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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06B491 it is the complementary color #F94B6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06B491. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06B491 shade: #0BB48C, #1CC69F, #2DD8B2, #3EEAC5 and #4FFCD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06B491. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06B491 shade: #06B491, #00A27E, #00906B, #007E58 and #006C45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06B491 shade: #06B28F, #06B261, #06B232, #07B206 and #36B206

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06B491 shade: #06B28F, #06A6B2, #0678B2, #0649B2 and #061BB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06B491 shade matches the following richer shades: #06B28F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06B491 shade: #06B28F, #14A386, #23947E, #328675 and #41776C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06B491 shade: #06B231, #06B25F, #06B28D, #06A9B2 and #067BB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06B491 shade: #03624F, #048A6F, #06B28F, #07DAB0 and #12F8CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06B491 shade: #06B491, #0608B2 and #B24806

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06B491 shade: #06B491, #8D06B2 and #B28D06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06B491 shade: #06B491, #0608B2, #B2062B and #B2AF06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06B491 shade: #06B491, #3606B2, #B2062B and #81B206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 19 / 29

HEX #06B491

RGB 6 180 145

HSL 167.93, 0.94%, 0.36%

LAB 65.53, -46.76, 7.11

 

Complementary color

CMYK 0 / 70 / 56 / 2

HEX #F94B6E

RGB 249 75 110

HSL 347.93, 0.94%, 0.64%

LAB 58.32, 67.61, 19.42

 

CMYK 94 / 0 / 22 / 29

HEX #0BB48C

RGB 11 180 140

HSL 165.8, 0.88%, 0.37%

LAB 65.44, -47.85, 9.74

 

CMYK 86 / 0 / 20 / 22

HEX #1CC69F

RGB 28 198 159

HSL 166.24, 0.75%, 0.44%

LAB 71.65, -49.39, 8.23

 

CMYK 79 / 0 / 18 / 15

HEX #2DD8B2

RGB 45 216 178

HSL 166.67, 0.69%, 0.51%

LAB 77.81, -50.54, 6.87

 

CMYK 74 / 0 / 16 / 8

HEX #3EEAC5

RGB 62 234 197

HSL 167.09, 0.8%, 0.58%

LAB 83.91, -51.38, 5.63

 

CMYK 69 / 0 / 14 / 1

HEX #4FFCD8

RGB 79 252 216

HSL 167.51, 0.97%, 0.65%

LAB 89.97, -51.99, 4.5

 

CMYK 97 / 0 / 19 / 29

HEX #06B491

RGB 6 180 145

HSL 167.93, 0.94%, 0.36%

LAB 65.53, -46.76, 7.11

 

CMYK 100 / 0 / 22 / 36

HEX #00A27E

RGB 0 162 126

HSL 166.67, 1%, 0.32%

LAB 59.29, -44.57, 8.77

 

CMYK 100 / 0 / 26 / 44

HEX #00906B

RGB 0 144 107

HSL 164.58, 1%, 0.28%

LAB 52.96, -42.11, 10.57

 

CMYK 100 / 0 / 30 / 51

HEX #007E58

RGB 0 126 88

HSL 161.9, 1%, 0.25%

LAB 46.48, -39.55, 12.47

 

CMYK 100 / 0 / 36 / 58

HEX #006C45

RGB 0 108 69

HSL 158.33, 1%, 0.21%

LAB 39.84, -36.89, 14.5

 

CMYK 97 / 0 / 20 / 30

HEX #06B28F

RGB 6 178 143

HSL 167.79, 0.93%, 0.36%

LAB 64.85, -46.46, 7.24

 

CMYK 97 / 0 / 46 / 30

HEX #06B261

RGB 6 178 97

HSL 151.74, 0.93%, 0.36%

LAB 63.95, -56.68, 30.85

 

CMYK 97 / 0 / 72 / 30

HEX #06B232

RGB 6 178 50

HSL 135.35, 0.93%, 0.36%

LAB 63.43, -63.06, 52.01

 

CMYK 96 / 0 / 97 / 30

HEX #07B206

RGB 7 178 6

HSL 119.65, 0.93%, 0.36%

LAB 63.26, -65.32, 62.79

 

CMYK 70 / 0 / 97 / 30

HEX #36B206

RGB 54 178 6

HSL 103.26, 0.93%, 0.36%

LAB 63.87, -59.94, 63.54

 

CMYK 97 / 0 / 20 / 30

HEX #06B28F

RGB 6 178 143

HSL 167.79, 0.93%, 0.36%

LAB 64.85, -46.46, 7.24

 

CMYK 97 / 7 / 0 / 30

HEX #06A6B2

RGB 6 166 178

HSL 184.19, 0.93%, 0.36%

LAB 62.11, -30.84, -16.34

 

CMYK 97 / 33 / 0 / 30

HEX #0678B2

RGB 6 120 178

HSL 200.23, 0.93%, 0.36%

LAB 47.86, -6.11, -38.38

 

CMYK 97 / 59 / 0 / 30

HEX #0649B2

RGB 6 73 178

HSL 216.63, 0.93%, 0.36%

LAB 34.02, 24.26, -60.62

 

CMYK 97 / 85 / 0 / 30

HEX #061BB2

RGB 6 27 178

HSL 232.67, 0.93%, 0.36%

LAB 23.79, 52.1, -77.5

 

CMYK 97 / 0 / 20 / 30

HEX #06B28F

RGB 6 178 143

HSL 167.79, 0.93%, 0.36%

LAB 64.85, -46.46, 7.24

 

CMYK 97 / 0 / 20 / 30

HEX #06B28F

RGB 6 178 143

HSL 167.79, 0.93%, 0.36%

LAB 64.85, -46.46, 7.24

 

