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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06B910 it is the complementary color #F946EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06B910. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06B910 shade: #0BB90B, #1CCB1E, #2DDD31, #3EEF44 and #4FFF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06B910. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06B910 shade: #06B910, #00A700, #009500, #008300 and #007100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06B910 shade: #06B710, #2CB706, #5BB706, #8BB706 and #B7B306

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06B910 shade: #06B710, #06B73F, #06B76F, #06B79F and #069FB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06B910 shade matches the following richer shades: #06B710

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06B910 shade: #06B710, #15A81D, #24992B, #338938 and #437A46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06B910 shade: #5BB706, #2CB706, #06B70F, #06B73E and #06B76D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06B910 shade: #036709, #048F0C, #06B710, #07DF13 and #17F824

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06B910 shade: #06B910, #068BB7 and #B70644

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06B910 shade: #06B910, #0F06B7 and #B70F06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06B910 shade: #06B910, #068BB7, #B706AE and #B73206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06B910 shade: #06B910, #0655B7, #B706AE and #B76706

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 91 / 27

HEX #06B910

RGB 6 185 16

HSL 123.35, 0.94%, 0.37%

LAB 65.57, -67.06, 63.37

 

Complementary color

CMYK 0 / 72 / 4 / 2

HEX #F946EF

RGB 249 70 239

HSL 303.35, 0.94%, 0.63%

LAB 62.3, 83.75, -48.87

 

CMYK 94 / 0 / 94 / 27

HEX #0BB90B

RGB 11 185 11

HSL 120, 0.89%, 0.38%

LAB 65.59, -66.97, 64.11

 

CMYK 86 / 0 / 85 / 20

HEX #1CCB1E

RGB 28 203 30

HSL 120.69, 0.76%, 0.45%

LAB 71.59, -70.23, 65.96

 

CMYK 80 / 0 / 78 / 13

HEX #2DDD31

RGB 45 221 49

HSL 121.36, 0.72%, 0.52%

LAB 77.57, -72.67, 66.55

 

CMYK 74 / 0 / 72 / 6

HEX #3EEF44

RGB 62 239 68

HSL 122.03, 0.85%, 0.59%

LAB 83.53, -74.45, 66.34

 

CMYK 69 / 0 / 66 / 0

HEX #4FFF57

RGB 79 255 87

HSL 122.73, 1%, 0.65%

LAB 88.86, -75.11, 65

 

CMYK 97 / 0 / 91 / 27

HEX #06B910

RGB 6 185 16

HSL 123.35, 0.94%, 0.37%

LAB 65.57, -67.06, 63.37

 

CMYK 100 / 0 / 100 / 35

HEX #00A700

RGB 0 167 0

HSL 120, 1%, 0.33%

LAB 59.56, -62.77, 60.59

 

CMYK 100 / 0 / 100 / 42

HEX #009500

RGB 0 149 0

HSL 120, 1%, 0.29%

LAB 53.49, -57.73, 55.72

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 97 / 0 / 91 / 28

HEX #06B710

RGB 6 183 16

HSL 123.39, 0.94%, 0.37%

LAB 64.92, -66.51, 62.82

 

CMYK 76 / 0 / 97 / 28

HEX #2CB706

RGB 44 183 6

HSL 107.12, 0.94%, 0.37%

LAB 65.29, -63.23, 64.62

 

CMYK 50 / 0 / 97 / 28

HEX #5BB706

RGB 91 183 6

HSL 91.19, 0.94%, 0.37%

LAB 66.6, -52.42, 66.22

 

CMYK 24 / 0 / 97 / 28

HEX #8BB706

RGB 139 183 6

HSL 74.92, 0.94%, 0.37%

LAB 69.02, -35.3, 69.16

 

CMYK 0 / 2 / 97 / 28

HEX #B7B306

RGB 183 179 6

HSL 58.64, 0.94%, 0.37%

LAB 71.09, -14.7, 72.15

 

CMYK 97 / 0 / 91 / 28

HEX #06B710

RGB 6 183 16

HSL 123.39, 0.94%, 0.37%

LAB 64.92, -66.51, 62.82

 

CMYK 97 / 0 / 66 / 28

HEX #06B73F

RGB 6 183 63

HSL 139.32, 0.94%, 0.37%

LAB 65.17, -63.25, 48.61

 

CMYK 97 / 0 / 39 / 28

HEX #06B76F

RGB 6 183 111

HSL 155.59, 0.94%, 0.37%

LAB 65.79, -55.76, 25.91

 

CMYK 97 / 0 / 13 / 28

HEX #06B79F

RGB 6 183 159

HSL 171.86, 0.94%, 0.37%

LAB 66.83, -44.25, 1.26

 

CMYK 97 / 13 / 0 / 28

HEX #069FB7

RGB 6 159 183

HSL 188.14, 0.94%, 0.37%

LAB 60.12, -25.72, -22.18

 

CMYK 97 / 0 / 91 / 28

HEX #06B710

RGB 6 183 16

HSL 123.39, 0.94%, 0.37%

LAB 64.92, -66.51, 62.82

 

CMYK 97 / 0 / 91 / 28

HEX #06B710

RGB 6 183 16

HSL 123.39, 0.94%, 0.37%

LAB 64.92, -66.51, 62.82

 

CMYK 88 / 0 / 83 / 34

HEX #15A81D

RGB 21 168 29

HSL 123.27, 0.78%, 0.37%

LAB 60.12, -60.72, 55.77

 

