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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06B55B it is the complementary color #F94AA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06B55B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06B55B shade: #0BB556, #1CC769, #2DD97C, #3EEB8F and #4FFDA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06B55B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06B55B shade: #06B55B, #00A348, #009135, #007F22 and #006D0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06B55B shade: #05B75B, #05B72B, #0FB705, #3FB705 and #6EB705

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06B55B shade: #05B75B, #05B78B, #05B2B7, #0582B7 and #0552B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06B55B shade matches the following richer shades: #05B75B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06B55B shade: #05B75B, #14A75C, #24985C, #33895D and #42795D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06B55B shade: #0EB705, #05B72C, #05B75B, #05B78A and #05B4B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06B55B shade: #036633, #048F47, #05B75B, #06DF6F and #17F784

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06B55B shade: #06B55B, #053DB7 and #B71405

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06B55B shade: #06B55B, #5B05B7 and #B75B05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06B55B shade: #06B55B, #053DB7, #B70561 and #B77E05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06B55B shade: #06B55B, #0508B7, #B70561 and #B7B405

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 50 / 29

HEX #06B55B

RGB 6 181 91

HSL 149.14, 0.94%, 0.37%

LAB 64.84, -58.73, 35.05

 

Complementary color

CMYK 0 / 70 / 34 / 2

HEX #F94AA4

RGB 249 74 164

HSL 329.14, 0.94%, 0.63%

LAB 59.63, 72.77, -10.32

 

CMYK 94 / 0 / 52 / 29

HEX #0BB556

RGB 11 181 86

HSL 146.47, 0.89%, 0.38%

LAB 64.8, -59.32, 37.5

 

CMYK 86 / 0 / 47 / 22

HEX #1CC769

RGB 28 199 105

HSL 147.02, 0.75%, 0.45%

LAB 70.95, -61.17, 35.74

 

CMYK 79 / 0 / 43 / 15

HEX #2DD97C

RGB 45 217 124

HSL 147.56, 0.69%, 0.51%

LAB 77.06, -62.48, 34.07

 

CMYK 74 / 0 / 39 / 8

HEX #3EEB8F

RGB 62 235 143

HSL 148.09, 0.81%, 0.58%

LAB 83.14, -63.38, 32.5

 

CMYK 69 / 0 / 36 / 1

HEX #4FFDA2

RGB 79 253 162

HSL 148.62, 0.98%, 0.65%

LAB 89.17, -63.99, 31.04

 

CMYK 97 / 0 / 50 / 29

HEX #06B55B

RGB 6 181 91

HSL 149.14, 0.94%, 0.37%

LAB 64.84, -58.73, 35.05

 

CMYK 100 / 0 / 56 / 36

HEX #00A348

RGB 0 163 72

HSL 146.5, 1%, 0.32%

LAB 58.66, -56.09, 36.94

 

CMYK 100 / 0 / 63 / 43

HEX #009135

RGB 0 145 53

HSL 141.93, 1%, 0.28%

LAB 52.41, -52.92, 38.75

 

CMYK 100 / 0 / 73 / 50

HEX #007F22

RGB 0 127 34

HSL 136.06, 1%, 0.25%

LAB 46.03, -49.39, 40.19

 

CMYK 100 / 0 / 86 / 57

HEX #006D0F

RGB 0 109 15

HSL 128.26, 1%, 0.21%

LAB 39.53, -45.33, 40.65

 

CMYK 97 / 0 / 50 / 28

HEX #05B75B

RGB 5 183 91

HSL 148.99, 0.95%, 0.37%

LAB 65.48, -59.44, 35.85

 

CMYK 97 / 0 / 77 / 28

HEX #05B72B

RGB 5 183 43

HSL 132.81, 0.95%, 0.37%

LAB 65.02, -65.15, 56.12

 

CMYK 92 / 0 / 97 / 28

HEX #0FB705

RGB 15 183 5

HSL 116.63, 0.95%, 0.37%

LAB 64.95, -66.32, 64.32

 

CMYK 66 / 0 / 97 / 28

HEX #3FB705

RGB 63 183 5

HSL 100.45, 0.95%, 0.37%

LAB 65.7, -59.74, 65.24

 

CMYK 40 / 0 / 97 / 28

HEX #6EB705

RGB 110 183 5

HSL 84.61, 0.95%, 0.37%

LAB 67.42, -46.24, 67.35

 

CMYK 97 / 0 / 50 / 28

HEX #05B75B

RGB 5 183 91

HSL 148.99, 0.95%, 0.37%

LAB 65.48, -59.44, 35.85

 

CMYK 97 / 0 / 24 / 28

HEX #05B78B

RGB 5 183 139

HSL 165.17, 0.95%, 0.37%

LAB 66.34, -49.52, 11.55

 

CMYK 97 / 3 / 0 / 28

HEX #05B2B7

RGB 5 178 183

HSL 181.69, 0.95%, 0.37%

LAB 65.98, -35, -13.29

 

CMYK 97 / 29 / 0 / 28

HEX #0582B7

RGB 5 130 183

HSL 197.87, 0.95%, 0.37%

LAB 51.17, -10.09, -36.06

 

CMYK 97 / 55 / 0 / 28

HEX #0552B7

RGB 5 82 183

HSL 214.04, 0.95%, 0.37%

LAB 36.9, 20.18, -58.88

 

CMYK 97 / 0 / 50 / 28

HEX #05B75B

RGB 5 183 91

HSL 148.99, 0.95%, 0.37%

LAB 65.48, -59.44, 35.85

 

CMYK 97 / 0 / 50 / 28

HEX #05B75B

RGB 5 183 91

HSL 148.99, 0.95%, 0.37%

LAB 65.48, -59.44, 35.85

 