CMYK 88 / 0 / 18 / 36

HEX #14A386

RGB 20 163 134

HSL 167.83, 0.78%, 0.36%

LAB 59.95, -41.89, 5.23

 

CMYK 76 / 0 / 15 / 42

HEX #23947E

RGB 35 148 126

HSL 168.32, 0.62%, 0.36%

LAB 55.12, -36.04, 2.83

 

CMYK 63 / 0 / 13 / 47

HEX #328675

RGB 50 134 117

HSL 167.86, 0.46%, 0.36%

LAB 50.7, -29.55, 1.67

 

CMYK 45 / 0 / 9 / 53

HEX #41776C

RGB 65 119 108

HSL 167.78, 0.29%, 0.36%

LAB 46.18, -20.82, 0.46

 

CMYK 97 / 0 / 72 / 30

HEX #06B231

RGB 6 178 49

HSL 135, 0.93%, 0.36%

LAB 63.43, -63.15, 52.38

 

CMYK 97 / 0 / 47 / 30

HEX #06B25F

RGB 6 178 95

HSL 151.05, 0.93%, 0.36%

LAB 63.92, -57.03, 31.85

 

CMYK 97 / 0 / 21 / 30

HEX #06B28D

RGB 6 178 141

HSL 167.09, 0.93%, 0.36%

LAB 64.81, -46.98, 8.28

 

CMYK 97 / 5 / 0 / 30

HEX #06A9B2

RGB 6 169 178

HSL 183.14, 0.93%, 0.36%

LAB 63.04, -32.29, -14.94

 

CMYK 97 / 31 / 0 / 30

HEX #067BB2

RGB 6 123 178

HSL 199.19, 0.93%, 0.36%

LAB 48.78, -7.88, -36.93

 

CMYK 97 / 0 / 19 / 62

HEX #03624F

RGB 3 98 79

HSL 168, 0.94%, 0.2%

LAB 36.59, -29.65, 3.91

 

CMYK 97 / 0 / 20 / 46

HEX #048A6F

RGB 4 138 111

HSL 167.91, 0.94%, 0.28%

LAB 51.09, -38.31, 5.63

 

CMYK 97 / 0 / 20 / 30

HEX #06B28F

RGB 6 178 143

HSL 167.79, 0.93%, 0.36%

LAB 64.85, -46.46, 7.24

 

CMYK 97 / 0 / 19 / 15

HEX #07DAB0

RGB 7 218 176

HSL 168.06, 0.94%, 0.44%

LAB 78.07, -54.05, 8.26

 

CMYK 93 / 0 / 19 / 3

HEX #12F8CA

RGB 18 248 202

HSL 168, 0.94%, 0.52%

LAB 87.74, -58.97, 8.46

 

CMYK 97 / 0 / 19 / 29

HEX #06B491

RGB 6 180 145

HSL 167.93, 0.94%, 0.36%

LAB 65.53, -46.76, 7.11

 

CMYK 97 / 96 / 0 / 30

HEX #0608B2

RGB 6 8 178

HSL 239.3, 0.93%, 0.36%

LAB 21.68, 58.51, -81.03

 

CMYK 0 / 60 / 97 / 30

HEX #B24806

RGB 178 72 6

HSL 23.02, 0.93%, 0.36%

LAB 44.39, 40.55, 53.13

 

CMYK 97 / 0 / 19 / 29

HEX #06B491

RGB 6 180 145

HSL 167.93, 0.94%, 0.36%

LAB 65.53, -46.76, 7.11

 

CMYK 21 / 97 / 0 / 30

HEX #8D06B2

RGB 141 6 178

HSL 287.09, 0.93%, 0.36%

LAB 36, 68.66, -56.91

 

CMYK 0 / 21 / 97 / 30

HEX #B28D06

RGB 178 141 6

HSL 47.09, 0.93%, 0.36%

LAB 60.36, 3.22, 64.04

 

CMYK 97 / 0 / 19 / 29

HEX #06B491

RGB 6 180 145

HSL 167.93, 0.94%, 0.36%

LAB 65.53, -46.76, 7.11

 

CMYK 97 / 96 / 0 / 30

HEX #0608B2

RGB 6 8 178

HSL 239.3, 0.93%, 0.36%

LAB 21.68, 58.51, -81.03

 

CMYK 0 / 97 / 76 / 30

HEX #B2062B

RGB 178 6 43

HSL 347.09, 0.93%, 0.36%

LAB 37.43, 61.36, 30.54

 

CMYK 0 / 2 / 97 / 30

HEX #B2AF06

RGB 178 175 6

HSL 58.95, 0.93%, 0.36%

LAB 69.57, -14.86, 70.83

 

CMYK 97 / 0 / 19 / 29

HEX #06B491

RGB 6 180 145

HSL 167.93, 0.94%, 0.36%

LAB 65.53, -46.76, 7.11

 

CMYK 70 / 97 / 0 / 30

HEX #3606B2

RGB 54 6 178

HSL 256.74, 0.93%, 0.36%

LAB 24.09, 60.22, -76.93

 

CMYK 0 / 97 / 76 / 30

HEX #B2062B

RGB 178 6 43

HSL 347.09, 0.93%, 0.36%

LAB 37.43, 61.36, 30.54

 

CMYK 28 / 0 / 97 / 30

HEX #81B206

RGB 129 178 6

HSL 77.09, 0.93%, 0.36%

LAB 66.92, -37.01, 67.26

 

Description

Color code: HEX #06B491 | qconv.com Color code: HEX #06B491 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 180 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 180 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 19 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 19% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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