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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06AE42 it is the complementary color #F951BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06AE42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06AE42 shade: #0BAE3D, #1CC050, #2DD263, #3EE476 and #4FF689

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06AE42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06AE42 shade: #06AE42, #009C2F, #008A1C, #007809 and #006600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06AE42 shade: #06AC42, #06AC15, #24AC06, #51AC06 and #7EAC06

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06AE42 shade: #06AC42, #06AC6E, #06AC9B, #0691AC and #0664AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06AE42 shade matches the following richer shades: #06AC42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06AE42 shade: #06AC42, #159E46, #238F4A, #32814E and #407252

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06AE42 shade: #25AC06, #06AC14, #06AC40, #06AC6D and #06AC99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06AE42 shade: #035D23, #058432, #06AC42, #08D451 and #0FF661

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06AE42 shade: #06AE42, #0651AC and #AC060F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06AE42 shade: #06AE42, #4006AC and #AC4006

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06AE42 shade: #06AE42, #0651AC, #AC0672 and #AC6206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06AE42 shade: #06AE42, #061FAC, #AC0672 and #AC9306

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 62 / 32

HEX #06AE42

RGB 6 174 66

HSL 141.43, 0.93%, 0.35%

LAB 62.26, -60.12, 44.01

 

Complementary color

CMYK 0 / 67 / 24 / 2

HEX #F951BD

RGB 249 81 189

HSL 321.43, 0.93%, 0.65%

LAB 61.39, 73.22, -22.07

 

CMYK 94 / 0 / 65 / 32

HEX #0BAE3D

RGB 11 174 61

HSL 138.4, 0.88%, 0.36%

LAB 62.24, -60.48, 46.22

 

CMYK 85 / 0 / 58 / 25

HEX #1CC050

RGB 28 192 80

HSL 139.02, 0.75%, 0.43%

LAB 68.41, -62.62, 44.75

 

CMYK 79 / 0 / 53 / 18

HEX #2DD263

RGB 45 210 99

HSL 139.64, 0.65%, 0.5%

LAB 74.54, -64.11, 43.19

 

CMYK 73 / 0 / 48 / 11

HEX #3EE476

RGB 62 228 118

HSL 140.24, 0.75%, 0.57%

LAB 80.64, -65.12, 41.65

 

CMYK 68 / 0 / 44 / 4

HEX #4FF689

RGB 79 246 137

HSL 140.84, 0.9%, 0.64%

LAB 86.69, -65.78, 40.16

 

CMYK 97 / 0 / 62 / 32

HEX #06AE42

RGB 6 174 66

HSL 141.43, 0.93%, 0.35%

LAB 62.26, -60.12, 44.01

 

CMYK 100 / 0 / 70 / 39

HEX #009C2F

RGB 0 156 47

HSL 138.08, 1%, 0.31%

LAB 56.07, -57.05, 45.44

 

CMYK 100 / 0 / 80 / 46

HEX #008A1C

RGB 0 138 28

HSL 132.17, 1%, 0.27%

LAB 49.81, -53.28, 46.25

 

CMYK 100 / 0 / 93 / 53

HEX #007809

RGB 0 120 9

HSL 124.5, 1%, 0.24%

LAB 43.44, -48.98, 45.65

 

CMYK 100 / 0 / 100 / 60

HEX #006600

RGB 0 102 0

HSL 120, 1%, 0.2%

LAB 36.93, -43.98, 42.45

 

CMYK 97 / 0 / 62 / 33

HEX #06AC42

RGB 6 172 66

HSL 141.69, 0.93%, 0.35%

LAB 61.6, -59.5, 43.26

 

CMYK 97 / 0 / 88 / 33

HEX #06AC15

RGB 6 172 21

HSL 125.42, 0.93%, 0.35%

LAB 61.31, -63.24, 58.76

 

CMYK 79 / 0 / 97 / 33

HEX #24AC06

RGB 36 172 6

HSL 109.16, 0.93%, 0.35%

LAB 61.56, -61.07, 61.52

 

CMYK 53 / 0 / 97 / 33

HEX #51AC06

RGB 81 172 6

HSL 92.89, 0.93%, 0.35%

LAB 62.73, -51.29, 62.95

 

CMYK 27 / 0 / 97 / 33

HEX #7EAC06

RGB 126 172 6

HSL 76.63, 0.93%, 0.35%

LAB 64.93, -35.49, 65.63

 

CMYK 97 / 0 / 62 / 33

HEX #06AC42

RGB 6 172 66

HSL 141.69, 0.93%, 0.35%

LAB 61.6, -59.5, 43.26

 

CMYK 97 / 0 / 36 / 33

HEX #06AC6E

RGB 6 172 110

HSL 157.59, 0.93%, 0.35%

LAB 62.23, -51.97, 21.68

 

CMYK 97 / 0 / 10 / 33

HEX #06AC9B

RGB 6 172 155

HSL 173.86, 0.93%, 0.35%

LAB 63.27, -40.64, -1.72

 

CMYK 97 / 16 / 0 / 33

HEX #0691AC

RGB 6 145 172

HSL 189.76, 0.93%, 0.35%

LAB 55.35, -22.29, -23.26

 

CMYK 97 / 42 / 0 / 33

HEX #0664AC

RGB 6 100 172

HSL 206.02, 0.93%, 0.35%

LAB 41.42, 3.86, -45.1

 

CMYK 97 / 0 / 62 / 33

HEX #06AC42

RGB 6 172 66

HSL 141.69, 0.93%, 0.35%

LAB 61.6, -59.5, 43.26

 

CMYK 97 / 0 / 62 / 33

HEX #06AC42

RGB 6 172 66

HSL 141.69, 0.93%, 0.35%

LAB 61.6, -59.5, 43.26

 