CMYK 76 / 0 / 72 / 40

HEX #24992B

RGB 36 153 43

HSL 123.59, 0.62%, 0.37%

LAB 55.41, -53.17, 46.48

 

CMYK 63 / 0 / 59 / 46

HEX #338938

RGB 51 137 56

HSL 123.49, 0.46%, 0.37%

LAB 50.55, -43, 35.37

 

CMYK 45 / 0 / 43 / 52

HEX #437A46

RGB 67 122 70

HSL 123.27, 0.29%, 0.37%

LAB 46.38, -29.91, 22.93

 

CMYK 50 / 0 / 97 / 28

HEX #5BB706

RGB 91 183 6

HSL 91.19, 0.94%, 0.37%

LAB 66.6, -52.42, 66.22

 

CMYK 76 / 0 / 97 / 28

HEX #2CB706

RGB 44 183 6

HSL 107.12, 0.94%, 0.37%

LAB 65.29, -63.23, 64.62

 

CMYK 97 / 0 / 92 / 28

HEX #06B70F

RGB 6 183 15

HSL 123.05, 0.94%, 0.37%

LAB 64.92, -66.54, 62.97

 

CMYK 97 / 0 / 66 / 28

HEX #06B73E

RGB 6 183 62

HSL 138.98, 0.94%, 0.37%

LAB 65.16, -63.36, 49.02

 

CMYK 97 / 0 / 40 / 28

HEX #06B76D

RGB 6 183 109

HSL 154.92, 0.94%, 0.37%

LAB 65.76, -56.15, 26.92

 

CMYK 97 / 0 / 91 / 60

HEX #036709

RGB 3 103 9

HSL 123.6, 0.94%, 0.21%

LAB 37.37, -43.49, 40.34

 

CMYK 97 / 0 / 92 / 44

HEX #048F0C

RGB 4 143 12

HSL 123.45, 0.95%, 0.29%

LAB 51.49, -55.36, 52.02

 

CMYK 97 / 0 / 91 / 28

HEX #06B710

RGB 6 183 16

HSL 123.39, 0.94%, 0.37%

LAB 64.92, -66.51, 62.82

 

CMYK 97 / 0 / 91 / 13

HEX #07DF13

RGB 7 223 19

HSL 123.33, 0.94%, 0.45%

LAB 77.8, -77.27, 73.27

 

CMYK 91 / 0 / 85 / 3

HEX #17F824

RGB 23 248 36

HSL 123.47, 0.94%, 0.53%

LAB 85.73, -82.72, 77.21

 

CMYK 97 / 0 / 91 / 27

HEX #06B910

RGB 6 185 16

HSL 123.35, 0.94%, 0.37%

LAB 65.57, -67.06, 63.37

 

CMYK 97 / 24 / 0 / 28

HEX #068BB7

RGB 6 139 183

HSL 194.92, 0.94%, 0.37%

LAB 53.95, -15.13, -31.72

 

CMYK 0 / 97 / 63 / 28

HEX #B70644

RGB 183 6 68

HSL 338.98, 0.94%, 0.37%

LAB 38.92, 63.78, 16.81

 

CMYK 97 / 0 / 91 / 27

HEX #06B910

RGB 6 185 16

HSL 123.35, 0.94%, 0.37%

LAB 65.57, -67.06, 63.37

 

CMYK 92 / 97 / 0 / 28

HEX #0F06B7

RGB 15 6 183

HSL 243.05, 0.94%, 0.37%

LAB 22.48, 60.41, -82.67

 

CMYK 0 / 92 / 97 / 28

HEX #B70F06

RGB 183 15 6

HSL 3.05, 0.94%, 0.37%

LAB 38.59, 60.76, 50.32

 

CMYK 97 / 0 / 91 / 27

HEX #06B910

RGB 6 185 16

HSL 123.35, 0.94%, 0.37%

LAB 65.57, -67.06, 63.37

 

CMYK 97 / 24 / 0 / 28

HEX #068BB7

RGB 6 139 183

HSL 194.92, 0.94%, 0.37%

LAB 53.95, -15.13, -31.72

 

CMYK 0 / 97 / 5 / 28

HEX #B706AE

RGB 183 6 174

HSL 303.05, 0.94%, 0.37%

LAB 43.14, 74.7, -42.65

 

CMYK 0 / 73 / 97 / 28

HEX #B73206

RGB 183 50 6

HSL 14.92, 0.94%, 0.37%

LAB 41.79, 51.76, 52.04

 

CMYK 97 / 0 / 91 / 27

HEX #06B910

RGB 6 185 16

HSL 123.35, 0.94%, 0.37%

LAB 65.57, -67.06, 63.37

 

CMYK 97 / 54 / 0 / 28

HEX #0655B7

RGB 6 85 183

HSL 213.22, 0.94%, 0.37%

LAB 37.76, 18.2, -57.48

 

CMYK 0 / 97 / 5 / 28

HEX #B706AE

RGB 183 6 174

HSL 303.05, 0.94%, 0.37%

LAB 43.14, 74.7, -42.65

 

CMYK 0 / 44 / 97 / 28

HEX #B76706

RGB 183 103 6

HSL 32.88, 0.94%, 0.37%

LAB 51.59, 26.5, 58.18

 

Description

Color code: HEX #06B910 | qconv.com Color code: HEX #06B910 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 185 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 185 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 91 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 91% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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