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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06B918 it is the complementary color #F946E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06B918. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06B918 shade: #0BB913, #1CCB26, #2DDD39, #3EEF4C and #4FFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06B918. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06B918 shade: #06B918, #00A705, #009500, #008300 and #007100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06B918 shade: #06B717, #24B706, #54B706, #83B706 and #B3B706

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06B918 shade: #06B717, #06B747, #06B777, #06B7A7 and #0697B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06B918 shade matches the following richer shades: #06B717

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06B918 shade: #06B717, #15A824, #249930, #33893C and #437A48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06B918 shade: #53B706, #23B706, #06B717, #06B747 and #06B776

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06B918 shade: #03670D, #048F12, #06B717, #07DF1D and #17F82E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06B918 shade: #06B918, #0682B7 and #B7063B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06B918 shade: #06B918, #1706B7 and #B71706

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06B918 shade: #06B918, #0682B7, #B706A5 and #B73B06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06B918 shade: #06B918, #064DB7, #B706A5 and #B77006

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 87 / 27

HEX #06B918

RGB 6 185 24

HSL 126.03, 0.94%, 0.37%

LAB 65.59, -66.77, 61.9

 

Complementary color

CMYK 0 / 72 / 7 / 2

HEX #F946E7

RGB 249 70 231

HSL 306.03, 0.94%, 0.63%

LAB 61.9, 82.58, -45.03

 

CMYK 94 / 0 / 90 / 27

HEX #0BB913

RGB 11 185 19

HSL 122.76, 0.89%, 0.38%

LAB 65.61, -66.73, 62.9

 

CMYK 86 / 0 / 81 / 20

HEX #1CCB26

RGB 28 203 38

HSL 123.43, 0.76%, 0.45%

LAB 71.62, -69.83, 64

 

CMYK 80 / 0 / 74 / 13

HEX #2DDD39

RGB 45 221 57

HSL 124.09, 0.72%, 0.52%

LAB 77.62, -72.12, 64.06

 

CMYK 74 / 0 / 68 / 6

HEX #3EEF4C

RGB 62 239 76

HSL 124.75, 0.85%, 0.59%

LAB 83.59, -73.78, 63.48

 

CMYK 69 / 0 / 63 / 0

HEX #4FFF5F

RGB 79 255 95

HSL 125.45, 1%, 0.65%

LAB 88.93, -74.32, 61.89

 

CMYK 97 / 0 / 87 / 27

HEX #06B918

RGB 6 185 24

HSL 126.03, 0.94%, 0.37%

LAB 65.59, -66.77, 61.9

 

CMYK 100 / 0 / 97 / 35

HEX #00A705

RGB 0 167 5

HSL 121.8, 1%, 0.33%

LAB 59.57, -62.64, 59.88

 

CMYK 100 / 0 / 100 / 42

HEX #009500

RGB 0 149 0

HSL 120, 1%, 0.29%

LAB 53.49, -57.73, 55.72

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 97 / 0 / 87 / 28

HEX #06B717

RGB 6 183 23

HSL 125.76, 0.94%, 0.37%

LAB 64.94, -66.25, 61.53

 

CMYK 80 / 0 / 97 / 28

HEX #24B706

RGB 36 183 6

HSL 109.83, 0.94%, 0.37%

LAB 65.16, -64.35, 64.46

 

CMYK 54 / 0 / 97 / 28

HEX #54B706

RGB 84 183 6

HSL 93.56, 0.94%, 0.37%

LAB 66.34, -54.46, 65.91

 

CMYK 28 / 0 / 97 / 28

HEX #83B706

RGB 131 183 6

HSL 77.63, 0.94%, 0.37%

LAB 68.54, -38.46, 68.58

 

CMYK 2 / 0 / 97 / 28

HEX #B3B706

RGB 179 183 6

HSL 61.36, 0.94%, 0.37%

LAB 71.87, -18.47, 72.59

 

CMYK 97 / 0 / 87 / 28

HEX #06B717

RGB 6 183 23

HSL 125.76, 0.94%, 0.37%

LAB 64.94, -66.25, 61.53

 

CMYK 97 / 0 / 61 / 28

HEX #06B747

RGB 6 183 71

HSL 142.03, 0.94%, 0.37%

LAB 65.25, -62.3, 45.17

 

CMYK 97 / 0 / 35 / 28

HEX #06B777

RGB 6 183 119

HSL 158.31, 0.94%, 0.37%

LAB 65.93, -54.1, 21.84

 

CMYK 97 / 0 / 9 / 28

HEX #06B7A7

RGB 6 183 167

HSL 174.58, 0.94%, 0.37%

LAB 67.05, -42.01, -2.84

 

CMYK 97 / 17 / 0 / 28

HEX #0697B7

RGB 6 151 183

HSL 190.85, 0.94%, 0.37%

LAB 57.65, -21.6, -25.98

 

CMYK 97 / 0 / 87 / 28

HEX #06B717

RGB 6 183 23

HSL 125.76, 0.94%, 0.37%

LAB 64.94, -66.25, 61.53

 

CMYK 97 / 0 / 87 / 28

HEX #06B717

RGB 6 183 23

HSL 125.76, 0.94%, 0.37%

LAB 64.94, -66.25, 61.53

 

CMYK 88 / 0 / 79 / 34

HEX #15A824

RGB 21 168 36

HSL 126.12, 0.78%, 0.37%

LAB 60.15, -60.28, 53.7

 