CMYK 87 / 0 / 56 / 38

HEX #159E46

RGB 21 158 70

HSL 141.46, 0.77%, 0.35%

LAB 57.13, -53.43, 36.12

 

CMYK 76 / 0 / 48 / 44

HEX #238F4A

RGB 35 143 74

HSL 141.67, 0.61%, 0.35%

LAB 52.39, -45.71, 28.24

 

CMYK 61 / 0 / 40 / 49

HEX #32814E

RGB 50 129 78

HSL 141.27, 0.44%, 0.35%

LAB 48.17, -36.37, 20.64

 

CMYK 44 / 0 / 28 / 55

HEX #407252

RGB 64 114 82

HSL 141.6, 0.28%, 0.35%

LAB 43.85, -24.68, 12.58

 

CMYK 78 / 0 / 97 / 33

HEX #25AC06

RGB 37 172 6

HSL 108.8, 0.93%, 0.35%

LAB 61.58, -60.93, 61.54

 

CMYK 97 / 0 / 88 / 33

HEX #06AC14

RGB 6 172 20

HSL 125.06, 0.93%, 0.35%

LAB 61.3, -63.28, 58.97

 

CMYK 97 / 0 / 63 / 33

HEX #06AC40

RGB 6 172 64

HSL 140.96, 0.93%, 0.35%

LAB 61.58, -59.75, 44.15

 

CMYK 97 / 0 / 37 / 33

HEX #06AC6D

RGB 6 172 109

HSL 157.23, 0.93%, 0.35%

LAB 62.21, -52.18, 22.19

 

CMYK 97 / 0 / 11 / 33

HEX #06AC99

RGB 6 172 153

HSL 173.13, 0.93%, 0.35%

LAB 63.21, -41.21, -0.69

 

CMYK 97 / 0 / 62 / 64

HEX #035D23

RGB 3 93 35

HSL 141.33, 0.94%, 0.19%

LAB 33.92, -37.63, 26.31

 

CMYK 96 / 0 / 62 / 48

HEX #058432

RGB 5 132 50

HSL 141.26, 0.93%, 0.27%

LAB 47.96, -48.74, 35.09

 

CMYK 97 / 0 / 62 / 33

HEX #06AC42

RGB 6 172 66

HSL 141.69, 0.93%, 0.35%

LAB 61.6, -59.5, 43.26

 

CMYK 96 / 0 / 62 / 17

HEX #08D451

RGB 8 212 81

HSL 141.47, 0.93%, 0.43%

LAB 74.66, -69.85, 51.49

 

CMYK 94 / 0 / 61 / 4

HEX #0FF661

RGB 15 246 97

HSL 141.3, 0.93%, 0.51%

LAB 85.44, -77.81, 56.91

 

CMYK 97 / 0 / 62 / 32

HEX #06AE42

RGB 6 174 66

HSL 141.43, 0.93%, 0.35%

LAB 62.26, -60.12, 44.01

 

CMYK 97 / 53 / 0 / 33

HEX #0651AC

RGB 6 81 172

HSL 212.89, 0.93%, 0.35%

LAB 35.8, 16.38, -54.17

 

CMYK 0 / 97 / 91 / 33

HEX #AC060F

RGB 172 6 15

HSL 356.75, 0.93%, 0.35%

LAB 35.86, 59.09, 44.03

 

CMYK 97 / 0 / 62 / 32

HEX #06AE42

RGB 6 174 66

HSL 141.43, 0.93%, 0.35%

LAB 62.26, -60.12, 44.01

 

CMYK 63 / 97 / 0 / 33

HEX #4006AC

RGB 64 6 172

HSL 260.96, 0.93%, 0.35%

LAB 24.32, 59.28, -72.92

 

CMYK 0 / 63 / 97 / 33

HEX #AC4006

RGB 172 64 6

HSL 20.96, 0.93%, 0.35%

LAB 41.92, 42.06, 51.08

 

CMYK 97 / 0 / 62 / 32

HEX #06AE42

RGB 6 174 66

HSL 141.43, 0.93%, 0.35%

LAB 62.26, -60.12, 44.01

 

CMYK 97 / 53 / 0 / 33

HEX #0651AC

RGB 6 81 172

HSL 212.89, 0.93%, 0.35%

LAB 35.8, 16.38, -54.17

 

CMYK 0 / 97 / 34 / 33

HEX #AC0672

RGB 172 6 114

HSL 320.96, 0.93%, 0.35%

LAB 38.05, 65, -14.11

 

CMYK 0 / 43 / 97 / 33

HEX #AC6206

RGB 172 98 6

HSL 33.25, 0.93%, 0.35%

LAB 48.91, 24.47, 55.64

 

CMYK 97 / 0 / 62 / 32

HEX #06AE42

RGB 6 174 66

HSL 141.43, 0.93%, 0.35%

LAB 62.26, -60.12, 44.01

 

CMYK 97 / 82 / 0 / 33

HEX #061FAC

RGB 6 31 172

HSL 230.96, 0.93%, 0.35%

LAB 23.66, 48.27, -74.11

 

CMYK 0 / 97 / 34 / 33

HEX #AC0672

RGB 172 6 114

HSL 320.96, 0.93%, 0.35%

LAB 38.05, 65, -14.11

 

CMYK 0 / 15 / 97 / 33

HEX #AC9306

RGB 172 147 6

HSL 50.96, 0.93%, 0.35%

LAB 61.35, -2.79, 64.49

 

Description

Color code: HEX #06AE42 | qconv.com Color code: HEX #06AE42 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 174 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 174 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 62 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 62% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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