CMYK 88 / 0 / 45 / 35

HEX #14A75C

RGB 20 167 92

HSL 149.39, 0.79%, 0.37%

LAB 60.39, -52.97, 28.89

 

CMYK 76 / 0 / 39 / 40

HEX #24985C

RGB 36 152 92

HSL 148.97, 0.62%, 0.37%

LAB 55.69, -45.66, 22.78

 

CMYK 63 / 0 / 32 / 46

HEX #33895D

RGB 51 137 93

HSL 149.3, 0.46%, 0.37%

LAB 51.14, -36.56, 16.14

 

CMYK 45 / 0 / 23 / 53

HEX #42795D

RGB 66 121 93

HSL 149.45, 0.29%, 0.37%

LAB 46.48, -25.19, 9.77

 

CMYK 92 / 0 / 97 / 28

HEX #0EB705

RGB 14 183 5

HSL 116.97, 0.95%, 0.37%

LAB 64.94, -66.38, 64.31

 

CMYK 97 / 0 / 76 / 28

HEX #05B72C

RGB 5 183 44

HSL 133.15, 0.95%, 0.37%

LAB 65.03, -65.07, 55.79

 

CMYK 97 / 0 / 50 / 28

HEX #05B75B

RGB 5 183 91

HSL 148.99, 0.95%, 0.37%

LAB 65.48, -59.44, 35.85

 

CMYK 97 / 0 / 25 / 28

HEX #05B78A

RGB 5 183 138

HSL 164.83, 0.95%, 0.37%

LAB 66.32, -49.77, 12.07

 

CMYK 97 / 2 / 0 / 28

HEX #05B4B7

RGB 5 180 183

HSL 181.01, 0.95%, 0.37%

LAB 66.59, -35.93, -12.37

 

CMYK 97 / 0 / 50 / 60

HEX #036633

RGB 3 102 51

HSL 149.09, 0.94%, 0.21%

LAB 37.41, -38.16, 21.77

 

CMYK 97 / 0 / 50 / 44

HEX #048F47

RGB 4 143 71

HSL 148.92, 0.95%, 0.29%

LAB 51.98, -49.28, 29.24

 

CMYK 97 / 0 / 50 / 28

HEX #05B75B

RGB 5 183 91

HSL 148.99, 0.95%, 0.37%

LAB 65.48, -59.44, 35.85

 

CMYK 97 / 0 / 50 / 13

HEX #06DF6F

RGB 6 223 111

HSL 149.03, 0.95%, 0.45%

LAB 78.44, -69.18, 42.17

 

CMYK 91 / 0 / 47 / 3

HEX #17F784

RGB 23 247 132

HSL 149.2, 0.93%, 0.53%

LAB 86.19, -72.85, 41.8

 

CMYK 97 / 0 / 50 / 29

HEX #06B55B

RGB 6 181 91

HSL 149.14, 0.94%, 0.37%

LAB 64.84, -58.73, 35.05

 

CMYK 97 / 67 / 0 / 28

HEX #053DB7

RGB 5 61 183

HSL 221.12, 0.95%, 0.37%

LAB 31.32, 34.25, -68.01

 

CMYK 0 / 89 / 97 / 28

HEX #B71405

RGB 183 20 5

HSL 5.06, 0.95%, 0.37%

LAB 38.86, 59.96, 50.82

 

CMYK 97 / 0 / 50 / 29

HEX #06B55B

RGB 6 181 91

HSL 149.14, 0.94%, 0.37%

LAB 64.84, -58.73, 35.05

 

CMYK 50 / 97 / 0 / 28

HEX #5B05B7

RGB 91 5 183

HSL 268.99, 0.95%, 0.37%

LAB 28.78, 64.05, -72.03

 

CMYK 0 / 50 / 97 / 28

HEX #B75B05

RGB 183 91 5

HSL 28.99, 0.95%, 0.37%

LAB 48.96, 32.92, 56.67

 

CMYK 97 / 0 / 50 / 29

HEX #06B55B

RGB 6 181 91

HSL 149.14, 0.94%, 0.37%

LAB 64.84, -58.73, 35.05

 

CMYK 97 / 67 / 0 / 28

HEX #053DB7

RGB 5 61 183

HSL 221.12, 0.95%, 0.37%

LAB 31.32, 34.25, -68.01

 

CMYK 0 / 97 / 47 / 28

HEX #B70561

RGB 183 5 97

HSL 328.99, 0.95%, 0.37%

LAB 39.65, 65.93, -0.73

 

CMYK 0 / 31 / 97 / 28

HEX #B77E05

RGB 183 126 5

HSL 40.79, 0.95%, 0.37%

LAB 57.08, 13.77, 62.13

 

CMYK 97 / 0 / 50 / 29

HEX #06B55B

RGB 6 181 91

HSL 149.14, 0.94%, 0.37%

LAB 64.84, -58.73, 35.05

 

CMYK 97 / 96 / 0 / 28

HEX #0508B7

RGB 5 8 183

HSL 238.99, 0.95%, 0.37%

LAB 22.39, 59.83, -82.83

 

CMYK 0 / 97 / 47 / 28

HEX #B70561

RGB 183 5 97

HSL 328.99, 0.95%, 0.37%

LAB 39.65, 65.93, -0.73

 

CMYK 0 / 2 / 97 / 28

HEX #B7B405

RGB 183 180 5

HSL 58.99, 0.95%, 0.37%

LAB 71.37, -15.22, 72.47

 

Description

Color code: HEX #06B55B | qconv.com Color code: HEX #06B55B | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 181 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 181 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 50 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 50% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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