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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06BD92 it is the complementary color #F9426D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06BD92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06BD92 shade: #0BBD8D, #1CCFA0, #2DE1B3, #3EF3C6 and #4FFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06BD92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06BD92 shade: #06BD92, #00AB7F, #00996C, #008759 and #007546

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06BD92 shade: #06BC91, #06BC60, #06BC2F, #0EBC06 and #3FBC06

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06BD92 shade: #06BC91, #06B6BC, #0685BC, #0653BC and #0622BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06BD92 shade matches the following richer shades: #06BC91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06BD92 shade: #06BC91, #15AC89, #259D81, #358D78 and #457D70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06BD92 shade: #06BC2D, #06BC5E, #06BC8E, #06B9BC and #0688BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06BD92 shade: #036C53, #059472, #06BC91, #07E4B0 and #1CF8C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06BD92 shade: #06BD92, #060FBC and #BC4606

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06BD92 shade: #06BD92, #8E06BC and #BC8E06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06BD92 shade: #06BD92, #060FBC, #BC0633 and #BCB306

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06BD92 shade: #06BD92, #3306BC, #BC0633 and #8EBC06

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 23 / 26

HEX #06BD92

RGB 6 189 146

HSL 165.9, 0.94%, 0.38%

LAB 68.39, -50.12, 10.64

 

Complementary color

CMYK 0 / 73 / 56 / 2

HEX #F9426D

RGB 249 66 109

HSL 345.9, 0.94%, 0.62%

LAB 57.21, 70.56, 18.5

 

CMYK 94 / 0 / 25 / 26

HEX #0BBD8D

RGB 11 189 141

HSL 163.82, 0.89%, 0.39%

LAB 68.31, -51.17, 13.24

 

CMYK 86 / 0 / 23 / 19

HEX #1CCFA0

RGB 28 207 160

HSL 164.25, 0.76%, 0.46%

LAB 74.45, -52.74, 11.68

 

CMYK 80 / 0 / 20 / 12

HEX #2DE1B3

RGB 45 225 179

HSL 164.67, 0.75%, 0.53%

LAB 80.55, -53.92, 10.26

 

CMYK 74 / 0 / 19 / 5

HEX #3EF3C6

RGB 62 243 198

HSL 165.08, 0.88%, 0.6%

LAB 86.6, -54.8, 8.98

 

CMYK 69 / 0 / 15 / 0

HEX #4FFFD9

RGB 79 255 217

HSL 167.05, 1%, 0.65%

LAB 90.87, -52.99, 5.28

 

CMYK 97 / 0 / 23 / 26

HEX #06BD92

RGB 6 189 146

HSL 165.9, 0.94%, 0.38%

LAB 68.39, -50.12, 10.64

 

CMYK 100 / 0 / 26 / 33

HEX #00AB7F

RGB 0 171 127

HSL 164.56, 1%, 0.34%

LAB 62.22, -47.94, 12.35

 

CMYK 100 / 0 / 29 / 40

HEX #00996C

RGB 0 153 108

HSL 162.35, 1%, 0.3%

LAB 55.95, -45.47, 14.19

 

CMYK 100 / 0 / 34 / 47

HEX #008759

RGB 0 135 89

HSL 159.56, 1%, 0.26%

LAB 49.56, -42.91, 16.13

 

CMYK 100 / 0 / 40 / 54

HEX #007546

RGB 0 117 70

HSL 155.9, 1%, 0.23%

LAB 43.01, -40.21, 18.18

 

CMYK 97 / 0 / 23 / 26

HEX #06BC91

RGB 6 188 145

HSL 165.82, 0.94%, 0.38%

LAB 68.06, -49.98, 10.7

 

CMYK 97 / 0 / 49 / 26

HEX #06BC60

RGB 6 188 96

HSL 149.67, 0.94%, 0.38%

LAB 67.16, -60.23, 35.45

 

CMYK 97 / 0 / 75 / 26

HEX #06BC2F

RGB 6 188 47

HSL 133.52, 0.94%, 0.38%

LAB 66.68, -66.24, 56.41

 

CMYK 93 / 0 / 97 / 26

HEX #0EBC06

RGB 14 188 6

HSL 117.36, 0.94%, 0.38%

LAB 66.58, -67.75, 65.53

 

CMYK 66 / 0 / 97 / 26

HEX #3FBC06

RGB 63 188 6

HSL 101.21, 0.94%, 0.38%

LAB 67.3, -61.35, 66.42

 

CMYK 97 / 0 / 23 / 26

HEX #06BC91

RGB 6 188 145

HSL 165.82, 0.94%, 0.38%

LAB 68.06, -49.98, 10.7

 

CMYK 97 / 3 / 0 / 26

HEX #06B6BC

RGB 6 182 188

HSL 181.98, 0.94%, 0.38%

LAB 67.37, -35.28, -13.96

 

CMYK 97 / 29 / 0 / 26

HEX #0685BC

RGB 6 133 188

HSL 198.13, 0.94%, 0.38%

LAB 52.34, -9.89, -37.09

 

CMYK 97 / 56 / 0 / 26

HEX #0653BC

RGB 6 83 188

HSL 214.62, 0.94%, 0.38%

LAB 37.58, 21.57, -60.71

 

CMYK 97 / 82 / 0 / 26

HEX #0622BC

RGB 6 34 188

HSL 230.77, 0.94%, 0.38%

LAB 26.2, 51.97, -79.45

 

CMYK 97 / 0 / 23 / 26

HEX #06BC91

RGB 6 188 145

HSL 165.82, 0.94%, 0.38%

LAB 68.06, -49.98, 10.7

 

