC

RGB 149 6 188

HSL 287.14, 0.94%, 0.38%

LAB 38.11, 71.59, -59.34

 

CMYK 0 / 21 / 97 / 26

HEX #BC9506

RGB 188 149 6

HSL 47.14, 0.94%, 0.38%

LAB 63.51, 3.38, 66.79

 

CMYK 97 / 0 / 20 / 25

HEX #06BE98

RGB 6 190 152

HSL 167.61, 0.94%, 0.38%

LAB 68.85, -49.01, 8.01

 

CMYK 97 / 95 / 0 / 26

HEX #0609BC

RGB 6 9 188

HSL 239.01, 0.94%, 0.38%

LAB 23.22, 60.94, -84.42

 

CMYK 0 / 97 / 76 / 26

HEX #BC062D

RGB 188 6 45

HSL 347.14, 0.94%, 0.38%

LAB 39.6, 63.95, 32.35

 

CMYK 0 / 2 / 97 / 26

HEX #BCB906

RGB 188 185 6

HSL 59.01, 0.94%, 0.38%

LAB 73.16, -15.56, 73.88

 

CMYK 97 / 0 / 20 / 25

HEX #06BE98

RGB 6 190 152

HSL 167.61, 0.94%, 0.38%

LAB 68.85, -49.01, 8.01

 

CMYK 70 / 97 / 0 / 26

HEX #3906BC

RGB 57 6 188

HSL 256.81, 0.94%, 0.38%

LAB 25.66, 62.84, -80.29

 

CMYK 0 / 97 / 76 / 26

HEX #BC062D

RGB 188 6 45

HSL 347.14, 0.94%, 0.38%

LAB 39.6, 63.95, 32.35

 

CMYK 28 / 0 / 97 / 26

HEX #88BC06

RGB 136 188 6

HSL 77.14, 0.94%, 0.38%

LAB 70.33, -38.73, 70.1

 

Description

Color code: HEX #06BE98 | qconv.com Color code: HEX #06BE98 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 190 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 190 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 20 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 20% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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