CMYK 76 / 0 / 69 / 40

HEX #249930

RGB 36 153 48

HSL 126.15, 0.62%, 0.37%

LAB 55.45, -52.69, 44.47

 

CMYK 63 / 0 / 56 / 46

HEX #33893C

RGB 51 137 60

HSL 126.28, 0.46%, 0.37%

LAB 50.6, -42.46, 33.42

 

CMYK 45 / 0 / 41 / 52

HEX #437A48

RGB 67 122 72

HSL 125.45, 0.29%, 0.37%

LAB 46.42, -29.56, 21.85

 

CMYK 55 / 0 / 97 / 28

HEX #53B706

RGB 83 183 6

HSL 93.9, 0.94%, 0.37%

LAB 66.3, -54.74, 65.86

 

CMYK 81 / 0 / 97 / 28

HEX #23B706

RGB 35 183 6

HSL 110.17, 0.94%, 0.37%

LAB 65.15, -64.48, 64.45

 

CMYK 97 / 0 / 87 / 28

HEX #06B717

RGB 6 183 23

HSL 125.76, 0.94%, 0.37%

LAB 64.94, -66.25, 61.53

 

CMYK 97 / 0 / 61 / 28

HEX #06B747

RGB 6 183 71

HSL 142.03, 0.94%, 0.37%

LAB 65.25, -62.3, 45.17

 

CMYK 97 / 0 / 36 / 28

HEX #06B776

RGB 6 183 118

HSL 157.97, 0.94%, 0.37%

LAB 65.91, -54.31, 22.35

 

CMYK 97 / 0 / 87 / 60

HEX #03670D

RGB 3 103 13

HSL 126, 0.94%, 0.21%

LAB 37.39, -43.27, 39.27

 

CMYK 97 / 0 / 87 / 44

HEX #048F12

RGB 4 143 18

HSL 126.04, 0.95%, 0.29%

LAB 51.51, -55.1, 50.75

 

CMYK 97 / 0 / 87 / 28

HEX #06B717

RGB 6 183 23

HSL 125.76, 0.94%, 0.37%

LAB 64.94, -66.25, 61.53

 

CMYK 97 / 0 / 87 / 13

HEX #07DF1D

RGB 7 223 29

HSL 126.11, 0.94%, 0.45%

LAB 77.82, -76.95, 71.62

 

CMYK 91 / 0 / 81 / 3

HEX #17F82E

RGB 23 248 46

HSL 126.13, 0.94%, 0.53%

LAB 85.76, -82.26, 74.98

 

CMYK 97 / 0 / 87 / 27

HEX #06B918

RGB 6 185 24

HSL 126.03, 0.94%, 0.37%

LAB 65.59, -66.77, 61.9

 

CMYK 97 / 29 / 0 / 28

HEX #0682B7

RGB 6 130 183

HSL 197.97, 0.94%, 0.37%

LAB 51.18, -10.05, -36.04

 

CMYK 0 / 97 / 68 / 28

HEX #B7063B

RGB 183 6 59

HSL 342.03, 0.94%, 0.37%

LAB 38.75, 63.3, 22.33

 

CMYK 97 / 0 / 87 / 27

HEX #06B918

RGB 6 185 24

HSL 126.03, 0.94%, 0.37%

LAB 65.59, -66.77, 61.9

 

CMYK 87 / 97 / 0 / 28

HEX #1706B7

RGB 23 6 183

HSL 245.76, 0.94%, 0.37%

LAB 22.76, 60.53, -82.2

 

CMYK 0 / 87 / 97 / 28

HEX #B71706

RGB 183 23 6

HSL 5.76, 0.94%, 0.37%

LAB 39.06, 59.42, 50.56

 

CMYK 97 / 0 / 87 / 27

HEX #06B918

RGB 6 185 24

HSL 126.03, 0.94%, 0.37%

LAB 65.59, -66.77, 61.9

 

CMYK 97 / 29 / 0 / 28

HEX #0682B7

RGB 6 130 183

HSL 197.97, 0.94%, 0.37%

LAB 51.18, -10.05, -36.04

 

CMYK 0 / 97 / 10 / 28

HEX #B706A5

RGB 183 6 165

HSL 306.1, 0.94%, 0.37%

LAB 42.63, 73.44, -38.09

 

CMYK 0 / 68 / 97 / 28

HEX #B73B06

RGB 183 59 6

HSL 17.97, 0.94%, 0.37%

LAB 43.08, 48.24, 52.78

 

CMYK 97 / 0 / 87 / 27

HEX #06B918

RGB 6 185 24

HSL 126.03, 0.94%, 0.37%

LAB 65.59, -66.77, 61.9

 

CMYK 97 / 58 / 0 / 28

HEX #064DB7

RGB 6 77 183

HSL 215.93, 0.94%, 0.37%

LAB 35.53, 23.58, -61.12

 

CMYK 0 / 97 / 10 / 28

HEX #B706A5

RGB 183 6 165

HSL 306.1, 0.94%, 0.37%

LAB 42.63, 73.44, -38.09

 

CMYK 0 / 39 / 97 / 28

HEX #B77006

RGB 183 112 6

HSL 35.93, 0.94%, 0.37%

LAB 53.67, 21.55, 59.6

 

Description

Color code: HEX #06B918 | qconv.com Color code: HEX #06B918 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 185 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 185 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 87 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 87% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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