CMYK 97 / 0 / 23 / 26

HEX #06BC91

RGB 6 188 145

HSL 165.82, 0.94%, 0.38%

LAB 68.06, -49.98, 10.7

 

CMYK 88 / 0 / 20 / 33

HEX #15AC89

RGB 21 172 137

HSL 166.09, 0.78%, 0.38%

LAB 62.9, -44.81, 7.79

 

CMYK 76 / 0 / 18 / 38

HEX #259D81

RGB 37 157 129

HSL 166, 0.62%, 0.38%

LAB 58.12, -39, 5.46

 

CMYK 62 / 0 / 15 / 45

HEX #358D78

RGB 53 141 120

HSL 165.68, 0.45%, 0.38%

LAB 53.13, -31.52, 3.46

 

CMYK 45 / 0 / 10 / 51

HEX #457D70

RGB 69 125 112

HSL 166.07, 0.29%, 0.38%

LAB 48.39, -21.84, 1.33

 

CMYK 97 / 0 / 76 / 26

HEX #06BC2D

RGB 6 188 45

HSL 132.86, 0.94%, 0.38%

LAB 66.67, -66.4, 57.08

 

CMYK 97 / 0 / 50 / 26

HEX #06BC5E

RGB 6 188 94

HSL 149.01, 0.94%, 0.38%

LAB 67.14, -60.56, 36.42

 

CMYK 97 / 0 / 24 / 26

HEX #06BC8E

RGB 6 188 142

HSL 164.84, 0.94%, 0.38%

LAB 67.99, -50.71, 12.24

 

CMYK 97 / 2 / 0 / 26

HEX #06B9BC

RGB 6 185 188

HSL 180.99, 0.94%, 0.38%

LAB 68.29, -36.67, -12.58

 

CMYK 97 / 28 / 0 / 26

HEX #0688BC

RGB 6 136 188

HSL 197.14, 0.94%, 0.38%

LAB 53.25, -11.6, -35.65

 

CMYK 97 / 0 / 23 / 58

HEX #036C53

RGB 3 108 83

HSL 165.71, 0.95%, 0.22%

LAB 40.2, -33.02, 6.62

 

CMYK 97 / 0 / 23 / 42

HEX #059472

RGB 5 148 114

HSL 165.73, 0.93%, 0.3%

LAB 54.48, -41.69, 8.73

 

CMYK 97 / 0 / 23 / 26

HEX #06BC91

RGB 6 188 145

HSL 165.82, 0.94%, 0.38%

LAB 68.06, -49.98, 10.7

 

CMYK 97 / 0 / 23 / 11

HEX #07E4B0

RGB 7 228 176

HSL 165.88, 0.94%, 0.46%

LAB 81.11, -57.92, 12.6

 

CMYK 89 / 0 / 21 / 3

HEX #1CF8C4

RGB 28 248 196

HSL 165.82, 0.94%, 0.54%

LAB 87.66, -60, 11.47

 

CMYK 97 / 0 / 23 / 26

HEX #06BD92

RGB 6 189 146

HSL 165.9, 0.94%, 0.38%

LAB 68.39, -50.12, 10.64

 

CMYK 97 / 92 / 0 / 26

HEX #060FBC

RGB 6 15 188

HSL 237.03, 0.94%, 0.38%

LAB 23.71, 59.43, -83.6

 

CMYK 0 / 63 / 97 / 26

HEX #BC4606

RGB 188 70 6

HSL 21.1, 0.94%, 0.38%

LAB 45.75, 45.24, 54.83

 

CMYK 97 / 0 / 23 / 26

HEX #06BD92

RGB 6 189 146

HSL 165.9, 0.94%, 0.38%

LAB 68.39, -50.12, 10.64

 

CMYK 24 / 97 / 0 / 26

HEX #8E06BC

RGB 142 6 188

HSL 284.84, 0.94%, 0.38%

LAB 36.95, 70.62, -61.28

 

CMYK 0 / 24 / 97 / 26

HEX #BC8E06

RGB 188 142 6

HSL 44.84, 0.94%, 0.38%

LAB 61.7, 7.2, 65.5

 

CMYK 97 / 0 / 23 / 26

HEX #06BD92

RGB 6 189 146

HSL 165.9, 0.94%, 0.38%

LAB 68.39, -50.12, 10.64

 

CMYK 97 / 92 / 0 / 26

HEX #060FBC

RGB 6 15 188

HSL 237.03, 0.94%, 0.38%

LAB 23.71, 59.43, -83.6

 

CMYK 0 / 97 / 73 / 26

HEX #BC0633

RGB 188 6 51

HSL 345.16, 0.94%, 0.38%

LAB 39.68, 64.18, 28.76

 

CMYK 0 / 5 / 97 / 26

HEX #BCB306

RGB 188 179 6

HSL 57.03, 0.94%, 0.38%

LAB 71.52, -12.5, 72.66

 

CMYK 97 / 0 / 23 / 26

HEX #06BD92

RGB 6 189 146

HSL 165.9, 0.94%, 0.38%

LAB 68.39, -50.12, 10.64

 

CMYK 73 / 97 / 0 / 26

HEX #3306BC

RGB 51 6 188

HSL 254.84, 0.94%, 0.38%

LAB 25.15, 62.59, -81.14

 

CMYK 0 / 97 / 73 / 26

HEX #BC0633

RGB 188 6 51

HSL 345.16, 0.94%, 0.38%

LAB 39.68, 64.18, 28.76

 

CMYK 24 / 0 / 97 / 26

HEX #8EBC06

RGB 142 188 6

HSL 75.16, 0.94%, 0.38%

LAB 70.68, -36.37, 70.54

 

Description

Color code: HEX #06BD92 | qconv.com Color code: HEX #06BD92 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 189 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 189 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 23 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 23% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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